View allAll Photos Tagged explode
This was one of the most colorful sunsets I have ever seen. The dark clouds threatend to start a short shower soon, but fortunately it kept dry.
It's interesting, all sunsets that I've seen here had a beautiful red sky, but this time I too was at the right location to get also a good composition. Well, the pier in Fort Myers Beach may be one of the most photographed locations here, but with that sunset, I had to make it.
See all different states of this sunset here
All works © Rolf Enderes
Do not reproduce without the expressed written consent of Rolf Enderes.
Saw these tiny dandelions sprouts on the ground with a vibrant yellow color. They are about to explode any time. I need to stock up some tissues from Costco quickly.
Here is my first (serious) Close-up Strobist...This is one of the photos we had the Workshop in the Swansea University.
This is one of the photos we had the Workshop in the Swansea University. A big credit to Marc Holmes, the president of Swansea Photography Society, who initiate the workshop and deal with plenty of set-up. Tom Littlehead and Elsa Morgan who also made a great contribution on the set-up on that day...
It is not perfect but I really want to see how you think about this...... So, anyone has some suggestions, I would be more than appreciate....
If you want to see the setup photo. Feel free to click HERE
Strobist info:
Medium softbox behind object with Full Power
ISO 200 : f/22 : 55 mm : 1/250 sec
Your comments, feedbacks and suggestions would be more than appreciate ;)
P.S. Sorry, I mess up quite a lot on my photostream. I still love to try on a lot of things. So Please bare with me!!!
This is by far my favorite since I''ve started with my high speed photo hobby.
It was also the most dangerous and difficult to setup and clean. Bullets will go wild when they hit the water, no way to predict wher they will go :( The amount of the water sprayed around was unbelievable. Covering all the high voltage electronics and camera equipment took more than one hour and much more time required to clean up the mess.
Ive been feeling the butterflies
Yeah, and already the tension's getting to me
We're waiting in anticipation
For some official indication
'Cause it's another big occasion
And there won't be no relaxation - Im ready to go
And Im ready to explode...
Slade.
Having some fun with a macro photo of oil with some presentpaper below. You can also follow me on Flickr Instagram via 500px ift.tt/2w9fJ8v
Una idea que teníamos desde hace tiempo.
Con la insuperable ayuda de iñakisesupone: www.flickr.com/photos/inak-uso/
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A idea we had time ago.
With the fantastic help of iñakisesupone: www.flickr.com/photos/inak-uso/
Sometimes, fireworks don't explode where you expect them... Thanks to photoshop, I develop my own technique to put them where I want them to be plus combining this with my DRI technique.
Parfois les feux d'artifices n'explosent pas toujours là où on voudrait... Grâce à photoshop, j'ai développé ma technique qui me permet de les mettre là où je les veux en la combinant à ma technique DRI.
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My technique is alway the same:
Three exposures -2EV, 0, +2EV and then temperature adjustement using Lightroom and layering with luminosity mask using photoshop. Removal of distracting stuff with the stamp tool or patch tool. High pass filter to enhance details. Then saturation, contrast selectively control, dodge and burn where need...
DRI stand for Dynamic Range Increase. Three RAW files are used to achieve this. Rather than using a software like Photomatix for instance, I simply use mask to blend, my own way, the light, dark and normal shot with Photoshop and Lightroom.. To me, It looks more natural than the usual HDR treatment that I would normally applied.
Merci pour les visites, commentaires, récompenses, invitations et favoris. S.V.P. n'utilisez pas mes images sur des sites web, blogs ou autres médias sans ma permission.
Merci!
© Tous droits réservés
Ma technique est toujours la même:
Trois prises de vue -2EV, 0, +2EV. Ensuite ajustement de la température de couleur avec Lightroom et usage de calques et masques de luminosités avec Photoshop. Retrait d'éléments de distraction avec l'outil tampon. Filtre High pass pour le rehaussement des détails. Ensuite saturation et contraste ajustés de façon sélectives et locales. Dodge and burn là où requis...
