View allAll Photos Tagged fcpx
This is one of the shots from a series of time-lapses I captured a couple of days ago between two storms. You can see the sequence at: vimeo.com/198431862
Shot near Kugluktuk, Nunavut in January 2017 with Canon 5DMKIII & 14mm f/2.8. Edited & Rendered in Lightroom, LRTimelapse 4 & FCPX. Photography & Editing: Mathieu Dumond, ©Umingmak Productions Inc. 2017.
For other sequences, check my YouTube Channel: www.youtube.com/channel/UCSsSRAPCiE2WCqIKdIUaNiw
Or Vimeo Channel: vimeo.com/umingmakproductions
Music by Thomas Tallis (jointly with William Byrd) written in 1575.
Salvator Mundi (Saviour of the World)
A slower version of this video is also available to view here :-
Footage taken in Gloucester Cathedral Cloisters, UK.
www.gloucestercathedral.org.uk/cloisters-5335.php
Software GoPro Player and FCPX.
Yet another short video taken using a RunCam 3S camera mounted on a Le Drib FPV drone (see previous photo), flown by Nic, edited by me in FCPX on Mac Book Pro. Even more fun!!
You Tube channel,
www.youtube.com/channel/UCrUMTYk8sMVEEidElxAZr8w
Link below to a much longer version on You Tube;-
Crop Circle situated on Hackpen Hill, White Horse, Wiltshire, UK.
A big hello to HumanGeorge we met there....🙏
Visited on 02.08.18 as the Sun was setting.
DJI Mavic Pro, edited in Snapseed on iPad Pro.
👽 I N V I T A T I O N 👽
Below is a link to a video on YT shot by Nic using the Mavic Pro a little later that same evening. This video has not been changed (no speed changes etc..) only a Sepia filter was applied in FCPX. The whole sequence was flown in real time and by hand, (no help from the drone), just as it appears here. Recorded in 4K Cinematic. Make sure to view in maximum quality (the light was poor so detail is not high.).
www.youtube.com/channel/UCrUMTYk8sMVEEidElxAZr8w
Link to the stunning music used in the video........
soundcloud.com/robot-heart/above-and-beyond-robot-heart-b...
And for further reading on this crop circle see.
temporarytemples.co.uk/project/hackpen-hill-3-wilts-30th-...
This is only photographs (as usual), 371 of them in a time lapse sequence but this time put through TLDF (Time Lapse De-Flicker) using the light blend feature, and one as a still photograph used from 34 seconds - 40 seconds within the video..so difficult to crop them together so sorry that the results aren't better but I gave up in the end..........FCPX on Mac.......original music. = Alien by DJ Q Rio, Feat Techno, doesn't seem to be available anywhere.....but the version I used was from Liquid Soul....a DJ from Switzerland.....here's a link....
soundcloud.com/liquid-soul/liquid-soul-april-essential
Already posted a video of the same time lapse sequence I used with the original stills...
www.flickr.com/photos/forumcz/31928140292/in/album-721576...
Taken with Polaris (The Northstar) in the centre, 5 second exposures @ F/2.0 taken over an hour period. Equivalent to 11.5 GB data.....the shots were taken in the car park/view point at Coaley Peak, nr. Woodchester Mansion, Gloucestershire on a very cold night (between midnight on the 26.12.16 to 1am on 27.12.16)
Taken with Pentax K3 II, Sigma 35mm F/1.4 DG HSM ART, Pentax Remote, Manfrotto Tripod, MANually....💪
Music 'Place to be' by Nick Drake
Took the GoPro Max (360* action camera) to the woods today and edited some of the footage firstly in the GoPro Player App on Mac then added the music and compiled clips, tweaked colour, speeds etc etc. in FCPX on Mac.
A short video taken using a RunCam 3S camera mounted on a Le Drib FPV drone (see previous photo), flown by Nic, edited by me in FCPX on Mac Book Pro. What fun!!
