Forever Grateful Ranch is in Chowchilla, CA, 150 miles east-southeast of San Francisco, CA, where owner Jim Chew grows pistachios using dual-line drip micro-irrigation, and utilizes a no-till grass cover crop. Nov 19, 2018.

 

Additional support from the U.S. Department of Agriculture (USDA) Natural Resources and Conservation Service (NRCS), includes incentive funding toward irrigation water management, soil moisture monitoring, a no-till grass cover crop, nutrient budgeting, and compost applications.

 

Mr. Chew grew up 20 miles north in Stevenson, CA where his father raised beef-cows. He then attended Modesto Junior College. After receiving an associate degree, he joined the Peace Corps who sent him to Africa. While there Chew developed a 4-H program in Lobatse, Botswana, where he taught and supervised modern swineherd management, and subsistence family farming plots. In the suburbs, about 90 miles northwest of Johannesburg, he operated a feeding program that provided meals and soap for those in need.

He returned to California and Fresno State University to study plant and animal sciences. But, before long he headed to Richmond, CA to be with his future wife, Maryam. While there he graduated with an engineering degree. For the next 15-years, he was an engineer in the San Francisco Bay area. Throughout that time he was a single foster parent to 15 children. Saving money from his civil service employment allowed him to move back to the Merced County area and purchase this home and orchard.

Now disabled with a prosthetic leg, he receives some help from USDA AgrAbility. AgrAbility seeks to enhance the quality of life for farmers, ranchers, and other agricultural workers with disabilities.

Work on the pistachio farm varies through the seasons. This week he is using a soil moisture monitoring station to help determine how much irrigation water his trees need. He also applies compost (at a rate of 10 tons per acre) in the fall to hold on to soil moisture and deliver nutrients to the trees over the winter.

However, first, he and his son Sonny will prepare his tractor for the task of pulling a large blower that is used to remove debris and “mummy nuts” from the berms, a pest control practice. “Mummy nuts” are nuts that fail to come off with the harvest. They harbor pests for next season, so they are removed from the trees, blown to the aisles and shredded. These tasks and just getting around the farm are a challenge for Jim.

Jim’s grandfather, a Texas farmer, started the tradition of farming that Sonny hopes to carry on. For now, he works long hours to learn all he can from his father and his realtor mother, Maryam, who handles the accounting.

Chew’s advice to would-be farmers is to get up in the morning and get going; work for it; expect long hard hours of work; read up on the latest farming technologies and ways the government can help you, and you can help the country.

Mr. Chew says a good day is when harvest trucks leave with loads of his pistachios.

He works closely with his local NRCS soil conservationist Priscilla Baker on his conservation plan that includes the cover crop of brome grasses between the rows of trees.

Farm Production and Conservation (FPAC) is the Department’s focal point for the nation’s farmers and ranchers and other stewards of private agricultural lands and non-industrial private forest lands. FPAC agencies implement programs designed to mitigate the significant risks of farming through crop insurance services, conservation programs, and technical assistance, and commodity, lending, and disaster programs.

The agencies and services supporting FPAC are Farm Service Agency (FSA), Natural Resources Conservation Service (NRCS), and Risk Management Agency (RMA).

Natural Resources Conservation Service has a proud history of supporting America’s farmers, ranchers, and forest landowners for more than 80 years. USDA helps people make investments in their operations and local communities to keep working lands working, boost rural economies, increase the competitiveness of American agriculture, and improve the quality of our air, water, soil, and habitat.

USDA Photo by Lance Cheung.

  

I expect it's been in production on and off for the past fourty years. The hatches open, obviously, revealing the Fab Four, and the periscopes rotate when the toy is pushed along. In recent years, however, a smaller version was produced which featured non-opening hatches and periscopes which, while rotating freely, didn't rotate when the thing was pushed.

 

I believe this to be from the first production run. Note the colour of the hatches. In all production runs after the first the hatches were red - except for the smaller, recent version which has yellow hatches. Here the hatches match the colour of the body, as they do in the film.

 

Besides the missing prop at the rear and the missing front wheel, this is in quite good nick. As it would probably fetch a pretty penny if sold, and as I picked it up for a song on eBay, I think it was a Real Bargain.

The history of Fort Hayes as a military post spans from its establishment in 1863 to the expected departure of the remaining military presence by the end of 2009.

 

Fort Hayes is a military post in Columbus, Ohio, United States. Created by an act of the United States Congress on July 11, 1862, the site was also known as the Columbus Arsenal until 1922, when the site was renamed after former Ohio Governor and later 19th U.S. President Rutherford B. Hayes. As of 2007, the property is primarily used for the Columbus School District's Fort Hayes Metropolitan Education Center and bus depot. Currently, the 391st Military Police Battalion and the 375th Criminal Investigations Division of the U.S. Army Reserve use the facility, but the last military presence on the property was in 2009. The military is building a new army reserve center in Whitehall, which will end a century and a half of military presence at Fort Hayes.

 

Columbus Arsenal

Ordnance Corps General C.P. Buckingham selected a site nearly two years after the congressional authorization of July 1862. It was a tract of about 70 acres northeast of the city, an oak grove owned by Robert and Jannette Neil of Neil House fame. The need for an army arsenal in Central Ohio was acute soon after war broke out. The state arsenal was jammed with arms and equipment for the states' first regiments, but that building was deemed unsafe and a fire hazard. The army needed a modern arsenal for the receipt and issuance of arms and equipment and the manufacture and storage of ammunition.

 

Captain J. W. Todd, of the U .S. Army Ordnance Corps, was the first commander of the Columbus Arsenal, as the post was first known. High command was nothing more than a field of oak stumps and some temporary shacks on land that Captain Todd also prepared the first arsenal master plan:

 

1 two-story brick workshop, 180′ X 60′: $27,758

4 storehouses, 200′ x 50′: $98,884

Barracks and EM quarters: $7,500

1 blacksmith shop: $2,000

1 stable and laboratory: $5,000

1 office building, brick, one-story: $2,400

1 officer's quarters, brick, two-story: $11,250

1 guardhouse and brick wall, 10′ high: $44,283

Railroad switch: $5,000

Landscaping: $10,000

Inflation: $10,000

Total Budget: $224,075

 

The Todd plan was $10,000 in excess of what Congress was to be asked to appropriate. Captain Todd did not remain at this assignment long enough to see his plan accepted for implementation. He was replaced by the "Father" of Fort Hayes, Captain T. C. Bradford, on January 16, 1864. Bradford arrived to build the new post from scratch, where he served until 1867, being promoted to Major, then Colonel before 1866. He resumed command again for six months in 1869, then departed for San Antonio.

 

Bradford's first task was to secure the completion of the rail spur and procure carts, horses, tools, hoisting machines and materials with which to build the main building and other buildings. By April 1864, the excavation was dug, the tracks' grading completed, and temporary carpenter's shop built, and two wells dug and equipped with pumps to supply water for the needs of men, animals, and construction.

 

Bradford called his magnum opus the "Store House", the first of many names which would be applied to the post's principal facility. Plans for the building had been drawn in Washington by the Ordnance Corps. Bradford, however, made many on-site changes to the plans as construction proceeded. Building materials in that time were difficult and expensive to obtain. For foundation material, Bradford went to Newark, Ohio, for sandstone, the first cargo brought in on the new rail spur during the summer of 1864. Brick was fired in Columbus by brickmakers who Bradford continually had to watch because of inferior workmanship. Flooring and other timber he obtained from southern Ohio (There are 50,000 board feet of ash flooring in the arsenal which cost $20.00 to $25.00 per thousand feet). Copper and cast iron cornices he had manufactured in Cincinnati.

 

The officers' quarters and magazine were ordered built on June 3, 1864, as designed by master building Joseph O. Sawyer. The foundation for the magazine, with a capacity of 2,500 barrels of powder, was built in September, ready for brickwork, and all lumber for this building was on the grounds.

 

As the main building rose, Bradford devoted much attention to the tower. The original purpose of this dominant feature was to accommodate stone steps to each floor. At Bradford's urging, the plans were altered to incorporate wooden steps and hoisting apparatus, and an elevator to move supplies more easily among the floors. As finally constructed, the tower was a duplicate of the one attached to the Indianapolis arsenal.

 

Long before the main arsenal building was completed in 1865, the post was receiving, storing, and issuing arms and accoutrements in large amounts. On May 6, 1864, 10,000 sets of equipage and five thousand Enfield rifles to arm "three-months" of enlistees were being issued, and the post had enough arms stored in the temporary warehouse to arm and equip 30,000 men. From its holding that month alone, the Columbus Arsenal shipped to other arsenals two million rounds of elongated ball cartridges, 400 percussion artillery shells, and 600 shells for 3-inch guns.

 

The first building at Fort Hayes was completed in 1864 and is known as Building #62. Arms and equipment of the "100-day" men being mustered out in Ohio were being received by the arsenal in August 1864, but not until late that year were the commodious facilities of the main building in use. Ironically, the first man killed on the post was a civilian, Nicholas Kaetzel, who, on April 5, 1865 was blown up while firing a salute to honor the capture of Richmond, VA.(Source: United States Senate Record, May 17, 1866)

 

The main business of the arsenal during the last months of the war was the trans-shipment of ammunition (paper and metal cartridges), the receipt and issuance of Springfield rifles, and sets of equipage for 10 regiments to be formed at Camp Chase in Columbus.

 

Civilians, under Colonel Bradford, conducted much of the business of the arsenal until October 25, 1865, when the first permanently assigned detachment of enlisted men were stationed here. Twenty-five men were authorized to be enlisted locally and were ordered to be one sergeant, four corporals, five privates first class, and twelve privates second class. These new recruits of the regular army were quickly trained by Bradford to receive the large amount of arms and equipment being turned in by Ohio regiments rapidly being deactivated. Civilian employees were retained to repair, in the main building, the Springfield and Enfield rifle muskets turned in by either cannibalizing or by adding new parts shipped in from the Springfield Armory. The rule was, if a piece could be made serviceable for fifty cents or less, to do so; if not, utilize only the unworn parts.

 

On November 10, 1865, with the magazine at the post filled to capacity, the main building's basement was authorized for storage of ammunition, and the first live rounds were placed in the building. Four million cartridges were placed in the basement that winter, and 10,000 new Spencer carbines were stored in upper floors. So crowded was the building late in November that the first public auction of military stores was authorized and held. By early 1866, artillery was stored in large numbers of pieces, transferred from the Newport, Kentucky arsenal under Colonel Bradford's personal supervision. The appearance of the Civil War era Columbus arsenal was ragged and cluttered until Spring of 1866, when the first shade and ornamental trees and shrubs were planted at a cost of $150. With the coming of peace, the post came to assume a more ordered, regulated posture.

 

The War Department transferred the Columbus arsenal on September 24, 1875 to the general Recruiting Service for depot purposes, where it came to be known as Columbus Barracks. At that time, the value of site and building was reckoned at nearly $500,000.

 

Columbus Barracks and Fort Hayes

In 1875, the War Department repurposed the facility for use as a recruiting intake and training facility. It became known as the Columbus Barracks and later the Columbus Arsenal.[2] In 1922, the property was renamed Fort Hayes, in honor of Rutherford B. Hayes.

 

Between 1875 and 1890, Columbus Barracks was used to instruct recruits, specifically music boys, select recruits, disposable recruits, unexamined recruits, and colored recruits. Four companies of cadre were organized in February 1881. Recruits were given specialized instruction of from one to four months' duration. In 1894, the command general of the Department of the East took charge of Columbus. Barracks and garrisoned it with the 17th Infantry Regiment. The post remained as a recruiting rendezvous manned by two skeleton companies for the next two years when it entered, during the Spanish–American War, a period of building and enlarged occupancy for recruitment and training. The arsenal building, now called the Main Building, was altered inside to accommodate 500 recruits. New barracks, officers' houses, and a host of other buildings were erected (among them the reception center, mess building, drill hall, new guardhouse and bandstand). A post newspaper, The Army Herald, was started in 1895 and continued until 1896. A file is in the library of the Ohio Historical Society.

 

In 1900, the post was enlarged by nearly 8 acres, and five years later became officially the Columbus Recruiting Depot of two infantry companies and six recruiting companies. A band was assigned the post in 1906 when concerns became a regular public attraction.

 

Electricity came to the depot in 1908, and with it a new building program of a hospital, PX, a gym, new officers' quarters, noncommissioned officers' quarters, a bakery, a laundry, a warehouse and several barracks.

 

The razing, in 1910, of the old headquarters building uncovered the site of one of Colonel Bradford's original wells. With the advent of World War I and the signing by President Wilson on May 18, 1917, of the Selective Military Conscription Act, old Columbus barracks became a beehive of activity. Barns and stables became garages and repair shops as the Army increased numbers of Regular Army recruits who passed through the post beginning in 1917. After the war, in 1922, the post became headquarters of the Fifth Corps comprising the areas of Ohio, West Virginia, Indiana and Kentucky. Major General George A. Reed was the commander when, in June, the corps came to Columbus. In 1922, the name of the post was changed to Fort Hayes in honor of Rutherford B. Hayes, an Ohio Governor and later President of the United States. In 1933, the present parade grounds were constructed and the Civilian Conservation Corps constructed seven new frame buildings

 

During the early years of World War II, Fort Hayes continued as it had in the past as a reception center when it had stationed on its grounds 2,000 officers and men. But on March 1, 1944, this function was discontinued. The Ohio National Guard was granted use of the post on December 17, 1946. Used by both the Army Reserve and the Guard of Engineers, it continued in use by the State and Federal governments for both military and civilian functions.

 

Fort Hayes Metropolitan Education Center

Fort Hayes Metropolitan Education Center (FHMEC), an urban public high school, located at the edge of downtown Columbus, has as its mission " …to create expectations of excellence within students through challenging and collaborative learning, blending the arts, academics and career programs."

 

The Fort Hayes Career Center was established in 1976 on the site of a part of the military base. Fort Hayes was used as a training and induction center during the Civil War through the Vietnam War, the Federal Government abandoned the fifty acres on which the Fort Hayes Career Center (now the Fort Hayes Metropolitan Education Center) is located. Through the leadership of Jack Gibbs and the efforts of two local congressmen, the Columbus Public Schools was able to purchase these fifty acres for one dollar ($1.00). The career center was composed of four buildings–the Business Building, the Health Building, the Visual Arts Center (Shot Tower—though shot was never made here[3]), and the Battelle Math/Science Building. In the fall of 1988, the Fort Hayes campus became the site for three unique educational programs: a career center program, The Battelle Youth Science Program, and an arts and academic high school. The Fort Hayes Career Center component offers vocational courses in health/medical services, data processing, commercial art and photography, and the fine and performing arts. The Battelle Youth Science Program provided advanced laboratory and academic courses in math and science. The Fort Hayes Arts and Academic High School, the newest component, focuses on excellence in performance–performance in a rigorous college preparatory program and a rich immersion in the art areas of music, dance, theater, and visual arts. During the 1988–89 school year, the Fort Hayes Arts and Academic High School was created, joining Columbus Public Schools' excellently rated arts, business, childcare, and health vocational programs. Ninth and tenth graders (about 223 of them) arrived to begin the work of starting a new high school, along with 23 new staff members. An additional grade level was added each year, and the first senior class graduated in June 1991. Twice in the past ten years, the school has been recognized by Redbook magazine as an outstanding school in the country, and in the Spring of 1995, by Ohio's Best Schools as an exemplary "Break the Mold School." In 1997, the school was recognized by Business Week magazine as one of ten schools in the nation for Instructional Innovation with an Arts-Driven Curriculum. The International Network for Performing and Visual Arts Schools selected Fort Hayes as the Outstanding School for the 1997–98 school year.

 

FHMEC reflects the cultural, economic, religious and ethnic diversity of the urban community it serves: 51 percent African-American; 47 percent Caucasian; nearly 4 percent Asian-American; and less than 1 percent Hispanic students. Sixty-three percent of the students are female. Students bring a variety of religious beliefs: Christian, Jewish, Muslim, Buddhist, Hindu, and Taoist. Approximately 30 percent of the students reside in low-income households. With some exceptions, the remaining 70 percent reside in middle-income households. Over 1100 students, 80-plus faculty, and five administrators are located on the total campus in the course of a school day.

Lots of hungry fans! The worker jokingly me that he expected to see his photo in the Bristol Evening Post - sorry, but at that paper they are too much pro rival Bristol City!

  

Media Information on the WMOF2018 Closing Mass in Phoenix Park

3.00pm Sunday 26 August 2018

 

The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.

 

A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.

 

Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.

 

Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.

 

The Mass

Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.

 

The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.

 

Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.

 

Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.

 

Also involved in the offertory procession will be:

•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;

•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;

•The family of one of those killed in the Omagh bombing 20 years ago;

•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.

 

•LITURGICAL MUSIC

The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.

 

The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.

 

Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.

 

The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.

 

As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.

 

The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.

 

And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.

 

•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY

Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.

At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.

Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.

The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.

•PENAL CROSS AND PROCESSIONAL CROSS

A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.

The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.

•CHALICES AND CIBORIA

To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.

ENDS

 

NOTES TO EDITORS

· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.

 

Biographies of Liturgical Music Team:

 

· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.

 

· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.

 

· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.

 

· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.

 

· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.

 

· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.

 

Media Information on the WMOF2018 Closing Mass in Phoenix Park

3.00pm Sunday 26 August 2018

 

The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.

 

A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.

 

Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.

 

Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.

 

The Mass

Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.

 

The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.

 

Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.

 

Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.

 

Also involved in the offertory procession will be:

•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;

•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;

•The family of one of those killed in the Omagh bombing 20 years ago;

•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.

 

•LITURGICAL MUSIC

The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.

 

The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.

 

Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.

 

The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.

 

As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.

 

The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.

 

And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.

 

•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY

Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.

At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.

Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.

The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.

•PENAL CROSS AND PROCESSIONAL CROSS

A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.

The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.

•CHALICES AND CIBORIA

To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.

ENDS

 

NOTES TO EDITORS

· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.

 

Biographies of Liturgical Music Team:

 

· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.

 

· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.

 

· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.

 

· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.

 

· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.

 

· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.

 

I am back at home in Chez Jelltex; Mulder is meowing just before dawn, in which case its situation normal. My longer than expected hike the day before meant that my legs were aching to buggery, but it is better than them stopping working.

 

Jools has to be up and about to go to work, but lucky me is working from home, so I can lay in bed a while enjoying the moment, but then I can smell coffee brewing, so I had better face the world. There is coffee on the table, but the cats have gone out exploring after eating, and so once Jools has left, its just me. However, the cats come in one at a time to request more food. At least not all at once.

 

Molly must think I'm looking a little peaky, as she brings me in a partially eaten Goldfinch and a large mouse/small rat, which I don't look at too closely.

 

Work is pretty much as usual, there is stuff to do, mails to send, calls to write, fires to put out. The usual.

 

Cheese and toast for lunch whilst I work. Somehow the volume of work wasn't what I was expecting, I guess what it being an hour ahead in Dk and being Friday afternoon. By two, mails had stopped and I can see most of my colleagues offline. I pack up for the week and get my camera gear together as there was some photographing to do.

 

This weekend in September is Heritage Weekend, and that means getting into churches that usually are locked. In addition, another area of Pugin's house in Ramsgate had been renovated and opened, so it seemed a good idea to go there in the 90 minutes before it closed. I think it was just about worth it.

 

Jools comes home, changes and we get in the car and take the Sandwich road, pretty much the same way I used to go to the office in Ramsgate when I was just an technical assistant, not that long ago, but in terms of my journey, ages ago! Traffic was a little crazy, but that is to be expected, but in the warm sunny weather, it was very pleasant indeed.

 

We park near The Grange, and have about an hour to get the visit done. I go straight to the Presbytery, just about the first to be built in Britain since the middle ages, designed by Pugin, and now converted by the Landmark Trust and now available for holiday rental. They have done a great job, and it feels like a fine place for up to four people can have a great stay, and help support the good cause.

 

I go round snapping each room, climbing the two sets of stairs to see the bedroom at the top, then back down again. What I can say is that it feels more of a home thand homely than The Grange, I think I could happily stay here. Stay and maybe never leave, mind.

 

Jools goes to see inside The Grange, but I have been in before, so chat with a guide outside, and I tell her about my job in the survey business. She is really interested, or says she is anyway. I do go in and take a few shots, and see that with the new camera/lens combination, the shots are fabulous. Just wish I had more time to get round.

 

We go back to the car as its four, and the buildings and church are closing.

 

I now spring it onto Jools that we are heading into Canterbury, as there is a church open that evening, that should be interesting. She takes the news well, so we drive round the outskirts of the city so to approach the right part, park up close to the chapel. We make better time that I thought, so we have time for a pint in the Two Brewers near to St Augustine's Abbey. This is the life, finished for the weekend, en route to a chapel and drinking beer and eating cheese and onion crisps; living the dream.

 

From the pub is was a short walk through the underpass then along the city wall to the Zoar Chapel.

 

You read that right; Zoar. Seems that being a Baptist isn't enough, you can have Strict and/or Peculiar Baptists too, and this is the Chapel of the Particular Strict Baptists in the city. The chapel has had an interesting life too; a former bastion in the city wall, then converted for use as a water cistern before the conversion to a church in the 19th century.

 

We are welcomed, but not that warmly, or I might have imagined it, I mean they open the chapel on all four days of the weekend, so they must be proud of the chapel. And rightly so, all lines with white painted wood, almost round, and looking really very fine indeed. I get my shots, talk politely, then we make our way back to the car and home.

 

We have run out of time for that day, so return home ready to have some dinner, as our appetites are raging. And as you will come to expect, its insalata caprese once again, with cheese and pickle bread, thickly sliced and buttered. Add a bottle of red wine, and it is perfect.

 

The cats are happy too, we have fed them and as we slob around the house, they ask for attention, food or whatever. Outside the sun sets on a fine late summer evening, whilst the moon has already risen and looks about half full already.

