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Vincent Van Gogh (1853-1890), Fritillaires couronne impériale dans un vase de cuivre, 1886, oil on canvas, 74 x 61 cm.
Musée d'Orsay
Fritillaries in a copper Bowl
1/28/09 There is no real explanation for the title, I felt a strong nautical feel from this and thought Sea Horse captured the painting's essence. je
ODC - In the Style of Aaron Siskind - Abstract Expressionism - Aaron Siskind photographed many images of peeling paint and a few of the grass. I'm taking on the grass thyme. I hope this image is correct.
I must love lying on wet surfaces. I waited for the sunrise and the sunlight to shine through the wet grass before lying on the wet grass.
Playing with a melanin pallet in an abstract expressionist homage to ancestry. Acrylic on a 3' x 4' canvas
Sculptures in wood by Albert Müller, Herman Scherer and Ernst Ludwig Kirchner. Interesting to see these and how they related to their paintings and the primitivism that influenced there 2D art.
24x18 in.
Oil, oil stick, oil pastel, acrylic, & graphite on Canson watercolor paper
To purchase original please contact ajeffries101958@yahoo.com
Prints, etc. are available at atj1958.deviantart.com/
Thanks for taking the time to look at my work.
Ernst Ludwig Kirchner was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art.
Sculptures in wood by Albert Müller, Herman Scherer and Ernst Ludwig Kirchner. Interesting to see these and how they related to their paintings and the primitivism that influenced there 2D art.
Original abstract artwork
24x18 in.
Charcoal & oil pastel on Canson sketch paper
To purchase original please contact ajeffries101958@yahoo.com
Prints, etc. are available at www.redbubble.com/people/atj1958
Thanks for taking the time to look at my work.
The Scream is well established as the epitome of Munch's work as an artist. The painting, which seethes with movement, appears to be painted with an explosive force and the result is a genuine expression of an agitated mind. It has become recognised as the actual mental image of the existential angst of civilised man. With this motif, Munch departs from the central perspective field on whose stage painting had been played out since the Renaissance. In Philosophie der Kunst, Schopenhauer claimed that the limit of the power of expression of a work of art was its inability to reproduce a scream,'das Geschrei', precisely the title which Munch was to give his motif. He appeared almost to have wished to correct the claim of the philosopher, and his solution of the problem rests on contemporary theories of synaesthesia, where light and colour impulses can produce an impression of sound, and vice versa. A gouache in the Munch Museum, dated 1892, shows Munch experimenting, finding his way towards the final form of the picture. Here, Munch has also written one of his many versions of the lyric prose text associated with the motif:
I was out walking with two friends - the sun began to set - suddenly the sky turned blood red - I paused, feeling exhausted, and leaned on the fence - there was blood and tongues of fire above the blue-black fjord and the city - my friends walked on, and I stood there trembling with anxiety - and I sensed an endless scream passing through nature.