Link below to a longer version on You Tube;-
La vidéo qui va avec ... c'est pas long, c'est un premier test effectué avec Final Cut Pro. C'est tourné à l'iPhone en 4K 60 fps. Cà n'a aucune prétention si ce n'est que de montrer un peu autre chose et de se tester à une autre discipline.
www.youtube.com/watch?v=aRSATp4ah_s&ab_channel=Bernar...
(à cet instant le 4K ne passe pas sur Safari, préférez Chrome)
La vidéo qui va avec ... c'est pas long, c'est un premier test effectué avec Final Cut Pro. C'est tourné à l'iPhone en 4K 60 fps. Cà n'a aucune prétention si ce n'est que de montrer un peu autre chose et de se tester à une autre discipline.
www.youtube.com/watch?v=aRSATp4ah_s&ab_channel=Bernar...
(à cet instant le 4K ne passe pas sur Safari, préférez Chrome)
Had the best crash to date in this vid, luckily no damage, not even a prop!! Was trying to find a new passage high up through the trees at the top of the quarry. No luck so far!! This album was playing during these flights which gave me the idea for this video. All flown with the Shendrone Squirt V2, footage captured using a GoPro 6 Black in 4K @ 30FPS 4:3 aspect ratio, run through in ReelSteady Go then into FCPX. No speed changes, just reversed some of the footage at the beginning.
PS If possible use headphones to listen.
If you like this video please subscribe to my YouTube channel
www.youtube.com/user/Milesofgadgets
Music = 'Need to feel loved' - Cafe del Mar - from the Terrace Mix 3 album. This time the full version, with a little tweak at the end.
voronoi nose triggered by audio signal + effected clip of video static = ambient video
an expressive piece generated in maxMSP + jitter, composited in FCPX
Derelict Redler Factory, Stroud. Apparently closed in 2001. Some perfect areas in here to get to know. Not sure how long it will be before it's redeveloped. Shendrone Squirt V2 with GoPro 6 Black footage (2.7K, 60fps), put through ReelSteadyGo stabilising software, then edited in FCPX.
Thanks to Soundcloud and to the artists for the music.
Track 1 = Strings by Clueless Kit
soundcloud.com/cluelesskit/st...
Track 2 = Long Days by Jack Cates
This is the island of my previous photo, and the previous... turned into logo.
Long version: www.youtube.com/watch?v=jaS_-ihzJ4I
One of my locals decided to renew his driveway with the help of a "Small Building Projects" builder from Windsor, by the name of James H Kelleway.
Cracking job but a massive amount of work for two people. Eagle Plant hire equipment folks supplied a dumpster truck and digger complete with a "pecker" attachment to break up sections of concrete and move materials around, for the first week.
The job was over 8 weeks work but split up by Christmas break. As usual mission creep sets in with a new fence being installed as well as a soak-away for rain water with a gulley.
A lot of materials and lorry loads delivering scalpings for foundations, sand cement, fencing, and of course thousands of blocks which were all laid individually with edgings that are cemented boundaries to keep the blocks in place.
Anyway with a great opportunity to film it - so here is the result.
Film info:- filmed with iPhone 13 Pro Max, some sections with Moondog Anamorphic lens which finally arrived from America during the project.
Various apps used to film it , Protake for time-lapse sections, Filmic Pro for others, Beast Cam until I found it was not recording stereo sound, and the standard Apple video App with the new Cinematic features were tested out.
Edit work all done on Apple Final Cut Pro X. Copyright free music from FCPX.
It was a pretty cold time on a few days but lucky for me I could go back home and warm up indoors !! But due to the very dry January only a couple of days were lost due to bad weather. A few frosty starts meant work had to be re-arranged until the sand thawed out.
Hope you enjoy the little film.
Any suggestions on improvements welcome to have comments.
Using a TVlogic VFM-056W external broadcast monitor makes such a difference in shooting anamorphic with the GH2 and lenses such as the 2x Sankor 16C. The monitor can be setup to de-squeeze the signal so that it looks like finished footage on screen.
