View allAll Photos Tagged filmscore

Echos de la Vallée du Vent - Neko Light Orchestra

A dazzling day that almost hurt the eyes. I love the light that gives shape and form to the incoming breaking waves, like silver serpents writhing on the sand. Spearing the sunfish is by British Sea Power, and was part of the filmscore they did to the wonderful black and white film Man of Arran. Like everyone else I'm really missing watching this ebreaking wave dazzle diamond bright.

a film by Brillante Mendoza

music by Teresa Barrozo

 

*photo grabbed from frenecine.com.ar/2008/04/tirador-de-brillante-mendoza.html

Montage of shots from The Astronot film set to Walk With Me, lead single from the soundtrack. The album can be streamed on Spotify or downloaded on Amazon. If you have a chance, thanks very much for listening!

The freshly pressed vinyl record for The Astronot film by musician Pennan Brae sits amongst the cherry blossoms 🌸. The soundtrack streams on Spotify & Apple Music via the profile link if interested!

The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.

  

(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.

Spaced out. There is little to say in the new album, ‘Speechless’ from ‘The Astronot’ film. The album is completely instrumental & void of lyrics. Accessible via the profile link above.

a slideshow i made of myself making horror sounds if you should need me to score your horror film id love to.

www.youtube.com/watch?v=dym-tcnayoE&t=4s

My article for The Quarterly Journal of the Library of Congress, 1983

One of the most influential drummers and founding member of one of the biggest bands in rock history. Stewart Copeland's reggae and middle-eastern inspired sound and style is instantly recognizable. Always restless musically, he began writing film scores (Francis Coppola's Rumble Fish was the first) at the height of the Police's fame. A journey to Africa to explore the continent's rhythms resulted in an album and a film. Dozens of movie and TV scores followed, as did collaborations with such disparate artists as Stanley Clarke and Les Claypool. He was an early adopter of electronics. He's penned operas and ballets. Copeland's latest work is the symphonic score to the 1925 silent film classic Ben Hur

The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.

  

(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.

The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.

  

(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.

This is a creative commons image, which you may freely use by linking to this page. Please respect the photographer and his work.

 

This is a non-photo--after all it was taken in the year 4501 (before correcting the date)!. Aiming at the field beside my house was easy and so was the clicking—no composition, no awareness of light, no nothing. Just wanted an impression of the pasture and the distant trees and the green. The song “Green Leaves of Summer” is the title theme from the 1960 film “The Alamo”—music by Dimitri Tiomkin and lyrics by Paul Francis Webster. It was a hit by the group Brothers Four.

 

"A time just for plantin', a time just for ploughin'.

A time just for livin', a place for to die.

'Twas so good to be young then, to be close to the earth,

Now the green leaves of Summer are callin' me home."

 

Listen at youtu.be/-GkL_GiVjWk –2:52 with no ad and with lyrics on the screen.

 

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. If you use this image on your web site, you need to provide a link to this photo.

 

March 24th 2018 at D.A. Jewell House Chickamauga Georgia

NOT a 45:

RCA issued a short-lived series of "Compact-33-Double" mini-LPs in the early 1960s.

Playing time was about 6 minutes per side, roughly the equivalent of a 45 rpm Extended Play (EP).

But the disc itself, the size of 45, looked like a small LP.

Nino ROTA's haunting score, including a popular, often recorded main theme, was one of the many highlights of this Fellini masterpiece.

Enlarge to read tracks and notes.

1260 Avenue of the Americas & 50th Street, NYC

 

by navema

www.navemastudios.com

 

The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.

 

The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.

 

The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.

 

This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.

 

How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:

 

* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.

* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.

* Purple Stripe: Alerts the conductor to an upcoming change.

* Orange Stripe: Marks a pause in the music.

* Red Stripe: Marks the end of a scene.

 

www.theradiocitylotrconcert.com

 

Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.

 

The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

 

Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.

 

The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.

 

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.

“Lady, pretty, prim and proper . . . Tramp, a dashing, raffish rogue with a sunny disposition and shady past. They will break your heart one minute . . . warm it the next . . . and before you know it – have you rocking with laughter. Gay and happy, it’s the most entertaining motion picture Walt Disney ever made!” [Ad copy]

 

“The First all-cartoon feature in Cinemascope.”

