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Photo citation: Ted Auch, FracTracker Alliance, 2021. Aerial support provided by LightHawk.

 

Each photo label provides this information, explained below:

Photographer_topic-sitespecific-siteowner-county-state_partneraffiliation_date(version)

 

Photo labels provide information about what the image shows and where it was made. The label may describe the type of infrastructure pictured, the environment the photo captures, or the type of operations pictured. For many images, labels also provide site-specific information, including operators and facility names, if it is known by the photographer.

 

All photo labels include location information, at the state and county levels, and at township/village levels if it is helpful. Please make use of the geolocation data we provide - especially helpful if you want to see other imagery made nearby!

 

We encourage you to reach out to us about any imagery you wish to make use of, so that we can assist you in finding the best snapshots for your purposes, and so we can further explain these specific details to help you understand the imagery and fully describe it for your own purposes.

 

Please reach out to us at info@fractracker.org if you need more information about any of our images.

 

FracTracker encourages you to use and share our imagery. Our resources can be used free of charge for noncommercial purposes, provided that the photo is cited in our format (found on each photo’s page).

 

If you wish to use our photos and/or videos for commercial purposes — including distributing them in publications for profit — please follow the steps on our ‘About’ page.

 

As a nonprofit, we work hard to gather and share our insights in publicly accessible ways. If you appreciate what you see here, follow us on Twitter, Instagram, or Facebook @fractracker, and donate if you can, at www.fractracker.org/donate!

QI Scoring -- screen capture from a BBC show on the history of the show.

I say the right things, but act the wrong way

I like it right here, but I cannot stay.

 

Chris :)

A group of actors who have experienced trauma because of ongoing violence in South Sudan are using their dramatic skills to explain the role of the United Nations Mission in the country to other internally displaced people living in protected sites.

 

The Bomduong Kon Drama Group is made up of residents from the UN protection site in Juba. They recently performed at an awareness-raising workshop organized by UNMISS, keeping the audience informed, entertained, and erupting in laughter during in a short skit carrying important messages about the organization’s mandate to protect civilians and build durable peace.

 

“We came together as a group and put forward ideas on how best the community can understand the UNMISS mandate in a simple way. We wanted them to understand what UNMISS is really doing in South Sudan,” said Char James Kim, the director of the drama group.

 

“To convince a human brain is not easy; you have to convince them inside the heart and the mind and to make that easy they should see something live, they should see it from a local person living with them,” said Char James Kim.

 

“This is why we chose to do a play, to make it easy for a child and the elderly to fully understand the UN mandate.”

 

The workshop was run by UNMISS’ Communication and Public Information Section. The Mission’s Head of Outreach, Hiroyuki Saito, said that it was very important for residents of the UN Protection of Civilians (PoC) sites to better understand all aspects of the organization’s work.

 

“We wanted to explain what is really going on at the POC sites, concretely, so that there is no misunderstanding between UNMISS and the people who live here,” said Hiroyuki Saito.

 

There were also presentations at the workshop by UNMISS’ Gender Unit on the serious problem of gender-based violence, the role of UN Police and Force Protection within the sites.

 

There are currently over 38,000 civilians living in the UN protection sites in Juba.

 

Photo: UNMISS / Amanda Voisard

 

photos by Michael Wilson

It's finally here!!!

 

A couple of things:

First impressions, the first thing I notice is that it's...dense. I can't quite explain it, but its well put together, and feels solid. It's not "toy like" in any way.

The camera handles VERY differently than the D40 in many ways. First of all, no grip on the right side.

 

BEFORE YOU BUY ONE: Go and hold it, WITH THE STRAP ON. This is important because the trap lug on the camera is normally covered by the dangling strap hoop. So when you hold it like that it might feel alright. However, with the strap on, the hoop is out of the way, and the lug sort of digs into your middle finger. It took about 1hour of handling for me to change my grip to hold it comfortably. After that it was great. I can see this being an issue for a lot of people.

 

View finder: Many reviews say its small, but considering need to fit the aspect ration of 4:3, one gets used to it really quickly.

 

Camera usage:

The menu system: is extremely odd, coming from Nikon. "OK" button in the middle of the directional arrows actually acts as "back" or "exit" ehehhe got used to it soon enough though.