 

--------------------------------------------------

 

Augustus Welby Northmore Pugin (1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style; his work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.[1] Pugin was the son of Auguste Pugin, and the father of E.W. and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

 

Pugin was the son of a French draughtsman, Auguste Pugin, who had come to England as a result of the French Revolution and had married Catherine Welby of the Denton, Lincolnshire Welby family.[3] Augustus was born at his parents' house in Bloomsbury. Between 1821 and 1838 Pugin's father had published a series of volumes of architectural drawings, the first two entitled, Specimens of Gothic Architecture, and the following three, Examples of Gothic Architecture, that were to remain both in print and the standard references for Gothic architecture for at least the next century.

 

As a child he was taken each Sunday by his mother to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later founder of the Holy Catholic Apostolic Church), at his chapel in Cross Street, Hatton Garden.[4] He soon rebelled against this version of Christianity: according to Benjamin Ferrey, Pugin "always expressed unmitigated disgust at the cold and sterile forms of the Scotch church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind".

 

Pugin learned drawing from his father, and for a while attended Christ's Hospital. After leaving school he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France.[6] His first commissions independent of his father were for designs for the goldsmiths Rundell and Bridge, and for designs for furniture at Windsor Castle, from the upholsterers Morrel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatre scenery, and in 1831 obtained a commission to design the sets for the production of a new opera called Kenilworth at Covent Garden.[7] He also developed an interest in sailing, and briefly commanded a small merchant schooner trading between Britain and Holland, which allowed him to import examples of furniture and carving from Flanders,with which he later furnished his house at Ramsgate.[8] During one voyage in 1830 he was wrecked on the Scottish coast near Leith,[9] as a result of which he came into contact with Edinburgh architect James Gillespie Graham, who advised him to abandon seafaring for architecture.[10] He then set up a business supplying historically accurate carved wood and stone details for the increasing number of buildings being constructed in the Gothic style, but the enterprise soon failed.

 

In 1831, aged nineteen, Pugin married the first of his three wives, Anne Garnet.[11] Anne died a few months later in childbirth, leaving him with a daughter. He had a further six children, including the architect Edward Pugin, with his second wife, Louisa Button, who died in 1844. His third wife, Jane Knill, kept a journal of their married life together, between their marriage in 1848 and his death; it was later published.[12] Their son was Peter Paul Pugin.

 

In 1834, Pugin became a Roman Catholic convert,[16] and was received into the Church in the following year.[17] Pugin's father Auguste-Charles Pugin, was a Frenchman who had come to England as a result of the French Revolution. It is probable that he, like many others, converted to the Anglican faith in order to get work (it was highly unlikely that any non-Anglican could obtain a government commission or tender for example).

British society at this time had many restrictions on any person not adhering to the state religion of the Anglican Church. Non-Anglicans could not attend University, for example as well as being unable to stand for parish or city councils, be an MP, serve as a policeman, in the armed forces or even on a jury. A number of reforms in the early 19th century changed this situation, the most important of which was the Roman Catholic Relief Act of 1829 which specifically abolished the restrictions on Catholics. After 1829 it became (in theory at least) possible to have a successful career while being a Catholic - this was the background to A W Pugin's conversion to the Roman Catholic Church.

However his conversion also brought him into contact with new patrons and employers. In 1832 he had made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic, sympathetic to his aesthetic views who employed him in alterations and additions to his residence Alton Towers, which subsequently led to many other commissions.[18] Shrewsbury commissioned him to build St. Giles' Catholic Church, Cheadle, completed in 1846, and Pugin was also responsible for designing the oldest Catholic church in Shropshire, St Peter and Paul at Newport.

 

In 1841 he left Salisbury,[20] finding it an inconvenient base for his growing architectural practice.[21] He sold St Marie's Grange at a considerable financial loss,[22] and moved temporarily to Cheyne Walk, Chelsea. He had however already purchased a piece of land at the West Cliff, Ramsgate, where he proceeded to build himself a large house and, at his own expense, a church on which he worked whenever funds allowed. His second wife died in 1844 and was buried at St. Chad's, Birmingham, a church which he had designed himself.

 

Following the destruction by fire of the Palace of Westminster in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for James Gillespie Graham's entry.[24] This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout the country.

Other works include St Chad's Cathedral, Erdington Abbey and Oscott College, all in Birmingham. He also designed the college buildings of St Patrick and St Mary in St. Patrick's College, Maynooth; though not the college chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J.J. McCarthy. Also in Ireland, Pugin designed St Mary's Cathedral in Killarney, St Aidan's Cathedral, Enniscorthy (renovated in 1996) and the Dominican church of the Holy Cross in Tralee. He revised the plans for St Michael's Church in Ballinasloe, Galway. Pugin was also invited by Bishop Wareing to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin.

Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy.

 

In February 1852, while travelling with his son Edward by train, Pugin suffered a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he was confined to a private asylum, Kensington House. In June, he was transferred to the Royal Bethlem Hospital, popularly known as Bedlam.[26] At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark, one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife.[26] In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852.[26] He is buried in his church next to The Grange, St Augustine's, Ramsgate.

On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill, suggests that, in the last year of his life, he was suffering from hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been the cause of his death at the age of 40.

 

en.wikipedia.org/wiki/Augustus_Pugin

 

--------------------------------------------------

 

The Grange (aka St Augustine's Grange) in Ramsgate, Kent, on the coast in southern England was the home of the Victorian architect and designer August Pugin. He designed it in the Victorian Gothic style; it is a Grade I listed building.

 

Pugin bought the land for the site at West Cliff, Ramsgate, in 1841.[2] The house was built between 1843 and 1844 by the builder George Myers. Pugin's second wife died in 1844 and it was only after his third marriage to Jane Knill in 1848 that it became a family home.

The interior of the house was finally completed in 1850. It is built from the inside out in the sense that the layout of the rooms was considered before the outside of the building. This is in contrast to the Georgian style that preceded it. The style was influential on subsequent English architecture designed by architects like Edwin Lutyens.

Pugin died in the house in 1852 at the age of only 40. He is buried in the impressive Pugin chantry chapel in St Augustine's Church, next to the house, which was also designed by him and completed by his eldest son, Edward Pugin, who was also an architect.

 

en.wikipedia.org/wiki/The_Grange,_Ramsgate

Sunday the 26th August 2018

 

Media Information on the WMOF2018 Closing Mass in Phoenix Park

3.00pm Sunday 26 August 2018

 

The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.

 

A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.

 

Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.

 

Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.

 

The Mass

Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.

 

The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.

 

Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.

 

Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.

 

Also involved in the offertory procession will be:

•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;

•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;

•The family of one of those killed in the Omagh bombing 20 years ago;

•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.

 

•LITURGICAL MUSIC

The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.

 

The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.

 

Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.

 

The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.

 

As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.

 

The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.

 

And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.

 

•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY

Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.

At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.

Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.

The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.

•PENAL CROSS AND PROCESSIONAL CROSS

A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.

The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.

•CHALICES AND CIBORIA

To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.

ENDS

 

NOTES TO EDITORS

· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.

 

Biographies of Liturgical Music Team:

 

· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.

 

· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.

 

· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.

 

· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.

 

· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.

 

· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.

 

Sunday the 26th August 2018

 

Media Information on the WMOF2018 Closing Mass in Phoenix Park

3.00pm Sunday 26 August 2018

 

The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.

 

A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.

 

Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.

 

Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.

 

The Mass

Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.

 

The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.

 

Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.

 

Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.

 

Also involved in the offertory procession will be:

•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;

•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;

•The family of one of those killed in the Omagh bombing 20 years ago;

•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.

 

•LITURGICAL MUSIC

The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.

 

The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.

 

Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.

 

The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.

 

As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.

 

The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.

 

And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.

 

•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY

Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.

At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.

Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.

The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.

•PENAL CROSS AND PROCESSIONAL CROSS

A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.

The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.

•CHALICES AND CIBORIA

To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.

ENDS

 

NOTES TO EDITORS

· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.

 

Biographies of Liturgical Music Team:

 

· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.

 

· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.

 

· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.

 

· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.

 

· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.

 

· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.

 

Beautiful young pregnant woman, isolated on white

Outside of Merzouga, Morocco.

I wanted to spend a night in the desert. Between the fabled red Moroccan dunes.

It was not what I wanted as the location was not far enough from the world (only just about 1 km far from the tarmac).

These images are at the beginning of the dunes and yet they offer something so special when the sun sets.

Bit of an oldie - but I still like it. Thanks for looking!

 

If you're on facebook come and give me a "like" HERE

Canadas Police, and Justice and Human Rights and Constituents, and PUBLIC PROTECTION & Security, you are demented useless assholes, vampires, parasites, vermin, cockroaches, infections, leeches, rats, snakes, scum,, scum-bags, Sons-of-bitches, mother-fuckers, cannibals, incestuous, satanic cannibals, THE BLACK PLAGUE and the MALBURG VIRUS (alias MALBERG), go fuck yourselves for doing nothing and behaving like idiotic and insane criminals and psychopaths, you bloody bastards,

 

HOW CAN YOU BEHAVE AND CONDUCT YOURSELVES LIKE TOILET-PAPER AND SANITARY PADS FOR FEMALES -

 

YOU GET WHAT YOU DESERVE !!!

 

HOW THE FUCK CAN ALL OF YOU BE DEAD ZOMBIES AND MUMMIES AND CADAVERS AND CORPSES WHO DO ABSOLUTELY NOTHING TO SERVE AND PROTECT THE PUBLIC YOU RAPING PIMPS AND WHORES IN UNIFORM AND ENJOYING PAYROLL FROM PUBLIC FUNDS ???

 

CANADA'S INCESTUOUS POLICE YOU REALLY DO NEED TO KNOW BETTER THAN DO WHAT YOU ARE DOING AND PRETENDING INNOCENCE WHEN IN FACT YOU ARE COMMISSIONING, PERPETRATING, ORCHESTRATING, AND CONCERTING CRIMES AGAINST THE PUBLIC AND THEIR FAMILIES - YOU FUCKING ASSHOLES - HOW DO YOU EXPECT TO GET AWAY WITH ALL THIS, AND FOR HOW LONG, HOW CAN YOU BEHAVE LIKE DEAD DUCKS AND DUMB FUCKS - CANADA AND CANADIANS: IS YOUR POLICE FORCE DEAD OR ALIVE OR A DEAD FARCE, ARE YOU PEOPLE ALIVE, ARE YOU REALLY PEOPLE - ARE YOU HUMANS OR ALIENS, ARE YOU AN ALIEN VIRUS, OR ALIENS OR ALIEN PREDATORS ???

 

ARE YOU ANIMALS OR HUMANS OR COCKROACHES AND MAGGOTS AND PUS SORES AND/OR HERPES OR GANGS OF GANGRENE GANGSTERS (GGG) ???

 

www.flickr.com/photos/19725722@N06/27398895598

Nearly 1,000 Students to Participate in WSSU Commencement on May 15

 

WINSTON-SALEM, NC -- Christina Wareâs story is one of the many inspiring testimonials of the nearly 1,000 undergraduate and graduate students from near and afar who are expected to participate in Winston-Salem State Universityâs commencement ceremony on Friday, May 15, at 9:45 a.m., at Bowman Gray Stadium, 1250 South Martin Luther King, Jr. Drive.

  

Academy Award-winning recording artist, activist and actor Common will be the keynote speaker. There are no guest limits or ticket requirements for the ceremony.

  

It is conceivable that Wareâs story of work ethic, undeniable spirit and enthusiasm encapsulates the sentiment of her graduating 2015 classmates.

  

Ware, 43, of Winston-Salem, is quite active on and off campus as a mentor to other students, a member of the non-traditional student organization, the first president of Epsilon Chapter 130 of Tau Sigma National Honor Society at WSSU, a wife and proud mother of two. She is also legally blind. She wants to blaze trails, set examples and raise the bar for others with disabilities.

  

âIn 2007, I lost my eyesight. After a six-month pity party, I decided to continue my education and make a difference for others. Since 2008, I have spent every day of my life proving to society that having a disability does not mean we are weak. I am now an advocate for persons with disabilities,â Ware, a business major, said, "We are not handicapped, we are handy capable!"

  

Ware, who can be described as always pleasant and having an unlimited enthusiasm for life, says every day alive is like Christmas. She demands to be treated like everyone else and has been noted to say, âI may physically fall, but mentally I can get back up and pull a 4.0 semester.â After graduation she wants to start a Kosher/Halal foods business and become active on community boards.

  

The China Connection

 

From the City of Harbin, the capital and largest city of the Heilongjiang province of the People's Republic of China, WSSU Master of Arts in the Teaching of English as a Second Language and Applied Linguistics students Yaowen Xing and Chunling Zhang have found a second home at WSSU and in Winston-Salem. They perhaps have come the farthest distance attend the university.

 

With a population of more than five million people, Harbin is situated in the northeast region of China so close to Russia that only the Songhua River separates the two countries. Nicknamed the Ice City, the average winter temperature is -3.5 °F with annual lows hitting -31.0 °F. Itâs no wonder the students say the warmer weather here in the Piedmont Triad has not been lost in translation with them and itâs one of the things they enjoy.

 

âWe really love the weather in North Carolina, especially the long summer time, since our hometown is so cold with snow for almost 6 months of the year,â Xing, 30, noted. âWe also love the people at WSSU and the faculty who all are nice and it has been a really good experience.â

 

Xing and Zhang, 35, are in America as part of a Chinese education immersion program to help exchange the cultures between China and America. They enjoy working as cultural ambassadors to students in both the cultures. The two came to the U.S. in 2013 and have been teaching at Konnoak Elementary school during the early hours and studying and researching later in the day. âComing to America was a dream for me after learning about it through books, movies and music, and my time here it has been amazing,â Xing said.

 

Zhang, said she didnât know much about WSSU or Historically Black Colleges or Universities (HBCUâs), but after a short time here she knew WSSU would be was special part of life. âI have met many African- Americans who have been friendly and helpful. I now can say I truly have many black friends,â Zhang said. She and Xing have taken advantage of the HBCU experience. They have been often seen attending evening lectures and presentations, sports events, musical and visual arts events. With their WSSU master degrees they will return to China one day in the future to make an impact on teaching and the quality of education there.

  

The All-In Approach

 

Olivia N. Sedwick, 21, a political science major from Indianapolis, has taken âthe all-in approach" to her WSSU experience. The current WSSU student government president (SGA), honorâs student and champion athlete, chose WSSU over other schools she could have attended.

  

Featured in a USA Today article highlighting the HBCU experience released last June, Sedwick is quoted as saying about WSSU, âI fell in love with the school.â She says, âWe talked about things that I had never had the chance to before coming from a predominantly white high school.â

 

Liking the intellectual and social environment, she was comfortable becoming involved around campus. In her first year, a walk-on athlete for the womenâs track and field team, she was a 2013 CIAA Indoor Womenâs Track and Field All-Conference competitor and the WSSU womenâs shot put record holder until earlier this year, although she never competed in the throws until coming to college. In her second year she served as the sophomore class vice president while also being appointed to serve on many committees throughout the university. In that same year, she was a delegate to the UNC Association of Student Governments (UNCASG), representing WSSU students on a state-wide level. At the end of that year, she became the first African-American female elected senior vice president of UNCASG and served in that capacity for the entirety of her third year while being active as the chief of staff for the WSSU student government association that year also. Toward the end of her term in UNCASG, she decided to run for student body president and has served as the voice of the students for the duration of her last year. With all of her activities, she has maintained a 3.95 GPA throughout her time in college.

 

Sedwick has been selected as a UNC General Administration Presidential Intern, which begins in July. Upon completion of the prestigious one-year appointment, Sedwick plans to attend Howard University School of Law.

 

A Drum Major who will March for a Noble Cause

Willie Davis, 22, a social work major from Fayetteville, N.C., who has led WSSUâs Red Sea of Sound Marching Band as a drum major for his senior year, will now march to lead the charge for helping veterans and their families cope with typical and unique challenges of serving in military. Davis will be one of four Cadets with the distinct honor of being commissioned as a 2nd Lieutenant U.S. in the U.S. Army during this yearâs commencement ceremony. Despite that professionally Davis will help vets, military and families with things like dealing with emotions, he said, âI donât think I will be ready for the commissioning part (of commencement) emotionally.â

 

Readiness for Davis is an understatement. The youngest of three siblings, who was age 10 when his father died, Davis has been an A average student throughout life. He was in the top ten of his high school class and the first generation in his family to attend college. At WSSU, besides maintaining high academic achievement and serving in the U.S. Army ROTC, Davis has been active with the WSSU Band, the University Choir, a Campus Ambassador, a mentor to freshmen students, vice president of the WSSU chapter of Kappa Kappa Psi National Honorary Band Fraternity, a Veterans Helping Veterans Heal intern and a member of Galilee Missionary Baptist Church in Winston-Salem.

  

After graduation, Davis is going to graduate school at the University of South Carolina. He plans to complete that program in one year and begin his military duties. As a clinical social worker, his responsibilities may range from clinical counseling, crisis intervention, disaster relief, critical event debriefing, teaching and training, supervision, research, administration, consultation and policy development in various military settings. He wants to specialize in helping military veterans who suffer from different traumas such as Post Traumatic Stress Disorder (PTSD), paranoid schizophrenia and other conditions.

Herne, Herne Bay, Herne Green, Hernhill: all very confusing. THe frst three are at least near each other, and Hernhill has no "e".

 

Herne is on the Herne Bay to Canterbury road, which winds its way through the narrow streets of the town, making parking troublesome.

 

We came here not expecting it to be open, but there was a large friendly sign on the pavement, advertising a coffee morning. So, we drove into a nearby housing estate, parked up, and I rushed down, lest it closed before I got there.

 

A small group of people were in the north chapel, drinking coffee and eating slices of cake. One lady was interested in the church project, so we talked about the churches I had visited, and ones I have yet to see. And about Herne.

 

It is a big church, and I had to g round again and again as I spotted more and more details.

 

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A large, impressive and relatively little-known building of fourteenth-century date. Although nineteenth-century restorations have left us with a church that displays little patina it still contains much of interest. The chancel screen dates from 1872 and provides good comparison with the fourteenth-century screen of the north chapel which, unusually, has two east windows. The sedilia in the chancel take the form of a series of three multi-cusped arches descending to the west - although the Victorian floor level makes a nonsense of their height. The nearby piscina is fifteenth century. The east window and theatrical reredos are nineteenth century and form an impressive ensemble. There are some fine misericords incorporated into the Victorian stalls. On the north chancel wall is a good Easter Sepulchre - the memorial of Sir John Fyneux (d. 1525). The north chapel was a chantry foundation with its own priest and is connected to the chancel by a two-bay arcade and hagioscope. The rood loft stairway to the south of the chancel arch indicates that the screen did not run the full width of the church and that each of the chapel screens formed a separate construction.

 

www.kentchurches.info/church.asp?p=Herne

 

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HERNE,

OR Hearne, as it is frequently spelt, lies almost adjoining to Sturry northward, and takes its name from the Saxon word hyrne, or hurne, signifying a nook or corner. (fn. 1) There are five boroughs in it, viz. Stroud, Hawe, Hampton, Beltinge, and Thornden. The borsholders of these boroughs are subordinate to the constable of the upper half hundred of Blengate, who is chosen at the court-leet of Reculver, for two years, from this parish; and the three next succeeding years, one each in turn, from Reculver, Hothe, and Stourmouth.

 

THIS PARISH is situated about six miles northeastward from Canterbury, in a wild and dreary country; there is a great deal of poor land in it, covered with broom, and several wastes or little commons, with cottages interspersed among them. The soil of it is in general a stiff clay, and in some parts mixed with gravel, the water throughout it is very brackish. The southern part of it is mostly coppice woods, a considerable quantity of which belong to the archbishop. and are in his own occupation. There are thirty-seven teams kept in this parish. There are about seventeen acres of hops in it, and not long ago double that number, and these are continually displanting. It also produces much canary-seed, of which it has sometimes had one hundred acres. The rents, according to the land-tax assessment, amount to 1705l. according to the poor-rates, to 3179l. 10s. Herne-street is situated about the middle of the parish, and contains about sixty houses, among which are Stroud-house and the vicarage; also an elegant new house, built on the common, belonging to Mr. Lyddell. The church stands at the south end of it. Northward from it is Underwood farm, and opposite to it the parsonagehouse, formerly the residence of the Milles's. These are within the hamlet of Eddinton, in which, further on upon the road, is a new-built house, belonging to Mr. Edward Reynolds. Hence the road leads through Sea-street to Herne bay, which is very spacious and commodious for shipping. Several colliers frequent this bay from Newcastle and Sunderland, on which account there are two sworn meters here, and the city of Canterbury and the neighbouring country are partly supplied with coals from hence. There are two hoys, of about sixty tons burthen each, which sail alternately each week to and from London, with corn, hops, flour, and shop goods. A handsome mansion, with doors and windows in the gothic taste, has lately been built, and belongs to Mr. Winter. In 1798 barracks were built by government for the reception of troops, who were thought necessary to guard this part of the coast.

 

Leland, in his Itinerary, (fn. 2) says, Heron ys iii good myles fro thens (viz. Whitstaple) wher men take good muscles cawled stake muscles. Yt stondeth dim. 2 myle fro the mayne shore & ther ys good pitching of nettes for mullettes." The coast of the channel bounds this parish on the north side. South-westward from Herne bay is the farm of Norwood, formerly belonging to a collateral branch of the Knowlers, of Stroud house; and Sir William Segar, garter, in 1629, granted to George Knowler, of Norwood, in Hearne, kinsman and son-in-law to Robert Knowler, of Stroud, in that parish, descended collaterally from that family, these arms, Ermine, on a bend, between two cotizes, sable, a lion passant-guardant of the first, crowned, or, langued and armed, gules. From them it came by marriage to Tucker, and is now the property of the Rev. John Tucker, rector of Gravesend and Luddenham. Hence towards Swaycliffe, the country is very poor, wet and swampy, and much covered with rushes. On the opposite side of the parish, at a little distance between the street and Herne common, is the manor of Ridgway, formerly belonging to the Monins's and the Norton's, of Fordwich, from the latter it was sold to lady Mabella Finch, baroness of Fordwich, who gave it by will to her nephew Charles Fotherby, from whom it has come to Charles Dering, esq. late of Barham. On the hill, eastward of Herne street, is a wind-mill, built on the spot where once stood a beacon.