 

The film is based on the 1945 Cosmopolitan magazine story “Happy Dan, the Cynical Dog” by Ward Greene. Lady is voiced by Barbara Luddy and Tramp by Larry Roberts. Singer Peggy Lee not only voiced four characters but co-wrote six songs for the film.

 

“Lady and the Tramp” was named number 95 out of the “100 Greatest Love Stories of All Time” by the American Film Institute, along with Disney’s “Beauty and the Beast” which ranked 34th.

 

"Lady and the Tramp" receives a 93% approval rating on Rotten Tomatoes, and the website's consensus states, "A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience."

 

[Source: Wikipedia]

  

1260 Avenue of the Americas & 50th Street, NYC

 

by navema

www.navemastudios.com

 

The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.

 

The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.

 

The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.

 

This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.

 

How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:

 

* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.

* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.

* Purple Stripe: Alerts the conductor to an upcoming change.

* Orange Stripe: Marks a pause in the music.

* Red Stripe: Marks the end of a scene.

 

www.theradiocitylotrconcert.com

 

Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.

 

The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

 

Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.

 

The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.

 

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.

 

Ennio Morricone with Susanna Rigacci and Zagreb Philharmonic Orchestra

 

My Life in Music tour

 

Arena, Zagreb, Croatia

listen to this. right now.

^^^the absolutely ingenious and lovely man who wrote this unbelievably striking song, WILL write the entire filmscore to the movie my book will be converted into, one day.

10-shot pano. The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.

  

(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.

 

Re-Play (Official Music Video)(Side-B) on YouTube: www.youtube.com/channel/UCBZoMz5QCBIObkL6X0CTedw

Re-Play (Official Music Video)(Side-B) on Facebook: fb.watch/3GpAzRGp33/

 

This song brings an atmospheric, and cinematic feel that would compliment a suspenseful action scene in a Science-Fiction film [Example: The Matrix Reloaded]. It would also provide a menacing excitement to a dance floor such as 1015 Folsom in San Francisco, California [A well-known Electronic Dance Music Nightclub]. If rhythm runs in your blood, then these infectious sounds will be much appreciated by your eardrums!

  

Under the name SoUnD WaVeS, Los Angeles native Michael Martinez remixes art and imagination to rhythmically infuse his musical notes; generating passion along with menacing excitement to his luscious beats. Let him help you escape your reality!

  

A Michael Martinez Official Music Video!

  

Living life without fear!

-The Notorious BIG

  

I choose to live my life outside my comfort zone.

SoUnD WaVeS-

  

What you think, you become.

What you imagine, you create.

-Buddha

  

Follow on Spotify:

play.spotify.com/artist/5eundFvN4WvM0PTZMUshbh

Listen on Apple Music:

music.apple.com/us/artist/sound-waves/315456953

  

Available on all online major streaming sites!

  

Official homepage: soundwavesofficial.wixsite.com/lusciousbeats

  

#replay #EDM #DeepHouse #Electronica #michael #martinez #cinematic #filmscore #soundtrack #climatic #hypnotic #menacing #rhythmic #mischievous #house #electronica #electro #orchestral #score #michaelmartinez #bboy #party #redo #repeat #repetition #newmusicfriday #outsidethebox #models #dancers #dancing #europe #france #sunlight #sunrays #dreds #fourtwenty #blm #soundwaves #africanamericans #blacklivesmatter #drums #lake #scenicview #sunset #thenotoriousbig #notoriousbig #biggie #interpretive #dancing #ballet #sleepover #sideb

 

1260 Avenue of the Americas & 50th Street, NYC

 

by navema

www.navemastudios.com

 

The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.

 

The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.

 

The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.

 

This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.

 

How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:

 

* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.

* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.

* Purple Stripe: Alerts the conductor to an upcoming change.

* Orange Stripe: Marks a pause in the music.

* Red Stripe: Marks the end of a scene.

 

www.theradiocitylotrconcert.com

 

Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.

 

The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

 

Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.

 

The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.

 

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.