 

The Back LCD menu: really useful and, quite frankly, I feel like "hard buttons" for all the settings you can change with 2-3 clicks aren't that important to me.

 

BEFORE YOU BUY: Coming from Nikon, the "fn" or function button was located next to the lens, reached by thumb of the left hand while holding the camera, the "fn" button is now ON TOP of the camera, on the left side. Not really ideal position, considering the way you are kind of forced to hold it ( The only way I can a person pressing that button while using the camera is if they are holding it as a Point and Shoot and using live-view....not that there's anything wrong with that) i.e. can not change settings without pulling camera away.

 

Preliminary image quality thoughts: The first couple of shots I took scared me. I thought I would have to return the camera and take the 15% re-stocking fee hit. THEN I started to dig through the menus, and changed a couple of things. TURN GRADATION AWAY FROM AUTO. That "special feature" while useful in certain situation, produced ALOT of unnecessary noise EVEN at iso100. So, keep it at normal. Noise filter and Noise reduction can be tweaked to personal pref. I set Filter to OFF and Reduction to standard. THEN I took some pictures and were quite happy with it eheheh.... Now the image quality wise, so far I found the D40 JPGs to be slightly less Noisy, but the difference is minor. Color is more accurate on the e-420 however. I feel that with some more tweaking of the settings the image quality will be very good, if not excellent. ( I would say it's a tie, with the e-420 with a resolution edge, and D40 with a Noise edge) My skills had never allowed me to "out resolve" the D40 or any lens, and I HIGHLY doubt my skills will "out resolve" the e-420.

One thing is that the shutter sounds really quiet compared to D40. Where as the D40 is a "slap!" the e-420 is more of a "snick!" Not silent, but def. not as loud as D40.

 

BEFORE YOU BUY: Find the PDF version of the E-420 manual online and read it. It'll save you alot of time + frustration + remorse.

 

Kit lens: Very nice, but slow (I was so used to using the Sigma 30mm f1.4 on the D40 hehehe... spoiled). The Bokeh is quite amazing considering its a kit lens. I would even say it's better than the sigma 30mm. (I never found the "unique" Bokeh of the sigma to be very attractive). Very silent focusing, and very light (considering the reach)

 

BEFORE YOU BUY: The manual focus ring is, well, bad. The lens focuses by wire, meaning that when you turn the focus ring, it sends a signal to the body, then sends a signal to the focus motor in the lens, and it moves the elements. Your turning, is in no way mechanically connected to the actual focusing elements in the lens. If that's important to you. Try it out first.

 

Other things to look out for: Coming from Nikon D40, this camera is jam packed with features. All the reviews point out things like wireless flash control and what not, but actual auto bracketing for me was a feature I couldn't believe nikon left out on the D40, Live view will hopefully allow ME to be in more pictures now...

 

All in all, very happy with the camera, Will post pictures taken with it soon, and as soon as the pancake is widely available, I will do a Nikon D40 + Sigma 30mm VS Olympus E-420 + 25mm Pancake comparason

 

PS. if you havn't noticed. Its small.

 

Experimenting with long exposure. Can you say "learning curve"?

Virtual Tour companies are a dime a dozen. And they're pretty much all the same - except SavvyTours. SavvyTours is a completely new concept. This 90 sec video attempts to explain "What's so great about SavvyTours" in a way that gets to the point and makes the viewer want to learn more (hopefully). :-)

The Magic Flute by Von Krahl theatre - now remixed and explained at Baltoscandal 2008.

 

Video & sound setup. Last year I converted the system to 2 computers and dualhead2go. My two old workhorses, G5 and 03D still loyally working on the side with Von Krahl's MacPro.

Shopaholic

by Michele Late

"Dress" made out of sales tags

 

Artomatic 2012, Crystal City, Arlington, VA

It was explained to me that one couldn't borrow a book for home here, it wasn't that sort of library; one had to order a specific book or material on a subject and read / study it in one of the Reading Rooms.

Garrett Brown explains the second pre-Steadicam prototype, with a parallelogram mechanism.

