O'er the bounding main. Well, it wasn't really bounding. But, I suppose, you'd still want to watch out for those rocks! This photo was taken from the clifftops near Porthcurno Beach in Cornwall, England. At the centre top of the cliffs in the image (hover over the picture for a note to appear) is Logan Rock which is an example of a 'rocking stone'. It weighs 90 tons but because it is finely balanced, one used to be able to set it rocking using only a single hand. Apparently, and for reasons that make a good read in Wikipedia, it isn't as easy to get moving these days. In 1759, William Mason wrote about Logan Rock in his epic poem 'Caractacus' :

 

Thither, youths,

Turn your astonish'd eyes; behold yon huge

And unhewn sphere of living adamant,

Which, poised by magic, rests its central weight

On yonder pointed rock: firm as it seems,

Such is the strange and virtuous property,

It moves obsequious to the gentlest touch

Of him whose breast is pure; but to a traitor,

Tho' ev'n a giant's prowess nerv’d his arm,

It stands as fixt as Snowdon.

 

And here I thought I was just taking a snapshot of a nice cliff...

Le Corbusier, 1955

 

Linhof Super Technika IV, Schneider-Kreuznach Xenar 105 mm, Ilford FP4 plus @50 ASA, developed in Spur Acurol N @20C, fixt with Ilford Rapid Fixer, scannend with Epson V550 Photo.

old work fixt together again

😀i finally got my neckline fixt im so proud of myself for fixing it whit out any help yay😀

Last Saturday with the Linhof Super Technika IV, Schneider-Kreuznach Xenar 105 mm, Fuji Neopan Acros 100, expired 2018, developed in Caffenol-C-M, 12,5 min. @20C, fixt with Ilford Rapid Fixer, scannend with Epson V550 Photo.

Calla is an exotic and yet very popular plant for indoors and outdoors.

 

Linhof Super Technika IV, Schneider-Kreuznach Xenar 105 mm, Fuji Neopan Acros 100, expired 2018, developed in Caffenol-C-M, 12,5 min. @20C, fixt with Ilford Rapid Fixer, scannend with Epson V550 Photo.

I posted this photo immediately after my trip to Berlin but did not remove the panoramic distortion then. Now, after a while I fixt this issue in PS with the help of "Adaptive Wide Angle" filter and want to show it to you again.

😀Finally got it fixt😀

Spontan ist's am besten. So hat man keine Chance, sich den Kopf zu zermartern, welches Motiv man unbedingt braucht. Wir sind einfach los. Von heute auf morgen. Natürlich kenne ich Hamburg. Aber vieles nur durch das Autofenster. Also, einfach mal machen. Die Tour war kürzer als wenn ich allein losgehe. Aber irgendwie auch ergiebiger. Man fixt sich gegenseitig an und der Spaßfaktor ist erheblich höher.

Ich fürchte fast, ich werde die Serie farbig UND monochrom entwickeln. Also hab ich noch ein gutes Stück Arbeit vor mir. :-)

work gave me the opportunity to be near Swanage, so I thought I would have a go at the broken pier (I've been meaning to photograph it for the last 4 years) only to find that its in the process off been fixt (Unless I was at the wrong place ) so I took this instead, Nikon d7000 , sigma 10 -20 and lee big stopper. ( first adventure out with my new filter )

 

Me: Hey little boy why are your throwing your old backplate away?

Little boy: I don’t need it anymore. I’ve got a new one with two big ears.

Me: Yes I know. So there's no excuse anymore you haven’t heard it.

Little boy: mumbling something

Me: Please hand me your old backplate I have to send it to Yimbita.

 

Unfortunately a little while ago Little boy had an accident. :-(

And did lost one of his cute big ear.

Yimbita was so kind to send me another backplate to fix it. Without sending him back to her and wait until his ear is fixt.

Thank so much Yimbita! And thank you for the gift for Candela.

Find the springtails.

 

I hope my mp-e 65mm is fixt quickly because the new generation of springtails is already coming out....

 

5 images merged in photoshop CS6 because I had to focus on almost each springtail.