Re-Play (Official Music Video)(Side-A) on YouTube: www.youtube.com/channel/UCBZoMz5QCBIObkL6X0CTedw

 

Re-Play (Official Music Video)(Side-A) on Facebook: fb.watch/3CINkaA3RE/

 

This song brings an atmospheric, and cinematic feel that would compliment a suspenseful action scene in a Science-Fiction film [Example: The Matrix Reloaded]. It would also provide a menacing excitement to a dance floor such as 1015 Folsom in San Francisco, California [A well known Electronic Dance Music Nightclub]. If rhythm runs in your blood, then these infectious sounds will be much appreciated by your eardrums!

 

A Michael Martinez Official Music Video!

 

Living life without fear!

-The Notorious BIG

 

I choose to live my life outside my comfort zone.

SoUnD WaVeS-

 

What you think, you become.

What you feel, you attract.

What you imagine, you create.

-Buddha

 

Follow on Spotify:

play.spotify.com/artist/5eundFvN4WvM0PTZMUshbh

Listen on Apple Music:

music.apple.com/us/artist/sound-waves/315456953

 

Available on all online major streaming sites!

 

Official homepage: soundwavesofficial.wixsite.com/lusciousbeats

 

#replay #EDM #DeepHouse #Electronica #michael #martinez #cinematic #filmscore #soundtrack #breakdancing #breakdance #climatic #hypnotic #menacing #rhythmic #mischievous #house #electronica #electro #orchestral #score #michaelmartinez #bboy #party #TIHWDI #duplication #iteration #redo #repeat #repetition #newmusicfriday #outsidethebox #models #dancers #dancing #europe #france #sunlight #sunrays #dreds #fourtwenty #blm #soundwaves #africanamericans #blacklivesmatter #drums #lake #scenicview #sunset #thenotoriousbig #notoriousbig #biggie #interpretive #dancing #buddha

One of Herrmann's most lyrical and poignant scores. Rerecording from Herrmann manuscripts at the the Unversity of California, Santa Barbara.

 

Tony Bremner, Australian Philharmonic Orchestra

 

When the film was mercilessly cut by RKO Herrmann had his name removed from the credits.

ROOM 213

a film by Keith Sicat

 

PREMIERE SCREENING

Date: Tuesday , September 9. 2008

Venue: UP Film Institute

Time: 7 PM

FREE ADMISSION

 

www.youtube.com/watch?v=pfjuciYRryY

 

"Room 213" follows the tenuous relationship between an architect and his photographer wife. Having lost any emotional connection with each other over 10 years of marriage, they start to take extreme measures in the hopes to rekindle their passion.

 

Story and Direction: Keith Sicat

Cinematography: Lyle Nemenzo Sacris

Production Design: Sari Lluch Dalena

Editor: Keith Sicat

Music: Teresa Barrozo

Sound Design: Ria Munoz

Second Unit Director of Photography: Krista Lluch Dalena

Script Consultant: Jim Flores

Line Producer: Sari Lluch Dalena (Kino Arts)

Associate Producer: Endi "Hai" Balbuena

Supervising Producer: Valerie S. Del Rosario

Producer: Vicente G. Del Rosario III

Executive Producer: Vicente Del Rosario Jr.

Cast: Allen Dizon, Gwen Garci, Tyron Perez, Maricar dela Fuente, Leo Meir and Carla Samonte

 

*poster grabbed online

The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.

  

(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

"BRANDEUR...Got It? Priceless, Right?

Claim MORE Here"--Wyatt Matturs

 

“Content is what sells and what wins,” says Michael Pachter, an analyst at Wedbush Securities..."

 

--"Netflix Ups the Stakes With Big ‘Beasts of No Nation’ Deal"

3-11-15 --Variety / Brent Lang

 

WITH THE RIGHT WRITERS' ROOM?--A 'LANDMARK' SERIES! (IN DEVELOPMENT SOON) PITCH & ROLL: ALIEN ANONYMOUS--A Semi-Graphic Novella--"Beta-Sequence" (Work-In-Progress) Highlights In 'Provisional Episode FlashCard Downscroll'

 

artistgeneral.blogspot.com

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

ALIEN ANONYMOUS SERIES LOGLINE:

 

NOT Your Father's "First Contact..."

 

THEY LANDED ON SCREEN..

