View allAll Photos Tagged filmscore
A dazzling day that almost hurt the eyes. I love the light that gives shape and form to the incoming breaking waves, like silver serpents writhing on the sand. Spearing the sunfish is by British Sea Power, and was part of the filmscore they did to the wonderful black and white film Man of Arran. Like everyone else I'm really missing watching this ebreaking wave dazzle diamond bright.
a film by Brillante Mendoza
music by Teresa Barrozo
*photo grabbed from frenecine.com.ar/2008/04/tirador-de-brillante-mendoza.html
2026
More artwork at: www.permiandesigns.com/
Instagram: www.instagram.com/permiandesigns/
Bluesky: bsky.app/profile/permiandesigns.bsky.social
NOTE: All works featured here are completely original creations. None are made with the assistance of any form of AI technology in any fashion whatsoever.
Montage of shots from The Astronot film set to Walk With Me, lead single from the soundtrack. The album can be streamed on Spotify or downloaded on Amazon. If you have a chance, thanks very much for listening!
The freshly pressed vinyl record for The Astronot film by musician Pennan Brae sits amongst the cherry blossoms 🌸. The soundtrack streams on Spotify & Apple Music via the profile link if interested!
2026
More artwork at: www.permiandesigns.com/
Instagram: www.instagram.com/permiandesigns/
Bluesky: bsky.app/profile/permiandesigns.bsky.social
NOTE: All works featured here are completely original creations. None are made with the assistance of any form of AI technology in any fashion whatsoever.
‘Crashland’ is the lead single from The Astronot film. Written in Vancouver, it features legendary drummer Steve Ferrone & INXS bassist Garry Gary Beers.
The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.
(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.
Spaced out. There is little to say in the new album, ‘Speechless’ from ‘The Astronot’ film. The album is completely instrumental & void of lyrics. Accessible via the profile link above.
Daisy Gill, leading lady of upcoming full length musical movie, Perfectly Frank, on location shoot in Southport piano bar.
a slideshow i made of myself making horror sounds if you should need me to score your horror film id love to.
One of the most influential drummers and founding member of one of the biggest bands in rock history. Stewart Copeland's reggae and middle-eastern inspired sound and style is instantly recognizable. Always restless musically, he began writing film scores (Francis Coppola's Rumble Fish was the first) at the height of the Police's fame. A journey to Africa to explore the continent's rhythms resulted in an album and a film. Dozens of movie and TV scores followed, as did collaborations with such disparate artists as Stanley Clarke and Les Claypool. He was an early adopter of electronics. He's penned operas and ballets. Copeland's latest work is the symphonic score to the 1925 silent film classic Ben Hur
NOT a 45:
RCA issued a short-lived series of "Compact-33-Double" mini-LPs in the early 1960s.
Playing time was about 6 minutes per side, roughly the equivalent of a 45 rpm Extended Play (EP).
But the disc itself, the size of 45, looked like a small LP.
Nino ROTA's haunting score, including a popular, often recorded main theme, was one of the many highlights of this Fellini masterpiece.
Enlarge to read tracks and notes.
The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.
(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.
The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.
(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.
This is a creative commons image, which you may freely use by linking to this page. Please respect the photographer and his work.
This is a non-photo--after all it was taken in the year 4501 (before correcting the date)!. Aiming at the field beside my house was easy and so was the clicking—no composition, no awareness of light, no nothing. Just wanted an impression of the pasture and the distant trees and the green. The song “Green Leaves of Summer” is the title theme from the 1960 film “The Alamo”—music by Dimitri Tiomkin and lyrics by Paul Francis Webster. It was a hit by the group Brothers Four.
"A time just for plantin', a time just for ploughin'.
A time just for livin', a place for to die.
'Twas so good to be young then, to be close to the earth,
Now the green leaves of Summer are callin' me home."
Listen at youtu.be/-GkL_GiVjWk –2:52 with no ad and with lyrics on the screen.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. If you use this image on your web site, you need to provide a link to this photo.
1260 Avenue of the Americas & 50th Street, NYC
by navema
The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.