 

Archbishop Islip, in the 25th year of Edward III. obtained the grant of a market, to be held weekly on a Monday, and a fair yearly on the feast of St. Martin and the day afterwards, in this parish of Herne. (fn. 3)

 

The fair is now held on the Monday in Easter-week, at Herne-street; and there is another at Bromfield in it, on Whit-Monday.

 

THE MANOR OF RECULVER claims paramount over part of this parish, and the manor of Sturry over the remainder of it; subordinate to which is

 

THE MANOR OF HAWE, otherwise spelt Haghe, situated within the borough of its own name, which was held in the reign of king Richard II. by Sir William Waleys, whose only daughter and heir Elizabeth carried it in marriage to Peter Halle, esq. of this parish, who had two sons, to the eldest Thomas he gave the manor of Thanington, and to the youngest Peter he gave this manor, from whom it descended to his grandson Matthew Hall, who sold his interest in it to Sir John Fineux, chief justice of the king's bench in king Henry VII. and VIIIth.'s reign, who rebuilt the mansion of it, and afterwards retired to it, on account of its healthy situation. The origin of the family of Fineux may be best given in the words of Leland, who says, that "the name of Finiox thus cam ynto Kent about king Edward the 2 dayes: one Creaulle a man of faire possessions yn Kent, was a prisoner in Boleyne, in Fraunce, and much desiring to be at liberte made his keper to be his frend, promising hym landes yn Kent if he wold help to deliver him. Whereapon they booth toke secrete passage and came to Kent, and Creal performid his promise: so that after his keeper or porter apon the cause was namid Finiox. This name continuid in a certain stey of landes ontylle Finiox chief juge of the kinges bench cam that first had but 40l. land. For he had two bretherne and eche of them had a portion of land and after encresid it into 200 poundes by the yeare. One of the younger brothers of Finiox the juge died and made the other younger brother his heir. So that now be two houses of the Finiox, the heyre of Finiox the juge and the heyre of justice Finiox brother. Olde Finiox buildid his faire house on purchasid ground for the comodite of preserving his helth so that afore the physicians concludid that it was an exceeding helthfull quarter."

 

The judge's two brothers were, William, who was of Hougham, who died s. p. and Richard of Dover, where his descendants remained for many descents afterwards. They bore for their arms, Vert, a chevron between three spread eagles, or. (fn. 4) Sir John Fineux was a great benefactor to the Augustine friars, in Canterbury, and to the abbey of Faversham, and most probably to the priory of Christ-church, as his arms are carved on the roof of the cloysters there, and he chose the church of it for the burial-place of himself and wife. (fn. 5) By his first wife Elizabeth, daughter and coheir of William Apulderfield, he had two daughters and coheirs, Jane, married to Roper, and Mildred, to Diggs; and he had by his second wife an only son William, on whom he settled this manor, on which he afterwards resided, and died in 1557. He was succeeded in it by his eldest son John Fineux, esqof Herne, on whose death in 1592, Elizabeth, his only daughter and heir, entitled her husband Sir John Smythe, of Westenhanger, to the possession of it, whose great-grandson Philip, viscount Strangford, dying in 1709, Henry Roper, lord Teynham, who had married Catherine his eldest daughter, by his will became entitled to it. After which it passed in like manner as the manor of Sturry above described, to his descendants, till it was at length sold with that manor, in 1765, to the Rev. Francis Hender Foote, of Bishopsborne, whose eldest son John Foote, esq. now of Bishopsborne, is the present possessor of it. A court baron is held for this manor.

 

LOTTINGE, formerly written Louting, is a small manor in the north-west part of this parish, which was formerly belonging to the family of Greenshield, who lived at a seat in Whitstaple of their own name, now called Grimgill; from this name it was sold to Crispe, of Quekes, (fn. 6) and then again, after some time, to Monger, of Surry, who sold it in king Charles II.'s reign to Robert Knowler, esq. of Stroud-house, in this parish, in whose descendants it has continued down to Gilbert Knowler, esq. now of Canterbury, the present owner of it.

 

THE MANOR OF UNDERDOWNE, with the mansion of it, situated in Herne-street, within the borough of Stroud, was called, as Philipott writes, in early times Sea's-court, from the family of Atte-Sea, who were the antient possessors of it. John Atte Sea, of Herne, as appears by his will, died possessed of it in the 36th year of Henry VI. in whose descendants, resident here, it continued down to Edw. Sea, esq. who passed away, by sale, his manor, or mansion of Underdowne, to Robert Knowler, gent. of Herne, whose family had been resident in this parish as early as Henry VII.'s reign. He resided at this seat, which seems from thenceforward to have been called STROUD-HOUSE, and died in 1635, bearing for his arms, Argent, on a bend, between two cotizes, sable, a lion passant-guardant, crowned, or; and his descendants continued to reside at it down to Gilbert Knowler, esq. who removed from hence to Canterbury, where he now resides, and is the present owner of it. It is now inhabited by John May, esq. who married the only daughter of James Six, esq. of Canterbury.

 

THE MANOR OF MAKINBROOKE, the very name of which is almost obliterated, was situated in the northwest part of this parish, and was part of the antient possessions of the see of Canterbury, of which it was held by knight's service, by a family who took their name from it, in which it continued till Edward IIId.'s reign, but in the 30th year of it this manor had passed by purchase into the hands of Adam le Eyre, citizen of London, who that year gave it to Thomas Wolton, master or keeper of Eastbridge hospital, and his successors, towards their support. In the year 1528, Robert Atte Sea, of Herne, held this estate in fee, by the payment of a yearly rent (fn. 7) to the hospital. After his death it descended, partly in the male line and partly by two coheirs, to the family of Crayford. After which it came into that of Oxenden, in which it continued down, with the farm called Underdowne farm, situated in the hamlet of Eddington, to Sir George Oxenden, bart. who rebuilt the house, and his son Sir H. Oxenden, bart. now of Brome, is the present owner of this manor, and the farm of Underdowne before-mentioned.

 

Charities.

SIR WILLIAM SELBY, bart. in 1618, gave by will, for the use of the poor, a sum of money, which was laid out in land, vested in trustees, the rent of which has always been received by the parish officers, and is of the annual produce of 10l.

 

A PERSON UNKNOWN gave certain land for the use of the poor, the produce of which is received by the parish officers, and is of the annual produce of 10l. 5s. 8d.

 

THOMAS KNOWLER, gent. by will in 1658, besides other benefactions both to the church and the poor, gave land for the use of the poor, vested in trustees, the survivor unknown, and is of the annual produce of 1l. 10s. 5d. and likewise other land, vested in like manner, for the cloathing of the poor, the annual produce of which is 5l.

 

A PERSON UNKNOWN gave lands, for the use of the poor, vested in trustees, and is of the annual produce of 7s.

 

THOMAS HOALLES gave an annuity, out of land, vested in trustees, which is of the annual produce of 13s. 4d.

 

CHRISTOPHER MILLES, esq. of Herne, by will in 1638, gave to the poor the yearly sum of 3l. to be paid on the last day of August, being his birth-day, and to continue so long as the archbishop and his successors should continue the lease of the parsonage to any of his surname.

 

GEORGE HAWLET, by will in 1624, gave for the use of the poor, an annuity, charged on land, of the annual produce of 3l.

 

The poor constantly maintained are about ninety-five, casually thirty-five.

 

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry or Westbere.

 

The church, which is exempt from the jurisdiction of the archdeacon, and dedicated to St. Martin, is a large handsome building, consisting of three isles and three chancels, having a well-built square tower at the west end, in which are six bells. The whole roof of this church is covered with lead, and embattled. The pillars between the isles are light and beautifully proportioned. The stone font is an octagon, very antient; on each compartment is a shield of arms, first, the see of Canterbury, impaling Arundel; second, obliterated; third, France and England; fourth, three crescents, within a bordure; fifth, three wings, two and one; sixth, three pelicans; seventh, on a chevron, three —; eighth, barry, three escutcheons. At the west end of the middle isle is a new-erected gallery, very neat. In the upper end of it are memorials of the Terreys, and of the Knowlers, of Canterbury, collaterally descended from those of Stroud-house, and of the Legrands, of Canterbury, descended from them. In the high chancel are three stalls, joined together and moveable. On the pavement a memorial, with the figure of a priest in brass, for John Darley, S. T. B. once vicar, and monuments and memorials for several of the families of Milles and Fineux. (fn. 8) A monument, having the effigies of a knight in a praying posture, for Sir William Thornhurst, son and heir of Sir Stephen Thornhurst, of Forde, obt. 1606. Within the altar-rails are memorials for the Fineuxs. A memorial for William Rogers, A. B. vicar, obt. August 28, 1773. Under the north window is an antient tomb, without inscription, having three shields of arms, first, Paston, six fleurs de lis, a chief indented; second, Fineux, a chevron, between three eagles; third, Apulderfield, a cross voided. A monument for Charles Milles, A. M. rector of Harbledowne, &c. obt. 1749, buried in the family vault underneath. A hatchment and inscription for Edward Ewell, gent. who married Elizabeth, sister of bishop Gauden, obt. 1686; arms, Ewell, argent, a rook proper. In the north chancel, which now belongs to the parish, a memorial and figures of a man and woman, with their hands joined, in brass, for Peter Hall, esq. and Elizabeth his wife, daughter of Sir William Waleys. A memorial and figure in brass, for Christian, wife of Matthew Phelp, goldsmith, and once mayor of London, obt. 1740; arms, An orle of cross-croslets, fitchee, a lion rampant, impaling a bend, fusilly. A me morial in brass for Anthony Loverick and Constantia his wife. He died in 1511. A memorial in brass for John Sea, esq. of Underdowne, obt. 1604; for William Foche, gent. of Christ-church, Canterbury, obt. 1713; and for Robert Sethe, obt. 1572. Memorials for Bysmere, Ewell, and others, long since obliterated. In the south chancel, belonging to the Knowlers, of Stroud-house, are several monuments and memorials for that family. Underneath is a vault, in which they lie buried.

 

The church of Herne was antiently accounted as one of the chapels belonging to the church of Reculver, which was parcel of the antient possessions of the see of Canterbury. But the inconveniences arising from the distance of those chapels from the mother church, among many other reasons, induced archbishop Winchelsea, in the year 1296, to institute perpetual vicarages in them. After which he endowed three vicarages; one in the mother church of Reculver, with the adjoining chapel of Hothe; another in the church of St. Nicholas, in Thanet; and a third in this church of Herne. By his instrument for which, dated in 1310, he decreed, that out of the profits of the church of Reculver, and the chapels belonging to it, the said vicars should have competent portions; and in particular, that the vicar of this chapel of Herne, belonging to that church, should have and take in the said chapel all oblations, the tithes of hay, flax, wool, and milk, lambs, gardens, and all other small tithes, which are said to belong to the altarage, with the tenths of sheaves growing in gardens inclosed, and dug with the foot, and in meadows belonging to the church and chapel, in the name of his vicarage; but out of those profits, in token of his perpetual subjection, he should pay yearly, as a perpetual pension, forty shillings, which he the archbishop imposed on him, to the vicar of Reculver for ever. Moreover, that the vicars of the aforesaid churches should have each one fit priest associated with themselves, at their own costs, for the better governing of their cure, and should make canonical obedience to the rector of Reculver, who was in quasi possession as to his parishioners, and exercising ordinary jurisdiction in his parish, and should be obedient to him canonically, as was of right accustomed, in reverence of the mother church, of which he was vicar, and should come to the same once a year, on the morrow of Pentecost, to the pentecostal processions, with their priests, ministers, parishioners, and vicars themselves, to the mass, on the day of the nativity of the virgin. Moreover, to the tenth, the vicar of the chapel of Herne should contribute 9s. 11d. for his portion of it. decreed, that to the aforesaid perpetual vicarages, whenever the same should happen to be vacant, the And further, that the burthens of ministers, books, ornaments, repairing of chancels or building of them anew, and of other ordinary burthens in the chapel of Herne, should belong to the said vicarage. And he decreed, that to the aforesaid perpetual vicarages, whenever the same should happen to be vacant, the rector of Reculver should for ever present to him and his successors, fit persons within the time limited by the canon, with a non obstante to any decrees of his predecessors relating to the same. (fn. 9)

 

Notwithstanding the above decree, it seems the parishioners of these chapelries continued as liable and subject to the repair of the mother church of Reculver, as the peculiar and proper inhabitants of the place, a matter controverted between those of Herne and Reculver; and the contest and dispute on this account, continued between them, until by a decree of archbishop Warham, in king Henry VIII.'s reign, it was settled, by the consent of all parties, that the people of each chapel, viz. Herne and St. Nicholas, should redeem the burthen of repairs with a certain moderate annual stipend or pension in money, payable on a certain set day in the year, but with this proviso, that if they kept not their day of payment, they should then be exposed to the law, and should fall under as full an obligation to the repairs of the mother church, as if the decree had never been. In which state it remains at this time, the churchwardens of Herne paying annually five shillings on this account to those of Reculver. (fn. 10)

 

¶Although the vicarages of Reculver and its chapels, were thus separated and made distinct, yet the rectories or parsonages of them remained in the same state as before, viz. one parsonage of Reculver, extending over that parish and those of Hothe and Herne, and another of St. Nicholas and All Saints, in Thanet, both remaining parcel of the possessions of the see of Canterbury to the present time. Richard Milles, esq. of Nackington, is the present lessee of the former parsonage, in which this of Herne is included. The house of the rectory stands in the hamlet of Eddington, opposite to Underdowne farm. It was once much larger, and consisted of a quadrangle, of which only one side remains. The family of Milles resided at it for several generations; the last of them who resided here was Samuel Milles, esq. whose son Christopher was of Nackington, and father of the present lessee of it.

 

His grace the archbishop continues the patron of this vicarage, which is valued in the king's books at 20l. 16s. 3d. and the yearly tenths at 2l. 1s. 7½d. In 1588 it was valued at eighty pounds, communicants four hundred and ninety. In 1640 it was valued at only sixty pounds, the like number of communicants.

 

There was a chantry founded in this church, in honour of the Virgin Mary, by Thomas Newe, clerk, sometime vicar of Reculver, which was suppressed, among other such foundations, in the 2d year of king Edward VI. the revenues of it being at that time of the clear yearly value of 6l. 5s. 1d. (fn. 11)

 

www.british-history.ac.uk/survey-kent/vol9/pp84-96

I was in the area, checking up on the Heath Spotted Orchids, and the church was a five minute drive away, in the grounds of a former country house.

 

I park at the church and find it locked, as expected, but there were directions to a keyholder nearby, walking into the cobbled squares and converted estate buildings now executive housing.

 

I ring the bell: nothing

 

I ring again: nothing

 

I use the knocker: dog barks. Dog attacks the door.

 

There is angry voices. Or voice. There was the sound of the dog being put into a side room, and the struggle to close the door.

 

The front door opened: yes?

 

Can I have the church key, please?

 

Not sure if I still have it.

 

Why'd you want it?

 

To photograph the interior.

 

Who're with?

 

I'm with no one, I am photographing all parish churches in the county, and would like to do this one. I showed him my driving licence which should say under job title: obsessive and church crawler.

 

He seemed satisfied, and let me have the key.

 

Phew.

 

------------------------------------------------

 

Substantially rebuilt after a fire of 1598. The welcoming interior displays no chancel arch, although the doorways in the arcade show where the medieval rood screen ran the width of the church. The striking east window was designed by Wallace Wood in 1954. There is a good aumbry and piscina nearby. To the north of the chancel stands the excellent tomb chest of Sir John Tufton (d. 1624). The arcade into which it is built was lowered to allow a semi-circular alabaster ceiling to be inserted to set the composition off. Because it is completely free-standing it is one of the easiest tomb chests in Kent to study, with five sons kneeling on the south side and four daughters on the north . In addition there are complicated coats of arms and an inscription which records the rebuilding of the church by Tufton after the fire. On top of the chest lie Sir John and his wife, with their son Nicholas kneeling between their heads. Much of the monument is still covered with its original paint. The organ, which stands in the south aisle, may be the instrument on which Sir Arthur Sullivan composed 'The Lost Chord'. It originally stood in Hothfield Place where Sullivan was a frequent guest.

 

www.kentchurches.info/church.asp?p=Hothfield

 

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HOTHFIELD

IS the next parish northward from Great Chart, and is so called from the bothe, or heath within it. The greatest part of this parish lies within the hundred of Chart and Longbridge, and the remainder in that of Calehill. It is in the division of East Kent.

 

THE PARISH of Hothfield lies a little more than two miles from Ashford north-westward, the high road from which towards Lenham and Maidstone goes through it over Hothfield heath. It contains about 1250 acres, and fifty houses, the rents of it are about 1300l. per annum. It is not a pleasant, nor is it accounted a healthy situation, owing probably to the many low and watry lands in and about it. The river Stour, which rises at Lenham, runs along the southern side of the parish, which is watered likewise by several small streams, which rise about Charing and Westwell, from under the chalk hills, and join the Stour here. The heath, which contains near one half of the parish, consists mostly of a deep sand, and has much peat on it, which is continually dug by the poor for firing. On the east and west sides of the heath, the latter being called West-street, are two hamlets of houses, which form the scattered village of Hothfield. The Place-house stands on a hill, at a small distance from the corner of the heath southward, with some small plantations of trees about it, forming a principal object to the country round it. It is a square mansion, built of Portland stone, by the late earl of Thanet, on the scite of the antient mansion, close to the church; it has a good prospect round it. The adjoining grass grounds are extensive, and well laid out for the view over them; the water, which rises at no great distance from the house, becomes very soon a tolerable sized stream, and running on in sight of it, joins the Stour a little above Worting mill; these grass lands are fertile and good fatting land, like those mentioned before, near Godington, in Great Chart. The parsonage house, which is a neat dwelling of white stucco, stands at the southern corner of the heath, at the foot of the hill, adjoining the Place grounds, near West-street. Between the heath and Potter's corner, towards Ashford, the soil begins to approach much of the quarry stone.

 

Though the land in the parish is naturally poor, it is rendered productive by the chalk and lime procured from the down hills. The inhabitants have an unlimited right of commoning with those of the adjoining parish of Westwell, to upwards of five hundred acres of common, which affords them the means of keeping a cow and their poultry, which, with the liberty of digging peat, draws a number of certificated poor to reside here. There is not one dissenter in the parish.

 

Jack Cade, the noted rebel, in Henry the VI.th's reign, though generally supposed to be taken by Alexander Iden, esq. the sheriff, in a field belonging to Ripple manor, in the adjoining parish of Westwell, was discovered, as some say, in a field in this parish, still named from him, Jack Cade's field, now laid open with the rest of the grounds adjoining to Hothfieldplace.

 

The plant caryophyllata montena, or water avens, which is a very uncommon one, grows in a wood near Barber's hill, in this parish.

 

THE MANOR OF HOTHFIELD seems, in very early times, to have had the same owners as the barony of Chilham, and to have continued so, for a considerable length of time after the descendants of Fulbert de Dover were become extinct here. Bartholomew de Badlesmere, who in the 5th year of king Edward II. had a grant of this manor as well as of Chilham in see, appears to have held this manor of Hothfield by grand sergeantry of the archbishop, and accordingly, in the 8th year of it, at the enthroning of archbishop Walter Reynolds, he made his claim, and was allowed to perform the office of chamberlain for that day, and to serve up the water, for the archbishop to wash his hands; for which his fees were, the furniture of his bedchamber, and the bason and towel made use of for that purpose; (fn. 1) and in the next year he obtained of the king, a charter of free-warren for his demesne lands within this manor among others. After this the manor of Hothfield continued to be held by the like service, and continued in the same owners as that of Chilham, (fn. 2) down to Thomas lord Roos, who became entitled to the see of it, who for his attachment to the house of Lancaster, was, with others, attainted, in the 1st year of king Edward IV.'s reign, and his lands confiscated to the crown. But Margaret his mother, being possessed of it for her life, afterwards married Roger Wentworth, esq. whom she survived, and died possessed of it in the 18th year of that reign; upon which, by reason of the above attaint, the crown became entitled to it, the inquisition for which was found in the 4th year of that reign; immediately after which, the king granted it to Sir John Fogge, of Repton, who was comptroller of his household and one of his privy council, for his life. On king Richard III.'s accession to the crown, he took shelter in the abbey of Westminster, from whence he was invited by the king, who in the presence of a numerous assembly gave him his hand, and bid him be confident that from thenceforward he was sure to him in affection. This is rather mentioned, as divers chronicles have erroneously mentioned that he was an attorney, whom this prince had pardoned for forgery. He died possessed of it in the 17th year of Henry VII. where it remained till Henry VIII. granted it, at the very latter end of his reign, to John Tufton, esq. of Northiam, in Sussex, whose lands were disgavelled by the acts of 2 and 3 Edward VI. who afterwards resided at Hothfield, where he kept his shrievalty in the 3d year of queen Elizabeth. He was descended from ancestors who were originally written Toketon, and held lands in Rainham, in this county, as early as king John's reign; (fn. 3) one of whom was seated at Northiam, in Sussex, in king Richard the IId.'s reign, at which time they were written as at present, Tufton, and they continued there till John Tufton, esq. of Northiam, before-mentioned, removed hither. He died in 1567, and was buried in this church, leaving one son John Tufton, who resided at Hothfield-place, and in July, in the 16th year of queen Elizabeth, anno 1573, entertained the queen here, in her progress through this county. In the 17th year of that reign he was sheriff, and being a person of eminent repure and abilities, he was knighted by king James, in his 1st year, and created a baronet at the first institution of that order, on June 19, 1611. He married Olimpia, daughter and heir of Christopher Blower, esq. of Sileham, in Rainham, by whom he had three daughters; and secondly Christian, daughter and coheir of Sir Humphry Brown, a justice of the common pleas. He died in 1624, and was buried in this church, having had by her several sons and daughters. Of the former, Nicholas the eldest, succeeded him in title and estates. Sir Humphry was of Bobbing and the Mote, in Maidstone, and Sir William was of Vinters, in Boxley, both baronets, of whom further mention has already been made in the former parts of this history.