IN OUR CONSCIOUSNESS...THROUGH A CAVE MURAL...

 

An Impossible Scene From Human History

Would Prove Their Means

To A Protean End...

 

--More @ artistgeneral.blogspot

 

~~~~~~~~~~~~~~~~~~~~~~~

 

POV: Bold-Strokes...

 

SO: you're in a theater, 40 minutes into, say, a 'romantic comedy'...

 

SUDDENLY: PALEOLITHIC cave painters appear on screen @ work on the most breathtaking mural ever seen...no explanation...an ineffable gravitas, a virtually palpable sense of history alive, including even (widely reported) the scent of smoke and human sweat...

 

FOR 12 INEXPLICABLE MINUTES...speaking in a language never heard by modern humanity, one artist even apparently making a joke that elicits loud collective laughter echoing through invisible chambers of an unknown cave (the location soon after discovered, further removing the prospect of a grand hoax & emphasizing a non-human intelligence behind it)

 

...SOME of the (unknowingly global) audience is intrigued and even mesmerized, others, after a minute or two, irritated, descend across time-zones (but mostly PST, West Coast U.S) to multiplex lobbies to complain, demand an explanation, what'-s-this-TRAILER doing interrupting what-I-Paid-To-SEE, etc...

 

WELL who knew? it's FIRST CONTACT...but nothing follows for weeks...as the world rocks in the vast roll of a wholly unforeseen Sea Change...

 

~~~~~~~~~~~~~~~~~~~~~~~~~

 

HUMANITY'S FIRST COLLECTIVE OUT-OF-BODY EXPERIENCE?

 

FOR THE RECORD:

 

"...THE WORLD WILL BE BESIDE ITSELF--

 

THERE WILL BE FEAR...SHOCK...MYSTERY...AWE...REVERENCE...HILARITY...

NEW RELIGIOUS DIVIDES, THRILLING SOLIDARITY, ASTONISHING 'FAULT-LINES' THROUGH EVERY ESTABLISHED POWER-BASE,

ROBUST & UNPREDICTABLE SOCIAL UPHEAVAL

ACROSS THE GLOBE.

 

MEANWHILE, INCREASINGLY 'FORWARD-LEANING' 'COMPETITION' AMONG HOLLYWOOD'S MOST ILLUSTRIOUS "CANDIDATES" FOR "DIRECTOR'S CUT"

WILL REDEFINE OLD FRIENDSHIPS & RIVALRIES...

 

AND YES, HOW COULD IT BE OTHERWISE?--

 

THERE WILL BE DINOSAURS..."

 

--Wyatt Matturs

 

______________________________

 

BREAKING RAD: GAME OF BARDS? HOUSE OF BONES?

NOPE: ALIEN ANONYMOUS: The Next Game Of Thrones

 

(Only, "DIFFERENT!") TODAY'S WINNERS? AREN'T Necessarily TOMORROW'S....

Right?

 

A Matter Of Darwinian COURSE: The HAPPIEST New Year

To The First USER Of: The CLUEforce! @...HBO?...@...NETFLIX...? @...AMAZON...? @ SHOWtime...

 

_______________________

 

ATTN: GOLDSTANDARDBEARERS--NEWPENDOUS DEVEL-OP:

 

Unique AweGANtic SciFi Property Now UP4GRAB$

 

RE: BRANDEUR! / FOCUS:

 

HOLD-TO-LIGHT, NOTE THE FACETS: TURN THE DIAMOND...

 

Past-Present-Future--360-Vista POV, PureSpringFed Stream Of Humalien Consciousness (A Mysteriously-Mutual Dream...)

 

_____________________________

 

(WANTED: 1ST-RATE (EDGEWISE) WRITERS ROOM,

In Robustly-Collective Possession Of Shared Vision, Creative Sensitivity To High-Tipping-Point Moments Of Truth, Grandeur, Mystery, Fear, Unprecedented Global Anxiety, Success & Failure Of Public & Private 'Coping Mechanisms' And The Ever-Underlying Organic Comedy Readily Available Within...

 

...ESPECIALLY The "Competition" Among Hollywood's Major Directors Vying To Be Voted To "Direct"

 

The Most Unforgettably Historic "Movie" Ever Made, And, In The "Process", The Sole Earthling-In-The-Flesh Contact With ALIEN ANONYMOUS...)

