View allAll Photos Tagged explainer
Vysehrad Cemetery is the graveyard attached to the Basilica of Saint Peter & Saint Paul in Vysehrad (notes at the end about the Vysehrad complex).
The complex is over a thousand years old, but the cemetery was only established in 1869, which explains the newness of the headstones. It's an active cemetery, though it seems pretty packed walking around. As noted below, this could basically be seen as the Czech pantheon, given the number of notable Czechs interred here from the arts, letters, and medicine.
Among those you'll find here (that non-Czechs may recognize, by name or contribution) are: Jan Neruda (a poet, and the man from whom Pablo Neruda took his pen name), Antonin Dvorak (composer of the New World Symphony), Josef & Karel Capek (brothers, Josef created the word "robot" and Karel used it in his play R.U.R., which introduced the word to the world), Karel Ancerl (conductor of the Czech Philharmonic Orchestra and Toronto Symphony Orchestra), Hana Maskova (1968 bronze medalist in Olympic figure skating), and Jan Evangelista Purkyne (who, in 1839, coined the term "protoplasm"). There are many others of note, and very ornate headstones -- hence this large set. I don't intend to slight anyone, so feel free to do some research on your own if you wish.
Vysehrad is a pretty neat place to visit in Prague, in my opinion -- especially if you want to relax away from tourists.
It has a combination of things that make it wonderful for me. Its history, its current use, its location (and views it affords), and what's left on site -- taken individually, warrant a visit in my world. Collectively? Winner.
We'll start with what Vysehrad was, which involves local beliefs and legends. The (unproven) thought is that this is the original site of Prague, founded by Duke Krok in...who knows what year? Duke Krok is a myth, though may have been real. And since he's a myth, his daughters, too, are mythical. One of them is Libuse, who has a "bath" here, and she can be found in some architecture around town. I recall seeing her on a building on Karlova.
Duke Kroc was the first duke of the Czech people. Princess Libuse, the youngest (and wisest) of his three daughters later became queen and married a ploughman named Premysl, founding the Premyslid dynasty (interesting...she's royalty, he's a commoner, yet the dynasty is named for him because he's a man...yea for sexism?). The three sisters had special powers (one a healer, one a magician, and Libuse could predict the future). She prophesied the founding of Prague in the 8th century. So believe the Czechs.
What does history tell us? Well, this fortress-castle has been here for a thousand years give or take. Precise origin dates are unknown (or I can't seem to find them). One of the buildings here -- St. Martin's Chapel -- is known to have been built sometime between 1060-1090, so we can say it's conservatively a thousand years old.
Part of the fun of the legend that could support its continuing existence is its location high on a bluff directly overlooking the Vltava River. It was a perfect place to build a defensive fortress, that eventually became a royal castle. As the city grew, and Prague Castle was built, Vysehrad's importance waned.
The two castles competed (kind of) for two centuries to be the most important in Prague. The heyday for Vysehrad was in the late 11th century (when St. Martin's Chapel was built). Vratislaus II, the first king of Bohemia (until him, all were dukes or duchesses) moved his seat of power here from Prague Castle, at which point the original Vysehrad fortress received a major upgrade: a new palatial home, a church, a chapter house.
Growth continued, but only for a short time. Vratislaus's son, Duke Sobeslav (I'm not sure why he was duke, if his dad was king) moved the royal seat right on back to Prague Castle.
The death knell for Vysehrad (as a royal residence) came when Holy Roman Emperor Charles IV (yeah, the same one for whom Charles Bridge is named) renovated Prague Castle to its current dimensions. Vysehrad was abandoned. However, Charles did renew the fortifications with new gates, a royal palace (though never official seat of government), and started repairing the basilica. This was early 14th century. About a hundred years later in 1420 at the start of the Hussite War, Vysehrad was rancasked. And again, a few decades later. Finally, Vysehrad was left to ruin...
...Until the Austrians came along. Austria-Hungary gained Czech lands as a prize of the Thirty Years' War, remodeling it as a baroque fortress, to use as a training center for their troops.