Here are some mathematics behind the scenes:
The Sankor 16C lens is a 2x anamorphic lens, which means basically that it appears like a 2x wide angle adaptor for horizontal field of view (H-FOV) but in the vertical field (V-FOV) it maintains 1x field of view of the lens (no change). In other words it squeezes in double the amount of detail in the horizontal axis of the image, whilst the vertical stays intact.
So to de-squeeze the image when mounted on a camera shooting 1920 x 1080 HD 16:9, keeping the 1080 vertical pixels intact while doubling the horizontal 1920 x 2 = 3840 pixels will give you a normalized image again, but with twice the widescreen effect! Panoramic view. The aspect ratio is then 3840/1080=3.55:1. If you used a 50mm as the taking lens, the lens combo will appear like a 25mm wide angle for the horizontal axis and like a regular 50mm vertically. Got it?
OK, moving on... First off, how to setup the HDMI monitor properly. The display panel of the TVlogic is 1280x800 pixels. The squeeze works like you're entering new X/Y resolution that maps to the input signal. So instead of entering 1280x720 (16:9) for this setup it should be displaying 1280x360 pixels (3.55:1 aspect ratio) mapped to the 16:9 HDMI signal from the GH2.
For most footage though, the 3.55:1 aspect ratio could be a little over the top, so creating a 2.66:1 or 2.35:1 marker would ease a lot in framing the shot for your post production workflow if you intend to crop. In order not to loose too much horizontal resolution, I would go for a 2.66:1 aspect ratio and put it on a on/off switchable marker/matte shown in the image above. You can set the display to just darken the matte area slightly so you can frame your shot in both aspect ratios, and still see all the camera OSD controls etc. Handy!
Editing workflow in FCPX:
Ingest the footage like usual AVCHD from camera. Then create a 4K (4096x2304) timeline onto which you put the anamorphic clips. When the 1920x1080 squeezed material from the GH2 enters the timeline, it'll be upscaled to 4K by FCPX. Now select the clip and change the horizontal scale to 50% by using the 'Transform' section of inspector. Now the footage has regained its original proportions 3.55:1. Using a 4K timeline will ensure that you won't lose any detail in the stretch. Now you're free to edit your story and when it comes to finalize, create some Compressor templates that output your story in either full 3.55:1 4K or downscaled to 2K, cropped to 2.66:1 or anything else! I also created an overlay which would letterbox your footage to 2.66:1 directly on the timeline, in case you like to crop your output it's so much easier if you can see the effect directly in the editing. By using the TVlogic monitor and the crop marks, I will get the exact same results in post as expected in the field.
Excellent!
A song filmed from Pushkar Camel Fair 2015. Singer: Gopalram Nayak Bhopa. Check out the pictures at www.cambuff.com
I met this Bhopa singer at Pushkar the day before Camel fair begins. He was playing filmy songs on Ravanahatha and earning small change in the streets. I asked him if I can film him playing Ravanahatha. He said – he's a folk singer too, who writes his own songs and perform at wedding ceremonies. So I asked him to sing his own favorite song for me... Enjoy the song. Watch it on youtube youtu.be/AYsyp4p-q-0
Please use headphones for better result – Audio was recorded on smartphone and enhanced in post.
Camera: Canon EOS 60D
Lenses: Canon EF-S 10-18mm f/4.5-5.6 IS STM, Canon EF 50mm f/1.8 II Final Cut Pro | Technicolor Cinestyle | DaVinci Resolve 12 | Adobe Audition CS6
Z8
Z 400mm f/4.5 + Z 1.4 TC
Post in FCPX
Music via Instagram
I was in San Diego recently. While there I spotted some ducks seeming to be pretty happy handing out in the hotel pond.
I flipped the switch to video and was able to grab some 1080 footage. OK... I messed up. I had not reset the camera after the Z8 intro events I helped with... and I was in 4K RAW... but it produced a 1080 proxy file. So I used that for this clip. (I'm too lazy to play with a RAW video file right now.)