 

___________________________________

  

The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.

  

(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.

1260 Avenue of the Americas & 50th Street, NYC

 

by navema

www.navemastudios.com

 

The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.

 

The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.

 

The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.

 

This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.

 

How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:

 

* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.

* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.

* Purple Stripe: Alerts the conductor to an upcoming change.

* Orange Stripe: Marks a pause in the music.

* Red Stripe: Marks the end of a scene.

 

www.theradiocitylotrconcert.com

 

Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.

 

The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

 

Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.

 

The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.

 

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.

1260 Avenue of the Americas & 50th Street, NYC

 

by navema

www.navemastudios.com

 

The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.

 

The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.

 

The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.

 

This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.

 

How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:

 

* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.

* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.

* Purple Stripe: Alerts the conductor to an upcoming change.

* Orange Stripe: Marks a pause in the music.

* Red Stripe: Marks the end of a scene.

 

www.theradiocitylotrconcert.com

 

Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.

 

The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

 

Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.

 

The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.

 

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.

1260 Avenue of the Americas & 50th Street, NYC

 

by navema

www.navemastudios.com

 

The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.

 

The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.

 

The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.

 

This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.

 

How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:

 

* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.

* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.

* Purple Stripe: Alerts the conductor to an upcoming change.

* Orange Stripe: Marks a pause in the music.

* Red Stripe: Marks the end of a scene.

 

www.theradiocitylotrconcert.com

 

Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.

 

The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

 

Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.

 

The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.

 

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.

Though he slay me, yet will I trust in him: but I will maintain mine own ways before him.

 

Job 13:15 King James Version

 

role.bandcamp.com/album/matador

1260 Avenue of the Americas & 50th Street, NYC

 

by navema

www.navemastudios.com

 

The Lord of the Rings: The Fellowship of the Ring: Howard Shore’s original award-winning score performed live to the motion picture by the 21st Century Orchestra, The Collegiate Chorale, Brooklyn Youth Choir, and Kaitlyn Lusk, conducted by Ludwig Wicki at Radio City Music Hall at 7:30p.m on October 9th & 10th 2009. Howard Shore and Billy Boyd in attendance.

 

The concerts at Radio City Music Hall on October 9th and 10th will be the first time that Maestro Ludwig Wicki and The 21st Century Orchestra will join forces with the Collegiate Chorale and the Brooklyn Youth Chorus. Ludwig and his orchestra are based in the city of Lucerne, Switzerland where the complete score to the theatrical version of the film was first performed. Ludwig is the foremost conductor of this score-to-film concert. His precision, detail and supreme musicianship will be on display at Radio City. He personally selected the musicians who comprise The 21st Century Orchestra. Over the years he has worked with them in Lucerne perfecting this music.

 

The Collegiate Chorale performed two movements from The Fellowship of the Ring at Carnegie Hall in 2005 under the direction of their founder, the late Robert Bass. The Boys Choir hails from Brooklyn, New York and is a new enormously talented choral group under the direction of Dianne Berkun. Soloist Kaitlyn Lusk is currently the premiere interpreter of the vocal music and an incredible presence, having performed in The Lord of the Rings Symphony with orchestras around the world.

 

This new presentation of cinematic image and music came about as the process of releasing The Complete Recordings was coming to an end.

 

How is the music synchronized? Maestro Wicki will conduct with a laptop computer running Auricle, a color-coded system that indicates the music’s starting and stopping points, as well as tempo:

 

* White Circle: Flashes on the downbeat of every bar. Numbers beneath the circle indicate measure numbers.

* Green Stripe: Passes from left to right across the screen to prepare the conductor for the music’s starting point.

* Purple Stripe: Alerts the conductor to an upcoming change.

* Orange Stripe: Marks a pause in the music.

* Red Stripe: Marks the end of a scene.

 

www.theradiocitylotrconcert.com

 

Radio City Music Hall is an entertainment venue located in New York City's Rockefeller Center. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.

