View allAll Photos Tagged faust
2011-03-26
model: Sam Faust
Mamiya C220
Mamiya-Sekor 80mm f/2.8 lens
Minolta 360px flash
Vivitar 285HV flash
Yonguno RF-602 wireless flash triggers
Fujifilm Neopan 100 Acros 120 film
Kodak Xtol (1+1) developer
20ºC - 10min
FAUST
Goethe
Uyarlayan, Çeviren ve Oynayan:
Haydar Zorlu
Yöneten: Natalia Murariu
Fragman:
Foto: Tuğhan Anıt
İçerik:
Her şeyi aşmış ve artık öğrenecek hiç bir şeyi kalmadığına inanan Doktor Faust, yeryüzündeki sınırlı yaşamın acısından kurtulmak için ruhunu Mephisto'ya yani şeytana satar. Mephisto, bunun karşılığında Faust'u bilgi hastalığından kurtaracaktır. Oyunda bir cadının hazırladığı iksirle Faust'un gençleşmesi sağlanır. Artık genç ve yakışıklı bir adam olan Faust, Gretchen adında güzel bir kızla karşılaşıp ona aşık olur. Bu güzel kızın Faust'un tutkusundan kurtulmasının yolu yoktur artık.
Prof. Dr. İlber Ortaylı
'İstanbul sahnelerinde Faust. Ünlü Goethe’nin ünlü “Faust”’unu 80 dakikaya uyarlayarak çeviren ve tek kişi olarak sahneleyen Haydar Zorlu’yu 26 Haziran akşamı Muammer Karaca Tiyatrosu’nda seyrettim. Goethe’nin şiirindeki müzikaliteyi vermek için giriş tiradını Almanca olarak verdi. Metni anlamanın lüzumu yoktur, sadece yazarın orijinal dilindeki ve şiirindeki usta müzikaliteye dikkat etmek gerekir. Haydar Zorlu, Almanya’da büyüyen gençlerden ve bu dili iyi biliyor. Türkçe de sergilemesi ise plastik yönden bir ustalıktı. Salonun dolu olması, klasik tiyatroya ve Goethe’ye duyulan bu ilgi bence çok sevindirici. Doğu Anadolu’dan çıkan bir gencin Almanya’da gördüğü dilbilim ve tiyatro eğitimi ile başarılı bir tiyatro sergilemesi de tebrike şayan'
Faust Oyunun Analizi, Aslıhan Göktuğ
'Faust Goethe'nin yarattığı şahane bir karakterdi evet ama onun tiyatroya uyarlanması da ancak bu kadar güzel olabilirdi... Öncelikle Haydar Zorlu'nun bu tempoyu kendini oyuna adamasından, solo performans sergilemesine rağmensahnenin her köşesini ve karesini kullanmasından dolayı yakaladığını düşünüyorum. Bunun yanı sıra karakterlerin belli sahnelerde toplu bir şekilde bulunmasına rağmen oyuncu rolleri seyirciye gerekli ölçüde yansıttı ve o yükü hissettirmedi...
Gerçekten acı çektiğini düşündüğüm Faust, istediğini yapmakta özgürdü. Gücü yetsin yetmesin zamanla tüm isteklerini Mephisto'nun yardımıyla yapmaya başlamış, adeta sınırsız bir özgürlük değneği elde etmişti... Mephisto Faust'u kandırırken bizde kandık onunla birlikte ve de ısrarla kanmak istedik. Çünkü Faust'u kendimize çok yakın hissettik ve aslında onu içimizde bir yerde bulduk...
Oyuncu, Mephisto'nun içinde var olan sonsuz öfkesini sesine, hareketlerine ve sahnedeki duruşuna bizden sakınmadan aktardı. Fakat öyle bir öfke aktarımıydı ki bu, seyirci gizliden gizliye Faust gibi Mephisto'ya kanmaya başladı. Mephisto'yu canlandırırken oyuncunun ellerini önünde çaprazlaması, üstüne düşen kırmızı ışık ve aksan değişikliği karakterin sırasını hiç karıştırmadan takip etmemizi sağladı. Aynı zamanda Zorlu'nun seyirciyi Mephisto'nun dünyasına alması, Mephisto'nun Faust'un odasına geldiğinde etrafa saldığı kükürt kokusunu ve etrafı toz duman etmesini hissettirdiği sahneleri takdire şayandı...