 

Sir Nicholas Tufton, the eldest son, was by letters patent, dated Nov. 1, anno 2 Charles I. created lord Tufton, baron of Tufton, in Sussex; and on August 5, in the 4th year of that reign, earl of the Isle of Thanet, in this county. He had four sons and nine daughters; of the former, John succeeded him in honors, and Cecil, was father of Sir Charles Tufton, of Twickenham, in Middlesex. John, the eldest son, second earl of Thanet, married in 1629 Margaret, eldest daughter and coheir of Richard, earl of Dorset, by his wife the lady Anne Clifford, sole daughter and heir of George, earl of Cumberland, and baroness of Clifford, Westmoreland, and Vescy, by which marriage these tithes descended afterwards to their issue. In the time of the commonwealth, after king Charles the 1st.'s death, he was, in 1654, appointed sheriff, and however inconsistent it might be to his rank, yet he served the office. He left six sons and six daughters, and was succeeded by Nicholas his eldest son, third earl of Thanet, who by the deaths of his mother in 1676, and of his cousin-german Alethea, then wife of Edward Hungerford, esq. who died s. p. in 1678, he became heir to her, and sole heir to his grandmother Anne, lady Clifford, and consequently to the baronies of Clifford, Westmoreland, and Vescy; dying s. p. he was succeeded as earl of Thanet and lord Clifford, &c. by his next brother John, who, on his mother's death, succeeded likewise by her will to her large estates in Yorkshire and Westmoreland, and to the hereditary in sheriffdoms of the latter and of Cumberland likewise, for it frequently happened in these hereditary sheriffdoms that female heirs became possessed of them, and consequently were sheriffs of those districts; but this was not at all an unusual thing, there being many frequent instances of women bearing that office, as may be seen in most of the books in which any mention is made of it, some instances of which the reader may see in the differtation on the office of sheriff, in vol. i. of this history. That part of their office which was incompatible for a woman to exercise, was always executed by a deputy, or shyre-clerk, in their name. But among the Harleian MSS. is a very remarkable note taken from Mr. Attorney-general Noys reading in Lincoln's inn, in 1632, in which, upon a point, whether the office of a justice of a forest might be executed by a woman; it was said, that Margaret, countess of Richmond, mother to king Henry VII. was a justice of peace; that the lady Bartlet, perhaps meant for Berkley, was also made a justice of the peace by queen Mary, in Gloucestershire; and that in Suffolk one ..... Rowse, a woman, did usually fit upon the bench at assizes and sessions among other justices, gladio cincta. John, earl of Thanet, died unmarried, as did his next brother earl Richard, so that the titles devolved to Thomas Tufton, who became the sixth earl of Thanet, and lord Clifford, which latter title was decreed to him by the house of peers in 1691. He left surviving issue five daughters and coheirs, the eldest of whom, Catherine, married Ed. Watson, viscount Sondes, son and heir of Lewis, earl of Rockingham; and the four others married likewise into noble families. He died at Hothfield in 1729, having by his will bequeathed several legacies to charitable purposes, especially towards the augmentation of small vicarages and curacies. He died without male issue, so that the titles of earl of Thanet and baron Tufton, and of baronet, descended to his nephew Sackville Tufton, eldest surviving son of his brother Sackville Tufton, fifth son of John, second earl of Thanet. But the title of baroness Clifford, which included those of Westmoreland and Vescy, upon the death of Thomas, earl of Thanet, without male issue, became in abeyance between his daughters and coheirs above-mentioned, and in 1734, king George II. confirmed that barony to Margaret, his third surviving daughter and coheir, married to Thomas Coke, lord Lovel, afterwards created earl of Leicester, which title is now again in abeyance by his death s. p. Which Sackville Tufton died in 1721, leaving Sackville the seventh earl of Thanet, whose eldest son of the same name succeeded him as eighth earl of Thanet, and rebuilt the present mansion of Hothfield-place, in which he afterwards resided, but being obliged to travel to Italy for his health, he died there at Nice in 1786, and was brought to England, and buried in the family vault at Rainham, in this county, where his several ancestors, earls of Thanet, with their countesses, and other branches of the family, lie deposited, from the time of their first accession to that title. He married Mary, daughter of lord John Philip Sackville, sister of the present duke of Dorset, by whom he had five sons and two daughters, Elizabeth; and Caroline married to Joseph Foster Barham, esq. Of the former, Sackville, born in 1769, succeeded him in honors; Charles died unmarried; John is M. P. for Appleby; Henry is M. P. for Rochester, and William. He was succeeded by his eldest son, the present right hon. Sackville Tufton, earl of Thanet, baron Tufton, lord of the honor of Skipton, in Craven, and baronet, and hereditary sheriff of the counties of Westmoreland and Cumberland, who is the present possessor of this manor and seat, and resides here, and is at present unmarried. (fn. 4)

 

The antient arms of Tufton were, Argent, on a pale, sable, an eagle displayed of the field; which coat they continued to bear till Nicholas Tufton, the first earl of Thanet, on his obtaining that earldom, altered it to that of Sable, an eagle displayed, ermine, within a bordure, argent; which coat was confirmed by Sir William Segar, garter, in 1628, and has been borne by his descendants to the present time. The present earl of Thanet bears for his coat of arms that last-mentioned; for his crest, On a wreath, a sea lion, seiant, proper; and for his supporters, Two eagles, their wings expanded, ermine.

 

SWINFORT, or Swinford, which is its more proper name, is a manor in this parish, lying in the southern part of it, near the river Stour, and probably took its name from some ford in former times over it here. However that be, it had formerly proprietors, who took their name from it; but they were never of any eminence, nor can I discover when they became extinct here; only that in king Henry V.'s reign it was in the possession of Bridges, descended from John atte Bregg, one of those eminent persons, whose effigies, kneeling and habited in armour, was painted in the window often mentioned before, in Great Chart church; and in this family the manor of Swinford continued till the latter end of king James I.'s reign, when it passed by sale from one of them to Sir Nicholas Tufton, afterwards created earl of Thanet, whose son John, earl of Thanet, before the 20th year of that reign, exchanged it for other lands, which lay more convenient to him, with his near neighbour Nicholas Toke, esq. of Godinton, in which family and name it has continued down, in like manner as that feat, to Nicholas Roundell Toke, esq. now of Godinton, the present possessor of it. A court baron is held for this manor.

 

FAUSLEY, or FOUSLEY, as it is now usually called, is the last manor to be described in this parish; its more antient name was Foughleslee, or, as it was usually pronounced, Faulesley; which name it gave to owners who in early times possessed and resided at it. John de Foughleslee, of Hothfield, was owner of it in the second year of king Richard II. and in his descendants this manor seems to have continued till about the beginning of queen Elizabeth's reign, when it passed by sale to Drury; from which name, at the latter end of it, this manor was conveyed to Paris, who immediately afterwards alienated it to Bull, who soon afterwards reconveyed it back again to the same family, whence, in the next reign of king James I. it was sold to Sir Nicholas Tufton, afterwards created earl of Thanet, in whose successors, earls of Thanet, it has continued down to the right hon. Sackville, earl of Thanet, the present owner of it.

 

Charities.

 

RICHARD PARIS, by deed in 1577, gave for the use of the poor, a rent charge of 16s. per annum, out of land called Hanvilles, in this parish; the trustees of which have been long ago deceased, and no new ones appointed since.

 

THOMAS KIPPS, gent. of Canterbury, by will in 1680, gave for the use of the same, an annual rent charge of 1l. out of lards in Great Chart.

 

RICHARD MADOCKE, clothier, of this parish, by will in 1596, ordered that the 11l. which he had lent to the parishioners of Hothfield, towards the rebuilding of their church, should, when repaid, be as a stock to the poor of this parish for ever.

 

SIR JOHN TUFTON, knight and baronet, and Nicholas his son, first earl of Thanet, by their wills in 1620 and in 1630, gave certain sums of money, with which were purchased eight acres of land in the parish of Kingsnoth, of the annual produce of 10l.

 

DR. JOHN GRANDORGE, by deed in 1713, gave a house and land in Newington, near Hythe, of the annual produce of 7l. which premises are vested in the earl of Thanet.

 

THOMAS, EARL OF THANET, and SACKVILLE TUFTON. Esq. grandfather of the present earl, by their deeds in 1720 and 1726, gave for a school mistress to teach 24 poor children, a rent charge and a house and two gardens, in Hothfield, the produce in money 20l. The premises were vested in Sir Penyston Lambe and Dr. John Grandorge, long since deceased; since which the trust has not been renewed; and the original writings are in the earl of Thanet's possession.

 

Such of the above benefactions as have been contributed by the Tufton family, have been ordered by their descendants to be distributed annually by the steward of Hothfield-place for the time being, without the interference of the parish officers, to such as received no relief from this parish; the family looking upon these rather as a private munisicence intended to continue under their direction.

 

The poor annually relieved are about twenty-five, casually as many.

 

HOTHFIELD is situated within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Charing.

 

¶The church, which is small, is dedicated to St. Mary, and consists of three isles and a chancel, having a low spire steeple, covered with shingles at the west end, in which are five bells, and though it stands on a hill, is yet very damp. There is not any painted glass in the windows of it. On the north side in it, is a monument of curious workmanship, having the figures of a man and woman, in full proportion, lying at length on it; at three corners of it are those of two sons and one daughter, kneeling, weeping, all in white marble; round the edges is an inscription, for Sir John Tufton, knight and baronet, and Olympia his wife, daughter and heir of Christopher Blower, esq. On the monument are the arms of Tufton, with quarterings and impalements; on the sides are two inscriptions, one, that he re-edified this church after it was burnt, at his own charge, and under it made a vault for himself and his posterity, and after that he had lived eighty years, departed this life; the other enumerating his good qualities, and saying that by his will he gave perpetual legacies to this parish and that of Rainham. This monument is parted off from the north isle by a strong partition of wooden balustrades, seven feet high. The vault underneath is at most times several feet deep with water, and the few coffins which were remaining in it were some years since removed to the vaults at Rainham, where this family have been deposited ever since. On the north side of the chancel is a smaller one, formerly called St. Margaret's chapel, now shut up, and made no use of. In the south isle is a memorial for Rebecca, wife of William Henman, esq. obt. 1739, and Anna-Rebecca, their daughter, obt. 1752; arms, A lion, between three mascles, impaling a bend, cotized, engrailed. This church, which is a rectory, was always esteemed an appendage to the manor, and has passed accordingly, in like manner with it, down to the right hon. Sackville, earl of Thanet, lord of the manor of Hothfield, the present patron of it.

 

This rectory is valued in the king's books at 17l. 5s. and the yearly tenths at 1l. 14s. 6d.

 

There was a pension of ten shillings paid from it to the college of Wye. In 1588 here were communicants one hundred and ninety-three, and it was valued at eighty pounds. In 1640, communicants one hundred and ninety, and valued at only sixty pounds per annum. There is a modus of two pence an acre of the pasture lands in the parish. There are twelve acres of glebe. It is now worth about one hundred and twenty pounds per annum.

 

Richard Hall, of this parish, by will in 1524, ordered that his feoffees should enfeoffe certain honest persons in his house and garden here, set beside the pelery, to the intent that the yearly serme of them should go to the maintenance of the rode-light within the church.

 

This church was burnt down in the reign of king James I. and was rebuilt at the sole expence of Sir John Tufton, knight and baronet, who died in 1624. His descendant Thomas, earl of Thanet, who died in 1729, gave the present altar-piece, some of the pewing, and the pulpit.

 

www.british-history.ac.uk/survey-kent/vol7/pp514-526

. . . sadly Non-Hindus are not allowed inside the temple complex

__________________________________________

 

The Jagannath Temple of Puri (Odia: ଜଗନ୍ନାଥ ମନ୍ଦିର) is a famous, sacred Hindu temple dedicated to Jagannath and located on the eastern coast of India, at Puri in the state of Odisha.

 

The temple is an important pilgrimage destination for many Hindu traditions, particularly worshippers of god Krishna and god Vishnu, and part of the Char Dham pilgrimages that a Hindu is expected to make in one's lifetime.

 

Even though most Hindu deities that are worshiped are made out of stone or metal, the image of Jagannath is wooden. Every twelve or nineteen years these wooden figures are ceremoniously replaced by using sacred trees, that have to be carved as an exact replica. The reason behind this ceremonial tradition is the highly secret Navakalevara ('New Body' or 'New Embodiment') ceremony, an intricate set of rituals that accompany the renewal of the wooden statues.

 

The temple was built in the 12th century atop its ruins by the progenitor of the Eastern Ganga dynasty, King Anantavarman Chodaganga Deva. The temple is famous for its annual Rath Yatra, or chariot festival, in which the three main temple deities are hauled on huge and elaborately decorated temple cars. Since medieval times, it is also associated with intense religious fervour.

 

The temple is sacred to the Vaishnava traditions and saint Ramananda who was closely associated with the temple. It is also of particular significance to the followers of the Gaudiya Vaishnavism whose founder, Chaitanya Mahaprabhu, was attracted to the deity, Jagannath, and lived in Puri for many years.

 

DEITIES

The central forms of Jagannath, Balabhadra and the goddess Subhadra constitute the trinity of deities sitting on the bejewelled platform or the Ratnabedi in the inner sanctum. The Sudarshan Chakra, deities of Madanmohan, Sridevi and Vishwadhatri are also placed on the Ratnavedi. The deities of Jagannath, Balabhadra, Subhadra and Sudarshan Chakra are made from sacred Neem logs known as Daru Brahma. Depending on the season the deities are adorned in different garbs and jewels. Worship of the deities pre-date the temple structure and may have originated in an ancient tribal shrine.

 

ORIGINS OF THE TEMPLE

According to the recently discovered copper plates from the Ganga dynasty, the construction of the current Jagannath temple was initiated by the ruler of Kalinga, Anantavarman Chodaganga Dev. The Jaga mohan and the Vimana portions of the temple were built during his reign (1078 - 1148 CE). However, it was only in the year 1174 CE that the Oriya ruler Ananga Bhima Deva rebuilt the temple to give a shape in which it stands today.

 

Jagannath worship in the temple continued until 1558, when Odisha was attacked by the Afghan general Kalapahad. Subsequently, when Ramachandra Deb established an independent kingdom at Khurda in Orissa, the temple was consecrated and the deities reinstalled.

 

LEGENDS

Legendary account as found in the Skanda-Purana, Brahma Purana and other Puranas and later Oriya works state that Lord Jagannath was originally worshipped as Lord Neela Madhaba by a Savar king (tribal chief) named Viswavasu. Having heard about the deity, King Indradyumna sent a Brahmin priest, Vidyapati to locate the deity, who was worshipped secretly in a dense forest by Viswavasu. Vidyapati tried his best but could not locate the place. But at last he managed to marry Viswavasu's daughter Lalita. At repeated request of Vidyapti, Viswavasu took his son-in-law blind folded to a cave where Lord Neela Madhaba was worshipped.

 

Vidyapati was very intelligent. He dropped mustard seeds on the ground on the way. The seeds germinated after a few days, which enabled him to find out the cave later on. On hearing from him, King Indradyumna proceeded immediately to Odra desha Orissa on a pilgrimage to see and worship the Deity. But the deity had disappeared. The king was disappointed. The Deity was hidden in sand. The king was determined not to return without having a darshan of the deity and observed fast unto death at Mount Neela, Then a celestial voice cried 'thou shalt see him.' Afterwards the king performed a horse sacrifice and built a magnificent temple for Vishnu. Sri Narasimha Murti brought by Narada was installed in the temple. During sleep, the king had a vision of Lord Jagannath. Also an astral voice directed him to receive the fragrant tree on the seashore and make idols out of it. Accordingly, the king got the image of Lord Jagannath, Balabhadra, Subhadra and Chakra Sudarshan made out of the wood of the divine tree and installed them in the temple.

 

INDRADYUMNA´S PRAYER TO LORD BRAHMA

King Indradyumna put up for Jagannath the tallest monument of the world. It was 1,000 cubits high. He invited Lord Brahma, the cosmic creator, consecrate the temple and the images. Brahma came all the way from Heaven for this purpose. Seeing the temple he was immensely pleased with him. Brahma asked Indradyumna as to in what way can he (Brahma) fulfill the king's desire, since was very much pleased with him for his having put the most beautiful Temple for Lord Vishnu. With folded hands, Indradyumna said, "My Lord if you are really pleased with me, kindly bless me with one thing, and it is that I should be issueless and that I should be the last member of my family." In case anybody left alive after him, he would only take pride as the owner of the temple and would not work for the society.

 

THE EPISODE OF THE LORD´S GRACE DURING A WAR WITH KANCHI

At one time, a king of Kanchi in the down south remarked that the king of Orissa was a chandala (a man of very low caste or status) because, he performs the duties of a sweeper during the Car Festival. When this news reached the ears of the king of Orissa, he led an expedition to Kanchi. Before that, he implored the mercy of Lord Jagannath. The soldiers of Orissa marched towards Kanchi from Cuttack (earlier capital city of Orissa, located on the banks of Mahanadi, at a distance of 30 km from Bhubaneswar. It so happened that when the soldiers, headed by the king Purusottam Dev, reached a place near the Chilika lake, a lady, who was selling curd (yogurt) met him (the king) and presented a golden ring studded with precious gems and submitted. "My Lord, kindly listen to me. A little earlier, two soldiers riding over two horses (white and black in colour), approached me and said we are thirsty give us curds to drink.' I gave them curds. Instead of giving me money, they gave me this ring and said,'the king of Orissa will come here, after some time, on his way to Kanchi. You present it to him and he will pay you the money.' So my Lord, you take it and give me my dues.

 

It took no time for the king to know that the ring belongs to Lord Jagannath. He was convinced that Jagannath and Balabhadra were proceeding to the battle field ahead of him to help him there. To perpetuate the memory of this great incident, the king founded a village in the Chilika lake area. As the name of the lady was Manika, the name given to the village was Manika Patana. Even to this day, the curds of this village are famous.

 

LEGEND SURROUNDING THE TEMPLE ORIGIN

The traditional story concerning the origins of the Lord Jagannath temple is that here the original image of Jagannath (a deity form of Vishnu) at the end of Treta yuga manifested near a banyan tree, near seashore in the form of an Indranila nilamani or the Blue Jewel. It was so dazzling that it could grant instant moksha, so the god Dharma or Yama wanted to hide it in the earth, and was successful. In Dvapara Yuga King Indradyumna of Malwa wanted to find that mysterious image and to do so he performed harsh penances to obtain his goal. Vishnu then instructed him to go to the Puri seashore and find a floating log to make an image from its trunk.

 

The King found the log of wood. He did a yajna from which god Yajna Nrisimha appeared and instructed that Narayana should be made as fourfold expansion, i.e. Paramatma as Vasudeva, his Vyuha as Samkarshana, Yogamaya as Subhadra, and his Vibhava asSudarsana. Vishwakarma appeared in the form of artist and prepared images of Jagannath, Balabhadra and Subhadra from the tree. When this log, radiant with light was seen floating in the sea, Narada told the king to make three idols out of it and place them in a pavilion. Indradyumna got Visvakarma, the architect of Gods, to build a magnificent temple to house the idols and Vishnu himself appeared in the guise of a carpenter to make the idols on condition that he was to be left undisturbed until he finished the work.

 

But just after two weeks, the Queen became very anxious. She took the carpenter to be dead as no sound came from the temple. Therefore, she requested the king to open the door. Thus, they went to see Vishnu at work at which the latter abandoned his work leaving the idols unfinished. The idol was devoid of any hands. But a divine voice told Indradyumana to install them in the temple. It has also been widely believed that in spite of the idol being without hands, it can watch over the world and be its lord. Thus the idiom.

 

INVASIONS AND DESECRATIONS OF THE TEMPLE

The temple annals, the Madala Panji records that the Jagannath temple at Puri has been invaded and plundered eighteen times. The invasion by Raktabahu has been considered the first invasion on the temple by the Madalapanji.

 

RANJIT SINGH´S WILL

Sikh ruler Maharaja Ranjit Singh, had donated massive amounts of gold to the Jagannath temple. In his last will, he also ordered that Koh-i-noor, the most precious and greatest diamond in the world, to be donated to this temple, but the diamond could never actually make its way to the temple because the British, by that time, had annexed the Punjab and all its royal possessions. Thus, claiming that the Koh-i-noor was theirs. It is currently a part of British crown jewels and is located in the Tower of London.

 

ENTRY AND DARSHAN

Temple has 4 entrances in all directions.Temple security is selective regarding who is allowed entry. Practicing Hindus of non-Indian descent are excluded from premises, as are Hindus of non-Indian origin. Visitors not allowed entry may view the precincts from the roof of the nearby Raghunandan Library and pay their respects to the image of God Jagannath known as Patitapavana at the main entrance to the temple. There is some evidence that this came into force following a series of invasions by foreigners into the temple and surrounding area. Buddhist, and Jain groups are allowed into the temple compound if they are able to prove their Indian ancestry. The temple has slowly started allowing Hindus of non-Indian origin into the area, after an incident in which 3 Balinese Hindus were denied entry, even though Bali is 90% Hindu.

 

The temple remains open from 5 am to 12 midnight. Unlike many other temples devotees can go behind the idols(go round the idols).All devotees are allowed to go right up to the deities during the Sahana Mela without paying any fees . The Sahana mela or the public darshan is usually following the abakasha puja between around 7 to 8 am in the morning. Special darshan or Parimanik darshan is when devotees on paying 50 Rupees are allowed right up to the deities. Parimanik darshan happens after the dhupa pujas at around 10 am, 1 pm and 8 pm . At all other times devotees can view the deities from some distance for free. The rathyatra occurs every year some time in the month of July. 2 or 6 weeks before Rathyatra (depending upon the year) there is a ritual of Lord undergoing "Bhukaar" (sick) hence the idols are not on "Darshan". Devotees to make a note of this before they plan to visit the lord.

 

CULTURAL INTEGRITY

Shrikshetra of Puri Jagannath, as is commonly known, can verily be said to be a truthful replica of Indian culture. To understand this culture, one has to have some idea of the history of this land, which again is different from that of other countries of the world.

