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How we used to store prints and film before the age of digital photography!

Taken at The Regency, Laguna Woods, California. © 2013 All Rights Reserved.

My images are not to be used, copied, edited, or blogged without my explicit permission.

Please!! NO Glittery Awards or Large Graphics...Buddy Icons are OK. Thank You!

 

ScavChal June 2013 #13 ~ Files can be found in your toolbox, personal grooming kit or in a filing cabinet, or may even refer to people or items arranged in line one behind another ("marching in file"). For this assignment, you may NOT use electronic files or media (no disks or drives, etc.), and you must make an interesting image themed on "file."

 

Have a terrific new week, my Flickr friends! Thanks so much for coming by!

I've been using David Allen's GTD Tickler Filing system for a while using Lion's manila folder labeled with Dymo's tapes. It has been a highly valuable tool for me and things started to organize by themselves pretty well just because I can now file things away up to one year ahead without worrying a bit until the time comes when they need to be taken care of. I've already started to accumulate plans for next year's back to school promotion in August, imagine that!

 

Last week when I found that David Allen Co. had just launched a new Tickler File product I immediately ordered one set to see how different its plastic design was compared to my DIY paper based version. It finally reached me today and I'm not so happy with it despite its beautiful design.

 

Good things first. Each of the 43 folders features beautiful printing with big months/days printed on the bottom right corner on the cover, the plastic is sturdy enough and seems long lasting coz the tabs can wear out pretty easily on paper based manila folders. The price is US$39.95, a bit cheaper than my previous paper based DIY version. An interesting feature is that each folder is labeled with 5 languages (English, German, French, Chinese and another one I can't make out) in nice typography and black vs. pale blue professional look.

 

I immediately put them into test, the files look great inside my black PU document box. Two problems came right away. First, the size of the files is a just-fit for A4 documents, so if I have catalogs or booklets slightly bigger or tagged with post-its, they will protrude from either side and things become not so tidy. The second thing is that despite their sturdiness on the tabs, when you put say two or more FastCompany magazines in it, the thin plastic simply doesn't hold the content well, the weight will make either the front cover or the back cover, where the tab is placed, drop below visible level. Imagine you have catalogs/magazines/thick documents filed for reading in the next week, the tabs will start to look very untidy, you may not even be able to find a particular day without some fumbling. This didn't happen for my paper based manila folders, for reasons I will specify below.

 

There is just one thing I didn't like about my previous DIY GTD Tickler Files: tabs are prone to wear and tear which will soon make the whole thing ugly (yeah for things I care, I can't tolerate ugliness).

 

My old DIY files allow me to write on the cover, it is larger than A4 which contains all of my documents completely covered neat and tidy. Best of all, they have grooves or folding marks so that I can file thicker catalog/documents, the front cover will drop lower because of the thickness of the documents inside, but the tabs remain visible for clear indexing purpose.

 

All in all, I have no regret making this purchase at all coz I love great looking stuffs, besides it is cheaper and longer lasting than what I did using Lion's manila folders. Perhaps next year I should find one of our suppliers to make an even better version so that some of you may enjoy the result of my study :)

 

More on Scription blog: moleskine.vox.com/library/post/gtd-tickler-files---david-...

Finally got a file cabinet! Seen here with 2-tab folders.

P1040347

Triangular files.

Bought a long time ago, probably in the fifties.

Made by C.O. Öberg & Co. A.B., Eskilstuna, Sweden.

Öberg was taken over in 1975 by Bahco.

download the png files from graphicriver.net/user/core3d/portfolio?ref=core3d

This Is A Very Eyecatching Way To Display & Present Your Graphics, Advertisement, C.V, Template, Design, Background, Singn, Banner, Profile Page, Artwork, Poster, Flyer, Business Card, Logo, Picture, Photograph, Magazine Cover, Brochure, Stationary, Card, Invite, Advertising, Menu Template, Website, Branding, Resume, Social Media Profile, Illustrations, Advert, Print Template, Facebook Page, Packaging, Twitter Page, Fb Timelines, Cd Covers, Media, Print, Billboard, Newsletter Etc….