The main building that dominated Vysehrad (to this day) is the Basilica of St. Peter & St. Paul. It's pretty big. Hard to miss, for sure. Like St. Martin's Chapel, it was also (originally) built in the 11th century. Unlike little St. Martin's, though, the big fella was remodeled in the late 1300s and, again, by the Austrians in 1885 & 1887. It's now a neo-Gothic church. Also dating to this baroque renovation are the Tabor and Leopold gates.
So...what do you get when come to Vysehrad now? A city park, really. It's free to come and go (though I think going inside the church may cost a little money).
The bastion walls are fantastic to take a walk around and enjoy panoramic views of every part of the city, the river, the bridges, just to reflect on the here and now, and the past. The bastions are big enough, and long enough, that you can take some time to just do that alone. There are also benches if you want to relax and enjoy the view.
Inside the fortress walls, you'll find mostly wooded land (thanks to its having been abandoned) with the aforementioned church and chapel, plus some other historic recreations, a few trails, and...well, all around, pleasant places to be. There are a handful of statues around the grounds, including Good King Wenceslaus, and Princess Libuse.
Being as that it's a church -- and a large one -- there's also a church cemetery attached directly to the side and back of it. Creatively, it's called "Vysehrad Cemetery."
As far as cemeteries go, I've been to many, and this one has some of the most interesting headstones I've seen. Not only that, as far as Czechs go, this could almost be their Pantheon. While royalty are buried elsewhere (Prague Castle, for starters), the literati all seem to be buried here -- except Kafka. He's in the New Jewish Cemetery. And, not every famous Czech is buried here, of course, but quite a few prominent ones from arts and letters are taking their dirt naps here. At the end of the day, this is a big, beautiful public park, well worth a visit, and the locals love it. This seems to be one of the places they come to celebrate New Year's Eve. I love that it's not overrun by tourists, though hope that anyone who has read this can make it there and see for yourself.
Explaining the program. A UNICEF staff sheds light on water, sanitation and hygiene (W.A.S.H) interventions made by their organization. © IOM 2014
GST Voles day at Sandy Smith NR 7/3/2017
Mr T.: (rummaging in the back of the land rover).
Okay we haven't had a task in the Wet Fen before so before we start I just need to explain a few things. Firstly as you can see it's very wet here at the entrance so I will not be taking the land rover in. We will have to carry everything in from here. I want four of you strimming the few sparce areas of rushes to the right hand side and one of you mowing a few clearings on the left hand side. The rest of you can help me clear away various metal rubbish in the copse area and then start raking and forking up what's been cut. There are some drag bags here for you. Plus I shall be cutting down a small birch tree which can be cut up and burnt. So I'll need you to take......
Mr. T. turns around to see he is by himself, the voles having walked off into the distance, (well this is SSNR and we always walk off into the distance).
A little later in camp.
Mr. T.: Are you okay to strim *****? (name removed for legal reasons). Just make sure you don't break anything. Are you okay to use the mower ^^^^? (name removed for same reasons). Just make sure you don't break anything.
Right, I just need to go back and get a few things that you lot 'forgot' to bring over with you.
Mr T. returns.
*****: The strimmer's broke.
Mr. T.: Right, I just need to go back and get the tools to mend it for you.
Mr. T. returns.
^^^^: The mower's broke.
Mr. T.: Right, I just need to go back and get the tools to mend it for you.
Mr. T. returns.
Anon.: We haven't got any forks.
Mr. T.: Right, I just need to go back and get them for you.
Mr. T. returns.
Another Anon.: We need drag bags.
Mr. T.: Right, I just need to go back and get them for you.
Mr. T. returns.
Yet another Anon.: Must be time for a tea break.
Mr. T.: Right, I just need to go back and get my bag.
The voles settle down for a drink and a few cakes.
Anon anon anon.: Who's going to tell Mr. T. he's forgotten the donuts?
Sobbing could be heard in the distance.
Some time later on this long, drawn out morning.
Mr. T.: It's no good, the rushes are too damp to burn, we'll have to drag them into the copse and pile them there.
Mr. T. walks away.