DRI vient de l'anglais Dynmic Range Increase, qui pourrait se traduire par étendue dynamique améliorée. Les même 3 fichiers RAW entrent dans la composition d'un DRI. Plutôt que de se servir d'un logiciel comme Photomatix qui fait tout le travail, je me sers plutôt de masques pour filtrer l'éclairage dans photoshop et Lightroom. De mon point de vue, cette façon de faire donne une image plus naturel que le traitement HDR que j'employais auparavant.
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Hello,
Thanks for all the comment and checking out this shot. After reading some of the comment I feel like I should tell a little about this photo. This was take on my most recent trip to Hawaii, Hawaii (original name of island) also known as the Big Island, Hawaii. This was shot out of a four door helicopter with no doors. That's right no doors because it was the only tour on the island that had this feature and for the life of me at the time it seemed like a great idea. My thought was that with less obstructions I can get a clean shot. What I didn't plan on is being kicked around by the wind while having a wide angle strapped to my neck and a telephoto to my right hand. By the way; the only thing that hold you in place is a seat belt that is very similar to a car seat belt, and when the helicopter makes a sharp turn in your direction you have a beautiful view of straight down and some flash backs reflecting on your life. The biggest concern though was making sure my equipment didn't slip away from me and to get as many shots as possible because the movement of the helicopter with the wind make it very hard to focus and shoot. Over all it was a great experience that I would recommend for the thrill seekers and one that I would do again. I would definitely recommend against going right before a large storm because I almost lost my ND filter and a camera body from getting wet.
Focal length: 210mm F:18 ISO:800
Created with www.dumpr.net - photo fun
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blogs or other media without my explicit permission.
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Click n Zoom - Project 365 is not just about daily images. I seek to share the tips & tricks that I know or have learnt from other photographers.
Hit "F" if you like it
This again does not involve photoshop. This is another one of those long exposure photography. We are setting a long exposure about 6 seconds in this. Keeping the standard zoom lens at Tele mode and then just after clicking the shutter button, we turn the lens to wide mode. Keeping in mind that exposure at wide mode is more than the tele. This gives the explode effect to the image
I Finally managed to fill Lachlans head so full of nonsense that the inevitable happened.
This was shot at f22 the bright spots/bokeh is actually dust & sand on the front element of the lens.
Strobist info:
1xQuantuum 350 into small softbox from high center
1xCanon 580 from left/rear
1xCanon 580 from right/rear
1xQuantuum 1000 into octabox, central as fill
NASA image release March 20, 2012
Studies using X-ray and ultraviolet observations from NASA's Swift satellite provide new insights into the elusive origins of an important class of exploding star called Type Ia supernovae.
Three types of systems, illustrated here, may host Type Ia supernovae. The first two panels depict a white dwarf in a binary system accumulating matter transferred from a red supergiant companion many times the sun's mass (left) or similar to the sun (middle). The transferred matter is thought to accumulate on the white dwarf and ultimately cause it to explode. Swift data on dozens of supernovae essentially eliminate the first model. Mounting evidence suggests that some Type Ia supernovae occur when binary white dwarfs (right) merge and collide.
Credit: NASA/Swift/ Aurore Simonnet, Sonoma State Univ.
To read more go to: www.nasa.gov/mission_pages/swift/bursts/supernova-narrowi...
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Theres something very saitsfying about shooting fruit with an air rifle.....
Kiwi hit by speedlight on either side set off by Phototrigger mic
In my 4 years of shooting landscapes I never came across an explosive foreground such as this one although I wish I could somehow capture extreme images such as a exploding volcano in my lifetime, I have to contend myself on geysers instead. That's the beauty of traveling to different places just to shoot landscapes. You can experience first hand how nature works its magic around us. A better appreciation of our surroundings and being more aware of the inner beauty within our planet. This why shooting landscapes is so rewarding. Dream big and make them a reality.
I know I've been posting more than my usual posts. But a sunrise like this still gets my heart racing and the excitement shoots up like crazy.
This was taken yesterday....my first outing for the year. Lets hope 2015 produces some awesome skies for some great photo opportunities.
Thanks to all of you for your time, comments and favs. Truly appreciated..
Do not use or reproduce this image on websites, blogs or other media without my explicit permission. © All rights reserved.