 

FOR MORE :-

 

"Poster Mockups" "Flyer Mock Ups" "Display Mock-Ups" "Presentation Mockups" "3D Rendered Mockups" "Logo Mockups" "Business Card Mockups" "Billboard Mockups" "Hordings Mock Up" "Media Mock up" "Print Mock Up" "Advertising Mockups" "Template Mockups" "Artwork Mockups" "Photograph Mockups" "Sign Mockups" "Signage Mockup" "Stationary Mockups" "Cd Mock up" "Bus Stop Mockup" "Bus Shelter Mock up" "Facebook Mockup" "Twitter Mockup" "Print Mockup" "Timeline Mockup"

 

FIND LOADS OF COOL FILE HERE graphicriver.net/?ref=core3d

Another scene of working women doing their job into the rice field....!!

Random files stored in 'My documents'.

 

Some files have been generated via the website: www.fakefilegenerator.com

I plopped my SD card into the reader only to find that 90% of the images I made were corrupted! I don't recollect pulling the card out while the camera or PC were still reading/writing. I had plenty of space left on the card. It was a private label brand, however, so from now on I'm sticking with my SanDisk or Lexar cards. Luckily I wasn't working on a paying job, just some personal, architectural shots. Given these lemons, I decided to make lemonade using the corrupted file as a source of inspiration. You can still see vestiges of the original building/image.

FILE PAI

Paulista Avenida Interativa

Paulista Interactive Avenue

 

Karolina Sobecka – Sniff - Estados Unidos - United States

Karolina Sobecka – Chase | Estados Unidos - United States

Kurt Hentschläger - ZEE - Kurt Hentschläger

Movimento Crie Futuros: Lala Deheinzelin - Fale com o futuro: crie futuros desejáveis – Brasil | Brazil

Patrick Smith | vectorpark.com – Feed the Head | Estados Unidos

Patrick Smith | vectorpark.com – Levers | Estados Unidos

Patrick Smith | vectorpark.com – Park | Estados Unidos

Patrick Smith | vectorpark.com – Spiders | Estados Unidos

Patrick Smith | vectorpark.com – Thomas | Estados Unidos

Patrick Smith | vectorpark.com – Windosill | Estados Unidos

Q-Games - Pixeljunk Eden – Japão | Japan

Rejane Cantoni & Leonardo Crescenti – PISO - Brasil | Brazil

Rejane Cantoni & Leonardo Crescenti – Infinito ao Cubo - Brasil | Brazil

Steger Produção de Efeitos Especiais Ltda. - Simulador de Ondas e Simulador de Turbilhão – Brasil | Brazil

That Game Company – Flower – Estados Unidos | United States

That Game Company – flOw – Estados Unidos | United States

Vanderlei Lucentini - Omnibusonia Paulista – Brasil | Brazil

VR/Urban: Patrick Tobias Fischer, Christian Zöllner, Thilo Hoffmann & Sebastian Piatza – SMSlingshot – Reino Unido | United Kingdom

 

FILE ANIMAÇÃO | FILE ANIMATION

Siggraph

Japan Media Arts Festival

 

FILE SYMPOSIUM – de 27 a 30/07

27/07

Jorge Hernández [coordenador/coordinator], Raquel Rennó, Ricardo Veja, Vicky Messi & Jorge Villacorta | Peru, Argentina, Chile e Brasil

Colóquio de Arte Digital Sul-americano: Brasil e Cone Sul dialogam

 

Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci | França

Echo & narcissus

 

Andrew Hieronymi | Estados Unidos

Jogos físicos: Além dos Minigames

 

Espen Aarseth | Estados Unidos

A Estética do Bottom-up: Histórias, Games e o Metacronotópio

 

Lala Deheinzelin (coordenação); Liliana Magalhães (Santander Cultural); Luciane Gorgulho (BNDES); Maria Arlete Gonçalves (Oi Futuro) | Brasil

Economia Criativa, Fomento e Tecnologias

 

28/07

SWAMP: Douglas Easterly & Tiago Rorke | Nova Zelândia

Tardigotchi

 

VR/Urban: Christian Zöllner & Patrick Tobias Fischer | Reino Unido

Nós Declaramos “O Ato sobre Bens Híbridos!”