^^^^, (don't worry Clarkie, no one will know it's you), immediately strips to the waist, covers his chest in cow dung, (last week's having dried out and beginning to flake off), turns and spits into the northeast wind. Rubbing the spittle off his face he calls out to Logi, the Norse god of fire. "Hey up lad we could do with a bit of help down here." So saying he sets light to a box of fire lighters and throws them into the smouldering embers. Flames immediately rise into the bright blue sky as the fire worshipper dances a merry jig and begins to feed the flames.
And so to lunch.
Mr. T.: No more cutting now we just need to rake up what's been cut and either burn it or pile it in the copse.
Volunteer Warden (no experience necessary): Nah, we can strim loads more, there's plenty of time.
Mr. T.: No, we need to let the fire burn down before we leave tonight.
Volunteer Warden (no experience attained): Nah, we'll have finished in half an hour.
Two hours later.
Mr. T.: Most people have left, how is the fire?
Volunteer Warden (basically no experience full stop): (kicking mud onto the flames) Nearly out, could have cut loads more. Gets dark quickly these nights doesn't it?
Any resemblance to the truth is purely coincidental and has nothing to do with the perpetrator of Myths and Legends in Bedfordshire, (out of print).
Thank you to everyone who came along and dragged their heels, ankles, toes, etc. in the mud. Special thanks to those who kept pulling Wendy out of the deep bits. Nice to see Maryla back with us for a short while (obviously having to build up to it again).
Malcolm
Hayat Machala, 13, a member of Hygiene Club, explains the role of the club to Jan Eliasson, Deputy Secretary General of the United Nations, at Dima Guranda Primary School in Sebeta District in Oromia Region of Ethiopia, 1 February, 2014. ©UNICEF Ethiopia/2014/Ose
The Congregation at the Loveworld Conference Center (Christ Embassy) Listening to God's Word.. www.loveworldtoday.org
Photo citation: Ted Auch, FracTracker Alliance, 2021.
Each photo label provides this information, explained below:
Photographer_topic-sitespecific-siteowner-county-state_partneraffiliation_date(version)
Photo labels provide information about what the image shows and where it was made. The label may describe the type of infrastructure pictured, the environment the photo captures, or the type of operations pictured. For many images, labels also provide site-specific information, including operators and facility names, if it is known by the photographer.
All photo labels include location information, at the state and county levels, and at township/village levels if it is helpful. Please make use of the geolocation data we provide - especially helpful if you want to see other imagery made nearby!
We encourage you to reach out to us about any imagery you wish to make use of, so that we can assist you in finding the best snapshots for your purposes, and so we can further explain these specific details to help you understand the imagery and fully describe it for your own purposes.
Please reach out to us at info@fractracker.org if you need more information about any of our images.
FracTracker encourages you to use and share our imagery. Our resources can be used free of charge for noncommercial purposes, provided that the photo is cited in our format (found on each photo’s page).
If you wish to use our photos and/or videos for commercial purposes — including distributing them in publications for profit — please follow the steps on our ‘About’ page.
As a nonprofit, we work hard to gather and share our insights in publicly accessible ways. If you appreciate what you see here, follow us on Twitter, Instagram, or Facebook @fractracker, and donate if you can, at www.fractracker.org/donate!
JARVIS, WILLIAM, office holder and militia officer; b. 11 Sept. 1756 in Stamford, Conn., fifth son of Samuel Jarvis and Martha Seymour; m. 12 Dec. 1785 Hannah Peters* in London, England, and they had three sons and four daughters; d. 13 Aug. 1817 in York (Toronto), Upper Canada.
William Jarvis joined John Graves Simcoe’s Queen’s Rangers in 1777. He was wounded at the battle of Spencer’s Tavern in Virginia on 26 June 1781 and was commissioned cornet on 25 Dec. 1782. At the cessation of the American Revolutionary War he went on half pay and returned to Connecticut. There the hostility to the loyalists often resulted in violence, and on one occasion Jarvis was injured. In 1784 or 1785 he travelled to England where he secured Simcoe as a patron. Simcoe recommended him in 1791 to the Home secretary, Henry Dundas, for the positions of provincial secretary and clerk of the Executive Council of the newly established province of Upper Canada. Although Jarvis did not receive the clerkship, he was, however, rewarded with the more important, prestigious, and lucrative post of provincial secretary and registrar. In the summer of 1792 he arrived in Upper Canada as part of Lieutenant Governor Simcoe’s entourage. Soon after he settled in the capital of Newark (Niagara-on-the-Lake).