 

Starting from Lord Jagannath himself, history has it that he was a tribal deity, adorned by the Sabar people, as a symbol of Narayan. Another legend claims him to be Nilamadhava, an image of Narayana made of blue stone and worshipped by the aboriginals. He was brought to Nilagiri (blue mountain) or Nilachala and installed there as Shri Jagannath in company with Balabhadra and Subhadra. The images made of wood are also claimed to have their distant linkage with the aboriginal system of worshipping wooden poles. To cap it all the Daitapatis, who have a fair share of responsibilities to perform rituals of the Temple, are claimed to be descendants of the aboriginals or hill tribes of Orissa. So we may safely claim that the beginning of the cultural history of Shrikshetra is found in the fusion of Hindu and Tribal Cultures. This has been accepted as a facet of our proud heritage. The three deities came to be claimed as the symbols of Samyak Darshan, Samyak Jnana and Samyak Charita usually regarded as Triratha (of the Jain cult), an assimilation of which leads to Moksha (salvation) or the ultimate bliss...

 

Jagannath is worshipped as Vishnu or Narayana or Krishna and Lord Balabhadra as Shesha. Simultaneously, the deities are regarded as the bhairava with Vimala (the devi or the consort of Shiva) installed in the campus of the temple. So ultimately we find a fusion of Saivism, Shaktism and Vaishnavism of the Hindu religion with Jainism and up to an extent Buddhism in the culture of Jagannath and the cultural tradition so reverently held together in Shrikshetra.

 

ACHARYAS AND JAGANNATHA PURI

All of the renowned acharyas including Madhvacharya have been known to visit this kshetra. Adi Shankara established his Govardhana matha here. There is also evidence that Guru Nanak, Kabir, Tulsidas, Ramanujacharya, and Nimbarkacharya had visited this place. Sri Chaitanya Mahaprabhu of Gaudiya Vaishnavism stayed here for 24 years, establishing that the love of god can be spread by chanting the Hare Krishna mantra. Srimad Vallabhacharya visited Jagannath Puri and performed a 7-day recitation of Srimad Bhagvat. His sitting place is still famous as "baithakji." It confirms his visit to Puri. A famous incident took place when Vallabhachrya visited. There was a discourse being held between the Brahmins and 4 questions were asked. Who is the highest of Gods, What is the highest of mantras, What is the highest scripture and What is the highest service. The discourse went on for many days with many schools of thought. Finally Shri Vallabh said to ask Lord Jagannath to confirm Shri Vallabh's answers. A pen and paper were left in the inner sanctum. After some time, the doors were opened and 4 answers were written. 1) The Son of Devaki (Krishna) is the God of Gods 2) His name is the highest of mantras 3) His song is the highest scripture (Bhagavat Geeta) 4) Service to Him is the Highest service. The king was shocked and declared Shri Vallabh the winner of the discourse. Some of the pandits who participated became jealous of Shri Vallabh and wanted to test Him. The next day was Ekadashi, a fasting day where one must fast from grains. The pandits gave Shri Vallabh rice Prasad of Shri Jagannathji (The temple is famous for this). If Shri Vallabh ate it, He would break His vow of fasting but if He did not take it, He would disrespect Lord Jagannath. Shri Vallabh accepted the prasad in his hand and spent the rest of the day and night explaining slokas of the greatness of Prasad and ate the rice the next morning.

 

CHAR DHAM

The temple is one of the holiest Hindu Char Dham (four divine sites) sites comprising Rameswaram, Badrinath, Puri and Dwarka. Though the origins are not clearly known, the Advaita school of Hinduism propagated by Sankaracharya, who created Hindu monastic institutions across India, attributes the origin of Char Dham to the seer. The four monasteries lie across the four corners of India and their attendant temples are Badrinath Temple at Badrinath in the North, Jagannath Temple at Puri in the East, Dwarakadheesh Temple at Dwarka in the West and Ramanathaswamy Temple at Rameswaram in the South. Though ideologically the temples are divided between the sects of Hinduism, namely Saivism and Vaishnavism, the Char Dham pilgrimage is an all Hindu affair. There are four abodes in Himalayas called Chota Char Dham (Chota meaning small): Badrinath, Kedarnath, Gangotri and Yamunotri - all of these lie at the foot hills of Himalayas The name Chota was added during the mid of 20th century to differentiate the original Char Dhams. The journey across the four cardinal points in India is considered sacred by Hindus who aspire to visit these temples once in their lifetime. Traditionally the trip starts at the eastern end from Puri, proceeding in clockwise direction in a manner typically followed for circumambulation in Hindu temples.

 

STRUCTURE

The huge temple complex covers an area of over 37,000 m2, and is surrounded by a high fortified wall. This 6.1 m high wall is known as Meghanada Pacheri. Another wall known as kurma bedha surrounds the main temple. It contains at least 120 temples and shrines. With its sculptural richness and fluidity of the Oriya style of temple architecture, it is one of the most magnificent monuments of India. The temple has four distinct sectional structures, namely -

 

- Deula, Vimana or Garba griha (Sanctum sanctorum) where the triad deities are lodged on the ratnavedi (Throne of Pearls). In Rekha Deula style;

- Mukhashala (Frontal porch);

- Nata mandir/Natamandapa, which is also known as the Jagamohan (Audience Hall/Dancing Hall), and

- Bhoga Mandapa (Offerings Hall).

 

The main temple is a curvilinear temple and crowning the top is the 'srichakra' (an eight spoked wheel) of Vishnu. Also known as the "Nilachakra", it is made out of Ashtadhatu and is considered sacrosanct. Among the existing temples in Orissa, the temple of Shri Jagannath is the highest. The temple tower was built on a raised platform of stone and, rising to 65 m above the inner sanctum where the deities reside, dominates the surrounding landscape. The pyramidal roofs of the surrounding temples and adjoining halls, or mandapas, rise in steps toward the tower like a ridge of mountain peaks.

 

NILA CHAKRA

The Nila Chakra (Blue Discus) is the discus mounted on the top shikhar of the Jagannath Temple. As per custom, everyday a different flag is waved on the Nila Chakra. The flag hoisted on the Nila Cakra is called the Patita Pavana (Purifier of the Fallen) and is equivalent to the image of the deities placed in the sanctum sanctorum .

 

The Nila Chakra is a disc with eight Navagunjaras carved on the outer circumference, with all facing towards the flagpost above. It is made of alloy of eight metals (Asta-dhatu) and is 3.5 Metres high with a circumference of about 11 metres. During the year 2010, the Nila Chakra was repaired and restored by the Archaeological Survey of India.

 

The Nila Chakra is distinct from the Sudarshana chakra which has been placed with the deities in the inner sanctorum.

 

Nila Chakra is the most revered iconic symbol in the Jagannath cult. The Nila Chakra is the only physical object whose markings are used as sacrament and considered sacred in Jagannath worship. It symbolizes protection by Shri Jagannath.

 

THE SINGHADWARA

The Singahdwara, which in Sanskrit means The Lion Gate, is one of the four gates to the temple and forms the Main entrance. The Singhadwara is so named because two huge statues of crouching lions exist on either side of the entrance. The gate faces east opening on to the Bada Danda or the Grand Road. The Baisi Pahacha or the flight of twenty two steps leads into the temple complex. An idol of Jagannath known as Patitapavana, which in Sanskrit, means the "Saviour of the downtrodden and the fallen" is painted on the right side of the entrance. In ancient times when untouchables were not allowed inside the temple, they could pray to Patita Pavana. The statues of the two guards to the temple Jaya and Vijaya stand on either side of the doorway. Just before the commencement of the Rath Yatra the idols of Jagannath, Balabhadra and Subhadra are taken out of the temple through this gate. On their return from the Gundicha Temple they have to ceremonially placate Goddess Mahalakshmi, whose statue is carved atop the door, for neglecting to take her with them on the Yatra. Only then the Goddess allows them permission to enter the temple. A magnificent sixteen-sided monolithic pillar known as the Arun stambha stands in front of the main gate. This pillar has an idol of Arun, the charioteer of the Sun God Surya, on its top. One significant thing about Arun stambha is that prior it was located in the Konark Sun temple, later, the Maratha guru Brahmachari Gosain brought this pillar from Konark. The Puri Jagannath Temple was also saved by Maratha emperor Shivaji from being plundered at his times from the Mughals.

 

OTHER ENTRANCES

Apart from the Singhadwara, which is the main entrance to the temple, there are three other entrances facing north, south and west. They are named after the sculptures of animals guarding them. The other entrances are the Hathidwara or the Elephant Gate, the Vyaghradwara or the Tiger Gate and the Ashwadwara or the Horse Gate.

 

MINOR TEMPLES

There are numerous smaller temples and shrines within the Temple complex where active worship is regularly conducted. The Vimala Temple (Bimala Temple) is considered one of the most important of the Shaktipeeths marks the spot where the goddess Sati's feet fell. It is located near Rohini Kund in the temple complex. Until food offered to Jagannath is offered to Goddess Vimala it is not considered Mahaprasad.

 

The temple of Mahalakshmi has an important role in rituals of the main temple. It is said that preparation of naivedya as offering for Jagannath is supervised by Mahalakshmi. The Kanchi Ganesh Temple is dedicated to Uchchhishta Ganapati. Tradition says the King of Kanchipuram (Kanchi) in ancient times gifted the idol, when Gajapati Purushottama Deva married Padmavati, the kanchi princess. There are other shrines namely Muktimandap, Surya, Saraswati, Bhuvaneshwari, Narasimha, Rama, Hanuman and Eshaneshwara.

 

THE MANDAPAS

There are many Mandapas or Pillared halls on raised platforms within the temple complex meant for religious congregations. The most prominent is the Mukti Mandapa the congregation hall of the holy seat of selected learned brahmins. Here important decisions regarding conduct of daily worship and festivals are taken. The Dola Mandapa is noteworthy for a beautifully carved stone Torana or arch which is used for constructing a swing for the annual Dol Yatra festival. During the festival the idol of Dologobinda is placed on the swing. The Snana Bedi is a rectangular stone platform where idols of Jagannath, Balabhadra and Subhadra are placed for ceremonial bathing during the annual Snana Yatra

 

DAILY FOOD OFFERINGS

Daily offerings are made to the Lord six times a day. These include:

 

- The offering to the Lord in the morning that forms his breakfast and is called Gopala Vallabha Bhoga. Breakfast consists of seven items i.e. Khua, Lahuni, Sweetened coconut grating, Coconut water, and popcorn sweetened with sugar known as Khai, Curd and Ripe bananas.

- The Sakala Dhupa forms his next offering at about 10 AM. This generally consists of 13 items including the Enduri cake & Mantha puli.

- Bada Sankhudi Bhoga forms the next repast & the offering consists of Pakhala with curd and Kanji payas. The offerings are made in the Bhog Mandapa, about 200 feet from the Ratnabedi. This is called Chatra Bhog and was introduced by Adi Shankaracharya in the 8th century to help pilgrims share the temple food.

- The Madhyanha dhupa forms the next offering at the noon.

- The next offering to the Lord is made in the evening at around 8 PM it is Sandhya Dhupa.

- The last offering to the Lord is called the Bada Simhara Bhoga.

 

The Mahaprasad of Lord Jagannath are distributed amongst the devotees near the Ratnavedi inside the frame of Phokaria, which is being drawn by the Puja pandas using Muruj, except for the Gopal Ballav Bhog and Bhog Mandap Bhoga which are distributed in the Anabsar Pindi & Bhoga Mandap respectively.

 

ROSAGHARA

The temple's kitchen is considered as the largest kitchen in the world. Tradition maintains that all food cooked in the temple kitchens are supervised by the Goddess Mahalakshmi, the empress of Srimandir herself. It is said that if the food prepared has any fault in it, a shadow dog appears near the temple kitchen. The temple cooks, or Mahasuaras, take this as a sign of displeasure of Mahalakshmi with the food, which is, then, promptly buried and a new batch cooked. All food is cooked following rules as prescribed by Hindu religious texts, the food cooked is pure vegetarian without using onions and garlic. Cooking is done only in earthen pots with water drawn from two special wells near the kitchen called Ganga and Yamuna. There are a total of 56 varieties of naivedhyas offered to the deities, near Ratnabedi as well as in Bhoga Mandap on five particular Muhurta. The most awaited Prasad is Kotho Bhoga or Abadha, offered at mid-day at around 1 pm, depending upon temple rituals. The food after being offered to Jagannath is distributed in reasonable portions as Mahaprasad, which is considered to be divine by the devotees in the Ananda Bazar (an open market, located to the North-east of the Singhadwara inside the Temple complex).

 

FESTIVALS

There are elaborate daily worship services. There are many festivals each year attended by millions of people. The most important festival is the Rath Yatra or the Chariot festival in June. This spectacular festival includes a procession of three huge chariots bearing the idols of Jagannath, Balabhadra and Subhadra through the Bada Danda meaning the Grand Avenue of Puri till their final destination the Gundicha Temple. Early European observers told tales of devotees being crushed under the wheels of these chariots, whether by accident or even as a form of meritorious suicide akin to suttee. These reports gave rise to the loan word juggernaut suggesting an immense, unstoppable, threatening entity or process operated by fanatics. Many festivals like Dol Yatra in spring and Jhulan Yatra in monsoon are celebrated by temple every year.Pavitrotsava and Damanaka utsava are celebrated as per panchanga or panjika.There are special ceremonies in the month of Kartika and Pausha.

 

The annual shodasha dinatmaka or 16 day puja beginning 8 days prior to Mahalaya of Ashwin month for goddess Vimala and ending on Vijayadashami, is of great importance, in which both the utsava murty of lord Madanmohan and Vimala take part.

 

- Pana Sankranti: Also known or Vishuva Sankranti and Mesha Sankranti: Special rituals are performed at the temple.

 

RATH YATRA AT PURI

The Jagannath triad are usually worshiped in the sanctum of the temple at Puri, but once during the month of Asadha (Rainy Season of Orissa, usually falling in month of June or July), they are brought out onto the Bada Danda (main street of Puri) and travel (3 km) to the Shri Gundicha Temple, in huge chariots (ratha), allowing the public to have darśana (Holy view). This festival is known as Rath Yatra, meaning the journey (yatra) of the chariots (ratha). The Rathas are huge wheeled wooden structures, which are built anew every year and are pulled by the devotees. The chariot for Jagannath is approximately 45 feet high and 35 feet square and takes about 2 months to construct. The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne. The huge chariots of Jagannath pulled during Rath Yatra is the etymological origin of the English word Juggernaut. The Ratha-Yatra is also termed as the Shri Gundicha yatra.

 

The most significant ritual associated with the Ratha-Yatra is the chhera pahara." During the festival, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots in the Chera Pahara (sweeping with water) ritual. The Gajapati King cleanses the road before the chariots with a gold-handled broom and sprinkles sandalwood water and powder with utmost devotion. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannath. This ritual signified that under the lordship of Jagannath, there is no distinction between the powerful sovereign Gajapati King and the most humble devotee.

 

Chera pahara is held on two days, on the first day of the Ratha Yatra, when the deities are taken to garden house at Mausi Maa Temple and again on the last day of the festival, when the deities are ceremoniously brought back to the Shri Mandir.

 

As per another ritual, when the deities are taken out from the Shri Mandir to the Chariots in Pahandi vijay.

 

In the Ratha Yatra, the three deities are taken from the Jagannath Temple in the chariots to the Gundicha Temple, where they stay for nine days. Thereafter, the deities again ride the chariots back to Shri Mandir in bahuda yatra. On the way back, the three chariots halt at the Mausi Maa Temple and the deities are offered Poda Pitha, a kind of baked cake which are generally consumed by the Odisha people only.

 

The observance of the Rath Yatra of Jagannath dates back to the period of the Puranas. Vivid descriptions of this festival are found in Brahma Purana, Padma Purana, and Skanda Purana. Kapila Samhita also refers to Rath Yatra. In Moghul period also, King Ramsingh of Jaipur, Rajasthan has been described as organizing the Rath Yatra in the 18th Century. In Orissa, Kings of Mayurbhanj and Parlakhemundi were organizing the Rath Yatra, though the most grand festival in terms of scale and popularity takes place at Puri.

 

Moreover, Starza notes that the ruling Ganga dynasty instituted the Rath Yatra at the completion of the great temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early. Friar Odoric of Pordenone visited India in 1316-1318, some 20 years after Marco Polo had dictated the account of his travels while in a Genoese prison. In his own account of 1321, Odoric reported how the people put the "idols" on chariots, and the King and Queen and all the people drew them from the "church" with song and music.

 

CHANDAN YATRA

In Akshaya Tritiya every year the Chandan Yatra festival marks the commencement of the construction of the Chariots of the Rath Yatra.

 

SNANA PURNIMA

On the Purnima of the month of Jyestha the Gods are ceremonially bathed and decorated every year on the occasion of Snana Yatra.

 

ANAVASARA OR ANASARA

Literally means vacation. Every year, the main idols of Jagannath, Balabhadra, Subhadra & Sudarshan after the holy Snana Yatra on the jyestha purnima, go to a secret altar named Anavasara Ghar where they remain for the next dark fortnight (Krishna paksha). Hence devotees are not allowed to view them. Instead of this devotees go to nearby place Brahmagiri to see their beloved lord in the form of four handed form Alarnath a form of Vishnu. Then people get the first glimpse of lord on the day before Rath Yatra, which is called 'Navayouvana. It is said that the gods fall in fever after taking a huge bath and they are treated by the special servants named, Daitapatis for 15 days. During this period cooked food is not offered to the deities.

 

NAVA KALEBARA

One of the most grandiloquent events associated with the Lord Jagannath, Naba Kalabera takes place when one lunar month of Ashadha is followed by another lunar month of Aashadha. This can take place in 8, 12 or even 18 years. Literally meaning the “New Body” (Nava = New, Kalevar = Body), the festival is witnessed by as millions of people and the budget for this event exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. The idols that are currently being worshipped in the temple premises were installed in the year 1996. Next ceremony will be held on 2015. More than 3 million devotees are expected to visit the temple during the Nabakalevara of 2015 making it one of the most visited festivals in the world.

 

NILADRI BIJE

Celebrated on Asadha Trayodashi. Niladri Bije is the concluding day of Ratha yatra. On this day deities return to the ratna bedi. Lord Jagannath offers Rasgulla to goddess Laxmi to enter in to the temple.

 

GUPTA GUNDICHA

Celebrated for 16 days from Ashwina Krushna dwitiya to Vijayadashami. As per tradition, the idol of Madhaba, along with the idol of Goddess Durga (known as Durgamadhaba), is taken on a tour of the temple premises. The tour within the temple is observed for the first eight days. For the next eight days, the idols are taken outside the temple on a palanquin to the nearby Narayani temple situated in the Dolamandapa lane. After their worship, they are brought back to the temple.

 

THE NAME PURUSHOTTAMA KSHETRA AND ITS SIGNIFICANCE

Lord Jagannath is the Purushottama as per the scripture, Skanda Purana. In order to teach human beings how to lead a life full of virtue, he has taken the form of Saguna Brahman or Darubrahman. He is the best brother to his siblings, Lord Balabhadra and Devi Subhadra. He is the best husband to goddess Shri. The most noteworthy aspect is still in the month of Margashirsha, on three consecutive days during amavasya he does Shraddha to his parents (Kashyapa-Aditi, Dasharatha-Kaushalya, Vasudeva-Devaki, Nanda-Yashoda), along with the king Indradyumna and queen Gundicha. As a master he enjoys every comfort daily and in various festivals. He grants all wishes to his subjects, and those who surrender before him he takes the utmost care of.

 

CULTURE AND TRADITION OF PURI

Puri is one of the fascinating littoral districts of Orissa. The Cultural heritage of Puri with its long recorded history has its beginnings in the third century B.C. The monuments, religious sanctity, and way of life of the people with their rich tradition is the cultural heart of Orissa. Indeed, Puri is considered the cultural capital of Orissa. The culture here flourished with its manifold activities.

 

The District has the happy conglomerate of different religions, sects and faith. In the course of history, Hindu, Buddhist, Jaina, Muslim, Christian, and Sikh are found here in the District.

 

Chaitanya Mahaprabhu, an incarnation of Lord Krishna, appeared 500 years ago, in the mood of a devotee to taste the sublime emotions of ecstasy by chanting the holy name of Krishna. Stalwart scholars of Puri like Sarvabhauma Bhattacharya (a priest & great Sanskrit pandit) and others followed His teachings. Even kings and ministers of His period became His disciples. Especially King Prataparudra became His great admirer and ardent follower. Thus all cultures and religion became one in Puri after his teachings were given to all with no consideration of caste and creed.

 

MANAGEMENT

After independence, the State Government, with a view to getting better administrative system, passed " The Puri Shri Jagannath Temple (Administration) Act, 1952. It contained provisions to prepare the Record of Rights and duties of Sevayats and such other persons connected with the system of worship and management of the temple. Subsequently Shri Jagannath Temple Act, 1955 " was enacted to reorganize the management system of the affair of the temple and its properties.

 

SECURITY

The security at the 12th century Jagannath Temple is increased ahead of Ratha Yatra, the homecoming festival of the deities of Jagannath temple. In the wake of terror alert on 27 June 2012, the security forces were increased to ensure smooth functioning of the crowded Ratha Yatra and Suna Besha.

 

WIKIPEDIA

I had no idea what to expect at Yalding, either the town or church. Jools realised it was near to West Farleigh, so we went to investigate.

 

Across what looked like a canal and then the river via an old pack bridge, with the tower of the church on the far bank.

 

The town, or this part of it, stretched either side of the High Street, and once parked, we approach the church down an alleyway and I see the porch doors open; a good sign.

 

I explained what I was at the church for: are you going to be long, I was asked.

 

As quick as I can be.

 

What I found was a huge parish church, the back of which had been converted into a community space, with a fitted kitchen, wooden floor for use possible as a gym or space for yoga, and the east kept as a fine parish church, filled with monuments, memorials and fine fixtures and fittings. Three wardens were tidying up preparing for Candlemass the next day.

 

I go round taking shots, taking nearly and hour to do so, as there was so much detail.