 

Tim Webster | Australia

Terras Maravilhosas: Machu Pichu

 

Kenneth Hansen | Dinamarca

Formas de arte digitais como projetos de experiência global para o desenvolvimento internacional?

 

Regine Debatty | Itália

Nós fazemos dinheiro, não arte

 

Jörg Piringer | Áustria

abcdefghijklmnopqrstuvwxyz for iPhone

 

Anna Barros | Brasil

Acredite ou não nós somos nano

 

Mathias Kassmannhuber | Áustria

“Reflection Eternal” - medindo o espaço auditivo com som focalizado

 

Kurt Hentschlager | Áustria

Composição audiovisual e ambientes imersivos

 

29/07

Agnus Valente | Brasil

Hibridação Interformativa em processos artísticos interativos

 

Philip Mangione | Brasil

Chameleon Puzzle Runners

 

Maxuino: Chris Coleman and Ali Momeni | Estados Unidos

Maxuino

 

Clarissa Ribeiro, Renata La Rocca & Graziele Lautenschlaeger | Brasil

Instantes de Metamorfose 01

 

Julio Lucio Martin | Brasil

Passeio Sonoro

 

David Clark | Canadá

Sign after the X

 

30/07

Vivian Caccuri | Brasil

A Escuta na Arte Contemporânea questionando categorias com “See This Sound” e Cildo Meirelles

 

Artur Matuck | Brasil

Um Manifesto pela Re-Informação

 

Edson Zampronha | Espanha e Brasil

Da criação do som à invenção do sentido

 

Ernesto Klar | Estados Unidos e Venezuela

“Luzes relacionais”, 2009-2010

 

Rejane Cantoni e Leonardo Crescenti | Brasil

Como, quando e porque desenhar interfaces áudio-tátil-visuais

 

Pau Waelder Laso | Espanha

Inner voices and data flows

  

This shot got beat-out by one that eventually made Explore....

I felt it needed just a little respect soooo.....

I haven't posted these colors often..It only happens ..Just a Moment....LOL

 

Have a Wonder-Filled Day...

  

Shoot Your Own..8 Nov....Photo Op.......Mid - River at Sun Set....

flickr.com/photos/pirates_mom/2922134059/

My file cabinets at work. I detest every inch of them.

Filers of Ilfracombe.

FIL 3960 (FC05 FOR)

Bova FHD12.340 Futura.

Kings Statue, Weymouth.

Mercedes 1223L Plaxton Cheetah XL at Odd Down coach park, Bath. This was new to Henshaw's of Moreton in Marsh as GL16HEN

FILE PAI

Paulista Avenida Interativa

Paulista Interactive Avenue

 

Karolina Sobecka – Sniff - Estados Unidos - United States

Karolina Sobecka – Chase | Estados Unidos - United States

Kurt Hentschläger - ZEE - Kurt Hentschläger

Movimento Crie Futuros: Lala Deheinzelin - Fale com o futuro: crie futuros desejáveis – Brasil | Brazil