Shortly before leaving England, Jarvis had been chosen provincial grand master of the newly organized Masonic Lodge of Upper Canada. His prominence in local society was reflected by his appointment as deputy lieutenant of the county of York in 1794. Simcoe envisaged the county lieutenants as the core of an indigenous aristocracy and the basis of the local militia [see Hazelton Spencer]. Jarvis maintained his connection with the militia and at his death was a colonel. He was appointed a magistrate in 1800 and from 1801 to 1806 served as chairman of the Court of Quarter Sessions.
From its beginning Jarvis belonged to the province’s tiny governing circle, first at Newark and after 1798 at York. His career was marked by the internecine bickering which characterized this group as its members struggled to consolidate their positions and to secure places for their children. Although Jarvis’s salary was £300, it was supplemented by fees. In 1794 he came into conflict with Attorney General John White* over the division of the lucrative fees on land patents. Jarvis drew up and registered all legal instruments and was responsible for the cost of parchment and wax. White, ever in search of additional income, claimed half of Jarvis’s fees on the grounds that the attorney general was responsible for the crown’s legal matters. He was successful, yet Jarvis still maintained the full burden of expense. Indeed he lost money on each grant processed thereafter and he petitioned in vain for relief until 1815 when he was granted £1,000. His financial problems were not, however, entirely the fault of White or an uncaring Executive Council. At times, changes in land regulations invalidated his work and often he himself was inefficient and careless. In 1800 Lieutenant Governor Peter Hunter discovered that many of the deeds issued by Jarvis contained irregularities such as erasures and corrections, or were drawn up on paper rather than parchment. Hunter censured him and provided strict instructions for the preparation of documents – instructions which by Jarvis’s estimate rendered useless £475 worth of deeds.
Jarvis’s temperament occasioned frequent clashes with his peers. At Newark in 1795 he became involved in a minor cause célèbre over the authorship of a lampoon, purportedly in his hand, maligning several prominent families. Affronted at being suspected, Jarvis challenged four individuals to duels, and even met with one, before Receiver General Peter Russell forced him to swear to keep the peace. Jarvis once confessed to his father-in-law that though he wished to be an executive councillor he “was too proud to ask them [members of the council] to recommend me.” The social tension Jarvis endured within the civil administration can perhaps be understood from Mrs Jarvis’s comment that White and Chief Justice John Elmsley “think an American knows not how to speak.” Jarvis’s sometimes erratic behaviour may have been in part a response to the influence of his vituperative spouse, who once explained her husband’s stalled career by observing that Simcoe was surrounded by “a lot of Pimps, Sycophants and Lyars.”
William Jarvis lived well, if not within his means, on his 100-acre park lot on the outskirts of York. Like so many of the early official families, he sought to ensconce his offspring in the developing society of York and Upper Canada. His eldest son, Samuel Peters Jarvis*, became deputy provincial secretary to Duncan Cameron* in 1827, and later chief superintendent of Indian affairs. Two of his daughters married George* and Alexander* Hamilton, sons of the wealthy Queenston merchant Robert Hamilton, and a third married William Benjamin Robinson*.
William Jarvis was not a central figure in the York élite. Though he contested the riding of Durham, Simcoe, and the East Riding of York against Samuel Heron, Henry Allcock, and John Small* in 1800 and briefly supported Judge Robert Thorpe* in 1806, he was not particularly interested or involved in politics. He was a ranking member of the province’s small administration and his career illustrates some of the problems which plagued the province in its early years.
Jason Gill (LMU Coach), Gary Powers (UNR Coach), Heath Jones (umpire), Joe Maiden (umpire), Rob Hansen (umpire).