 

For more on Garrett Brown, see:

 

» Garrett Brown: Inventing the Future -- And a Few Handy Gadgets

 

» Garrett Brown: An Inventive Path

 

» More on Brown's Work

 

A winter Conifer Walk in Cornell Plantations, led by gardener Phil Syphrit, on Jan. 30, 2011.

 

Photo by Robert Barker (University Photography)

 

Adele explains why she’s nervous to tour

| Plaincut | bit.ly/1DfNmQD

Adele recently stopped by Beats 1 to chat with Zane Lowe on the eve of her hotly anticipated third album, 25. Apple Music shared a clip from the…http://bit.ly/1PAvrMX

Forest Service Representative explaining Forest information at Cabela's, Billings, MT. March 6, 2011.

This is a photograph from the 34th ABN AMRO Marathon Rotterdam which was held in Rotterdam, The Netherlands on Sunday 13th April 2014 at 10:30 (CET). This photograph is one of a larger set of photographs which were taken at the start, the 17 mile mark, and the finish of the marathon. The official website of the Rotterdam Marathon is at www.marathonrotterdam.org/.

 

Please note: These are completely unofficial photographs. These photographs or their Flickr set are in no way affiliated with the ABN AMRO Marathon Rotterdam or any of it's partners.

 

We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.

 

This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

How can I download these pictures to my computer or device?

 

You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

How can I get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

Master Gardener Ginger Fleming explains about the appetizers, made with ingredients from the teaching garden. Taken Sept. 27, 2022, at the Arkansas 4-H Center during the Dinner at the Vines fundraiser. (U of A System Division of Agriculture photo by Mary Hightower)

credits:http://poorintentions.wordpress.com/2012/12/17/hard-to-explain-2/

Op 26 maart was er een Informatie Parade Rotterdamsebaan voor omwonenden en direct betrokkenen van de toekomstige Rotterdamsebaan. Tijdens de bijeenkomst werd laatste stand van zaken gepresenteerd. Zie voor meer informatie rotterdamsebaan.com/ en www.denhaag.nl/rotterdamsebaan/

Explaining the contents and context of the Agreement on the Resolution of the Conflict in the Republic of South Sudan (ARCISS) to Students in Juba on 24th September 2018.

 

The United Nations Mission in South Sudan (UNMISS) Political Affairs Division, in collaboration with the University of Juba, is conducting a two-day civic education workshop to explain key chapters in the Revitalized Peace Agreement to 70 students from the University of Juba. In turn, the students are expected to educate other South Sudanese in their localities about the Agreement.

UN Photo:Isaac Billy

Photo citation: Ted Auch, FracTracker Alliance, 2020.

 

Each photo label provides this information, explained below:

Photographer_topic-sitespecific-siteowner-county-state_partneraffiliation_date(version)

 

Photo labels provide information about what the image shows and where it was made. The label may describe the type of infrastructure pictured, the environment the photo captures, or the type of operations pictured. For many images, labels also provide site-specific information, including operators and facility names, if it is known by the photographer.

 

All photo labels include location information, at the state and county levels, and at township/village levels if it is helpful. Please make use of the geolocation data we provide - especially helpful if you want to see other imagery made nearby!

 

We encourage you to reach out to us about any imagery you wish to make use of, so that we can assist you in finding the best snapshots for your purposes, and so we can further explain these specific details to help you understand the imagery and fully describe it for your own purposes.

 

Please reach out to us at info@fractracker.org if you need more information about any of our images.

 

FracTracker encourages you to use and share our imagery. Our resources can be used free of charge for noncommercial purposes, provided that the photo is cited in our format (found on each photo’s page).

 

If you wish to use our photos and/or videos for commercial purposes — including distributing them in publications for profit — please follow the steps on our ‘About’ page.

 

As a nonprofit, we work hard to gather and share our insights in publicly accessible ways. If you appreciate what you see here, follow us on Twitter, Instagram, or Facebook @fractracker, and donate if you can, at www.fractracker.org/donate!

Lipca Rollop Automatic 2.8

 

Ilford Delta 3200 developed in Xtol (stock)

 

view large

pub. 1979 -cover design by John Gorman - illustrations by Sally Seymore.

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