View allAll Photos Tagged filmtone
The lake lay in solemn repose, its surface barely disturbed by the spectral breath of the wind. The sun, waning on the horizon, cast fractured beams upon the water, setting it aflame with a fleeting brilliance. Reeds, dark and spectral, stood in mute witness at the edge, their slender forms bending as if in quiet lament. Bare branches stretched toward the heavens, yearning, yet forever denied the light they sought. In the distance, a lone bird glided, its silhouette a whisper against the fading sky. Time faltered, caught in the hush between dusk and radiance, between the sighing reeds and the silent, watchful firmament.
under the cold light of a shop window in málaga, a child points — not wildly, not begging — just quietly certain. the dolls above sit like judges, all priced the same, all smiling the same. a grown hand guides from the left, but the child already knows. it’s not about what’s best, it’s about what’s wanted. the moment is short, the light fluorescent, but the reaching — that stays.
Northern Dalmatian Coast
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Captured sometime around 1989–1990, this moment shows me with my mother’s Citroën 2CV—effectively my first car—parked near the old ferry staging area in Horten. The image was taken on film, adding that unmistakable analog character: soft grain, muted tones, and the feel of a time when every frame mattered. It’s a snapshot from the early days of both driving and photography, a quiet pause preserved through the lens of classic film.
Heading to Guayaquil, Ecuador.
© 2018 Atmospherics / Atmosphere Design
All Rights Reserved. No usage without permission.
Contact through Flickr mail for usage info.
A seamless blend of human emotion and natural beauty — exploring the art of double exposure photography.
Yashica 635 with Kodak Gold 200 (120FILM).
Morning light, sliced apples, and the quiet poetry of lace curtains.
Canon EOS300, Helios-44M-4 and Kodak Vision.
Can you remember how many times I said "Happy August" to you ? Today I'm very happy to say this again ❣️
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Helios 44-7 MC 58/2 M42
A quiet moment from late summer 1987. My grandfather is visiting the family and is sitting on the terrace, bathed in warm sunlight and surrounded by the drifting smoke of the grill. Captured on analog film, this photo feels like a window into a gentler time – simple afternoons, family togetherness, and the sound of distant laughter.
A snapshot of memory, nostalgia and the kind of everyday moments that only grow more precious with time.
In the second half of 1992, this photograph captures Checkpoint 4-26 in Lower Kaoukaba, Southern Lebanon, during service with UNIFIL under Contingent 29. The small UN post stands behind sandbags, barbed wire, and stone fortifications, a reminder of the tense environment that peacekeepers operated in throughout the region.
For the soldiers stationed here, the mission was more than observation—day and night they served as a stabilizing presence between conflicting forces, monitoring movement, supporting local communities, and working to reduce hostilities in the border area.
This image, shot on a compact film camera, reflects the raw and unpolished look of the time—an honest slice of field reality that digital photography rarely recreates. It remains a moment frozen in a complex chapter of peacekeeping history.
Fun fact: UNIFIL has been continuously active since 1978, making it one of the longest-running UN peacekeeping missions still in operation.
Big shout out to Quin West for showing me this location.
Checkout Quin's photostream at: www.flickr.com/photos/quinwest/
Yashinon-DX 45/1.7
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By the beginning of the Second World War, Hotel Continental hosted the great Indian poet Rabindranath Tagore (who won the 1913 Nobel Prize for literature),
..... the award-winning writer Andre Malraux, whose “Man’s Fate” won the 1933 Prix Goncourt,
..... and then the British writer Graham Greene, long-term guest in room 214, who conceived the work “The Quiet American” about the transitional period between the French Colonist and the American Empire in the Vietnam War......
..... and many celebrities (Jacques Chirac, Catherine Deneuve, Mohamad Mahathir... etc....) recently.
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A lone tree, shaped by time and wind, catches the last warmth of autumn light in Yerevan.
Captured on Yashica 635, Fujicolor Pro 160NS, 6x6 film.
Captured on Rollei 35 S with a Sonnar 40mm f/2.8 lens using Kodak Portra 800, pushed to ISO 1600. The electric atmosphere of Ludwigsparkstadion during the FCS vs Eintracht Braunschweig match comes alive — flares, chants, and full stands.
Film was self-developed using the Adox C-41 kit and digitized by photographing the negative with a Pentax KP and SMC Macro Limited 28mm. The vibrant colors and gritty energy reflect the spirit of analog football photography and passionate supporter culture.
This is my sister Heather. It was her birthday yesterday and she turned 26?! She's like me... looks 10 years younger than she is. Still getting ID'ed, but loving life eh!
I have some other pictures I've taken of her in my 'Heather Hunt' album! Feel free to check them out if you want to see more of her face!
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Meet my new buddy zero... new in that in the year that I've had him I have only managed to shoot two test rolls through him with mixed results. This is my first pinhole camera and one of the most beautiful pieces of equipment that I happen to own and shoot with. I've noticed the stagnation in my photography as a result of being constantly working towards finishing the last semester of my college career at OSU. Just two more weeks to go and I will celebrate along with my better half in Jamaica.
My goal this summer is to get images that capture the essence of what pinhole photography is about and I would be ecstatic if I achieved results that would even get close to the likes of what Zeb Andrews or Manyfires are able to accomplish. Wish me luck and if you have any helping hints I would be all ears!