Photo citation: Jason Kozak, 2020. Photo courtesy of FracTracker Alliance.
Each photo label provides this information, explained below:
Photographer_topic-sitespecific-siteowner-county-state_partneraffiliation_date(version)
Photo labels provide information about what the image shows and where it was made. The label may describe the type of infrastructure pictured, the environment the photo captures, or the type of operations pictured. For many images, labels also provide site-specific information, including operators and facility names, if it is known by the photographer.
All photo labels include location information, at the state and county levels, and at township/village levels if it is helpful. Please make use of the geolocation data we provide - especially helpful if you want to see other imagery made nearby!
We encourage you to reach out to us about any imagery you wish to make use of, so that we can assist you in finding the best snapshots for your purposes, and so we can further explain these specific details to help you understand the imagery and fully describe it for your own purposes.
Please reach out to us at info@fractracker.org if you need more information about any of our images.
FracTracker encourages you to use and share our imagery. Our resources can be used free of charge for noncommercial purposes, provided that the photo is cited in our format (found on each photo’s page).
If you wish to use our photos and/or videos for commercial purposes — including distributing them in publications for profit — please follow the steps on our ‘About’ page.
As a nonprofit, we work hard to gather and share our insights in publicly accessible ways. If you appreciate what you see here, follow us on Twitter, Instagram, or Facebook @fractracker, and donate if you can, at www.fractracker.org/donate!
This is a photograph from the 35th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 21st June 2014 at 19:30. This race is widely acknowledged in the running community as one of the best races in Ireland. It is also one of the oldest 10KM races in Ireland. The numbers for this race have exceeded expectations year on year for the past number of years. In 2008 a record field of 306 took to the start line but by 2012 this number had more than doubled with 647 runners taking part. The starting numbers in 2013 topped this again at 668. Then this year the numbers rocketed to a new record of 883. Who knows but this race could reach 1,000 entrants next year. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Well done to all.
We have an extensive set of photographs from the race tonight taken at the 1 mile mark and then at the 400M and 600M to go mark. The full set is available at: www.flickr.com/photos/peterm7/sets/72157645329098733/
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result/racetimer with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
Some useful links
2014 Results: www.precisiontiming.net/result.aspx?v=2037
2013 Results: www.precisiontiming.net/result.aspx?v=1320
2012 Results: www.precisiontiming.net/result.aspx?v=891
History of the Dunshaughlin 10KM www.dunshaughlinac.com/10k.asp
Dunshaughlin AC on Facebook: www.facebook.com/dunshaughlin.athleticclub?fref=ts
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Pavel and I were drinking at a Czech hospoda. Here he explains how his spider tat woke him up that morning. We Care a Lot is playing on the jukebox.
“I got the COVID-19 Vaccine because…’ Navy Medicine Readiness and Training Command (NMRTC) Bremerton staff acknowledge their professional and personal commitment in helping to stop the spread of the coronavirus. Initial doses of the vaccine were given to frontline health care workers, along with other first responders, including emergency medical services personnel, security forces, and other essential personnel. An initial shipment of the Moderna COVID-19 vaccine that received emergency use authorization (EUA) from the U.S. Food and Drug Administration arrived at NMRTC Bremerton on Dec. 22, 2020, with vaccinations starting the day after. In conjunction with the Centers for Disease Control and Prevention (CDC), the Department of Defense (DoD) distribution plan for administering the vaccine at military medical treatment facilities like NMRTC Bremerton calls for prioritizing through a phased approach to vaccinate all active duty and reserve components, TRICARE Prime and TRICARE Select beneficiaries, and select DoD civilians and contract personnel authorized to receive immunizations from DoD (Official Navy photo by Douglas H Stutz, NHB/NMRTC Bremerton public affairs officer).
www.dvidshub.net/news/386642/whys-have-getting-covid-19-v...
