Facades
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Colourful facades of some buildings in Ingolstadt's Theresienstraße.
Explore #166 on Thursday, May 20, 2021
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Colourful facades along the Altstadt street in Landshut, opposite theSchirmgasse side alley.
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Facade of a building in the Knopfstraße.
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Hafencity - Hamburg
taken in 2011 with a Nikon D50 and new arranged.
the original photo you will find on the first/last page...
Facade of one of the ancient buildings in the Schnoor quarter. This particular building dates to 1631.
The inscription on the lintel reads: "AN GOTTES SEGEN IS ALES GELEGEN 1631" (roughly: "All depends on God's blessing")
The Schnoor quarter is the oldest documented quarter of Bremen and it has largely preserved its medieval character.
First mentioned in the 13th century. The two oldest remaining buildings are from 1401 and 1402 respectively. Some buildings are just remaining facades or have been relocated from other locations.
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Colored facade-Editing 20-11-20121
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Image is under Copyright by Fabrizio Massetti.
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Old Factory Facade
(photo from my black and white fine art architecture series)
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During the renovation of their house, a couple from Ghent went looking for a creative and sustainable way to dress the facade. The choice of material ultimately fell on doors, inspired by the South Korean artist Choi Jeong-Hwa, who finished a building in Seoul with a thousand doors.
The Abbey of St. Jean des Vignes was a monastery of Augustinian canons in Soissons, France, southwest of the city center. Only ruins remain, of which the west facade remains one of the more outstanding examples of architecture in the town. It is a listed historic monument.
The abbey was founded on St. John's hill in 1076 by Hughes Le Blanc as a community of Augustinian canons.
Initially built in Romanesque style, the initial buildings were replaced at the end of the 12th century by those extant today. The west facade was begun in the 12th century, but not finished until the 16th. The refectory and cellar date from the 13th century, parts of the cloisters from the end of the 13th century, while other parts are from the 16th century, as is the abbot's lodging.
When the abbey was suppressed during the French Revolution the premises were put to use for military purposes, and an arsenal was added.
The site was acquired by the town of Soissons in the 1970s and the remaining buildings are now occupied by educational and heritage-related organizations.
Facade decor of the Rukovishnikovs' museum-estate in Nizhny Novgorod. Russia.
The beginning of work can be roughly dated to 1875. Presumably, all work was completed in 1879 or early 1880. Researchers draw attention to the fact that the building was not erected from scratch, but was, in fact, a reconstruction of an old estate. The conclusion was confirmed by an analysis of the floor plans of the two buildings and research carried out during the restoration process. In the western part, the palace almost completely retains the planning structure of the old house.
The main house, built in the spirit of an Italian palazzo with stylized shapes and baroque details, occupies the eastern corner of the estate. Richly decorated with stucco and sculptural images, the three-story mansion faces the Upper Volzhskaya embankment with its main facade and acts as an accent in its development.
The design drawings of the existing building have not been found in the archives today. Researchers are aware of other projects for rebuilding the old mansion of S. Vezlomtsev. Dated in May 1875, the project envisaged the addition of an additional floor to the house at the mezzanine level. It was no coincidence that the eclectic style was chosen for the future construction, the success of which was explained by the rapid development of capitalism and the aesthetic tastes of large industrialists and merchants of the post-reform period. The merchants sought to "emphasize the dominance of money, their will and influence with loud cumbersomeness." The demand for eclecticism was explained by the desire of the bourgeoisie to assert itself in Russian society, which gave rise to a kind of cult of luxury. All this applied to the Rukavishnikovs.
Groningen
Netherlands
Facade of the research laboratory of the University Medical Center (UMCG) in Groningen, designed by Ben van Berkel of UNStudio