The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.
The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.
This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.
How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:
* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.
* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.
* Purple Stripe: Alerts the conductor to an upcoming change.
* Orange Stripe: Marks a pause in the music.
* Red Stripe: Marks the end of a scene.
www.theradiocitylotrconcert.com
Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.
Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.
The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.
1260 Avenue of the Americas & 50th Street, NYC
by navema
The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.
The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.
The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.
This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.
How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:
* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.
* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.
* Purple Stripe: Alerts the conductor to an upcoming change.
* Orange Stripe: Marks a pause in the music.
* Red Stripe: Marks the end of a scene.
www.theradiocitylotrconcert.com
Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.
Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.
The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.
Ennio Morricone with Susanna Rigacci and Zagreb Philharmonic Orchestra
My Life in Music tour
Arena, Zagreb, Croatia
^^^the absolutely ingenious and lovely man who wrote this unbelievably striking song, WILL write the entire filmscore to the movie my book will be converted into, one day.
Re-Play (Official Music Video)(Side-B) on YouTube: www.youtube.com/channel/UCBZoMz5QCBIObkL6X0CTedw
Re-Play (Official Music Video)(Side-B) on Facebook: fb.watch/3GpAzRGp33/
This song brings an atmospheric, and cinematic feel that would compliment a suspenseful action scene in a Science-Fiction film [Example: The Matrix Reloaded]. It would also provide a menacing excitement to a dance floor such as 1015 Folsom in San Francisco, California [A well-known Electronic Dance Music Nightclub]. If rhythm runs in your blood, then these infectious sounds will be much appreciated by your eardrums!
Under the name SoUnD WaVeS, Los Angeles native Michael Martinez remixes art and imagination to rhythmically infuse his musical notes; generating passion along with menacing excitement to his luscious beats. Let him help you escape your reality!
A Michael Martinez Official Music Video!
Living life without fear!
-The Notorious BIG
I choose to live my life outside my comfort zone.
SoUnD WaVeS-
What you think, you become.
What you imagine, you create.
-Buddha
Follow on Spotify:
play.spotify.com/artist/5eundFvN4WvM0PTZMUshbh
Listen on Apple Music:
music.apple.com/us/artist/sound-waves/315456953
Available on all online major streaming sites!
Official homepage: soundwavesofficial.wixsite.com/lusciousbeats
#replay #EDM #DeepHouse #Electronica #michael #martinez #cinematic #filmscore #soundtrack #climatic #hypnotic #menacing #rhythmic #mischievous #house #electronica #electro #orchestral #score #michaelmartinez #bboy #party #redo #repeat #repetition #newmusicfriday #outsidethebox #models #dancers #dancing #europe #france #sunlight #sunrays #dreds #fourtwenty #blm #soundwaves #africanamericans #blacklivesmatter #drums #lake #scenicview #sunset #thenotoriousbig #notoriousbig #biggie #interpretive #dancing #ballet #sleepover #sideb
1260 Avenue of the Americas & 50th Street, NYC
by navema
The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.
The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.
The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.
This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.
How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:
* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.
* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.
* Purple Stripe: Alerts the conductor to an upcoming change.
* Orange Stripe: Marks a pause in the music.
* Red Stripe: Marks the end of a scene.
www.theradiocitylotrconcert.com
Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.
Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.
The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.
10-shot pano. The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.
(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.
Re-Play (Official Music Video)(Side-A) on YouTube: www.youtube.com/channel/UCBZoMz5QCBIObkL6X0CTedw
Re-Play (Official Music Video)(Side-A) on Facebook: fb.watch/3CINkaA3RE/
This song brings an atmospheric, and cinematic feel that would compliment a suspenseful action scene in a Science-Fiction film [Example: The Matrix Reloaded]. It would also provide a menacing excitement to a dance floor such as 1015 Folsom in San Francisco, California [A well known Electronic Dance Music Nightclub]. If rhythm runs in your blood, then these infectious sounds will be much appreciated by your eardrums!
A Michael Martinez Official Music Video!
Living life without fear!
