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How we used to store prints and film before the age of digital photography!
Taken at The Regency, Laguna Woods, California. © 2013 All Rights Reserved.
My images are not to be used, copied, edited, or blogged without my explicit permission.
Please!! NO Glittery Awards or Large Graphics...Buddy Icons are OK. Thank You!
ScavChal June 2013 #13 ~ Files can be found in your toolbox, personal grooming kit or in a filing cabinet, or may even refer to people or items arranged in line one behind another ("marching in file"). For this assignment, you may NOT use electronic files or media (no disks or drives, etc.), and you must make an interesting image themed on "file."
Have a terrific new week, my Flickr friends! Thanks so much for coming by!
I've been using David Allen's GTD Tickler Filing system for a while using Lion's manila folder labeled with Dymo's tapes. It has been a highly valuable tool for me and things started to organize by themselves pretty well just because I can now file things away up to one year ahead without worrying a bit until the time comes when they need to be taken care of. I've already started to accumulate plans for next year's back to school promotion in August, imagine that!
Last week when I found that David Allen Co. had just launched a new Tickler File product I immediately ordered one set to see how different its plastic design was compared to my DIY paper based version. It finally reached me today and I'm not so happy with it despite its beautiful design.
Good things first. Each of the 43 folders features beautiful printing with big months/days printed on the bottom right corner on the cover, the plastic is sturdy enough and seems long lasting coz the tabs can wear out pretty easily on paper based manila folders. The price is US$39.95, a bit cheaper than my previous paper based DIY version. An interesting feature is that each folder is labeled with 5 languages (English, German, French, Chinese and another one I can't make out) in nice typography and black vs. pale blue professional look.
I immediately put them into test, the files look great inside my black PU document box. Two problems came right away. First, the size of the files is a just-fit for A4 documents, so if I have catalogs or booklets slightly bigger or tagged with post-its, they will protrude from either side and things become not so tidy. The second thing is that despite their sturdiness on the tabs, when you put say two or more FastCompany magazines in it, the thin plastic simply doesn't hold the content well, the weight will make either the front cover or the back cover, where the tab is placed, drop below visible level. Imagine you have catalogs/magazines/thick documents filed for reading in the next week, the tabs will start to look very untidy, you may not even be able to find a particular day without some fumbling. This didn't happen for my paper based manila folders, for reasons I will specify below.
There is just one thing I didn't like about my previous DIY GTD Tickler Files: tabs are prone to wear and tear which will soon make the whole thing ugly (yeah for things I care, I can't tolerate ugliness).
My old DIY files allow me to write on the cover, it is larger than A4 which contains all of my documents completely covered neat and tidy. Best of all, they have grooves or folding marks so that I can file thicker catalog/documents, the front cover will drop lower because of the thickness of the documents inside, but the tabs remain visible for clear indexing purpose.
All in all, I have no regret making this purchase at all coz I love great looking stuffs, besides it is cheaper and longer lasting than what I did using Lion's manila folders. Perhaps next year I should find one of our suppliers to make an even better version so that some of you may enjoy the result of my study :)
More on Scription blog: moleskine.vox.com/library/post/gtd-tickler-files---david-...
P1040347
Triangular files.
Bought a long time ago, probably in the fifties.
Made by C.O. Öberg & Co. A.B., Eskilstuna, Sweden.
Öberg was taken over in 1975 by Bahco.
download the png files from graphicriver.net/user/core3d/portfolio?ref=core3d
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FIND LOADS OF COOL FILE HERE graphicriver.net/?ref=core3d
Random files stored in 'My documents'.
Some files have been generated via the website: www.fakefilegenerator.com
I plopped my SD card into the reader only to find that 90% of the images I made were corrupted! I don't recollect pulling the card out while the camera or PC were still reading/writing. I had plenty of space left on the card. It was a private label brand, however, so from now on I'm sticking with my SanDisk or Lexar cards. Luckily I wasn't working on a paying job, just some personal, architectural shots. Given these lemons, I decided to make lemonade using the corrupted file as a source of inspiration. You can still see vestiges of the original building/image.