In the middle you can see Sminthurinus domesticus or S. niger (grey) and Sminthurinus trinotatus, the others are very juvenile ones. The Sminthurinus domesticus still occur in 2 colors I have seen.

Location: Sirajganj, B A N G L A D E S H.

 

[www.flickr.com/groups/nikond3100/]

Thank you so much for posting this photo to your group main page!

  

Bangladesh is a land of rivers. So it is easier to move from one place to another by boat. Journey by boat is very interesting, especially in the rainy season.

During my last visist at December to Bangladesh, once I went to my grandfather’s house with four of my friends from the capital of Dhaka city to Sirajganj city. For this, we hired a small boat. On the fixt date, we came to the river –site. There were two boatmen. So we were six in number in the boat. We started in the morning at about 3:15pm. The boatmen set sail. The wind was favourable. So the boat passed quickly with the wind. But at noon the wind suddenly dropped. Then the boatmen used their pole and oar to move it.

The river was full to the brim. The boat was moving slowly. The waves of the river were making sweet sound. At some places, we saw the farmers cutting paddy plants. We also saw many fishermen fishing with their nets. Many men were bathing and swimming in the river. We were charmed at the vast green paddy fields, mastered fields which is looks as yellow sea and the beautiful sights on our way.

After rowing for three hours we reached our destination. The boat stopped at a place. We all got down and my uncle was glad to see me. He received us warmly.

A journey by boat is really pleasant. The charming sights and scenes on my way filled my heart with great joy. Indeed it was a very happy journey for me and I shall never forget it.

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Hard at work and oh so hot.

No post processing.

Be still, my soul, be still; the arms you bear are brittle,

Earth and high heaven are fixt of old and founded strong.

Think rather,-- call to thought, if now you grieve a little,

The days when we had rest, O soul, for they were long.

 

Men loved unkindness then, but lightless in the quarry

I slept and saw not; tears fell down, I did not mourn;

Sweat ran and blood sprang out and I was never sorry:

Then it was well with me, in days ere I was born.

 

Now, and I muse for why and never find the reason,

I pace the earth, and drink the air, and feel the sun.

Be still, be still, my soul; it is but for a season:

Let us endure an hour and see injustice done.

 

Ay, look: high heaven and earth ail from the prime foundation;

All thoughts to rive the heart are here, and all are vain:

Horror and scorn and hate and fear and indignation--

Oh why did I awake? when shall I sleep again?

 

- Be Still, My Soul, Be Still, by Alfred Edward Housman

 

(Lincoln Park, The Richmond, San Francisco)

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tape fixes

File name: 09_03_000054

 

Title: Harry Houdini Scrapbook [Photographs with Jack London]

 

Creator/Contributor: Quincy Kilby (1854-1931), creator; Harry Houdini (1874 –1926), contributor

 

Created/Published:

 

Date created: 1904-1926

 

Physical description: scrapbook

 

Summary: This remarkable scrapbook was compiled by Houdini’s good friend Quincy Kilby, a Brookline resident and Boston theater impresario. Materials in this large volume were collected over a twenty-year period and include personal letters, photographs, programs, newspapers clippings, and other unique memorabilia. Knowing that Kilby was amassing this collection, Houdini would send him items specifically “for your Houdini scraps book.”

 

The scrapbook is open to an eclectic spread of photographs of Houdini with Jack London and their wives in Oakland, California, in 1924; a lecture advertisement in which Houdini promises a sensational expose of miracle-mongers; and a note on Houdini’s personal stationery to Kilby with an apologetic postscript, “I was in Boston but was so fixt could not get away. Only 1 night.”

  

Location: Boston Public Library, Rare Books & Manuscripts Department

 

Rights: Rights status not evaluated.