-The Notorious BIG
I choose to live my life outside my comfort zone.
SoUnD WaVeS-
What you think, you become.
What you feel, you attract.
What you imagine, you create.
-Buddha
Follow on Spotify:
play.spotify.com/artist/5eundFvN4WvM0PTZMUshbh
Listen on Apple Music:
music.apple.com/us/artist/sound-waves/315456953
Available on all online major streaming sites!
Official homepage: soundwavesofficial.wixsite.com/lusciousbeats
#replay #EDM #DeepHouse #Electronica #michael #martinez #cinematic #filmscore #soundtrack #breakdancing #breakdance #climatic #hypnotic #menacing #rhythmic #mischievous #house #electronica #electro #orchestral #score #michaelmartinez #bboy #party #TIHWDI #duplication #iteration #redo #repeat #repetition #newmusicfriday #outsidethebox #models #dancers #dancing #europe #france #sunlight #sunrays #dreds #fourtwenty #blm #soundwaves #africanamericans #blacklivesmatter #drums #lake #scenicview #sunset #thenotoriousbig #notoriousbig #biggie #interpretive #dancing #buddha
One of Herrmann's most lyrical and poignant scores. Rerecording from Herrmann manuscripts at the the Unversity of California, Santa Barbara.
Tony Bremner, Australian Philharmonic Orchestra
When the film was mercilessly cut by RKO Herrmann had his name removed from the credits.
1260 Avenue of the Americas & 50th Street, NYC
by navema
The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.
The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.
The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.
This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.
How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:
* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.
* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.
* Purple Stripe: Alerts the conductor to an upcoming change.
* Orange Stripe: Marks a pause in the music.
* Red Stripe: Marks the end of a scene.
www.theradiocitylotrconcert.com
Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.
Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.
The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.
1260 Avenue of the Americas & 50th Street, NYC
by navema
The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.
The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.
The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.
This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.
How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:
* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.
* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.
* Purple Stripe: Alerts the conductor to an upcoming change.
* Orange Stripe: Marks a pause in the music.
* Red Stripe: Marks the end of a scene.
www.theradiocitylotrconcert.com
Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.
Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.
The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.
Jay Rodriguez www.jayrodriguez.com, Carlos "C12" Bess and Aurelio Martinez @ MusicWorks NYC Studios
1260 Avenue of the Americas & 50th Street, NYC
by navema
The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.
The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.
The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.
This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.
How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:
* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.
* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.
* Purple Stripe: Alerts the conductor to an upcoming change.
* Orange Stripe: Marks a pause in the music.
* Red Stripe: Marks the end of a scene.
www.theradiocitylotrconcert.com
Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.
Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.
The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.
The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.
(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.
1260 Avenue of the Americas & 50th Street, NYC
by navema
The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.
The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.
The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.
This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.
How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:
* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.
* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.
* Purple Stripe: Alerts the conductor to an upcoming change.
* Orange Stripe: Marks a pause in the music.
* Red Stripe: Marks the end of a scene.
www.theradiocitylotrconcert.com
Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.
The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.
Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.
The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.
I saw John Williams conduct his own film music at the Hollywood Bowl last night, thanks to my friend Stephanie George. That was pretty awesome all by itself,... But when the orchestra began to play music from Star Wars, half the (enormous) audience pulled out lightsabers and held them into the night sky. I'd rate the moment nearly 10 out of 10 on the "Pure Joy Scale." Photo taken in Los Angeles, 8-30-2013.
Ludovico Einaudi in concerto al Teatro Dal Verme di Milano foto di Roberto Finizio per www.rockon.it
Though he slay me, yet will I trust in him: but I will maintain mine own ways before him.
