Manga, Anime, Games, Comics, TV, Books etc FANART
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LeLUTKA Kaya Head 3.1
=Zenith=Summer Flower Crown (Pink)
ERSCH - Amoure Hairpin
hive // bria delicate flower crown
SF . Eolande Gown - Gloom
Beloved Jewelry : Brissa Set (Texture Change)
Focus. Spring Boat / Pink
Made with Stable Diffusion, edits and post-processing done by me.
どう見ても男の娘です。ありがとうございました。
For all intents and purposes, look like young man who has a feminine aesthetic. Thank you very much.
2022-04-14
Illustrated by 尾津杏奈 Oz Anna. The tool is Clip Studio Paint.
尾津杏奈 Oz Anna / Rehana all right received.
Fan art based on an illustration by Pachu M Torres. Ink and digital finish.
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Fanart / interpretación a partir de una ilustración de Pachu M Torres. Tinta y acabado digital.
I've long been a draw, that's found)
Not very accurately, no map-case ... Mom wants me to buy it, but I do not want, I want a new doll ... Ah ... I want younger sister...if I had more dolls, more precisely my sister :D and why I started to get involved Bratz in 15 years?...
Couple of days ago I saw at last #BatmanVSuperman and I freaked with the appearance of #WonderWoman. Soooo amazing! Have you seen the new trailer at the Comic-Con? I'm super excited, I can't wait to see her in the film!!!
Self Portrait 2016. #FanART #justforfun
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Hace un par de día que me vi al fin la peli de BatmanVSuperman y me flipó infinito la aparición de Wonder Woman, fue lo mejor del film! ¿Habéis visto ya el trailer que estrenaron de ella en la Comic-Con? Es una pasada, no puedo esperar para verla!!!
I instantly loved Rochelle's design as soon as I saw it! I always enjoy every Monster High character and design, but I'm a big fan of this one ^^
So I had to do a fanart. I started it 1 month ago and barely found time to finish it, but here it is :p
Non-aquatic Faxon based on KhingK’s design on shapeways: www.shapeways.com/product/SS5YDCDKD/great-faxon-non-aquatic
Otro tributo al gran William Heath Robinson, tratando de imitar su ágil y firme trazo. De nuevo aparece su asombrosa imaginación y su obsesión por el detalle a la hora de plasmar los "inventos" que le harían famoso. Tinta ( rotulador ) y aguada gris para este dibujo previamente a lápiz.
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Another tribute to the great William Heath Robinson, trying to imitate his agile and firm line. His amazing imagination and his obsession with detail
appear again when capturing the "inventions" that would make him famous.Black Ink ( marker) and gray for this drawing previously done in pencil.
I’m still a great big fan of Uzumaki by Junji Ito.
She is a fancy snail people.
Creía que las espirales eran cosa de jipis hasta que leí Uzumaki de Junji Ito.
Es una caracolense a la moda.
Inspired by a photo recently posted (April 2024) by Flickr user J16R9 - Éclectisme (who does not allow tagging). I took liberties by removing a building, etc. to suit my personal taste.
Just for fun! #jurassicworld FanArt
I wanted to make this picture, since I watched the movie last summer! Now it was released on DVD! YAY!
#VelociraptorFan #Blueismybeta <3
Follow my work on Facebook: www.facebook.com/DesireeDelgad…
Porque otros artistas lo hicieron antes y nosotros, tal vez ,sólo pisamos los caminos que ellos abrieron, hoy, de nuevo, traigo uno de esos artistas un tanto " desconocidos " para el gran público, o eso creo.
Se trata del sueco Olaf Gulbransson.
Una de las facetas que más me interesa de este autor es el retrato social que aparece reflejado en su obra. Militares, políticos, artistas, gente de la calle, se muestran a lo largo y ancho de su obra, evidenciando los diversos y brillantes recursos estéticos de Gulbransson.
He interpretado lo que parece ser un grabado suyo, del que lamentablemente apenas he encontrado información, pero que muestra su fuerza compositiva, la vivacidad del trazo y su cuidado por el detalle.
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Because other artists did it before and we, perhaps, only tread the paths that they opened, today, again, I bring one of those artists somewhat "unknown" to the general
public, or so I think. It is the Swedish Olaf Gulbransson. One of the facets that most interests me about this author is the social portrait that is reflected in his work.
Soldiers, politicians, artists, people from the street, are shown throughout his work, evidencing Gulbransson's diverse and brilliant aesthetic resources.
I have interpreted what appears to be an engraving of his, of which I have unfortunately found little information, but which shows his compositional strength,
the liveliness of the line and his care for detail.
Sometimes, I like to discover "little known" artists, illustrators, painters ... I suppose that Albert Guillaume can enter that section.