FILE PAI
Paulista Avenida Interativa
Paulista Interactive Avenue
Karolina Sobecka – Sniff - Estados Unidos - United States
Karolina Sobecka – Chase | Estados Unidos - United States
Kurt Hentschläger - ZEE - Kurt Hentschläger
Movimento Crie Futuros: Lala Deheinzelin - Fale com o futuro: crie futuros desejáveis – Brasil | Brazil
Patrick Smith | vectorpark.com – Feed the Head | Estados Unidos
Patrick Smith | vectorpark.com – Levers | Estados Unidos
Patrick Smith | vectorpark.com – Park | Estados Unidos
Patrick Smith | vectorpark.com – Spiders | Estados Unidos
Patrick Smith | vectorpark.com – Thomas | Estados Unidos
Patrick Smith | vectorpark.com – Windosill | Estados Unidos
Q-Games - Pixeljunk Eden – Japão | Japan
Rejane Cantoni & Leonardo Crescenti – PISO - Brasil | Brazil
Rejane Cantoni & Leonardo Crescenti – Infinito ao Cubo - Brasil | Brazil
Steger Produção de Efeitos Especiais Ltda. - Simulador de Ondas e Simulador de Turbilhão – Brasil | Brazil
That Game Company – Flower – Estados Unidos | United States
That Game Company – flOw – Estados Unidos | United States
Vanderlei Lucentini - Omnibusonia Paulista – Brasil | Brazil
VR/Urban: Patrick Tobias Fischer, Christian Zöllner, Thilo Hoffmann & Sebastian Piatza – SMSlingshot – Reino Unido | United Kingdom
FILE ANIMAÇÃO | FILE ANIMATION
Siggraph
Japan Media Arts Festival
FILE SYMPOSIUM – de 27 a 30/07
27/07
Jorge Hernández [coordenador/coordinator], Raquel Rennó, Ricardo Veja, Vicky Messi & Jorge Villacorta | Peru, Argentina, Chile e Brasil
Colóquio de Arte Digital Sul-americano: Brasil e Cone Sul dialogam
Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci | França
Echo & narcissus
Andrew Hieronymi | Estados Unidos
Jogos físicos: Além dos Minigames
Espen Aarseth | Estados Unidos
A Estética do Bottom-up: Histórias, Games e o Metacronotópio
Lala Deheinzelin (coordenação); Liliana Magalhães (Santander Cultural); Luciane Gorgulho (BNDES); Maria Arlete Gonçalves (Oi Futuro) | Brasil
Economia Criativa, Fomento e Tecnologias
28/07
SWAMP: Douglas Easterly & Tiago Rorke | Nova Zelândia
Tardigotchi
VR/Urban: Christian Zöllner & Patrick Tobias Fischer | Reino Unido
Nós Declaramos “O Ato sobre Bens Híbridos!”
Tim Webster | Australia
Terras Maravilhosas: Machu Pichu
Kenneth Hansen | Dinamarca
Formas de arte digitais como projetos de experiência global para o desenvolvimento internacional?
Regine Debatty | Itália
Nós fazemos dinheiro, não arte
Jörg Piringer | Áustria
abcdefghijklmnopqrstuvwxyz for iPhone
Anna Barros | Brasil
Acredite ou não nós somos nano
Mathias Kassmannhuber | Áustria
“Reflection Eternal” - medindo o espaço auditivo com som focalizado
Kurt Hentschlager | Áustria
Composição audiovisual e ambientes imersivos
29/07
Agnus Valente | Brasil
Hibridação Interformativa em processos artísticos interativos
Philip Mangione | Brasil
Chameleon Puzzle Runners
Maxuino: Chris Coleman and Ali Momeni | Estados Unidos
Maxuino
Clarissa Ribeiro, Renata La Rocca & Graziele Lautenschlaeger | Brasil
Instantes de Metamorfose 01
Julio Lucio Martin | Brasil
Passeio Sonoro
David Clark | Canadá
Sign after the X
30/07
Vivian Caccuri | Brasil
A Escuta na Arte Contemporânea questionando categorias com “See This Sound” e Cildo Meirelles
Artur Matuck | Brasil
Um Manifesto pela Re-Informação
Edson Zampronha | Espanha e Brasil
Da criação do som à invenção do sentido
Ernesto Klar | Estados Unidos e Venezuela
“Luzes relacionais”, 2009-2010
Rejane Cantoni e Leonardo Crescenti | Brasil
Como, quando e porque desenhar interfaces áudio-tátil-visuais
Pau Waelder Laso | Espanha
Inner voices and data flows
This shot got beat-out by one that eventually made Explore....
I felt it needed just a little respect soooo.....
I haven't posted these colors often..It only happens ..Just a Moment....LOL
Have a Wonder-Filled Day...
Shoot Your Own..8 Nov....Photo Op.......Mid - River at Sun Set....