 

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The little cupola on the west tower is topped by a weathervane dated 1734, and summons us to a large church, heavily restored in the 1860s, but worth travelling a long way to see. The nave roof has two interesting features - one is a form of celure or canopy of honour over the third bay from the west. It must have served some long-forgotten purpose. At the east end of the nave there is a real Canopy of Honour in its more usual position over the chancel arch. The south transept contains many interesting features - niches in the walls, bare stonework walls and a good arcaded tomb chest recessed into the south wall. There is a telling string course that suggests a thirteenth-century date, although the two windows in its east wall are Decorated in style. The most recent feature in the church - and by far the most important - is the engraved glass window in the chancel. It was engraved by Laurence Whistler in 1979 and commemorates Edmund Blunden, the First World War poet. It depicts a trench, barbed wire, a shell-burst and verses from Blunden's poems. This feature apart it is the nineteenth-century work that dominates Yalding - especially the awful encaustic tiles with arrow-like designs, the crude pulpit with symbols of the evangelists and the poor quality pews. The glass isn't much better, the Light of the World in the south chancel window being especially poor, but the south window of the south transept (1877) showing scenes from the Life of Christ redeems the state of the art.

 

www.kentchurches.info/church.asp?p=Yalding

 

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YALDING.

NORTH-WESTWARD from Hunton lies Yalding, antiently written Ealding, which signifies the antient meadow or low ground.

 

Most of this parish is in the hundred of Twyford, and the rest of it, viz. the borough of Rugmerhill, is in the antient demesne of Aylesford. That part of this parish, which holds of the manor of West Farleigh, is in the borough of West Farleigh, and the borsholder thereof ought to be chosen at the court leet there, and so much thereof as is held of the manor of Hunton, is in the borough of Hunton, and the borsholder thereof is chosen at the court leet there; and the inhabitants of neither of these boroughs owe service to the court holden for the hundred of Twyford, within which hundred they both are; but at that court a constable for that hundred may be chosen out of either of these boroughs.

 

THIS PARISH lying southward of the quarry hills, is within the district of the Weald. It is but narrow, but extends full four miles in length from north to south, the upper or northern part reaches up to the quarry hill adjoining to West Farleigh, near which is Yalding down, on which is a large kiln for the purpose of burning pit coal into coke, which is effected by laying the coal under earth, and when set on fire quenching the cinders; the method is used in making charcoal from wood, the former particularly is much used in the oasts for the drying of hops, so profitably encouraged in this neighbourhood. Below it, near the river Medway, its western boundary in this part, opposite to Nettlested, stands the seat of Sir John Gregory Shaw, bart. a retired, but not an ill chosen situation. It was for several generations the residence of the family of Kinward, which from the reign of king Henry VIII. was possessed of good estates in this parish and its neighbourhood, and bore for their arms, Azure, on a bend or, three roses gules, between three cross-croslets, fitchee argent. Robert Kenward, esq. of Yalding, resided here, and dying in 1720, was buried with the rest of his family in this church; he left a son John, and several daughters, of whom the third, Martha, married the late Sir Gregory Page, bart. and died S. P. John Kenward, esq. the son, died in 1749, leaving by Alicia his wife, youngest daughter of Francis Brooke, esq. of Rochester, one daughter and heir Alicia, who carried this seat and a considerable estate in this neighbourhood to Sir John Shaw, bart. late of Eltham, whose eldest son, Sir John Gregory Shaw, bart. is the present owner of it, and resides here. (fn. 1). In this part of the parish the land is kindly both for corn and hops, of which there are several plantations, and round the down there are some rich grass lands, but further southward where the parish extends to Brenchley, Horsemonden, and Mar den, it is rather a sorlorn country, the land lying very low, and the soil is exceeding wet and miry, and much of it very poor, and greatly subject to rushes, being a stiff unfertile clay; the hedge rows are broad and interspersed with quantities of large spreading oak trees.

 

The river Medway flows from Tunbridge along the west side of the upper part of this parish as mentioned before, there are across it here two bridges, Twyford and Brandt bridge, leading hither from Watringbury, Nettlested and East Peckham; a small stream, which comes from Marden, and is here called the Twist, flows through the lower part of this parish towards the west side of it, and joins the main river at Twyford bridge, which extends over both of them; another larger stream being a principal head of the Medway flowing from Style-bridge by Hunton clappers, separating these two parishes, joins the main river, about a quarter of a mile below Twyford bridge; on the conflux of these two larger streams the town of Yalding is situated, having a long narrow stone bridge of communication from one part of the town to the other, on the opposite bank of the Hunton stream. Leland who lived in king Henry the VIIIth.'s reign, calls it a a praty townelet, to which however at present it has no pretensions. The church and court-lodge stand at the north end of the town. A fair is held in it on WhitMonday, and on October 15, yearly. The high road over Teston bridge, and through West Farleigh, leads through the town, and thence southward along the hamlets of Denover and Collens-street to Marden; at a small distance from the former is the borough of Rugmarhill, esteemed to be within the antient demesne of Aylesford, belonging to Mrs. Milner.

 

Adjoining the town southward is Yalding lees, over which there is another high road, which leads from Twyford bridge, parallel with the other before-mentioned, along the hamlet of Lodingford, and thence through the lower part of this parish towards Brenchley, near the boundaries of which in this parish is an estate still called Oldlands, which appears in king Edward II's reign to have been part of the demesne lands of the manor of Yalding, for he then confirmed to the priory of Tunbridge a rent charge to be received out of the asserts of the old and new lands of the late Richard de Clare, in Dennemannesbrooke, which he had given to it on its foundation; lower down, close to the stream of the Twist, is the manor house of Bockingsold, the lands of which extend across the river into Brenchley and Horsemonden and other parishes.

 

A third high road over Brandt bridge passes along the western bounds of this parish, over Betsurn-green towards Lamberhurst and Sussex.

 

A new commission of sewers under the great seal, was not many years ago obtained to scour and cleanse that branch of the river Medway, or if I may so call it, the Yalding river from Goldwell in Great Chart, through Smarden, Hunton, and other intermediate parishes to its junction with the Rain river, at a place called Stickmouth, a little below the town of Yalding.

 

The commissioners for the navigation of the river Medway, about twenty years ago, made a navigable cut or canal, from a place in the river called Hampsted, where they judiciously constructed a lock to a place in the river near Twyford bridge, where they erected a tumbling bay for the water, when at a certain height, to pass over. The contrivance of this cut from one bend or angle of the river to the other, is of the greatest utility to the navigation, by not only shortening the passage, but by baying up a convenient depth of water, which they could not have had along the lees, and other adjoining low lands on each side of that part of the river, which is avoided by it, or at least not without a very great expence.

 

At the river here the barges are loaded with timber, great guns, bullets, &c. for Chatham and Sheerness docks, London, and other parts, and bring back coals, and other commodities for the supply of the neighbouring country.

 

In 1757 a large eel was caught in the river here, which measured five feet nine inches in length, and eighteen inches in girt, and weighed upwards of forty pounds.

 

THE MANOR OF YALDING, or Ealding, as it was usually written, was, after the conquest, part of the possessions of the eminent family of Clare, who became afterwards earls of Gloucester and Hertford, (fn. 2) the ancestor of whom, Richard Fitz Gilbert, came into England with William the Conqueror, and gave him great assistance in the memorable battle of Hastings, and in respect of his near alliance in blood to the king, he was advanced to great honor, and had large possessions bestowed upon him, both in Normandy and England; among the latter was this estate of Yalding, as appears from the survey of Domesday, taken in the 15th year of the Conqueror's reign, in which it is thus entered, under the title of Terra Richardi F. Gislebti:

 

Richard de Tonebridge holds Ealdinges, and Aldret held it of king Edward, and then and now it was taxed at two sulings. The arable land is sixteen carucates. There are two churches (viz. Yalding and Brenchley) and fifteen servants, and two mills of twenty-five shillings, and four fisheries of one thousand and seven hundred eels, all but twenty. There are five acres of pasture, and wood for the pannage of one hundred and fifty hogs.

 

In the time of king Edward the Consessor, and afterwards, it was worth thirty pounds, now twenty pounds, on account of the lands lying waste to that amount.

 

The above-mentioned Richard Fitz Gilbert, at the latter end of the Conqueror's reign, was usually called Richard de Tonebridge, from his possessions and residence there, and his descendants took the name of Clare, for the like reason of their possessing that honor. His descendant, Gilbert, son of Richard de Clare, earl of Gloucester and Hertford, owned it in the reign of king Henry III. and in the 21st year of Edward I. he claimed before the justices itinerant, and was allowed all the privileges of a manor.

 

¶Gilbert de Clare, earl of Gloucester and Hertford, his son, by Joane, of Acres, king Edward I.'s daughter, succeeded to it, and dying in the 7th year of king Edward II. without surviving issue, his three sisters became his coheirs, and on the partition of their inheritance, this manor, among others in this county, was allotted to Margaret, the second sister, then wife of Hugh de Audley, junior, who in the 12th year of Edward II. obtained for his manor of Ealding, a market to be held here weekly, and a fair to continue three days yearly, viz. the vigil, the day of the feast of St. Peter and St. Paul, and the day subsequent to it. He died in the 21st year of it, holding this manor, which he held for his life, by the law of England, of the king in capite. He left an only daughter and heir Margaret, then the wife of Ralph Stafford, who in her right became possessed of the manor of Yalding, and was a man greatly esteemed by king Edward III. who among other marks of his favor, in his 24th year, advanced him to the title of earl of Stafford.

 

After which it continued in his descendants down to his great grandson, Humphry Stafford, who was created duke of Buckingham anno 23 Henry VI. whose grandson Henry, duke of Buckingham, having put himself in arms against king Richard, in favor of Henry, earl of Richmond, and being deserted by his army, had concealed himself in the house of one Ralph Banister, who had been his servant, who on the king's proclamation of a reward of 1000l. or 100l. per annum, for the discovering of the duke, betrayed him, and he was without either arraignment or judgment, beheaded at Salisbury.

 

YALDING is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.

 

The church, which is a large handsome building, consists of three isles and a large chancel, with a square tower at the west end. Against the south wall in it is a very antient altar tomb, which has been much desaced, on which is remaining, Ermine, a bend gules. There was formerly a brass plate on it. On a large stone in the middle isle, is a memorial for Robert Penhurst, descended from Sir Robert Penhurst, of Penhurst, in Suffex, who died in 1610. The arms, on a shield, a mullet. In the chancel there is a handsome monument for the family of Warde, who bore for their arms, Azure, a cross flory or, and one for the family of Kenward, in this parish. In the pavement of the church are several large broad stones, a kind of petrifaction of the testaceous kind, dug up in the moors or low lands in this parish.

 

Richard de Clare, earl of Hertford, gave the church of Aldinges, with the chapel of Brenchesley, and all their appurtenances, in pure and perpetual alms, to the priory of Tunbridge, lately founded by him.

 

Gilbert de Glanvill, bishop of Rochester, who came to that fee in the 31st year of king Henry II. confirmed this gift, and granted, that the prior and canons should possess the appropriation of this church in pure and perpetual alms; saving a perpetual vicarage in it, granted by his authority, with the assent and presentation of the prior and canons as follows:

 

That the vicar should have the altarage, and all obventions, and small tithes belonging to this church, and all houses, which were within the court, and the land belonging to the church, together with the tenants and homages, and the alder-bed, and the tithes of sheaves of Wenesmannesbroke, and the tithes of Longesbroke, of the new assart, and the moiety of meadow belonging to the church; all which were granted to him, to hold under the yearly pension of two shillings, duly to be paid to the prior and canons; and that the vicar should sustain all episcopal burthens and customs, as well for the prior and canons as for himself. And he granted to the prior and canons as part of the appropriation, the tithes of sheaves of this church, excepting the said tithes of Wenesmannesbroke, and of Longebroke; and that they should have the moiety of the meadow belonging to the church, with the fisheries, and the place in which the two greater barns stood, with the barns themselves, and the whole outer court in which the stable stood, with the garden which was towards the east, and the small piece of land which lay by the garden, and the rent of four-pence, which ought to be paid yearly to the court of Eyles forde; reserving to himself the power of altering the endowment of this vicarage, if at any time it should seem expedient; saving, nevertheless, all episcopal rights to the bishop of Rochester, &c. (fn. 16)

 

The church of Yalding, together with the advowson of the vicarage, remained with the priory of Tunbridge, till the suppression of it, in the 17th year of king Henry VIII. when being one of those smaller monasteries which cardinal Wolsey had obtained for the endowment of his colleges, it was surrendered into his hands, with all the possessions belonging to it.

 

After which the king granted his licence to him, in his 18th year, to appropriate and annex this church, among others of the cardinal's patronage, to the dean and canons of the college founded by him in the university of Oxford. But here it staid only four years, when this great prelate being cast in a præmunire in 1529, the estates of that college were forfeited to the king, and became part of the royal revenue.

 

¶Queen Elizabeth, in her 10th year, granted the rectory or parsonage of Yalding, and the advowson of the vicarage, for thirty years, to Mr. John Warde, at the yearly rent of thirty pounds, in whose possession they continued till king James I. in his 5th year, granted the see of them to Richard Lyddale and Edward Bostock, at the like yearly rent, (fn. 17) and they soon afterwards alienated them to Ambrose Warde, gent. of this parish, son of John above-mentioned, in whose descendants they continued down till they came into the possession of three brothers, Thomas, of Littlebrook, in Stone; George and Ambrose, among whose descendants they came afterwards to be divided, and again sub-divided in different shares, one third part to captain Thomas Amhurst, of Rochester; one third of a third part, and a third of a sixth part to Mr. Holmes, of Derby; Mr. Ambrose Ward, of Littlebrook, and the Rev. Mr. Richard Warde, late of Oxford, each alike, and the remaining sixth part by the Rev. Mr. John Warde, the present vicar of this parish, who some years ago rebuilt the vicarage-house in a very handsome manner.

 

This rectory now pays a yearly fee-farm rent of thirty pounds to the crown.

 

It is valued in the king's books, at 20l. 18s. 9d. and the yearly tenths at 2l. 1s. 10½d.

 

There are two separate manors, one belonging to the rectory or parsonage, and the other to the vicarage of this church.

 

www.british-history.ac.uk/survey-kent/vol5/pp154-173

Media Information on the WMOF2018 Closing Mass in Phoenix Park

3.00pm Sunday 26 August 2018

 

The WMOF2018 Closing Mass will be celebrated by Pope Francis in Phoenix Park, Dublin on Sunday 26 August. 500,000 people are expected to attend the Mass including up to 20,000 overseas visitors.

 

A mammoth 12-hour programme exploring faith through music, reflections, video and drama will entertain pilgrims as they arrive to and make their way home from the Phoenix Park. Prelude in the Park will feature national and international performers from Ireland, England, America, Germany, Austria, France, India, Canada and USA. They will lead worship, drama and pop-up concerts to prepare everyone for the arrival of Pope Francis at 2.30pm.

 

Over 1,000 performers from the world of music, arts and Church ministry groups were involved in the three-day Pastoral Congress in the RDS. Many of these will bring a taste of their Congress programme to entertain the crowds before and after Mass.

 

Eimear Quinn, Daniel O Donnell, Derek Ryan, Paddy Maloney, Comholtas as well as Christian Performers Rexband from India, Rend Collective from Northern Ireland will feature. Other performers include Audrey Assad, Factor One – Dublin, Aris Choir, Dublin Gospel Choir, YOUCAT Foundation, KisiKids, Fr. Ray Kelly, I Am – Worship Band from Derry, Donna Taggart, O Neill Sisters from Kerry.

 

The Mass

Father Liam Lawton, liturgical composer and priest of the Diocese of Kildare and Leighlin, will sing the psalm, The Lord Hears the Cry of the Poor, which he has composed for the Papal Mass. Father Liam will be joined by a 3,000 strong papal Mass choir that has been brought together for the Mass.

 

The first reading will be proclaimed ‘as Gaeilge’ by Marie Wheldon from Clontarf, who was involved in the new Irish language translation of ‘An Leabhar Aifreann’. While Teresa Menendez, originally from Argentina and marketing manager for the World Meeting of Families 2018, will read the second reading in Spanish.

 

Rev. Noel McHugh, Permanent Deacon of Dublin Diocese, will preach the Gospel. Married to Paula, their son, John, died (aged 23) running a half marathon in the Phoenix Park in September 2015.

 

Mother of five Emma Mhic Mhathuna, will bring up one of the offertory gifts for the Papal Mass in the Phoenix Park tomorrow afternoon. The mother of five will be accompanied by her children, Natasha, Seamus, Mario, Oisín, and Donnacha, and friends, Mai Uí Bhruic and Tomás Ó Bruic.

 

Also involved in the offertory procession will be:

•Olive Foley, widow of former Ireland rugby international and Munster head coach, Anthony ‘Axel’ Foley, and their children, Dan and Tony;

•Paul and Bridget Uzo, and their children Stephanie and Kelvin, representatives of the African Community in the Archdiocese of Dublin;

•The family of one of those killed in the Omagh bombing 20 years ago;

•and a family involved in the “All Are Welcome” Mass in Avila, in Donnybrook, Dublin.

 

•LITURGICAL MUSIC

The music chosen for the Papal Mass will place an emphasis on congregational singing, so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth, written by Ephrem Feeley, which is the official hymn for WMOF2018.

 

The music chosen for the Papal Mass will place an emphasis on congregational singing so many of the pieces will be familiar to those in the Phoenix Park congregation of 500,000.

Irish music and composers feature prominently throughout the Mass. The Opening Hymn is A Joy For All The Earth which is the official hymn for WMOF2018 written by Ephrem Feeley. Well-known liturgical composer Father Liam Lawton has composed a new Psalm for the Mass which is called The Lord Hears the Cry of the Poor.

 

Two pieces by Ireland’s most renowned liturgical composer, Seán Ó Riada, feature as the Penitential Rite/Kyrie (A Thiarna Déan Trócaire), and at the Lord’s Prayer (Ár nAthair). Fintan O’Carroll’s Celtic Alleluia with an enhanced verse by Ronan McDonagh will be sung as the Gospel acclamation.

 

The Apostles’ Creed will be John O’Keeffe’s own composition, while Fr. Pat Ahern’s A Thiarna Éist Linn will be sung between the Prayers of the Faithful.

 

As this is a World Meeting of Families there will be a number of international composers featured in the Mass including Caritas et Amor by Z. Randall Stroope has been chosen for the Presentation of Gifts and three piece from Jean-Paul Lécot’s Mass of Our Lady of Lourdes will feature as the Gloria, Sanctus, and Doxology/Amen.

 

The Communion hymns will be Ave Verum (William Byrd), The Last Supper (Bernard Sexton), Come Feast at this Table (Ian Callanan), Anima Christi (Mon. Marco Frisina), and Bí Íosa im Chroíse.

 

And finally, the Anthem to Our Lady will be Go mBeannaítear Duit, A Mhuire by Peadar Ó Riada (son of Seán), and the Recessional Hymn: Jesus Christ, You Are My Life by Mon. Marco Frisina.

 

•THE VESTMENTS - POPE FRANCIS WILL WEAR GREEN VESTMENTS INSPIRED BY CELTIC IMAGERY

Green has been chosen as the colour of vestments to be worn by Pope Francis during the Closing Mass of WMOF2018 which is the colour associated in the liturgy with Ordinary Time. The green is a symbol of how God is ever-faithful, and it also quite appropriate for a celebration in Ireland.

At the centre of each vestment is the Trinity spiral, the same as can be seen in the WMOF2018 logo. The three parts of the spiral represent the mystery of the Holy Trinity, and also draws from Celtic imagery, as spirals can be found on many ancient stones and monuments of Ireland’s past. The colours used in the spiral are the same green, red and gold as the vestments.

Alongside the central spiral are lines which lift and spread out along the side of the vestments. These lines are inspired by the line in the liturgy ‘Lift up your hearts’ inviting us to participate in the celebration of Mass. When expanded the lines represent a cross, with the Trinity spiral as the head of the cross.

The vestments were produced by Haftina, a family business based in Poland, which specialises in liturgical vestments, chalice gowns, altar tablecloths and canopies. The vestment designs were created by Haftina in collaboration with the WMOF2018 Liturgical Committee.

•PENAL CROSS AND PROCESSIONAL CROSS

A penal cross will be present on the Altar while Pope Francis celebrates Mass in the Phoenix Park. The cross, which is carved into a single piece of wood, dates back to 1763 and has been cared for at a Carmelite Community in the Archdiocese of Dublin. The carvings on the front and back of the cross are designed to tell the story of the Passion and Resurrection of Jesus Christ.

The penal cross served as the inspiration for the processional cross which was newly created by Anne Murphy of Eala Enamels, based in Co Carlow in the Diocese of Kildare and Leighlin.

•CHALICES AND CIBORIA

To aid in the distribution of Holy Communion during celebrations of Mass both at the Pastoral Congress in the RDS and at the Phoenix Park, 4,000 ciboria and 200 chalices have been produced by MMI who are based in the Bluebell industrial estate in Dublin. The ciboria and chalices are pewter and silver, adorned with a Celtic cross containing the Trinity spiral of WMOF2018.

ENDS

 

NOTES TO EDITORS

· The Closing Mass of WMOF2018 will take place in the Phoenix Park, Dublin on Sunday 26 August at 3.00pm. Pope Francis will celebrate this Mass which will have a congregation of 500,000 people including 15,000 from overseas.

 

Biographies of Liturgical Music Team:

 

· Liturgical Music Coordinator, Derek Mahady is a native of Rooskey, Co. Roscommon and works as a choral conductor, vocalist, piano accompanist and music educator. Derek has been involved in liturgical music from an early age. He began his liturgical music ministry in parishes throughout his home diocese of Elphin and his neighbouring diocese of Ardagh and Clonmacnois. Currently, he works in music ministry at Newman University Church, St. Stephen’s Green, Dublin and has regularly featured as a regional and national tutor for the Irish Church Music Association. Derek holds a Master of Arts Degree in Choral Conducting from the Royal Welsh College of Music and Drama, a Higher Diploma in Education from University of Dublin, Trinity College and a Bachelor of Music (Pedagogy) from the Dublin Institute of Technology, Conservatory of Music and Drama. Derek also features as a soloist on the first recording of the official World Meeting of Families 2018 hymn A Joy for all the Earth.