Born in Paris in 1873, Guillaume lived between the 19th and 20th centuries, and was one of the most effervescent poster artists of the "Belle Époque", being recognized at the Universal Exhibition of 1900 and in the compilation "Maîtres de l 'Affiche "(Masters of the Poster). His art also extended to traditional painting and cartoons in magazines such as "Le Rire" or "Le Figaro Illustré", where he specialized in satirical illustration and social criticism.
Guillaume's line is elegant and clean, vividly expressive, with an apparently simple composition but full of details, all of it very appropriate to capture the everyday circumstances of an unforgettable time and to make an acid and scathing costumbrista portrait, but full of realism and naturalness
In the drawing that I have decided tointerpret, many of the characteristics mentioned above appear: the expressiveness, the traditional portraiture and, above all, the lively line and composition that made Albert Guillaume a successful artist.
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A menudo me gusta descubrir artistas, ilustradores, pintores "poco conocidos"...supongo que Albert Guillaume puede entrar en ese apartado.
Nacido en París en 1873, Guillaume vivió a caballo entre el el Siglo XIX y el XX, y fue uno de los más efervescentes cartelistas de la " Belle Époque ", siendo reconocido en la Exposición Universal de 1900 y en la recopilación "Maîtres de l'Affiche" ( Maestros del Cartel ). Su arte se extendió también a la pintura tradicional y las caricaturas en revistas como " Le Rire " o " Le Figaro Illustré ", donde se especializó en ilustración satírica y crítica social.
El trazo de Guillaume es elegante y limpio, vivamente expresivo, con una composición aparentemente simple pero llena de detalles, todo éllo muy apropiado para plasmar las circunstancias cotidianas de una época inolvidable y para hacer un retrato costumbrista ácido y mordaz, pero lleno de realismo y naturalidad
En el dibujo que modestamente me he decidido a recrear, aparecen muchas de las características reseñadas anteriormente: la expresividad, el retrato costumbrista y , sobre todo, el trazo vivaz y la composición que hicieron de Albert Guillaume un exitoso artista.
Sketch Saturday. As usual, it's a version of an original found online.
#sketches #mysketches #womanonthewindow #fanart
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Sábado de bocetos. Como otras veces, es una versión de un original encontrado en la red.
#bocetos #misbocetos #womanonthewindow #fanart
Every so often I get fan art sent to me from people who have admired my work and want to put their own spin on it. The above is an image I was sent this morning and I really liked it so I thought I'd share it. What do you think?
Digital Art: Deep Vermaludhiana
Photography: Dave Lucas
Hair & Makeup: Mish Bratsos
Inspirado en uno de mis más admirados autores, Dave Cooper, he interpretado esta viñeta de " Ripple". El trazo no es tan descriptivo o enérgico como el del dibujate canadiense, pero he tratado de imitarlo.
Me gusta inspirarme en artistas que, de un modo u otro, son poco conocidos o he descubierto gracias a internet.
William Heath Robinson es uno de éllos.
Artista inglés de principios del siglo XX,publicó, principalmente, magníficas ilustraciones para libros, pero lo que me ha llamado la atención son sus dibujos humorísticos de inventos y máquinas absurdas, mecanismos rebuscados dibujados con cuidadoso detalle.
El dibujo que acompaña a este texto ( un fanart, si se quiere ) está inspirado en una de sus ilustraciones, " The flame tree", si no me equivoco. Lo que me gusta de este artista es el primor con el que plasma sus ideas: dueño de un trazo vigoroso y exacto, William Heath Robinson podría ser un exponente primitivo de la llamada " linea clara " tan popular en los comics franco-belgas. Así, la ausencia de sombreado, el detalle realista mezclado con rasgos caricaturescos de sus ilustraciones, siempre limpias a pesar de la complejidad que reflejan, la perspectiva adaptada a cada uno de los escenarios para ofrecer un mejor punto de vista, hace interesantísimo el trabajo de este pionero._____________________________________________I like to be inspired by artists who, in one way or another, are little known or have discovered thanks to the internet.
William Heath Robinson is one of them.
An English artist of the early 20th century, he mainly published magnificent illustrations for books, but what has caught my attention are his humorous drawings of absurd inventions and machines, elaborate mechanisms drawn with careful detail.
The drawing that accompanies this text (a fanart, if you will) is inspired by one of his illustrations, "The flame tree", if I'm not mistaken. What I like about this artist is the delicacy with which he expresses his ideas: owner of a vigorous and exact line, William Heath Robinson could be a primitive exponent of the so-called "clear line" so popular in Franco-Belgian comics. Thus, the absence of shading, the realistic detail mixed with caricatural features of his illustrations, always clean despite the complexity they reflect, the perspective adapted to each of the scenarios to offer a better point of view, makes the work of this pioneer.
I was bored in school so i tried drawing something only with the mouse and this came out. It's actually easy if you know what you're doing.