 

The 12 acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

 

Radio City has 5,933 seats for spectators; it became the largest movie theater in the world at the time of its opening. Designed by Edward Durell Stone, the interior of the theater, with decor by Donald Deskey, incorporates glass, aluminum, chrome, and geometric ornamentation. Deskey rejected the Rococo embellishment generally used for theaters at that time in favor of a contemporary Art Deco style, borrowed heavily from a European Modern aesthetic style, of which he was the foremost exponent at the time.

 

The Great Stage, measuring 66.5 feet deep and 144 feet wide, resembles a setting sun. Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.

 

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which became increasingly less common as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public. Radio City Music Hall is currently leased to and managed by Cablevision. Movie premieres and feature runs have occasionally taken place there but the focus of the theater is now on concerts and live stage shows.

Ludovico Einaudi in concerto al Teatro Dal Verme di Milano foto di Roberto Finizio per www.rockon.it

The Royal Philharmonic Orchestra conducted by Stephen Bell performing a selection of John Williams music. The event took place at Taverham Hall Preparatory School, near Norwich on 27th August 2016, and the performances included excerpts from some of John Williams’ most enduring film scores - Star Wars, ET, Jurassic Park, Harry Potter, Jaws and Superman. The main event was preceded by performances from support acts Joe Ringer and Zaira Palumbo.

  

(c)John Newstead working with Simon Watson Photography for event organisers Outside Live.

SINUNGALING NA BUWAN

a film by ED LEJANO

 

listen:

Sinungaling Na Buwan THEME.mp3 - Teresa Barrozo

  

Finalist, Full Length Films Category

Cinemalaya 2007

 

Cast:

Kalila Aguilos,Jake Macapagal, J.R. Valentin, Liza Diño,Ricky Davao,

Perry Escaño,Grace Murillo & Frank Garcia with the special

participation of Ms. Maria Isabel Lopez

 

Three loves, three broken hearts. This

offbeat "dramedy" begins when their affairs abruptly end. A TV weather reporter gets dumped by her older, married lover, turning to alcohol and horoscopes for escape. A radio dubber is deserted by his lover for another woman and becomes obsessed with his idol, a 70s pop diva named Divina dela Luna. A struggling actor is abandoned by his girlfriend and gets immersed into his stage role that mirrors his own crisis. Each dysfunctional character sharing a common experience of falling victim to a pattern of irony and lies. With its intricate plot, their separate stories converge during the performance of a play-within-a-film, Relasyon sa Ilalim ng Buwan. It climaxes with unexpected twists linking one another in surprising ways. Based on an award

winning screenplay, their recurring,

bittersweet experiences unfold like

refrains from an old love song as the

moon shines like a silent witness.

 

About the Director

A faculty member of the UP Film

Institute, ED LEJANO took up film at

New York University and holds a masters

degree in Broadcast Communication from

UP. He has directed and written two

feature films, the latest of which is

Seroks, a digital movie for Cinema One.

A member of Netpac, he has been a juror

for a number of international film

festivals and regularly writes film

articles for international and local

publications, including the Philippine

Daily Inquirer.

 

21 Jul/Sat 03:30 PM Venue 2 - CCP Little Theatre / Tanghalang Aurelio

Tolentino

 

22 Jul/Sun 06:15 PM Venue 4 - CCP MKP Hall / Bulwagang Alagad Ng Sining

 

24 Jul/Tue 12:45 PM Venue 1 - CCP Main Theatre / Tanghalang Nicanor

Abelardo

 

25 Jul/Wed 09:00 PM Venue 5 - CCP Tanghalang Huseng Batute

 

26 Jul/Thu 09:00 PM Venue 1 - CCP Main Theatre / Tanghalang Nicanor

Abelardo

 

27 Jul/Fri 12:45 PM Venue 2 - CCP Little Theatre / Tanghalang Aurelio

Tolentino

 

28 Jul/Sat 12:45 PM Venue 1 - CCP Main Theatre / Tanghalang Nicanor

Abelardo

 

Top Gun CD Front Cover

Music by Various Artists

www.musicworksnyc.com

 

World renown vocal coach, William Riley (Celine Dion, Angelique Kidjo, Shakira, Stevie Wonder, Lara Fabian, Faith Hill, Paula Cole, Liza Minnelli ) chatting with Music Works Events Director Christianne Cook

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