 

· Conductor, John O’Keeffe is director of Sacred Music and Choral Groups at St Patrick’s College and NUI Maynooth. The native of Portmagee, Co Kerry, studied Church music at St Finian’s College, Mullingar, before going on to further education at universities in Maynooth, Limerick, and UCD, and at the Catholic cathedrals of Dublin and Westminster, where he served as organ scholar.

 

· Organist, David Grealy, began his musical training as a chorister in the Galway Boy Singers, and organ scholar of Galway Cathedral from 2002-2005. He has held various positions as organist, including at Westminster Cathedral, and is currently the associate organist in St. Mary’s Pro-Cathedral, Dublin, where he works closely with the Palestrina Choir, as well as playing the organ for the Cathedral’s busy schedule of liturgies.

 

· Assistant Conductor of Massed Choir, Amy Ryan is originally from Killarney, Co Kerry. She holds a BMus from the CIT Cork School of Music and a Masters degree from the Kodály Institute of the Liszt Academy of Music, Hungary. As Assistant Director of St. Mary’s Pro Cathedral Girls’ Choir from 2015-2018, she led the choir in Sunday morning liturgies, most recently on RTÉ television. Amy founded and conducts award-winning chamber choir, Cuore. In March of this year she conducted the Irish premiere of Graun’s passion oratorio Der Tod Jesu with Jubilate Choir. In April she conducted UCD Symphony Orchestra and Philharmonic Choir in their performance of Brahms’ Ein Deutsches Requiem at the National Concert Hall. Amy currently lectures in Music at Trinity College, Dublin and at the Royal Irish Academy of Music.

 

· Assistant Conductor of Massed Choir, Dominic Finn is originally from Cobh, Co. Cork. He studied a Degree in Arts & Music at UCC, followed by a Diploma in Sacred Music at NUI Maynooth. He is currently the Director of Music at St. Colman’s Cathedral Cobh, and has been involved there for over 24 years as well as throughout the Diocese of Cloyne. Dominic also works as a secondary school teacher at Colaiste Muire, Cobh where he teaches Geography and Music. His choirs at St. Colman’s Cathedral have done many national broadcasts and recordings over the years, and have also worked with several composers such as Philip Stopford, John Rutter, and Liam Lawton to name just a few. Dominic has travelled extensively conducting his choirs from the Cathedral in major venues including St. Stephen’s Cathedral Vienna, Westminster Cathedral London, St. James’s Church, Spanish Place London, along with St. Peter’s Basilica, Vatican City in 2009 and 2013. Next year Dominic will oversee the music for the 100 year celebrations of the Dedication of St. Colman’s Cathedral, Diocese of Cloyne.

 

· Father Liam Lawton is a priest of the Diocese of Kildare and Leighlin. Throughout his two decade-long career, his songs have been sung by choirs all over the world, have been translated into a number of different languages, and national and international artists have recorded them. He has recorded 18 collections of music to date, and has graced the stages of the Vatican, Carnegie Hall, Symphony Hall Chicago, the Anaheim Convention Centre in L.A., The Malmo Arena in Sweden, The National Concert Hall, Dublin, and many of the world’s sacred sites.

 

Roosevelt's Bridges 2 Harmony gospel choir performed their winter show 'Expect Your Miracle' on Thursday night, January 27th.

Off to Cheltenham Races,with a chance of rain.

Expected to see more vintage soviet architecture than this in Latvia.

At the end of what had been a fine winter's day, the clouds rolled in from the west and the light faded to flat.

 

At the end of another long dead end lane, St Nicholas sits overlooking the valley below, looking squat and unhappy under a leaden sky.

 

We parked some distance from the church and walked up, I expected it to be locked, it looked so unfriendly, but the door opened easily and we went inside.

 

It was pleasant enough inside, even if I could not find the lights to illuminate the gloom. It features the largest aumbry I have seen, as well as a nice war memorial in a blocked up north doorway. But best of all is some ancient glass on the south side, showing images of two saints.

 

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A large sturdy tower overlooks the valley dividing Kent and Sussex some distance from its village. It dates, as does much of the church, from the fourteenth century. The arcades are of dumpy octagonal pillars which have lancet clerestory windows set into the walls above. There are some notable fragments of medieval glass in the south aisle, together with an excellent twentieth century etched glass window. The tower is flanked by the aisles (see also Wickhambreux). The north aisle displays the original entrance to the rood loft staircase. At the west end is a nice octagonal sandstone font with a series of decorated window designs enlivening its panelled sides.

 

www.kentchurches.info/church.asp?p=Sandhurst

 

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IS the next parish eastward from Hawkhurst. The manor of Aldington claims over some part of this parish, as does the manor of Acrise over another part of it.

 

THIS PARISH lies on the southern edge of this county, adjoining to Suffex, from which it is separated by the stream called the Kennet, or more usually Kent Dyke, which rises near Tysehurst, in that county, and just below that place falls into the river Rother. It is near four miles from east to west, and near three from north to south. The soil of it in the north-east and southern parts of this parish is a stiff and heavy tillage land, which has underneath plenty of marle, in which parts there is much iron ore; the western part being more hilly, is a light and gravelly soil. The church stands nearly in the centre of the parish, on the knoll of a hill, and the parsonage-house at no great distance northward from it. Between the parsonage and the church is a large forstal, containing the principal part of the estate mentioned below, called Twisden borough. It was formerly a playstool, or common play-ground for the parishioners, and a fair was kept on it; but the Turners, lords of the manor, laid claim to it, and it has been for some time accounted their property, and now accordingly belongs to Mr. Blackburn. The great high road from the western parts of this county, through Newenden, to Hastings and the county of Suffex, leads through this parish south-eastward, on it are situated three greens, Field green, Cowbeach-green, and Ringlecrouch-green; on the former is a house and estate, which has been for many years the residence of the Wardes, who bore for their arms, In chief, a lion, rampant; in base, a cross story, a crescent for difference; the last of them, Mr. John Warde, died in 1778, leaving three sons and a daughter Elizabeth, married to Mr. John Collins, by whom she had a son Mr. Edward Collins, who has since taken the name of Warde, to whom his grandfather by will, disinheriting his three sons, gave the whole of his estates, among which were this at Field-green, and the manor of Riseden, in this parish, which formerly belonged to John, earl of Ewe, (who died in 1171); for it appears by the register of Horton priory, that he by his charter, without date, gave all his land of Rysdenne, in Sandhurst, which Goldwin held of him, to that priory; and by another charter, Adelize his wife confirmed the same; and by another, Canon, then prior of that house, and the convent of it, quit-claimed to Alexander de Spondenne, the property of a certain drosdenne, in the denne of Risedene, in this parish; Mr. Edward Collins Warde is the present owner of them. The farm of Ringlecrouch, near the green of that name, was the property of Thomas Blackmore, esq. of Hertfordshire, who died in 1789, and his heirs now possess it. On this green there is a meeting-house for baptists, the congregation of which is very large; and a little further eastward is a capital messuage called Frenchurst, and formerly Frinchinburst, to which formerly belonged the mill called Hope mill here, and it appears by the escheatroll anno 4 Henry VII. that Thomas Pulter then died possessed of a capital messuage, called Frechinghurst, and one water-mill, called Hope-mill, in Sandhurst, held of the prior of Christ-church, in Canterbury; the former of them belongs now to Mr. John Collins, and the latter to the earl of Thanet. And farther on the same road is Hernden manor, belonging to John Peckham, esq. of Salehurst.

 

In this parish is an estate, called Silverden, belongin to the Rev. Mr. Hudson; and in the south-east part of it two farms, called Upper and Lower Boxhurst, the former belonging to Mr. Joseph Fowle, the latter to Mr. Thomas Burt, both of Sandhurst; and in the western part of it next to Hawkhurst, is a seat, called Downgate, which belonged to the Turner estate, and afterwards to Mr. Blackburn.

 

A fair is annually held here on May 25, for cattle and pedlary wares. It was till within these few years held on Dec. 6, St. Nicholas's day, the patron saint of the church.

 

THE MANOR OF SANDHURST was given by Offaking of Mercia, in the year 791, to Christ Church in Canterbury, and was, soon after the time of the conqueror, held of the archbishop by knight's service, by the family of Criol; of them it was, in the reign of king Edward II. held again by Hugo de Combe, whose successor in it was John de Betherinden, whence it came to be called the manor of Sandhurst, alias Betherinden, and in the east window of the north chancel here were formerly the essigies and arms of one of this family, and in Downe church, was once a memorial for John Bederenden, once citizen, woollen-draper, and chamberlain of London, who died in 1445. By a female heir of this name it came into the family of Fitzherbert, alias Finch, in which it continued till the beginning of the reign of queen Elizabeth, when Herbert, son of Vincent Finch, who lies buried in this church, (fn. 1) sold it, with the antient mansion of Sandhurst-place, now usually called OLDPLACE, (at present only a farm-house) to Pelham, from which name it was alienated to Fowle, who bore for his arms, Argent, a chevron gules, on a chief of the second, three mullets pierced of the first. In which one of them, Sir John Fowle, of Sandhurst, in his will, proved 1637, mentions certain lands which he had here, called the Coomes, which were his grandfather's, whereon was a house, since his death built, which were held of the king by knight's service, (fn. 2) and in his family it remained till it was passed away to Turner, whose descendant Robert Turner, esq. in 1784, passed it away by sale to John Blackburn, of London, esq. the present owner, of it. A court baron is held for this manor.

 

ALDRINDEN. which lies at the north west part of this parish was once accounted a manor of some note here, being held of the manor of Acrise, and had owners of the same firname, in which it continued till Roger de Aldrinden, as appears by the private deeds of it, leaving and only daughter and heir Christian Aldrinden, she passed it away by sale, in the 22d year of king Edward III. to John Selbrittenden, who not long after alienated it to Thomas atte Bourne, and he held it, as appeared by an old court-roll in the 1st year of Richard II. and from him it descended down to John Bourne, who dying in the 4th year of king Edward IV. settled it by will on Joane his female heir, married to Thomas Allard. They had one son, Henry, whose son John Allard, alienated his right in it by sale, in the 30th year of Henry VIII. to John Twysenden, or Twisden, gent. as the name soon afterwards was spelt, whose ancestors resided at TWISDEN BOROUGH, upon the denne of Twisden, in this parish, a place noted for having been, in very early times, the inheritance of this family, who resided here at the time they were stiled in Latin deeds, according to the quaint language of those times, de Denna Fracta, and from them this place obtained their name, by which it is called to this day.

 

His descendant Mr. William Twisden, about the beginning of king James I.'s reign, sold it to Thomas Downton, esq. who died possessed of it in 1623, and was buried in this church, and his descendant Richard Downton, esq. owned it at the restoration of king Charles II. and bore for his arms, Argent, on a chief indented, sable, three goats heads, erased. After which it passed into the family of Dunk, and from thence to Richards, whence by Anne, only daughter of William Richards, esq. it went in marriage to George Dunk, earl of Halifax, who soon afterwards sold it to Collier, and his daughter marrying Mr. Henry Jackson, of Hastings, in Sussex, he is, in her right, the present possessor of it.

 

Charities.

 

SIR JOHN FOWLE, of this parish, in 1632, gave by deed to the poor of it a piece of ground, with a malt-house on it, since burnt down, and now called the Malt-house Platt, containing three quarters of an acre upon Ringlecrouch-green, on which it has a right of common. It is now let at 34s. per annum, and is vested in trustees, the produce of which is distributed by the directions of the donor, once in two or three years in cloaths, chiefly in gowns, to poor widows of this parish.

 

Thomas Downton, Esq. of Sandhurst, devised by will to the poor of this parish 10l. to be lent to them by the direction of four of the sufficientest men of it, giving security for the paying of it again, at such time as they should appoint, so to continue to the parish for ever.

 

THERE IS AN ALMS-HOUSE, consisting of three or four dwellings, by whom given is not known, but supposed by one of the family of Fowle.

 

The poor constantly relieved are about one hundred and sixty, casually fifty.

 

SANDHURST is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Charing.

 

The church, which is dedicated to St. Nicholas, is built of sand stone. It consists of two isles and two chancels, with a square tower, in which are five bells. It was part of the antient possessions of the see of Canterbury, and continues so at this time, his grace the archbishop being the present patron of it.

 

It is a rectory, and valued in the king's books at twenty pounds, and the yearly tenths at two pounds.

 

In 1578 here were communicants two hundred and eighteen, in 1640, two hundred and eighty. When it was valued at 110l.

 

¶There are about ten acres of glebe land. The parsonage-house has lately been handsomely repaired, and sitted up by the present rector Mr. Hussey.

 

www.british-history.ac.uk/survey-kent/vol7/pp158-163

Lake Ammersee.

I was expecting a better view at this location but I was a little disappointed. And it was really cold and bland weather.

•

This is what I envisioned in this place, what I wanted to see and what I would like to photograph in the future. Symmetry at its best and simplicity. •

 

It went a lot into this editing. It may not be the best one but it's a better result compared to the original version.

Herne, Herne Bay, Herne Green, Hernhill: all very confusing. THe frst three are at least near each other, and Hernhill has no "e".

 

Herne is on the Herne Bay to Canterbury road, which winds its way through the narrow streets of the town, making parking troublesome.

 

We came here not expecting it to be open, but there was a large friendly sign on the pavement, advertising a coffee morning. So, we drove into a nearby housing estate, parked up, and I rushed down, lest it closed before I got there.

 

A small group of people were in the north chapel, drinking coffee and eating slices of cake. One lady was interested in the church project, so we talked about the churches I had visited, and ones I have yet to see. And about Herne.

 

It is a big church, and I had to g round again and again as I spotted more and more details.

 

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A large, impressive and relatively little-known building of fourteenth-century date. Although nineteenth-century restorations have left us with a church that displays little patina it still contains much of interest. The chancel screen dates from 1872 and provides good comparison with the fourteenth-century screen of the north chapel which, unusually, has two east windows. The sedilia in the chancel take the form of a series of three multi-cusped arches descending to the west - although the Victorian floor level makes a nonsense of their height. The nearby piscina is fifteenth century. The east window and theatrical reredos are nineteenth century and form an impressive ensemble. There are some fine misericords incorporated into the Victorian stalls. On the north chancel wall is a good Easter Sepulchre - the memorial of Sir John Fyneux (d. 1525). The north chapel was a chantry foundation with its own priest and is connected to the chancel by a two-bay arcade and hagioscope. The rood loft stairway to the south of the chancel arch indicates that the screen did not run the full width of the church and that each of the chapel screens formed a separate construction.

 

www.kentchurches.info/church.asp?p=Herne

 

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HERNE,

OR Hearne, as it is frequently spelt, lies almost adjoining to Sturry northward, and takes its name from the Saxon word hyrne, or hurne, signifying a nook or corner. (fn. 1) There are five boroughs in it, viz. Stroud, Hawe, Hampton, Beltinge, and Thornden. The borsholders of these boroughs are subordinate to the constable of the upper half hundred of Blengate, who is chosen at the court-leet of Reculver, for two years, from this parish; and the three next succeeding years, one each in turn, from Reculver, Hothe, and Stourmouth.

 

THIS PARISH is situated about six miles northeastward from Canterbury, in a wild and dreary country; there is a great deal of poor land in it, covered with broom, and several wastes or little commons, with cottages interspersed among them. The soil of it is in general a stiff clay, and in some parts mixed with gravel, the water throughout it is very brackish. The southern part of it is mostly coppice woods, a considerable quantity of which belong to the archbishop. and are in his own occupation. There are thirty-seven teams kept in this parish. There are about seventeen acres of hops in it, and not long ago double that number, and these are continually displanting. It also produces much canary-seed, of which it has sometimes had one hundred acres. The rents, according to the land-tax assessment, amount to 1705l. according to the poor-rates, to 3179l. 10s. Herne-street is situated about the middle of the parish, and contains about sixty houses, among which are Stroud-house and the vicarage; also an elegant new house, built on the common, belonging to Mr. Lyddell. The church stands at the south end of it. Northward from it is Underwood farm, and opposite to it the parsonagehouse, formerly the residence of the Milles's. These are within the hamlet of Eddinton, in which, further on upon the road, is a new-built house, belonging to Mr. Edward Reynolds. Hence the road leads through Sea-street to Herne bay, which is very spacious and commodious for shipping. Several colliers frequent this bay from Newcastle and Sunderland, on which account there are two sworn meters here, and the city of Canterbury and the neighbouring country are partly supplied with coals from hence. There are two hoys, of about sixty tons burthen each, which sail alternately each week to and from London, with corn, hops, flour, and shop goods. A handsome mansion, with doors and windows in the gothic taste, has lately been built, and belongs to Mr. Winter. In 1798 barracks were built by government for the reception of troops, who were thought necessary to guard this part of the coast.

 

Leland, in his Itinerary, (fn. 2) says, Heron ys iii good myles fro thens (viz. Whitstaple) wher men take good muscles cawled stake muscles. Yt stondeth dim. 2 myle fro the mayne shore & ther ys good pitching of nettes for mullettes." The coast of the channel bounds this parish on the north side. South-westward from Herne bay is the farm of Norwood, formerly belonging to a collateral branch of the Knowlers, of Stroud house; and Sir William Segar, garter, in 1629, granted to George Knowler, of Norwood, in Hearne, kinsman and son-in-law to Robert Knowler, of Stroud, in that parish, descended collaterally from that family, these arms, Ermine, on a bend, between two cotizes, sable, a lion passant-guardant of the first, crowned, or, langued and armed, gules. From them it came by marriage to Tucker, and is now the property of the Rev. John Tucker, rector of Gravesend and Luddenham. Hence towards Swaycliffe, the country is very poor, wet and swampy, and much covered with rushes. On the opposite side of the parish, at a little distance between the street and Herne common, is the manor of Ridgway, formerly belonging to the Monins's and the Norton's, of Fordwich, from the latter it was sold to lady Mabella Finch, baroness of Fordwich, who gave it by will to her nephew Charles Fotherby, from whom it has come to Charles Dering, esq. late of Barham. On the hill, eastward of Herne street, is a wind-mill, built on the spot where once stood a beacon.

 

Archbishop Islip, in the 25th year of Edward III. obtained the grant of a market, to be held weekly on a Monday, and a fair yearly on the feast of St. Martin and the day afterwards, in this parish of Herne. (fn. 3)

 

The fair is now held on the Monday in Easter-week, at Herne-street; and there is another at Bromfield in it, on Whit-Monday.

 

THE MANOR OF RECULVER claims paramount over part of this parish, and the manor of Sturry over the remainder of it; subordinate to which is

 

THE MANOR OF HAWE, otherwise spelt Haghe, situated within the borough of its own name, which was held in the reign of king Richard II. by Sir William Waleys, whose only daughter and heir Elizabeth carried it in marriage to Peter Halle, esq. of this parish, who had two sons, to the eldest Thomas he gave the manor of Thanington, and to the youngest Peter he gave this manor, from whom it descended to his grandson Matthew Hall, who sold his interest in it to Sir John Fineux, chief justice of the king's bench in king Henry VII. and VIIIth.'s reign, who rebuilt the mansion of it, and afterwards retired to it, on account of its healthy situation. The origin of the family of Fineux may be best given in the words of Leland, who says, that "the name of Finiox thus cam ynto Kent about king Edward the 2 dayes: one Creaulle a man of faire possessions yn Kent, was a prisoner in Boleyne, in Fraunce, and much desiring to be at liberte made his keper to be his frend, promising hym landes yn Kent if he wold help to deliver him. Whereapon they booth toke secrete passage and came to Kent, and Creal performid his promise: so that after his keeper or porter apon the cause was namid Finiox. This name continuid in a certain stey of landes ontylle Finiox chief juge of the kinges bench cam that first had but 40l. land. For he had two bretherne and eche of them had a portion of land and after encresid it into 200 poundes by the yeare. One of the younger brothers of Finiox the juge died and made the other younger brother his heir. So that now be two houses of the Finiox, the heyre of Finiox the juge and the heyre of justice Finiox brother. Olde Finiox buildid his faire house on purchasid ground for the comodite of preserving his helth so that afore the physicians concludid that it was an exceeding helthfull quarter."

 

The judge's two brothers were, William, who was of Hougham, who died s. p. and Richard of Dover, where his descendants remained for many descents afterwards. They bore for their arms, Vert, a chevron between three spread eagles, or. (fn. 4) Sir John Fineux was a great benefactor to the Augustine friars, in Canterbury, and to the abbey of Faversham, and most probably to the priory of Christ-church, as his arms are carved on the roof of the cloysters there, and he chose the church of it for the burial-place of himself and wife. (fn. 5) By his first wife Elizabeth, daughter and coheir of William Apulderfield, he had two daughters and coheirs, Jane, married to Roper, and Mildred, to Diggs; and he had by his second wife an only son William, on whom he settled this manor, on which he afterwards resided, and died in 1557. He was succeeded in it by his eldest son John Fineux, esqof Herne, on whose death in 1592, Elizabeth, his only daughter and heir, entitled her husband Sir John Smythe, of Westenhanger, to the possession of it, whose great-grandson Philip, viscount Strangford, dying in 1709, Henry Roper, lord Teynham, who had married Catherine his eldest daughter, by his will became entitled to it. After which it passed in like manner as the manor of Sturry above described, to his descendants, till it was at length sold with that manor, in 1765, to the Rev. Francis Hender Foote, of Bishopsborne, whose eldest son John Foote, esq. now of Bishopsborne, is the present possessor of it. A court baron is held for this manor.

 

LOTTINGE, formerly written Louting, is a small manor in the north-west part of this parish, which was formerly belonging to the family of Greenshield, who lived at a seat in Whitstaple of their own name, now called Grimgill; from this name it was sold to Crispe, of Quekes, (fn. 6) and then again, after some time, to Monger, of Surry, who sold it in king Charles II.'s reign to Robert Knowler, esq. of Stroud-house, in this parish, in whose descendants it has continued down to Gilbert Knowler, esq. now of Canterbury, the present owner of it.