I walk and look, I walk and think:
I don't need the full moon
to understand if you love me
a little of it is enough
to understand you
i can't explain what this quarter moon did to me
i can't explain what the one i love did to me
and a thought keeps haunting me
tis not true
that you think only of me
how sad are this song's notes
and how it's bitter the affection of who loves
don't look at me
don't look if i cry
look what this quarter moon did to me
i cry because you deceived me
not because i've lost you
i cry because you've forsaken me
without reason
Che mi ha saputo fare questo quarto di luna
Cosa mi ha saputo fare chi voglio bene
e mi tormenta sempre il pensiero,
che non è vero che pensa solo a me.
autori: Nino Oliviero-Tito Manlio
Important to explain that top grade rubies are very expensive. By working with ruby mines all over the world, we are in a position to procure rubies in a wide range of prices - all natural and certified. Rest assured that the men's ruby gemstone ring would always have the best ruby at that price point.
The MAN50 ruby ring for men is a high end custom ring from Kaisilver. This is a genuine ruby and at around 7mm, is considered to be a large ruby gemstone. The ruby gem in the gold or silver ring, is natural and certified.
Should mention that the men's ruby ring in gold or silver, would have the same high standard. Like always you can choose ruby or any other gemstone of your choice.
Email us at sales@kaisilver.com if you require any information related to gemstones and jewelry.
Details, options and pricing for the MAN50 ring at: mensrings.kaijewels.com/man50-mens-ruby-ring-gold--01-104...
More Resources
Men's ring with ruby gemstone:
www.rings.kaisilver.com/mens-ruby-rings-gold-silver-th-01...
Ring for men, made to order:
Like his other lectures in this health series, Dr. Rob McClintock explains that osteoporosis is not a necessary disease but one that is preventable and treatable with the proper exercise and diet -- including cutting out dairy, as research shows a correlation between dairy products and osteoperosis. Growing up on a dairy farm, Dr. McClintock adds his own experience with dairy to this talk and shares how removing dairy products from his diet significantly improved his health.
Dr. McClintock is a naturopathic doctor from Idaho who specializes in treating autoimmune diseases. He travels the world giving presentations about how the average person can prevent diseases and live longer, healthier lives. His interest in health began when he lost his own health to multiple sclerosis over 20 years ago, and overcame this debilitating illness with the information he now shares with audiences worldwide. He has a healthcare ministry called “Healing Leaves” based in Priest River, Idaho.
The Magic Flute by Von Krahl theatre - now remixed and explained at Baltoscandal 2008.
Video & sound setup. Last year I converted the system to 2 computers and dualhead2go. My two old workhorses, G5 and 03D still loyally working on the side with Von Krahl's MacPro.
Garrett Brown explains the second pre-Steadicam prototype, with a parallelogram mechanism.
For more on Garrett Brown, see:
» Garrett Brown: Inventing the Future -- And a Few Handy Gadgets
Photo citation: Ted Auch, FracTracker Alliance, 2019. Aerial support provided by LightHawk.
Each photo label provides this information, explained below:
Photographer_topic-sitespecific-siteowner-county-state_partneraffiliation_date(version)
Photo labels provide information about what the image shows and where it was made. The label may describe the type of infrastructure pictured, the environment the photo captures, or the type of operations pictured. For many images, labels also provide site-specific information, including operators and facility names, if it is known by the photographer.
All photo labels include location information, at the state and county levels, and at township/village levels if it is helpful. Please make use of the geolocation data we provide - especially helpful if you want to see other imagery made nearby!
We encourage you to reach out to us about any imagery you wish to make use of, so that we can assist you in finding the best snapshots for your purposes, and so we can further explain these specific details to help you understand the imagery and fully describe it for your own purposes.
Please reach out to us at info@fractracker.org if you need more information about any of our images.
FracTracker encourages you to use and share our imagery. Our resources can be used free of charge for noncommercial purposes, provided that the photo is cited in our format (found on each photo’s page).
If you wish to use our photos and/or videos for commercial purposes — including distributing them in publications for profit — please follow the steps on our ‘About’ page.
As a nonprofit, we work hard to gather and share our insights in publicly accessible ways. If you appreciate what you see here, follow us on Twitter, Instagram, or Facebook @fractracker, and donate if you can, at www.fractracker.org/donate!