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***UPDATE*** Was a winner of the "Luminous Sky contest" at "The Award Tree" group and is featured on the front page during the week of Sept 4, 2010
The severe extremes of weather that pound the High Plains of Western Nebraska are hard for any exposed structure
The weird part about this photo is that less than 30 minutes later the clouds all disappeared!
3 exposure, -2, 0, +2, and processed in Photomatrix
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Skulptur aus Stahl auf dem Damm in Lelystad/NL, von Anthony Gormley / Skulptur made from steel at the dam in Lelystad/NL, by Anthony Gormley
I like the simplicity of the image and the empty , or is it negative ?, space by keeping the beacon to the right.
Cuando descubrí los temas de la búsqueda del tesoro de este año, de seguida pensé en los tres puentes de Céret, porqué corresponden a la vez al tema puente y al tema trío. Y hacía muchísimo tiempo que tenía ganas de hacer una larga exposición, pero me faltaba encontrar una persona que me acompañara de noche con mi material por los caminos para llegar, porqué sola no me atrevía (hay bastante gente freekie durmiendo por allí en verano).
Así que con mi asistente y mi tripode bajamos por los matorrales a la luz de las linternas muy temprano esta mañana.
El río que pasa por Céret se llama el Tech, baja de las faldas del Canigó, la montaña sagrada de los catalanes. El primer puente se llama el puente del diablo, como los que se encuentran en muchos pueblos medievales. Es el más grande de los tres, de hecho era una proeza técnica construir un puente de una sola archa y de este tamaño en el siglo XIV.
El segundo puente fue el último que se construyó, es el puente por el que pasan los coches para entrar en Céret. El último puente es el puente ferroviario. Como lo explico en otra foto de esta búsqueda, hasta mediados del siglo XX, el tren subía hasta el Canigó para transporta el hierro que se excava de la montaña. Aquí tenéis los tres puentes de Céret a primera hora de la mañana. Esta luz dorada que se refleja en el agua era la luz de un farol que ilumina la carretera, justo antes de que la apagaran.
Using photographer Denise Ippolito's Soft/Sharp Multiple Exposure technique and trying out my recently acquired macro lens, this was another of the images I ended up with.
Rain returned to San Francisco on Saturday but stopped just long enough for a visit to Rincon Park along The Embarcadero for some long exposure work.
Today, I am breaking with my tradition and posting three photos, but they are all of the same house on the next block over.
A problem with these kinds of photos is those dreadful black skies, but you can't always help yourself.
I moved down the street a bit and got it all in one photo.
© AnvilcloudPhotography
B&W long exposure photography workshops, in London, Venice, Berlin and Iceland, please see my website for details
I hope you all have a great weekend
My workshop in Berlin will be from May 26th - 28th
Iceland June 5th - 15th
Venice Jan 5th - 7th 2017
London April 22nd - 23rd
Brighton May 6th Seascape Workshop
www.vulturelabs.photography Instagram account and 500px
There was a potential of a very colorful sky this evening ... but alas no grand slam of a sky resulted here at least on the east side of Baltimore. It was a very long day at work so it was good that I was too tired to head off to a pretty spot for sunset as it turned out to be not so colorful.
So just like baseball, taking long exposures needs practice, so where better to go than five minutes from my door to the local school and baseball field. Been wanting to take a long exposure with a ball field anyway, so a couple minutes behind the lens after a long day felt like the thing to do.
I took one shot with the 9 Stop ND at f/20, and the histogram looked well at 240 seconds. While taking that shot I got the idea to "fill the bases" for the next long exposure. As it was getting darker I reduced to f/11 for the same 240 seconds, and then ran out to each base and stood there for about 60 seconds each counting in my head and posing at the base creating a ghost runner. This was all done in this one 240 second capture. I ran so fast between the bases you could not see me ... actually I walked quickly, still being invisible to the sensor.
So it was a grand slam sunset after all ;))
When I explained this capture to Ms. Krach, see just wanted to know when I got home if anyone we knew saw me at the bases posing like an idiot, shaking her head.
Walking home from work this evening - still playing around with the new camera and trying various setting combinations.
I didn't have the tripod, so I set the timer and sat the camera on the stone ledge around the bridge over the Union Canal, then tried out a couple of different settings, one a "short" long exposure (excuse the oxymoron!), of about 4 seconds, the other looking along the same part of the canal and towpath, but with a much longer exposure, just to see how each looked.
A 30 second long daylight black and white exposure of "Castle Rock" at the Seal Rock State Recreation Site south of Newport, Oregon. It features large off-shore rock formations that provide habitat for seals, sea lions, sea birds and other marine life.
Photo by Russell Eck
I am having so much fun exploring the possibilities of multiple exposures and I would like to acknowledge the works of Chris Friel whose works continually astound me as they are truly pieces of art. Olga