Job 13:15 King James Version
SINUNGALING NA BUWAN
a film by ED LEJANO
listen:
Sinungaling Na Buwan THEME.mp3 - Teresa Barrozo
Finalist, Full Length Films Category
Cinemalaya 2007
Cast:
Kalila Aguilos,Jake Macapagal, J.R. Valentin, Liza Diño,Ricky Davao,
Perry Escaño,Grace Murillo & Frank Garcia with the special
participation of Ms. Maria Isabel Lopez
Three loves, three broken hearts. This
offbeat "dramedy" begins when their affairs abruptly end. A TV weather reporter gets dumped by her older, married lover, turning to alcohol and horoscopes for escape. A radio dubber is deserted by his lover for another woman and becomes obsessed with his idol, a 70s pop diva named Divina dela Luna. A struggling actor is abandoned by his girlfriend and gets immersed into his stage role that mirrors his own crisis. Each dysfunctional character sharing a common experience of falling victim to a pattern of irony and lies. With its intricate plot, their separate stories converge during the performance of a play-within-a-film, Relasyon sa Ilalim ng Buwan. It climaxes with unexpected twists linking one another in surprising ways. Based on an award
winning screenplay, their recurring,
bittersweet experiences unfold like
refrains from an old love song as the
moon shines like a silent witness.
About the Director
A faculty member of the UP Film
Institute, ED LEJANO took up film at
New York University and holds a masters
degree in Broadcast Communication from
UP. He has directed and written two
feature films, the latest of which is
Seroks, a digital movie for Cinema One.
A member of Netpac, he has been a juror
for a number of international film
festivals and regularly writes film
articles for international and local
publications, including the Philippine
Daily Inquirer.
21 Jul/Sat 03:30 PM Venue 2 - CCP Little Theatre / Tanghalang Aurelio
Tolentino
22 Jul/Sun 06:15 PM Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining
24 Jul/Tue 12:45 PM Venue 1 - CCP Main Theatre / Tanghalang Nicanor
Abelardo
25 Jul/Wed 09:00 PM Venue 5 - CCP Tanghalang Huseng Batute
26 Jul/Thu 09:00 PM Venue 1 - CCP Main Theatre / Tanghalang Nicanor
Abelardo
27 Jul/Fri 12:45 PM Venue 2 - CCP Little Theatre / Tanghalang Aurelio
Tolentino
28 Jul/Sat 12:45 PM Venue 1 - CCP Main Theatre / Tanghalang Nicanor
Abelardo
“Lady, pretty, prim and proper . . . Tramp, a dashing, raffish rogue with a sunny disposition and shady past. They will break your heart one minute . . . warm it the next . . . and before you know it – have you rocking with laughter. Gay and happy, it’s the most entertaining motion picture Walt Disney ever made!” [Ad copy]
“The First all-cartoon feature in Cinemascope.”
The film is based on the 1945 Cosmopolitan magazine story “Happy Dan, the Cynical Dog” by Ward Greene. Lady is voiced by Barbara Luddy and Tramp by Larry Roberts. Singer Peggy Lee not only voiced four characters but co-wrote six songs for the film.
“Lady and the Tramp” was named number 95 out of the “100 Greatest Love Stories of All Time” by the American Film Institute, along with Disney’s “Beauty and the Beast” which ranked 34th.
"Lady and the Tramp" receives a 93% approval rating on Rotten Tomatoes, and the website's consensus states, "A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience."
[Source: Wikipedia]
World renown vocal coach, William Riley (Celine Dion, Angelique Kidjo, Shakira, Stevie Wonder, Lara Fabian, Faith Hill, Paula Cole, Liza Minnelli ) chatting with Music Works Events Director Christianne Cook
EAST BAY EXPRESS AD: Week of Aug 6-12 2014 (WhysCrax Take On 'Fickle Ambiguity' of Posterity & Promo Scene-Plant For ART OFFICIALLY FAVORED, A Coming-sOOn Uber-Indie Docufeaturomedy Directed x Martin Yernazian)
TO ENLARGE CLICK UPPER R-CORNER 'LIGHTBLOX' ARROWS
Photo From AOF Footage @ 2014 Berkeley World Music Festival
We were on our merry way, although it was the very last day
To see the VIVID festival here in Sydney Australia.
Unfortunately it was torrential rain all day, with very heavy traffic, and we didn't get out of the car.
I shot this through the windscreen on a Panasonic HDC SD1.
And composed the music later.