Anlaşılan Haydar Zorlu, Goethe ile ortak olmuş Mephisto'nun dünyası ile yaşadığımız dünya arasında ki zaman farkını oyunun içinde saklı tutmuştu. Bu durum oyunun sonunda bile bir fikri daha keşfetmemize neden oldu ve tempoyu artırdı. Bu analizi yapmaya çalışırken aynı zamanda şu cümle aklımda kendisini tekrarlayıp duruyor ve beni gülümsetiyor: "Tüm bu hisleri solo bir performans yaşattı bana!'
www.sosyalzula.com/2012/09/faust-tiyatro-oyunu-analizi.html
Deutsch
Tageblatt, Buxtehude
Goethes Faust als Ein-Mann-Performance
Ein roter Stuhl vor schwarzem Vorhang: Das reicht Haydar Zorlu als Kulisse, vor der er in alle Rollen schlüpft, die der „Faust“ bietet. Mal spielt er den düsteren Dr. Heinrich Faust, mal den teuflischen Mephisto und dann das zarte Gretchen, ihren braven Bruder oder die Hexe. Jedes Mal so authentisch, dass die Zuschauer am Mittwochabend im Halepaghentheater gebannt an seinen Lippen hängen.
Abwechselnd laut und dann wieder leise rezitiert er seinen Monolog nach dem Schauspiel von Johann Wolfgang von Goethe. Das Drama bringt er, wie im Vorspiel angekündigt, entstaubt und lebendig auf die Bühne. Haydar Zorlu, 1967 in der Türkei geboren und später in Köln aufgewachsen, zeigt wirklich und wahrhaftig einen „fesselnden Rollentanz“. Mit ausdrucksstarker Mimik und Gestik interpretiert er den „Faust“ völlig neu. Die akrobatische Rolle vorwärts oder rückwärts gehört dazu, wie der plötzliche Sprung von der Bühne.
Nikon FA Tamron adaptall 28mm F2.5, Ilford Delta 100.
Scanned negative.
Faust Street Bridge,19th century Texas. Travelers laden with supplies on their way to the Spanish missions in east Texas, reach the Guadalupe River in New Braunfels, but can’t cross due to high floodwaters.
1887 brought relief for travelers when the Comal County Commissioners Court signed the King Iron Bridge Company of Ohio to build the Faust Street Bridge over the Guadalupe. Though it was one of the first long-term toll-free structures completed over a major waterway in Texas, it was also one of the last wrought iron bridges constructed here. In 1917, the Faust Street Bridge served as the major crossing for all traffic traveling between Austin and San Antonio on what was then known as the Austin-San Antonio post road. By 1934, the 640-foot long Faust Street Bridge had fallen out of favor, its popularity assumed by a newly constructed concrete highway bridge. Local traffic continued to take the route over the Faust Street Bridge until the 1979 fire that damaged it.
This beautiful truss bridge was renewed in 1998 and is presently restricted to foot traffic only.
fotografiert am 5. Februar 2006 in Wernigerode
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"Als Antagonist in Johann Wolfgang Goethes Tragödie „Faust“ (Urfaust, Faust I, Faust II) versucht Mephisto eine Wette mit Gott abzuschließen. Er sagt, es werde ihm gelingen den Doktor Heinrich Faust vom rechten Wege abzubringen. Nach einer späteren Abmachung mit Faust selbst ist dies schon dann gelungen, wenn Faust einen Augenblick so schön findet, dass er ihn auf Dauer festhalten möchte.
Diese Darstellung des Mephisto hat nicht mehr viel mit der mittelalterlichen und volkstümlichen Vorstellung des Teufels zu tun. Goethes Mephisto verkörpert das Prinzip der Negation. So lässt Goethe Mephisto von sich selbst sagen: „Ich bin der Geist, der stets verneint! Und das mit Recht, denn alles, was entsteht, ist wert, daß es zugrunde geht; Drum besser wär's, daß nichts entstünde. So ist denn alles, was ihr Sünde, Zerstörung, kurz, das Böse nennt, mein eigentliches Element.“
Er verkörpert die materialistische Einstellung zu den Dingen.
Bereits im Prolog gibt sich Mephistopheles selbst als Element der Welt zu erkennen und somit auch als eine „Schöpfung“ des Herrn. Als eine solche Schöpfung ist er eingebunden in den göttlichen Plan. Dieser besteht im ewigen Wandel, der sowohl die Schöpfung, als auch die Zerstörung beinhaltet. Mephisto, als das Prinzip der Negation, ist deshalb für das Funktionieren der Welt notwendig. Sein eigentliches Ziel, die Zerstörung bzw. Verneinung der gesamten Schöpfung, kann er aber natürlich nie erreichen, da er im Grunde von Gott gelenkt wird. Und obwohl Mephisto sich seiner Rolle voll und ganz bewusst ist, geht er seiner Arbeit immer mit ganzer Kraft nach. Er gilt als der beeindruckendste Charakter in Goethes Faust.
Es ist niemals wirklich zu erkennen was ihn treibt; doch gibt er sich alle Mühe in einem Wettstreit, dessen Ergebnis schon längst feststeht.
Ein weiterer Interpretationansatz ist es die dramatische Figur des Mephistopheles als Veräußerung des Inneren Fausts zu sehen. Er stellt den zerstörerischen Teil Fausts dar." Quelle und weitere Informationen: Wikipedia: Mephisto (Faust) / Goethe
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Weiterführende Links:
Homepage: www.hsb-wr.de/hsb_barrierefrei/service/events/faust/termi...
