View allAll Photos Tagged expressionism
I created this expressionist/abstract piece experimenting with different styles I had not used before, I found it very interesting.
Acrylic marker on paper 13.85" x 9.88" June 21, 2024. www.saatchiart.com/art/Drawing-Outpost-at-Stoke-by-Naylan...
Lee Krasner: Living Colour (May to September 2019)
Lee Krasner is a key figure in American art, whose energetic work reflects the spirit of possibility in post-war New York.
This exhibition celebrates the work and life of Lee Krasner (1908–1984), a pioneer of Abstract Expressionism. The first major presentation of her work in Europe for more than 50 years, Lee Krasner: Living Colour tells the story of a formidable artist, whose importance has too often been eclipsed by her marriage to Jackson Pollock.
...from striking early self-portraits to her acclaimed ‘Little Image’ paintings from the 1940s, from collages comprised of torn-up earlier work to a selection of her most impressive large-scale abstract paintings.
[Barbican Centre]
An artwork by David Paul Mesler. Pianist, Vocalist, Composer, Songwriter. Seattle, Washington USA. 2013.
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FOR GOD'S GLORY.
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Layers of images from (I think) Inkling & Inspire, put together by DXP, all apps on my iPod Touch.
15-30 minutes
From imagination
Save pixels - reduce, reuse, recycle layers from one image to another!
The cathedral is located in the Cathedral Hill neighbourhood of San Francisco, California. The present cathedral replaced one (1891-1962) of the same name. The cathedral was designed by local architects John Michael Lee, Paul A. Ryan and Angus McSweeney, collaborating renown architects Pier Luigi Nervi and Pietro Belluschi — at the time, the Dean of the School of Architecture at MIT.
Its saddle roof is composed of eight segments of hyperbolic paraboloids, in such a fashion that the bottom horizontal cross section of the roof is a square and the top cross section is a cross.
In 2017, Architecture Digest named it one of the 10 most beautiful churches in the United States.
ERICH HECKEL or German Expressionism
A magnificent exhibition in Ghent (Belgium)
At the end of 2024, the Museum of Fine Arts Ghent (MSK) dedicated an exhibition to the German artist Erich Heckel (1883-1970). Heckel was one of the leading figures of German Expressionism and a co-founder of the artists' association Brücke.
From the end of the 19th century, young artists in Germany resisted the fleeting nature of Impressionism. In Dresden, the Brücke artists' association was founded in 1905. The 22-year-old Erich Heckel was one of the co-founders. This association of self-taught artists aimed to express strong joie de vivre in a common style of bright colors and angular forms. This style is called Expressionism: the artist tries to convey inner emotions through form and color rather than objective reality.
At the outbreak of World War I, Heckel was in his early thirties. Nevertheless, he already enjoyed a solid reputation in Germany. During the war, he became acquainted with Flanders. As a nurse for the Red Cross, he traveled to Ghent, Roeselare, and Ostend. On the hospital train, assembled by Walter Kaesbach, a curator of the Berlin National Gallery, were other painters and writers. As a result, the emergency hospital at Ostend station grew into a true artists' colony. Heckel met James Ensor there and developed a special friendship with his fellow nurse, the young poet Ernst Morwitz, whose literary world had a significant influence on his visual work.
During the war, Heckel's artistic activities continued. Between their shifting duties, the members of the artists' colony had enough time to devote to their art. In addition to several paintings, many gouaches, watercolors, drawings, and graphic works have been preserved: views of Roeselare, Ostend, and Ghent, sometimes featuring picturesque figures and bathers, but also still lifes, landscapes, and seascapes.
Despite the historical context, Heckel's stay in Flanders extended beyond World War I. Heckel was not a 'war artist' but a nurse working mainly behind the front lines. As a draftsman, he made numerous sketches of the places he visited and the people he observed. As a painter, he was particularly impressed by the Flemish landscape and the North Sea, with their unique cloud formations where light always tries to break through; motifs that seemed both foreign and familiar to him. The Flemish landscapes reminded him of the early days of the Brücke, when Heckel and his friends Ernst Ludwig Kirchner and Karl Schmidt-Rottluff would go out to paint en plein air.
(Source : MSK GHENT – BELGIUM)
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This the photo of a wall. This is not a painting. Hipstamatic - Salvador 84 Lens + DreamCanvas Film.