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Gat, 2019
Jung Choon-mo
Joseon men wore a gat (black brimmed hat) when stepping out of the house. The traditional headwear includes a crown made of horsehair, a woven bamboo brim and a strap in materials reflecting the wearer's taste and status. The gat's narrow cylindrical crown accommodated hair styled in a topknot, while its wide brim provided privacy and protection from the weather.
Jeongjagwan, 2014
Kim Hye-jung
Men from the yangban ruling class wore headwear at home to emphasise their noble status. The jeongjagwan is one of many types of indoor headdresses. Its design is characterised by two- or three-tiered layers outling mountain peaks, symbolising honour and wisdom. Like many Joseon hats, it is woven with horsehair, then coated with lacquer, making the hat light and breathable.
Manggeon (man's headband), 2006
Kang Jeon-hyang
Maintaining a clean and neat appearance was considered a moral duty in Joseon Korea (1392-1910), as it reflected a person's discipline and inner virtue. All adult men wore their long hair in a topknot and used a manggeon (headband) like this to keep the hairstyle firmly in place, with strings looped around the side buttons and topknot. The manggeon was worn under all headwear.
Jeonlip (Joseon military official's hat), 2006
Park Chang-young
A jeonlip is a fur or wool felt hat included in the Joseon military uniform. Its rounded crown is topped with a finial made from gold, silver, jade or wood, depending on the wearer's rank. A long iridescent peacock feather was sometimes attached to the finial with a loop to add panache, and the hat was kept in place with an amber-beaded strap.
[V&A]
Taken in the Exhibition
Hallyu! The Korean Wave
(September 2022 until June 2023)
Hallyu! The Korean Wave showcases the colourful and dynamic popular culture of South Korea, exploring the makings of the Korean Wave and its global impact on the creative industries of cinema, drama, music, fandom, beauty and fashion.
From K-Pop costumes to K-drama props and posters, alongside photography, sculpture, fashion, video and pop culture ephemera, the exhibition invites visitors to delve into the phenomenon known as 'hallyu' – meaning 'Korean Wave'. Hallyu rose to prominence in the late 1990s, rippling across Asia before reaching all corners of the world and challenging the currents of global pop culture today.
Hallyu! The Korean Wave explores the makings of the Korean Wave through cinema, drama, music and fandoms, and underlines its cultural impact on the beauty and fashion industries. The exhibition features around 200 objects alongside pop culture ephemera and digital displays across four thematic sections.
[V&A]
Corflu 31
2 May 2014
Standing: Bill Burns
Sitting: Wm Breiding, Flo Newrock, Mary Burns (just part of her head there)
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