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The artist group Time`s Up gives us an insight of their work and preparations for the Ars Electronica Festival.
Credit: Vanessa Graf
The Linz artist’s collective Time’s Up, this year’s Featured Artist, transforms the spaces of the LENTOS Kunstmuseum into an interactive situation, in Turnton Docklands. We write the year 2047. The space itself becomes the exhibition, which wants to be touched, searched and worked out. Turnton Docklands offers a mixture of environmental dystrophy, corporate ideals and a scary future scenario.
Credit: florian voggeneder
Photo showing an impression of the opening of Featured Artist 2018: Hidden Alliances – Elisabeth Schimana and the IMAfiction series / Elisabeth Schimana (AT)
Credit: tom mesic
Photo showing Beatriz Ferreyra at the opening of Featured Artist 2018: Hidden Alliances – Elisabeth Schimana and the IMAfiction series / Elisabeth Schimana (AT)
Credit: tom mesic
Photo showing an impression of the SoundBrunch with Elisabeth Schimana and the IMAfiction Series at Lentos Kunstmuseum Linz.
Credit: tom mesic
Various shots of me & or my display as one of the "featured" artist for the 4th Friday Castlberry Hill Art Strool in April of 09
The artist group Time`s Up gives us an insight of their work and preparations for the Ars Electronica Festival.
Credit: Vanessa Graf
Photo showing Gernot Barounig (AT), Gerhard Weichselbaumer (AT) and Doris Lang-Mayerhofer (AT) (from left to right).
credit: Florian Voggeneder
In the large-scale, walk-through installations she has created since the 1980s, Seiko Mikami (JP) deals with linkages between the human body and Information Society. In the ‘90s, she turned her attention increasingly to interactive works into which she integrated human perception. These include “Molecular Informatics,” an eye-tracking project she carried out in 1996 at the Canon ARTLAB, and a 1997 installation at ICC in Tokyo having to do with the human sense of hearing and sounds from within the body.
Photo showing, from left to right: Stella Rollig (Artistic Director Lentos Kunstmuseum Linz), Gerfried Stocker (Artistic Director Ars Electronica) and Andreas Broeckmann (Art historian curator).
credit: rubra
This is me driving to my surprise birthday party in Saskatoon last weekend. My dear friend Nathan was so kind as to organize a surprise birthday/martini party for me, after leading me to believe all week that no one was around. What a guy!
The roads were fantastic from Edmonton to Lloydminster (as you can tell by me taking pictures as driving), and then got increasingly worse as I approached Saskatoon.
If there's one thing I love about winter (besides being able to ski), it's the incredibly long shadows that are cast by the sun all day. I'm not sure why, I just love 'em.
Seiko Mikami’s large installation “Desire of Codes” demonstrates how the boundaries between the body of data in the virtual world and the physical body in the real world are becoming blurred in the context of Information Society.
credit: rubra
Photo showing Doris Lang-Mayerhofer (AT), Councillor of the City of Linz.
credit: Florian Voggeneder
Photo showing Doris Lang-Mayerhofer (AT), Councillor of the City of Linz.
credit: Florian Voggeneder
St. Mary’s Cathedral in Linz is Austria’s largest church, a space with extreme dimensions and volumes.
The title of Sam Auinger’s (AT) “sound installation with performative elements” that ran in this space from dusk to dawn refers to the volume of this piece of constructed cultural history.
credit: rubra
Visitors of the Turnton Docklands Exhibition at the Lentos Kunstmuseum Linz.
credit: Florian Voggeneder
Photo showing an impression of the opening of Featured Artist 2018: Hidden Alliances – Elisabeth Schimana and the IMAfiction series / Elisabeth Schimana (AT)
Credit: tom mesic
Photo showing Gerfried Stocker at the opening of Featured Artist 2018: Hidden Alliances – Elisabeth Schimana and the IMAfiction series / Elisabeth Schimana (AT)
Credit: tom mesic
Photo showing Beatriz Ferreyra at the opening of Featured Artist 2018: Hidden Alliances – Elisabeth Schimana and the IMAfiction series / Elisabeth Schimana (AT)
Credit: tom mesic
Photo showing Gerfried Stocker (Artistic Director Ars Electronica), Gernot Barounig (AT) (Lentos Kunstmuseum Linz) and Doris Lang-Mayerhofer (AT) (Councillor of the City of Linz).
credit: Florian Voggeneder
for those who are interested, a set of my montréal ruelle photos is currently featured in
f-stop magazine's winter theme issue
The Linz artist’s collective Time’s Up, this year’s Featured Artist, transforms the spaces of the LENTOS Kunstmuseum into an interactive situation, in Turnton Docklands. We write the year 2047. The space itself becomes the exhibition, which wants to be touched, searched and worked out. Turnton Docklands offers a mixture of environmental dystrophy, corporate ideals and a scary future scenario.
Credit: florian voggeneder
Photo showing Gerfried Stocker (Artistic Director Ars Electronica) and Gernot Barounig (AT) (Lentos Kunstmuseum Linz).
credit: Florian Voggeneder
Photo showing Tina Auer and Tim Boykett of Time's Up (AT) at the Lentos Kunstmuseum Linz.
credit: Florian Voggeneder
Photo showing an impression of the SoundBrunch with Elisabeth Schimana and the IMAfiction Series at Lentos Kunstmuseum Linz.
Credit: tom mesic
Photo showing Gernot Barounig (AT) (Lentos Kunstmuseum Linz) and Doris Lang-Mayerhofer (AT) (Councillor of the City of Linz).
credit: Florian Voggeneder
=Maxxfemm on iTunes ::: Myspace :::: Youtube"Maxxfemm on iTunes ::: Myspace :::: YoutubeMAXXFEMM New female-centric electro-pop band from siblings Paul & LaraLayton MAXXFEMM balances the best of pop-dance music: hot andheartfelt lyrics ove= r pristine sonic production. Lara's smoothvocal delivery plays perfectly o= ver Paul's fuzzed-out elecro-synthhooks. Think Debbie Harry's vocals with = Postal Service beats andyou're getting close. With very little promotion, MAXXFEMM's fanbase is already astounding. Sele= cted as a MySpace "featuredartist," MAXXFEMM garnered over 100,000 streams= , thousands of friendrequests and heaps of fan comments and emails - all i= n one week.Now they have nearly 10,000 friends, more than 65,000 profile v= iewsand upwards of 150,000 plays on their page. Their song, "Hope Is AllThere Is," was quickly picked up by San Diego disc= jockey andtastemaker Anya Marina and in Los Angeles, the Static Revenger = remixof the song got two months of heavy rotation on Jason Bentley's Metro=polis (KCRW). The track is featured in this summer's indie film, "TheOH in= Ohio" starring Parker Posie, Paul Rudd, Danny DeVito and HeatherGraham. With the release of their debut EP, Weak Condition, theLaytons and MAXXFEM= M are courting a mass audience once again.Maxxfemm on iTunes ::: Myspace :::: Youtube
Seiko Mikami’s large installation “Desire of Codes” demonstrates how the boundaries between the body of data in the virtual world and the physical body in the real world are becoming blurred in the context of Information Society.
credit: rubra
Photo showing Gernot Barounig (AT), Gerhard Weichselbaumer (AT) and Doris Lang-Mayerhofer (AT) (from left to right).
credit: Florian Voggeneder
Photo showing an impression of the SoundBrunch with Elisabeth Schimana and the IMAfiction Series at Lentos Kunstmuseum Linz.
Credit: tom mesic
Photo showing an impression from the Opening of Turnton Docklands at the Lentos Kunstmuseum Linz.
credit: Florian Voggeneder