 

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One of the Bmore Fixed guys at the Fixt Trix Jam. Bridge Spot Skatepark, 2nd St & Virginia Ave SE, Washington, DC.

ift.tt/1lnD7FQ Titty shape nice and da batty shape roun 👀😻😻👅 @stefflondon - LINK IN MY BIO 🔊 🔊🔊 #Lockarff 🔒🔒 #dmixx with @inchsection #stefflondon #linkuptv #sectionboys #inchsection #DONISH #Don #DonsOnly #5-4 #bbc1xtra #support #don @officialsectionboyz #remix #share #music #video #mad #Kickouttt #QuickTings #FixTings #Rap #HipHop #FemaleRapper #ukrapper #lockarffRemix #UKNicki #NickiMinaj #Barz @nickiminaj 💥💥💥🔥🔥🔥🔥✨✨✨

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One of the Bmore Fixed guys at the Fixt Trix Jam. Bridge Spot Skatepark, 2nd St & Virginia Ave SE, Washington, DC.

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Slapend rijk

Boef

 

Fuck de rechter totdat iedereen vrij is

Noem mij Titanic ik ga tegen die eis in

De man met de hamer, hier is er geen veiling

Contract die is klaar, broer wat een timing

Zeg me wat je wilt maar het boeit me niet, nee

Want ik ben aan het groeien maar ze groeiden niet mee

En drerries maken klappers, ze stoeien niet nee (stoeien)

Fuck de Maccie, eet een goeie diner

En ikke ben niet gierig jij bent heloef net als bacon

Ik wou naar Parijs maar wist niet of mijn bae kon

Dus ikke moest eerst kijken of ze mee kon

Maar toen was me geld nog zwart net als Akon

Maar was niet lonely, voorbeeld die was Tony

En ik shine hard alleen de hater zegt toon niet

S/O naar m'n homie die nog in de ISO zit (free)

Hou je sterk, zet de bajes op slot

En ik ga niet in C want ze naaien je vlot

Al krijgt ze vlinders van je broer, ze blijft een mot

En je bitch wilt me zien nadat ik mij verborg

Want ik heb honing aan m'n reet zelfs in Bijenkorf

Zij is zo strak met mij dat ze maagd moet zijn

En ik doe mijn ogen dicht want ik word slapend rijk

En of ik nog van d'r hou is wat ze vraagt aan mij

Maar ik heb een Rolex om, beter vraag de tijd

Zij is zo strak met mij dat ze maagd moet zijn

En ik doe mijn ogen dicht want ik word slapend rijk

En of ik nog van d'r hou is wat ze vraagt aan mij

Maar ik heb een Rolex om, beter vraag de tijd

Ik ben met Souf in die Range, lijk op een boef in die Range

Fuck je swag, hoef niet de denken aan m'n look in die Range

FILA trinna op m'n airies maar toch hok ik je teef

Ze heeft gekeken naar mijn pols en nu groet ze meteen, slet

Ik breid mijn wegen uit, maak geen geluid net als een demper

Op een loop en loop mijn eigen padje, je ziet het loopt, jongen

Alias de plug, ik heb die werk, jij bent een loopjongen

Zeven van de allersterkste hasj is wat ik rook jongen

La-Laatste tijd raak ik de draad wat vaker kwijt

Mattie ik bewandel net een schaap want we maken ice

Money komt binnen als ik slaap, zou het niet zeggen

Maar als het nog even mee zit dan word ik letterlijk slapend rijk

Meer money meer problemen, kan me allemaal niet schelen

Deze money fixt de fam moet het beschermen met mijn leven

Ben geobsedeerd door paper, daarom heb ik al die haters

Ik blijf ballen op die mannen, ben geen neef als ze vergeten

En ik bal ook op die teven, ik ben binnen laat ze weten

Roep de barman zo veel flessen

Shit is zwaar ik zie hem zweten

Zij blijft aan mij plakken net en wil samen met mij leven maar ben op weg naar die millie al die saaf kan je vergeten

Zij is zo strak met mij dat ze maagd moet zijn

En ik doe mijn ogen dicht want ik word slapend rijk

En of ik nog van d'r hou is wat ze vraagt aan mij

Maar ik heb een Rolex om, beter vraag de tijd

Zij is zo strak met mij dat ze maagd moet zijn

En ik doe mijn ogen dicht want ik word slapend rijk

En of ik nog van d'r hou is wat ze vraagt aan mij

Maar ik heb een Rolex om, beter vraag de tijd

Nu gaat het goed, maar weet nog drie jaar terug (terug)