I ran that through post to slow down the middle segment.
A day out with a Big Cat - Jaguar XK8 which has been maintained irrespective of cost and lovingly cared for by Gary Scorgie www.flickr.com/photos/47778916@N00/ for over 17 years , car is 25 years old.
The weather was better than some recent days but bright skies were challenging at times. A trip up the M40 to Stokenchurch for a pub lunch was essential but alcohol free due to filming and driving!!
Some more scenes around that area completed the remit for the day.
My progress still needs some refining in getting steady shots while walking. I may try in the future just using Protake app as it has the extreme stabilisation setting not available with either FilMiC Pro or the standard Apple app.
Thanks to Gary for the car preparation and trip out.
Film info:
Video using Filmic Pro app 4k at 60 frames per second.
iPhone 11Pro Max on a Moza Mini P Gimbal and at times extended using a lighting stand to get crane shots and low down lead-in shots..
Other video captured with standard Apple App.
The hyper lapse car travel done with Protake app with stabilisation set to highest setting - extreme.
Kit used :-
iPhone 11 Pro Max.
Gimbal is Moza Mini P.
Lastolite Professional 2.8 metre lighting stand,
MV88+ stereo microphone,
Zeadio metal camera rig hand held.
PolarPro iPhone case with variable density filter {VND 3-5 filter}
to reduce the bright sunlit and keep the video shutter speed down for cinematic quality, throughout.
Gary kindly supplied some stills using his Nikon Z6 such as backlit dashboard and closing shots in the woods.
Edit work done in Apple Final Cut Pro X on an iMac, copyright free music from FCPX.
Filmed in 4k and processed final output to full HD 1080P for ease of viewing on Flickr.
Please feel free to comment and share any advice. Thanks Jerry
I shot this rather hurriedly to meet a tight deadline in a local photo contest. The theme was "Antiques". Working at a TV Station, our engineering department has equipment from years gone by on it's shelves, so I thought I'd juxtapose (there, I said it...now I'm an artist) the old and new. On the right/foreground is 40 year old state of the art electronics...on the left/background is my state of the art gear...
Now that I've got my hands on some of these old tubes and meters, l'm going to see what I can do with them.
Cheers, all!!
My brother
He is drumming with remix Affetmem (I never forgive)
The original song belongs to Bergen, an Arabesque.
It's the most vindictive song you can ever hear.
Framegrab from quick grading test in FCPX using Filmconvert Pro, shot with my Lumix FZ2000 (pre-production model) with V-Log L activated, 10bit 4K ProRes HQ recorded to Atomos Shogun, look created with GH4 V-Log profile in Filmconvert, KD 5207Vis3, very subtle grain added (strength 24), overexposed roughly +2EV at base ISO400 in camera, WB 5600K, underexposed (-0.25) in Filmconvert, WB knocked down to 5400K, some minor tweaks on the three-wheel corrector. That's it! ;)
The thing with V-Log L on the GH4 and now also the new FZ2000... it's got such a variety of reviews, mostly bad, because people just don't seem to cope with how to work with properly shot Log footage from any camera. Then just don't review it, or speak out at all. I absolutely love grading V-Log L footage from the GH4 and FZ2000. It's fantastic to work with! You have to be disciplined, know you gear, have it in your heart I guess. But I even prefer shooting V-Log L over RAW these days (well, except for astrophotography of course) because thanks to Filmconvert Pro, it's so much easier to find that fantastic, analog look that I sometimes struggle to reach within Lightroom from RAW-files.
You just have to understand what Log is all about, how to properly over-expose your shot, the hardest thing is to decide what to blow and not to blow, when it comes to highlights. As soon you get the whole craft of it, it's in your spine. And I just love the look of Kodak Vision3 stocks. I can't get the thing out of my system.