Mercedes 1223L Plaxton Cheetah XL at Odd Down coach park, Bath. This was new to Henshaw's of Moreton in Marsh as GL16HEN
FILE PAI
Paulista Avenida Interativa
Paulista Interactive Avenue
Karolina Sobecka – Sniff - Estados Unidos - United States
Karolina Sobecka – Chase | Estados Unidos - United States
Kurt Hentschläger - ZEE - Kurt Hentschläger
Movimento Crie Futuros: Lala Deheinzelin - Fale com o futuro: crie futuros desejáveis – Brasil | Brazil
Patrick Smith | vectorpark.com – Feed the Head | Estados Unidos
Patrick Smith | vectorpark.com – Levers | Estados Unidos
Patrick Smith | vectorpark.com – Park | Estados Unidos
Patrick Smith | vectorpark.com – Spiders | Estados Unidos
Patrick Smith | vectorpark.com – Thomas | Estados Unidos
Patrick Smith | vectorpark.com – Windosill | Estados Unidos
Q-Games - Pixeljunk Eden – Japão | Japan
Rejane Cantoni & Leonardo Crescenti – PISO - Brasil | Brazil
Rejane Cantoni & Leonardo Crescenti – Infinito ao Cubo - Brasil | Brazil
Steger Produção de Efeitos Especiais Ltda. - Simulador de Ondas e Simulador de Turbilhão – Brasil | Brazil
That Game Company – Flower – Estados Unidos | United States
That Game Company – flOw – Estados Unidos | United States
Vanderlei Lucentini - Omnibusonia Paulista – Brasil | Brazil
VR/Urban: Patrick Tobias Fischer, Christian Zöllner, Thilo Hoffmann & Sebastian Piatza – SMSlingshot – Reino Unido | United Kingdom
FILE ANIMAÇÃO | FILE ANIMATION
Siggraph
Japan Media Arts Festival
FILE SYMPOSIUM – de 27 a 30/07
27/07
Jorge Hernández [coordenador/coordinator], Raquel Rennó, Ricardo Veja, Vicky Messi & Jorge Villacorta | Peru, Argentina, Chile e Brasil
Colóquio de Arte Digital Sul-americano: Brasil e Cone Sul dialogam
Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci | França
Echo & narcissus
Andrew Hieronymi | Estados Unidos
Jogos físicos: Além dos Minigames
Espen Aarseth | Estados Unidos
A Estética do Bottom-up: Histórias, Games e o Metacronotópio
Lala Deheinzelin (coordenação); Liliana Magalhães (Santander Cultural); Luciane Gorgulho (BNDES); Maria Arlete Gonçalves (Oi Futuro) | Brasil
Economia Criativa, Fomento e Tecnologias
28/07
SWAMP: Douglas Easterly & Tiago Rorke | Nova Zelândia
Tardigotchi
VR/Urban: Christian Zöllner & Patrick Tobias Fischer | Reino Unido
Nós Declaramos “O Ato sobre Bens Híbridos!”
Tim Webster | Australia
Terras Maravilhosas: Machu Pichu
Kenneth Hansen | Dinamarca
Formas de arte digitais como projetos de experiência global para o desenvolvimento internacional?
Regine Debatty | Itália
Nós fazemos dinheiro, não arte
Jörg Piringer | Áustria
abcdefghijklmnopqrstuvwxyz for iPhone
Anna Barros | Brasil
Acredite ou não nós somos nano
Mathias Kassmannhuber | Áustria
“Reflection Eternal” - medindo o espaço auditivo com som focalizado
Kurt Hentschlager | Áustria
Composição audiovisual e ambientes imersivos
29/07
Agnus Valente | Brasil
Hibridação Interformativa em processos artísticos interativos
Philip Mangione | Brasil
Chameleon Puzzle Runners
Maxuino: Chris Coleman and Ali Momeni | Estados Unidos
Maxuino
Clarissa Ribeiro, Renata La Rocca & Graziele Lautenschlaeger | Brasil
Instantes de Metamorfose 01
Julio Lucio Martin | Brasil
Passeio Sonoro
David Clark | Canadá
Sign after the X
30/07
Vivian Caccuri | Brasil
A Escuta na Arte Contemporânea questionando categorias com “See This Sound” e Cildo Meirelles
Artur Matuck | Brasil
Um Manifesto pela Re-Informação
Edson Zampronha | Espanha e Brasil
Da criação do som à invenção do sentido
Ernesto Klar | Estados Unidos e Venezuela
“Luzes relacionais”, 2009-2010
Rejane Cantoni e Leonardo Crescenti | Brasil
Como, quando e porque desenhar interfaces áudio-tátil-visuais
Pau Waelder Laso | Espanha
Inner voices and data flows