Dat ik packies moest duwen onder viaduct (brug)

Niet op streets gelukt, maar wel met beats geluk

Maar het was hard werken en niet geluk (ha

Ik ben van zo ver gekomen, maar stond onderaan

Nu kan ik rustig naar Parijs of naar Londen gaan

Op het lijstje van labels stond mijn naam (doekoe)

Want ik ben de bom, steek het lontje aan

En ik heb rond gevraagd, maar ik was stom verbaasd

Het bedrag was niet heel, heb het rond gemaakt (ha)

Ha, deze maand heb ik een ton gemaakt (ton)

Dierenbescherming op mij, ik heb het bont gemaakt

Kijk, ik ben aan het ballen met m'n drerries broertje, ring loos

Ik ben niet getrouwd, kijk m'n vinger die is ringloos

Maar al zie ik goud man, ik zweer dan is je ring loos (loes)

Politie wilt me pakken, weet dat ik ze op de ring loos

En voor die kweek gap loer ik op je zolder (zolder)

Push iets in de steeg maar ik hou het undercover

En, ik ben in de zone, pak de waggie van je dochter

En al maak ik zieke schade ga niet denken van hij dokt hem

Zij is zo strak met mij dat ze maagd moet zijn

En ik doe mijn ogen dicht want ik word slapend rijk

En of ik nog van d'r hou is wat ze vraagt aan mij

Maar ik heb een Rolex om, beter vraag de tijd

Zij is zo strak met mij dat ze maagd moet zijn

En ik doe mijn ogen dicht want ik word slapend rijk

En of ik nog van d'r hou is wat ze vraagt aan mij

Maar ik heb een Rolex om, beter vraag de tijd

 

www.youtube.com/watch?v=VaXtWWvG5Hc

 

chosen number is: 'Slapend Rijk' van Boef. My model is sleeping in her bed with (monopoly) money over her. As an underlining stanza I have: "En ik doe mijn ogen dicht want ik word slapend rijk". The focus is mainly on her.

Arriving as BOB4839 from Esbjerg.

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That critic must indeed be bold

Who pits new authors against old.

Only the ancient coin is prized,

The dead alone are canonized:

What was even Shakespeare until then?

A poet scarce compared with Ben:

And Milton in the streets no taller

Than sparkling easy-ambling Waller.

Waller now walks with rhyming crowds,

While Milton sits above the clouds,

Above the stars, his fixt abode,

And points to men their way to God.‎

This photo shows an atmospheric outdoor scene featuring a tall stadium or field light pole with several bright lights at the top. In the foreground, there appear to be colorful poles or rods extending outward from a central point - with yellow, green, red, and blue elements visible, possibly part of some kind of installation or structure. To the right side stands a stark, leafless tree silhouetted against a moody, overcast sky. The sky has a grayish tone with some lighter areas where clouds may be thinning. The contrast between the illuminated light fixtures, the colorful elements, and the bare branches of the tree creates an interesting visual composition, especially against the dramatic cloudy backdrop. The scene has a somewhat somber, winter or early spring atmosphere to it.

John Shelton Regulator c.1764

   

Description

 

John Shelton was a famous London clockmaker. He made five astronomical regulators for the Royal Society for timing the transits of Venus in 1761 and 1769. Regulators were accurate clocks used specifically for timing transit observations to the exact second.

 

This regulator, in a veneered mahogany case, dates from c. 1764 and measures 1905 x 440 x 240 mm. The brass face measures 300 x 300 mm and is signed 'John Shelton London'. It comprises a large outer dial, of 285 mm diameter, with minutes marked from 5 to 60, a smaller inner dial, of 130 mm diameter, with seconds marked in the same way, and a rotating inset display from which the hour is read. The hands are of lacquered, blued steel.

 

The following description of a typical Shelton regulator, taken from D. Howse and B. Hutchinson The clocks and watches of Captain James Cook 1769-1969 (London: Antiquarian Horological Society, [1970]) pp. 289-291, is based upon the St John's clock.