45info:
eyeplorer: eyeplorer.com/map/de/Mephisto
Canada was honoured when Her Royal Highness Princess Juiliana (1909 - 2004), later Queen Juiliana of The Netherlands found refuge in Canada's Capital during the occupation of her homeland during 1940 -1945. Her Majesty's gifts of tulips each year have created beauty for the enjoyment for residents and visitors. ~ From the National Capital Commission brass plaque.
There are over 300.000 tulips planted along The Driveway, next to Dow's Lake each year. Ottawa celebrates each May with a Tulip Festival. It started this weekend.
The white tulips are "Sweety", the purple are "Faust".
2011-03-26
model: Sam Faust
Mamiya C220
Mamiya-Sekor 80mm f/2.8 lens
Minolta 360px flash
Vivitar 285HV flash
Yonguno RF-602 wireless flash triggers
Fujifilm Neopan 100 Acros 120 film
Kodak Xtol (1+1) developer
20ºC - 10min
Drummer Werner "Zappi" Diermaier uses a power sanding tool onstage during the Faust show Oct. 7, 2009, at the Empty Bottle in Chicago. My review and photos are at: www.undergroundbee.com/2009/10/faust-at-empty-bottle.html
In the fall of 2023, the theater world will mark the 150th anniversary of Max Reinhardt's birth and the 80th anniversary of his death. To mark the anniversaries, his last Salzburg production, Goethe's Faust (1933-1937), will be reinterpreted in Clemens Holzmeister's famous Faust City as part of the Salzburg Festival - and in cooperation with the Ars Electronica Futurelab. Stage reality and the latest technologies will enter into an innovative symbiosis in the FAUST 2023 project beginning in late August 2023. Virtual reality will play a central role.
Visitors will experience the imposing stage set from 1933 at the original venue, the Felsenreitschule, with VR glasses; they are invited to take a walk through Goethe's work and visit Faust's study room as well as the famous garden scene and witness Walpurgis Night. The virtual reconstruction of the Faust city was achieved by the developers in Linz on the basis of archived plans and photos from the festival archive, with the help of records, models, a 3D laser scan of the Felsenreitschule and AI support.
Picture showing (v.l.n.r.): Gerfried Stocker (Artistic Director/Ars Electronica, Margarethe Lasinger (Archiv/Salzburger Festspiele) & Peter Freudling (Futurelab).
Photo: SF/Neumayr/Leopold
Stagione Lirica 1984/1985
Ferruccio Busoni
DOKTOR FAUST
Direttore Zoltan Pesko
Regia Werner Herzog
Scene e Costumi Henning von Gierke
photo Primo Gnani
Bronze of Carl Faust on a bench along Banes seafront .
Carl Faust was born in Hadamar, Germany the son of a surveyor. From an early age he showed promise for natural sciences, particularly botany, but instead was forced to follow a business career. He moved to Spain as a manager to run a branch of a German company. He was so successful that he became a director of Gebruder Körting at a very tender age and with a partner established his own company by 1909 specialising in plumbing,
By 1918 he started to shape what would become the world renowned Marimurtra botanic garden. Firstly by buying up vineyards and uncultivated land in the eastern slope of San Juan de Blanes mountain. At 50 he retired a rich man and retired to live in Blanes and put his heart and soul into his dream of creating a Mediterranean botanic garden where every scholar could be free to share his passion.There were set backs along the way, not least the outbreak of the Spannish Civil war while he was away in Germany. On his return after the Civil War things were very different, but he prevailed unconsciously became a patron of the worst off Catalan naturalists. He also promoted botanical research in the field of marine biology taking under his wing students who would go on to become world leaders in their chosen fields.
Shot 08:10:2012 on Blanes seafront Ref: 90A-454
El ciclista italiano, Fausto Coppi, en Palomarejos. El 22 de Octubre 1958 se celebró en Palomarejos el “Criterium de Ases del Ciclismo”, con la presencia del ‘Mariscal’ Fausto Coppi, que dialoga en la imagen con el ciclista catalán Miguel Poblet, teniendo al fondo los primeros edificios construidos junto al desaparecido e histórico campo de Palomarejos.
En el “Gran Criterium de Ases del Ccilismo” participaron Fausto Coppi, Grayizk, Raphael Geminiani, Miguel Poblet, Antonio Suárez y Federico Martín Bahamontes.
The rehearsal for a performance of the beginning of "Faust" by J.W. Goethe at the 50th anniversary of the Goethe-Institut Thailand.
The performance was directed by Jitti Chompee, with Vaness Zilpakorn as the lead actor.
Faust was a man who wanted knowledge above everything else in life, so much that he tried to make a deal with the devil for it. It actually seemed to go pretty well for him - Mephistopheles, the devil's representative, offered him power and pleasure as well as knowledge! But you know... twenty-four years of power and fun is really nothing compared to an eternity in Hell. Poor Faust never realized that.