This was my first quick grade on the FZ2000 V-Log L footage (from a slightly dodgy pre-production unit that is), and I have to say I was hugely surprised at how it handles the highlights, the extremely smooth roll-off and well controlled noise in the murky shadows. Panasonic sure is beating the crap out of that 1" sensor, paired with a full-blown Leica Dicomar camcorder lens with smooth iris control, smooth zoom control, switchable physical ND-filters and 10-bit 4K output on HDMI, that is a killer camera for a lot of settings and professional work. On top of all that, it's a great stills shooter that easily can replace your DSLR if you don't plan to replace that great lens of its own.
Take a look at the official FZ2000 promo that I shot for Panasonic/Lumix in Japan back in August, I didn't have V-Log L o that sample, but I shot all of the footage in a modified Cinelike-V profile and the preliminary grade was pretty much set in the hotel room, the night before I went back to Sweden. I had a great time in Hokkaido shooting this: youtu.be/C-kaamEC8Ms
More to come, so stay tuned! :)
It's refusing to work in Photoshop but it's working fine so far in Final Cut Pro X and Lightroom. PS, this is one of my first photos with my new Sony a6500.
Réalisation 4K,
Montage sur FCPX le 30mai 2022.
Musique de Kai Engel
Titre: Marée
Auteur: Kai Engel
Source: soundcloud.com/kaiengel
Licence: creativecommons.org/licenses/by/3.0/deed.fr
Téléchargement (8MB): auboutdufil.com/?id=604
The undulations of the wheat fields incite meditation.
I always thought that the spectacle of the ripples had to do with the sea.
I have a real fascination for the fields of wheat which are swaying in the wind.
There was a time when wheat varieties grew much taller and the rippling phenomenon was easier.
Today it takes the force of a powerful mistral for the anime.
The music: Tide came at just the right time for this video.
Les ondulations des champs de blé insitent à la méditation.
J’ai toujours pensé que le spectacle des ondulations avaient avoir avec la mer.
J’ai une véritable fascination pour les champs de blé qui s’agitent sous le vent.
Il fut un temps où les variétés de blés poussaient beaucoup plus haut et le phénomène d’ondulations se faisait plus facilement.
Aujourd’hui il faut la force d’un mistral puissant pour les animés.
La musique: Marée est tombée à point nommé pour cette video.
Framegrab from the most recent footage for my charity film project 'Cycling for Life' starring Martin Norrman. The film is about coping and living with Addison's disease (www.addison.se) and finding energy in nature, training and biking. The plan is to make a visually stunning short film that will go viral and raise awareness about Addison's disease among some other rare and difficult diagnoses, but also to inspire to merge with nature and find missing pieces in life that will make a difference.
The film will hopefully be real in late 2015, but we need sponsorship in order to reach our goals. If you're interested, please contact me. A website and new teaser will be up soon.
This scene was shot and edited in a 5K anamorphic workflow using the Lumix GH4 with the new v2.0 firmware and 4:3 "4K Photo" mode and a vintage Sankor 16C 2X anamorphic adaptor coupled with a Rikenon 50mm f/2 M42 taking lens.
This framegrab was captured from within Final Cut Pro X timeline, footage graded with FilmConvert Pro. The 4:3 aspect video file from the camera is 3328x2496 (8.3MP) and with the actual horizontal compression of the Sankor 16C individual that I own, the stretched footage is pretty much 100% corrected when fit into the 5K2K (5120x2160) 25p ProRes timeline in FCPX which is true 2.37:1 cinemascope without letterboxing.
Using the 5K timeline the footage is upscaled in the horizontal axis but downscaled in the vertical axis, which means basically that editing in a 4K timeline would throw away some detail, and going full res would be 5916x2496 with the same stretch. It's a huge improvement from stretching and cropping the 16:9 4K files, but most importantly it is so much easier to shoot and frame with a 4:3 aspect image in the viewfinder and it's true to what will end up in the stretched image in post, whereas shooting in 16:9 requires you to think hard what will be in the frame and what will be cropped out. The 4:3 mode is using a significantly larger portion of the sensor too, thus giving a wider FOV with the same lens setup.