 

The basic movement consists of a pair of shaped brass plates ... The average dimensions in the series are approximately 10.25 x 6.25 in. The six pillars are riveted to the back plate; the front plate is fastened by latches.

The train has five wheels and is constructed for a month's duration. Where feasible, the pivots bear on end-plates which minimise friction and preserve the oil. One large end-plate covers all pivot holes on the back plate ...

The escapement is dead-beat, and has a 30 tooth brass wheel with relieved teeth; the anchor is steel and has a long shank and curved arms which terminate in the pallets. The collets for the escape wheel and anchor are characteristically long ...

Bolt-and-shutter maintaining power is fitted, with an additional device to prevent the clock stopping while the mechanism is being engaged. Although the movement is weight driven, stopwork (acting on a principle similar to that used in fuzee clocks) is fitted to prevent overwinding.

The motion work is conventional; the hour-wheel pipe carries a friction-mounted hour circle instead of an hour hand. The cannon pinion and minute wheel are only partially crossed out, and thus counterpoise the minute hand. The minute wheel and pinion are pivoted on a cock screwed to the front plate, and the arbor is extended to pivot on the back plate.

The dial is a square plate of brass - engraved, waxed, and silvered ... The dial is mounted on four pillars and can be removed by the screws ... The pillars are turned with wide feet, and are located with steady pins and screwed to brass plates which in turn are fastened to the front plate ...

The pendulum is of gridiron construction and is suspended from the back cock by a steel strip. The crutch is steel and has a brass pin which engages in a slot in the central rod ...

Shelton's punch-mark on the Cambridge movement is on the front plate ...

The movement is rigidly mounted, and is secured to the seat-board with four brass holdfasts and screws. Two more holdfasts are screwed to the back plate, and line up with brackets screwed to the back-board.

 

History

 

This clock was given to the College, with other instruments for the College observatory, by the astronomer and surveyor Richard Dunthorne (1711-75), who was employed as butler of Pembroke College and assistant to Dr Roger Long, Master of Pembroke and Lowndean Professor of Astronomy and Geometry. It appears to have come to the College in late 1764 or early 1765. William Ludlam's Astronomical observations made in St John's College, Cambridge, in the years 1767 and 1768, with an account of several astronomical instruments(Cambridge, 1769) states that 'Before the clock at St John's College was placed in the observatory, it stood in a private room fixt to the wainscot only: during that time, from Jan. 8, 1765, to July 19, 1766, a register of it's going was constantly kept' (p. 40). The College observatory was situated atop the Shrewsbury tower in Second Court. Ludlam describes the fixing of the clock in the observatory as follows:

 

'Two pieces of oak (5 ½ inches broad, 3 thick and 24 long) were fixed to the wall of the observatory, by screwed bolts passing quite through it. The upper of these pieces, crossed the case of the clock, just above the rising-board [the board on which the wheel-work stand], the lower just above the bottom of the door of the case. The back of the case was screwed to these transverse pieces, by screws 0,4 inches diameter, and 3 inches long, which (having square heads) were forced by a long spanner, so as to cut their own threads quite through the oak. As the back of the case is a single board only half an inch thick, and the frame-plates on which the pendulum hangs, are fastened to it, to strengthen that part, a mahogany board an inch thick, and 6 inches wide, was put cross the back (but not glued to it) just above the rising board, and the screws before mentioned, passing through the mahogany board, pinch the whole back between that board and the upper oak piece. Nor does the clock stand upon the floor, but on a stone lying on the arch described in paragraph 6, and consequently is not liable to be disturbed by treading on the floor.' (p. 37).

 

Ludlam's register of the clock in the observatory starts in July 1767. It performed excellently and Ludlam noted that 'the clock at St John's College has been more regular than that at Greenwich' (p. 40).

 

The clock remained in the observatory until its closure in 1859, and according to a writer in the College magazine was used 'with complete satisfaction to all the observers' (The Eagle VII (1871), 335). Where the clock was housed for the next century is uncertain, but in 1966 it was deposited on loan at the National Maritime Museum. Here it remained until its return to St Johns College, Cambridge in 1992. It is now housed in the Library Exhibition Area.

 

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