Patrick Smith | vectorpark.com – Feed the Head | Estados Unidos

Patrick Smith | vectorpark.com – Levers | Estados Unidos

Patrick Smith | vectorpark.com – Park | Estados Unidos

Patrick Smith | vectorpark.com – Spiders | Estados Unidos

Patrick Smith | vectorpark.com – Thomas | Estados Unidos

Patrick Smith | vectorpark.com – Windosill | Estados Unidos

Q-Games - Pixeljunk Eden – Japão | Japan

Rejane Cantoni & Leonardo Crescenti – PISO - Brasil | Brazil

Rejane Cantoni & Leonardo Crescenti – Infinito ao Cubo - Brasil | Brazil

Steger Produção de Efeitos Especiais Ltda. - Simulador de Ondas e Simulador de Turbilhão – Brasil | Brazil

That Game Company – Flower – Estados Unidos | United States

That Game Company – flOw – Estados Unidos | United States

Vanderlei Lucentini - Omnibusonia Paulista – Brasil | Brazil

VR/Urban: Patrick Tobias Fischer, Christian Zöllner, Thilo Hoffmann & Sebastian Piatza – SMSlingshot – Reino Unido | United Kingdom

 

FILE ANIMAÇÃO | FILE ANIMATION

Siggraph

Japan Media Arts Festival

 

FILE SYMPOSIUM – de 27 a 30/07

27/07

Jorge Hernández [coordenador/coordinator], Raquel Rennó, Ricardo Veja, Vicky Messi & Jorge Villacorta | Peru, Argentina, Chile e Brasil

Colóquio de Arte Digital Sul-americano: Brasil e Cone Sul dialogam

 

Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci | França

Echo & narcissus

 

Andrew Hieronymi | Estados Unidos

Jogos físicos: Além dos Minigames

 

Espen Aarseth | Estados Unidos

A Estética do Bottom-up: Histórias, Games e o Metacronotópio

 

Lala Deheinzelin (coordenação); Liliana Magalhães (Santander Cultural); Luciane Gorgulho (BNDES); Maria Arlete Gonçalves (Oi Futuro) | Brasil

Economia Criativa, Fomento e Tecnologias

 

28/07

SWAMP: Douglas Easterly & Tiago Rorke | Nova Zelândia

Tardigotchi

 

VR/Urban: Christian Zöllner & Patrick Tobias Fischer | Reino Unido

Nós Declaramos “O Ato sobre Bens Híbridos!”

 

Tim Webster | Australia

Terras Maravilhosas: Machu Pichu

 

Kenneth Hansen | Dinamarca

Formas de arte digitais como projetos de experiência global para o desenvolvimento internacional?

 

Regine Debatty | Itália

Nós fazemos dinheiro, não arte

 

Jörg Piringer | Áustria

abcdefghijklmnopqrstuvwxyz for iPhone

 

Anna Barros | Brasil

Acredite ou não nós somos nano

 

Mathias Kassmannhuber | Áustria

“Reflection Eternal” - medindo o espaço auditivo com som focalizado

 

Kurt Hentschlager | Áustria

Composição audiovisual e ambientes imersivos

 

29/07

Agnus Valente | Brasil

Hibridação Interformativa em processos artísticos interativos

 

Philip Mangione | Brasil

Chameleon Puzzle Runners

 

Maxuino: Chris Coleman and Ali Momeni | Estados Unidos

Maxuino

 

Clarissa Ribeiro, Renata La Rocca & Graziele Lautenschlaeger | Brasil

Instantes de Metamorfose 01

 

Julio Lucio Martin | Brasil

Passeio Sonoro

 

David Clark | Canadá

Sign after the X

 

30/07

Vivian Caccuri | Brasil

A Escuta na Arte Contemporânea questionando categorias com “See This Sound” e Cildo Meirelles

 

Artur Matuck | Brasil

Um Manifesto pela Re-Informação

 

Edson Zampronha | Espanha e Brasil

Da criação do som à invenção do sentido

 

Ernesto Klar | Estados Unidos e Venezuela

“Luzes relacionais”, 2009-2010

 

Rejane Cantoni e Leonardo Crescenti | Brasil

Como, quando e porque desenhar interfaces áudio-tátil-visuais

 

Pau Waelder Laso | Espanha

Inner voices and data flows

  

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