The "4K Photo" mode in the GH4 is a heaven sent feature for budget cinematographers loving the look of true anamorphic lenses. Thanks Panasonic for one of the greatest firmware updates in history only 6 months into the market cycle.
Canon and Nikon should be aware and take note.
Kekaha, Kaua`i, Hawaiian Islands
Takahashi FSQ106
Nikon D850
FCPX
Spent a sleepless night trying to do this. I photographed a frame of Jupiter with 4 of its moons every 3 minutes for about 7 hours and stitched them all into a movie. I've sped things up so that the revolution of the moons around the planet is more easily seen - the whole evening into about 18 seconds. Not exactly Hubble quality, but it was fun seeing how it turned out.
Screenshot from 1080p movie shot with the hacked Panasonic GH2.
Shooting with 'Mysteron' in the mist to see how it holds up in grading. Using the plugin ToneGrade for some of the shots. Film setting 'Vibrant' -2 -2 -1 -2. Average bitrate 100Mb/s. Lens: Voigtländer Nokton 25/0.95.
Watch this video on Vimeo. Video created by Martin Wallgren.
I cut this promo for U of I last year. Considering I wasn't given a script just folders of JPGs, a few QTs, and a list I think it came out alright. It is what it is. MEGA Ken Burns effect in FCPX.
Gentle snow falls over London, UK. Video by Edmond Terakopian.
Accompanied by JS Bach Violin Sonata no. 3, Largo (BWV 1005) played by violinist Eunsley Park, recorded especially for this project.
Shot on a Lumix G9 using a Leica DG 200mm f2.8.
Edited in FCP X and graded in Film Convert.
º
I wonder if the peeps @ Magic Lantern could hack this camera to output 2-2.5k Raw - something like a mini Digital Bolex.??? I know the logic would be to use the BMCC but I don't want to walk around trying to hold that beast with a pistol grip ;-)
º
BMPCC + Takumar 20mm/ƒ4.5 + variND/IR Cut
visionLOG
º
Esto no es mas que una prueba de muchas cosas, menor compresión en cámara, FCPX 10.2, mascaras (nuevo en fcpx), Color Finale, Magic Bullet looks, y otros complementos.
Nikon D3200 , 1080 54Mb/s
Nikkor 50mm 1.8D (entre 1.8-2.8)
Hey Everyone, Check out some of the stills from our latest project. We used a Canon SL1, 24mm, 35mm, 50mm, 135mm set of FD lenses, FCPX to edit the film, and PS CS6 to edit the stills. TriBeCa Film Festival and Lincoln sponsored it! It's an interactive music film so you choose the outcome! Judging will end soon. Please check it out. "Like" the Facebook link. We need your support! Tell everyone to check it out!!!
*note: watch it on a computer it's not meant for the phone.
Shot with 'Mysteron' hacked GH2, Sankor 16C 2x anamorphic lens attached to a Nikkor AF 50/1.8D. The original ProRes file looks fantastic in 4K x 1K. This was shot and rendered as 3.55:1 widescreen in FCPX. A gentle color correction was added to each clip individually. It was dull weather so I was able to shoot without ND-filters. A Vid-Atlantic filter holder is on its way. I used +1 and +10 diopters for some of the tighter shots. This is my first encounter with an anamorphic lens, loving it already to bits and pieces. Thanks Evan Burns for delivering this excellent kit to me! Make sure to download the 1080p file! I'll see if I can make the full 3840 x 1080 ProRes available somewhere for download as well. It's a must see. :)
Music: "Chasing Time" by Dexter Britain (www.dexterbritain.co.uk)
Watch this video on Vimeo. Video created by Martin Wallgren.
Shot with pre-production model LUMIX S5II in 6K OpenGate (24MP FF movie mode with 3:2 aspect ratio, internal recording) Video footage shot in V-Log, graded in FCPX with Filmconvert Nitrate, Kodak Portra 400 preset, lens Lumix S 24-105/4. Cropped slightly in post.
amazingiceland.is/destination/the-story-of-dc3-or-c-117-p...