 

THE MANOR OF UNDERDOWNE, with the mansion of it, situated in Herne-street, within the borough of Stroud, was called, as Philipott writes, in early times Sea's-court, from the family of Atte-Sea, who were the antient possessors of it. John Atte Sea, of Herne, as appears by his will, died possessed of it in the 36th year of Henry VI. in whose descendants, resident here, it continued down to Edw. Sea, esq. who passed away, by sale, his manor, or mansion of Underdowne, to Robert Knowler, gent. of Herne, whose family had been resident in this parish as early as Henry VII.'s reign. He resided at this seat, which seems from thenceforward to have been called STROUD-HOUSE, and died in 1635, bearing for his arms, Argent, on a bend, between two cotizes, sable, a lion passant-guardant, crowned, or; and his descendants continued to reside at it down to Gilbert Knowler, esq. who removed from hence to Canterbury, where he now resides, and is the present owner of it. It is now inhabited by John May, esq. who married the only daughter of James Six, esq. of Canterbury.

 

THE MANOR OF MAKINBROOKE, the very name of which is almost obliterated, was situated in the northwest part of this parish, and was part of the antient possessions of the see of Canterbury, of which it was held by knight's service, by a family who took their name from it, in which it continued till Edward IIId.'s reign, but in the 30th year of it this manor had passed by purchase into the hands of Adam le Eyre, citizen of London, who that year gave it to Thomas Wolton, master or keeper of Eastbridge hospital, and his successors, towards their support. In the year 1528, Robert Atte Sea, of Herne, held this estate in fee, by the payment of a yearly rent (fn. 7) to the hospital. After his death it descended, partly in the male line and partly by two coheirs, to the family of Crayford. After which it came into that of Oxenden, in which it continued down, with the farm called Underdowne farm, situated in the hamlet of Eddington, to Sir George Oxenden, bart. who rebuilt the house, and his son Sir H. Oxenden, bart. now of Brome, is the present owner of this manor, and the farm of Underdowne before-mentioned.

 

Charities.

SIR WILLIAM SELBY, bart. in 1618, gave by will, for the use of the poor, a sum of money, which was laid out in land, vested in trustees, the rent of which has always been received by the parish officers, and is of the annual produce of 10l.

 

A PERSON UNKNOWN gave certain land for the use of the poor, the produce of which is received by the parish officers, and is of the annual produce of 10l. 5s. 8d.

 

THOMAS KNOWLER, gent. by will in 1658, besides other benefactions both to the church and the poor, gave land for the use of the poor, vested in trustees, the survivor unknown, and is of the annual produce of 1l. 10s. 5d. and likewise other land, vested in like manner, for the cloathing of the poor, the annual produce of which is 5l.

 

A PERSON UNKNOWN gave lands, for the use of the poor, vested in trustees, and is of the annual produce of 7s.

 

THOMAS HOALLES gave an annuity, out of land, vested in trustees, which is of the annual produce of 13s. 4d.

 

CHRISTOPHER MILLES, esq. of Herne, by will in 1638, gave to the poor the yearly sum of 3l. to be paid on the last day of August, being his birth-day, and to continue so long as the archbishop and his successors should continue the lease of the parsonage to any of his surname.

 

GEORGE HAWLET, by will in 1624, gave for the use of the poor, an annuity, charged on land, of the annual produce of 3l.

 

The poor constantly maintained are about ninety-five, casually thirty-five.

 

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry or Westbere.

 

The church, which is exempt from the jurisdiction of the archdeacon, and dedicated to St. Martin, is a large handsome building, consisting of three isles and three chancels, having a well-built square tower at the west end, in which are six bells. The whole roof of this church is covered with lead, and embattled. The pillars between the isles are light and beautifully proportioned. The stone font is an octagon, very antient; on each compartment is a shield of arms, first, the see of Canterbury, impaling Arundel; second, obliterated; third, France and England; fourth, three crescents, within a bordure; fifth, three wings, two and one; sixth, three pelicans; seventh, on a chevron, three —; eighth, barry, three escutcheons. At the west end of the middle isle is a new-erected gallery, very neat. In the upper end of it are memorials of the Terreys, and of the Knowlers, of Canterbury, collaterally descended from those of Stroud-house, and of the Legrands, of Canterbury, descended from them. In the high chancel are three stalls, joined together and moveable. On the pavement a memorial, with the figure of a priest in brass, for John Darley, S. T. B. once vicar, and monuments and memorials for several of the families of Milles and Fineux. (fn. 8) A monument, having the effigies of a knight in a praying posture, for Sir William Thornhurst, son and heir of Sir Stephen Thornhurst, of Forde, obt. 1606. Within the altar-rails are memorials for the Fineuxs. A memorial for William Rogers, A. B. vicar, obt. August 28, 1773. Under the north window is an antient tomb, without inscription, having three shields of arms, first, Paston, six fleurs de lis, a chief indented; second, Fineux, a chevron, between three eagles; third, Apulderfield, a cross voided. A monument for Charles Milles, A. M. rector of Harbledowne, &c. obt. 1749, buried in the family vault underneath. A hatchment and inscription for Edward Ewell, gent. who married Elizabeth, sister of bishop Gauden, obt. 1686; arms, Ewell, argent, a rook proper. In the north chancel, which now belongs to the parish, a memorial and figures of a man and woman, with their hands joined, in brass, for Peter Hall, esq. and Elizabeth his wife, daughter of Sir William Waleys. A memorial and figure in brass, for Christian, wife of Matthew Phelp, goldsmith, and once mayor of London, obt. 1740; arms, An orle of cross-croslets, fitchee, a lion rampant, impaling a bend, fusilly. A me morial in brass for Anthony Loverick and Constantia his wife. He died in 1511. A memorial in brass for John Sea, esq. of Underdowne, obt. 1604; for William Foche, gent. of Christ-church, Canterbury, obt. 1713; and for Robert Sethe, obt. 1572. Memorials for Bysmere, Ewell, and others, long since obliterated. In the south chancel, belonging to the Knowlers, of Stroud-house, are several monuments and memorials for that family. Underneath is a vault, in which they lie buried.

 

The church of Herne was antiently accounted as one of the chapels belonging to the church of Reculver, which was parcel of the antient possessions of the see of Canterbury. But the inconveniences arising from the distance of those chapels from the mother church, among many other reasons, induced archbishop Winchelsea, in the year 1296, to institute perpetual vicarages in them. After which he endowed three vicarages; one in the mother church of Reculver, with the adjoining chapel of Hothe; another in the church of St. Nicholas, in Thanet; and a third in this church of Herne. By his instrument for which, dated in 1310, he decreed, that out of the profits of the church of Reculver, and the chapels belonging to it, the said vicars should have competent portions; and in particular, that the vicar of this chapel of Herne, belonging to that church, should have and take in the said chapel all oblations, the tithes of hay, flax, wool, and milk, lambs, gardens, and all other small tithes, which are said to belong to the altarage, with the tenths of sheaves growing in gardens inclosed, and dug with the foot, and in meadows belonging to the church and chapel, in the name of his vicarage; but out of those profits, in token of his perpetual subjection, he should pay yearly, as a perpetual pension, forty shillings, which he the archbishop imposed on him, to the vicar of Reculver for ever. Moreover, that the vicars of the aforesaid churches should have each one fit priest associated with themselves, at their own costs, for the better governing of their cure, and should make canonical obedience to the rector of Reculver, who was in quasi possession as to his parishioners, and exercising ordinary jurisdiction in his parish, and should be obedient to him canonically, as was of right accustomed, in reverence of the mother church, of which he was vicar, and should come to the same once a year, on the morrow of Pentecost, to the pentecostal processions, with their priests, ministers, parishioners, and vicars themselves, to the mass, on the day of the nativity of the virgin. Moreover, to the tenth, the vicar of the chapel of Herne should contribute 9s. 11d. for his portion of it. decreed, that to the aforesaid perpetual vicarages, whenever the same should happen to be vacant, the And further, that the burthens of ministers, books, ornaments, repairing of chancels or building of them anew, and of other ordinary burthens in the chapel of Herne, should belong to the said vicarage. And he decreed, that to the aforesaid perpetual vicarages, whenever the same should happen to be vacant, the rector of Reculver should for ever present to him and his successors, fit persons within the time limited by the canon, with a non obstante to any decrees of his predecessors relating to the same. (fn. 9)

 

Notwithstanding the above decree, it seems the parishioners of these chapelries continued as liable and subject to the repair of the mother church of Reculver, as the peculiar and proper inhabitants of the place, a matter controverted between those of Herne and Reculver; and the contest and dispute on this account, continued between them, until by a decree of archbishop Warham, in king Henry VIII.'s reign, it was settled, by the consent of all parties, that the people of each chapel, viz. Herne and St. Nicholas, should redeem the burthen of repairs with a certain moderate annual stipend or pension in money, payable on a certain set day in the year, but with this proviso, that if they kept not their day of payment, they should then be exposed to the law, and should fall under as full an obligation to the repairs of the mother church, as if the decree had never been. In which state it remains at this time, the churchwardens of Herne paying annually five shillings on this account to those of Reculver. (fn. 10)

 

¶Although the vicarages of Reculver and its chapels, were thus separated and made distinct, yet the rectories or parsonages of them remained in the same state as before, viz. one parsonage of Reculver, extending over that parish and those of Hothe and Herne, and another of St. Nicholas and All Saints, in Thanet, both remaining parcel of the possessions of the see of Canterbury to the present time. Richard Milles, esq. of Nackington, is the present lessee of the former parsonage, in which this of Herne is included. The house of the rectory stands in the hamlet of Eddington, opposite to Underdowne farm. It was once much larger, and consisted of a quadrangle, of which only one side remains. The family of Milles resided at it for several generations; the last of them who resided here was Samuel Milles, esq. whose son Christopher was of Nackington, and father of the present lessee of it.

 

His grace the archbishop continues the patron of this vicarage, which is valued in the king's books at 20l. 16s. 3d. and the yearly tenths at 2l. 1s. 7½d. In 1588 it was valued at eighty pounds, communicants four hundred and ninety. In 1640 it was valued at only sixty pounds, the like number of communicants.

 

There was a chantry founded in this church, in honour of the Virgin Mary, by Thomas Newe, clerk, sometime vicar of Reculver, which was suppressed, among other such foundations, in the 2d year of king Edward VI. the revenues of it being at that time of the clear yearly value of 6l. 5s. 1d. (fn. 11)

 

www.british-history.ac.uk/survey-kent/vol9/pp84-96

Expected express train delayed due to heavy snow.

Taken at Kitakata station.

 

Leica M6 TTL LHSA Special, Summilux 35/1.4 ASPH, E100G

Jersey Shore Fightin’ Texas Aggie Ring was talking with some folks last night at his local brewery who were from the nearby seaside village of Ocean Grove, New Jersey. They told Aggie Ring that there was a new restaurant/deli in Ocean Grove that makes and serves traditional English meat pies.

 

“Why had I not heard of this before now?” Aggie Ring said to me on the way home. “I’m out of the loop it seems. I suppose that’s to be expected when your an “Aggie Ring of One” and a “lone wolf” on the Jersey shore.”

 

“We need to get better intel.” said Aggie Ring. “That meat pie shop has been open for months. I need to know about these things.”

 

When Aggie Ring arrived home, he got on the internets and did special Aggie Ring research. The place is called Bürbelmaiers (standard spelling). They are a very traditional English/British Savory Meat Pie Shoppe. Looking at the menu brought tears of sweet joy to Aggie Ring’s eye. They had: British Pork Pie, Sausage, Peppers and Onion Pie, Beef & Mushroom Pie, Smoked Chicken & Leek Pie, Curried Lamb Pie, Bacon Cheddar Burger Pie… The list went on and on. “Look” said Aggie Ring. “They even have Reuben, Cubano, Ham & Cheese, Jamaican Beef, and Cornish Pastie Pies.”

 

Aggie Ring also noted that they had Sausage Rolls, Chicken Tinga Quesadilla, Bacon Toaster Tarts and Timpano! Some of their sides included onion gravy, mashed potatoes, and mushy peas (an Aggie Ring favorite).

 

The first thing Aggie Ring told me when he woke up at 11:30 this morning was, “I want an English Meat Pie for lunch!” After Aggie Ring had his shower, he drove the 10 minutes to Ocean Grove.

 

When Aggie Ring arrived in Ocean Grove, he quickly found the meat pie shoppe which was located on the first level of an historic home on the village’s main street. The pie shop with counter service was on the left side of the building. There were places to eat on the porch or on the sidewalk in front of the shoppe. There was also a “dining room” accessible through an outside door that had a huge table for family-style dining.

 

“Family-style dining!” shouted Aggie Ring, “We haven’t eaten family-style since…”

 

“Enough with the small talk.” I said, interrupting Aggie Ring. “Are we here to eat or what?”

 

Aggie Ring went to the counter and ordered a curried lamb pie and a sausage roll. After they took them out of the oven Aggie Ring carried his tray outside and into the dining room where he could eat “family-style.”

 

The pie and sausage roll were served on a tray with a wooden knife and fork which Aggie Ring thought was kind of cool. The lamb curry was very savory and was immensely enjoyed by the Aggie Ring. The sausage roll was nice and crispy and also delicious.

 

Aggie Ring ripped through his meal. The speed at which he devoured his lunch was pretty damn impressive, even for a hungry Aggie Ring. It reminded Aggie Ring of all of that TDY to Northern England that the Army sent him on all of the time.

 

In order for you gentle readers to comprehend how quickly Aggie Ring ate the savoury pie, I’ll let him describe a plausible scenario to give you a mental picture of how quickly a delicious food product can be finished.

 

- - - - - -

 

“I’ve got a little story to tell you Ags…” said the Jersey Shore Aggie Ring.

 

“Imagine, if you would, a bus full of Waggies traveling down the highway in Central Texas. Now, these Waggies haven’t had dessert in four hours so they’re angry and ravenous… Well, more than they normally would be, given that it has been four hours since they had any dessert. Everyone knows how angry a Waggie gets when she hasn’t had any dessert.”

 

Aggie Ring continued on with his story…

 

“Well, the bus full of Waggies is heading down the highway towards the Texas A&M Campus. All of a sudden the Waggie driving the bus sees that a truck carrying a full load of plastic spoons has collided with a big Blue Bell Ice Cream truck on its way from the factory to deliver fresh Blue Bell Ice Cream to grocery stores and BBQ restaurants all over Central Texas.”

 

“The Waggies see the plastic spoons all over the highway and hundreds of half-gallon containers of Blue Bell Ice Cream spilled next to the delivery truck. There’s French Vanilla, Cookies and Cream, Cookie Dough, Rocky Road, Strawberry, Homemade Vanilla, Chocolate Chip, and dozens of other varieties just lying there by the overturned truck.”

 

Aggie Ring then got towards the end of the story…

 

“Well, out of an abundance of caution and selfless service for humanity, the Waggies all pile out of the bus, grab some of the plastic spoons and start devouring the Blue Bell so melted ice cream won’t flow all over the highway and cause even more traffic accidents.”

 

“It would be a thing of beauty,” said Aggie Ring. “Waggies on both sides of the highway with two or three containers of Blue Bell in each of their laps and a spoon in each hand as they frantically spoon all of that free delicious Blue Bell Ice Cream into their mouths. We’ve all know how quickly a Waggie can take out a half-gallon of Blue Bell—we’ve all seen it. It would hardly take a couple of dozen of the Wags any time at all to finish off the entire shipment.”

 

“There you have it.” says Aggie Ring. “The Waggies quickly save the day. Disaster adverted. The Blue Bell would all be gone and traffic would be safe from a dangerous, melted sticky mess along the highway. The Wags pile back onto the bus and head back to the A&M Campus wondering what will be at the dessert bar at Duncan Dining Hall that evening.

 

“And that Ags, is how quickly an Aggie Ring can put down a lamb curry pie!”

 

#AggieRing

Surprise! I hadn't expected to be doing this again until Tuesday...but then the wife called and said she was delaying her return until this evening. So, despite some other errands and such, I have time for two dressing/photo sessions today!

 

I'm calling these two sessions "The Sissy Schoolgirl and Her Headmistress". You'll see why later.

 

The nautical top is by Cathy Daniels, bought at Boscov's in June 2011; the scandalously short pleated microskirt is a thrift shop find by Big Flirt, from April 2011; the shoes are Isaac Mizrahi black mary-janes from Target in November 2007. Other accessories are a big shiny bow, chunky and silver jewelry, and frilly socks.

self-portrait

Las Vegas

When we are young, we expect perfection in everything.

We know it as more than just a hope,

we know that as soon as we grow into our freedom, we will have it all:

Money.

That awsome BMW (M5, the turbo one). Two.

A beautiful wife; kids.

That great house. Oh, and where will the holiday house be? And all the places we will visit, the things that we will do and see. When we grow up to be big and strong.

We will be good at golf, ballet, surfing, we'll fly airplanes, fighter jets.

The dreams of the young are not dreams, to them

they are expectations.

 

As we get older, it dawns on us that perhaps some of it is just hope.

We won't become an astronaut (that's even amusing).

We won't fly fighter jets (but we could have if we'd *really* wanted to).

We've only had a few bad relationship experiences, we'll get it right (and play the damn field in the meantime YEAH!)

University is harder than we thought, but no matter, we'll get that top job soon.

We are fit, healthy, strong, but not as talented at ballet as we thought.

And we find we don't even like golf.

Expectations give way to grim determination.

 

Older still, approaching 40, and now Reality has worked over our desires,

as a gang of thugs has worked over the girl in the short skirt, who took a shortcut through the dark alley.

Now it's not funny anymore:

the mortgage on the small house,

we don't even have time for a sport anymore, we're spending too much time working at that crap job, that pays a lousy wage (how the fuck DID we end up in it?),

we'll get our health back as soon as we give up smoking (hell, it's easy, we've done it dozens of times already).

The fiancee has left. If you're lucky enough to date, they drop you as you're not Enough for them.

And there never were any kids.

And expectations, determination and hope?

They gave way to Life, as you know it.

 

"Rest in Peace

--- Gerhard Rossouw 1969 - 31/12/1996

--- Helena Rossouw 1971 - 31/12/1996

--- Henk Rossouw 1992 - 31/12/1996

God is Liefde"

    

This is a story about something wonderful and what mystories hold for a certen young working

 

man and his name is Dan and unlike any other employee Dan was a hard worker he could do

 

any task he was set to do from the ones he liked to the ones he hated and so this is how the

 

story stars.......It was just a regular morning everyone was off to there jobs kids were off to

 

school the sun was shinning and as you look through the window of one of the appartment

 

buildings Dan was still in bed he had overslept his alarm went off *BZZZ BZZZ* Dan finaly woke

 

up from his slumber half asleep he looked at his alarm clock and then quietly closed his eyes

 

for a quick lie in but he soon opend his eyes when he realized the time he jumped straight out of

 

bed in a rush "ooh no oh no ahh stupid alarm clock damn thing can't tell time" Dan quicky got

 

dressed he put his shirt on and then his underware and then his pants but he was struggling he

 

was hopping on one foot trying to get his other foot in he slipped on the floor quickly got up

 

and put his foot in he rushed out the door with his paperwork and rushed to his car he didn't

 

even have time to grab a coffee he had to make time last thing he wants was to screw his only

 

job up his boss was strict highly fond of Dan but rules are rules and if any are broken then he'll

 

hawl you out with just a touch of his finger he owned a big company and wanted his workers to

 

be on time finaly Dan had made it to work he was an hour late he got inside and into the elevator

 

and up to the work cubicals and sat at his desk hard at work "(Pete) ooh Dan oh oh Dan my dad

 

isn't happy that you were late he's been expecting those JF papers" that's Pete a total douche

 

his dad said that when the time comes he'll hand over the company over to him and then the

 

changes will be made but i fear that my job will be taken away Pete has always hated me just

 

because his dad called me the son he never had because i worked hard at what i did Dan got

 

onto the computer and continued with his work the boss decided to make a suprize visit to his

 

workers Mr Sanders he was an important guy "(Mr Sanders) DAN WHERE ARE YOU I HAVE

 

BEEN WAITING FOR THOSE JF PAPERS" Dan stood up in worry looking at his boss "uhh im

 

here Mr Sanders got the JF papers you wanted im so sorry i overslept and my alarm clock...."

 

"(Mr Sanders) DON'T GIVE ME EXCUSES i was depending on you the the Cartells were

 

exspecting to see those papers they were important you had one thing and you screwed it up i

 

called you the only son i had" "but Mr Sanders...." "(Mr Sanders) NO BUTS im dropping you're

 

income and Pete is going to take you're place in San Diago" Mr Sanders stompd off in a rage

 

and slammed the door behind him Dan felt a little embarrassed everyone was just looking over

 

at him over there cubicals they did feel kind of sorry for him but Pete looked at Dan with that

 

smug look "(Pete) well that was nice you screwed up and my dad is letting me take you're place

 

in San Diago things are working nicely but touch call to you haha" "shut you're god damn

 

mouth daddys boy that's it i've had it" Dan got up and with his courage he walked into Mr

 

Sanders office "HOW COULD YOU HOW COULD YOU GIVE MY PLACE TO PETE" "(Mr Sanders)

 

do you know who you're talking to" "yes i do you reduce my paycheck give my place to you're

 

freak of a son and embarrassed me to the whole cubical so....i quit" "(Mr Sanders) you quit? ok

 

wait i will give you you're payment just don't be so hasty i like a guy that stands up to there

 

boss just think about this for a second before you go and do something stupid" "no im sorry

 

but i quit" "(Mr Sanders) ok listen you are my number one eployee so im going to make a

 

proposition so don't feel quick to resign and just listen ok im going to write down a number and

 

feel free to tell me when to stop" Mr Sanders grabbed a piece of paper and a pen and wrote

 

some numbers down and handed it over to Dan "ah Twenty thousand dollers ? you're kidding

 

right" "(Mr Sanders) oh no Dan you see you are an important asset to this team and we need

 

you it's you that's saving this company so just add anything higher then twenty thousand and

 

that money will be in you're account" "i don't believe it you can't buy me im not going to be

 

taken for a fool this job is boring the pay sucks and you're son is nothing but a kiss ass to you

 

he acts so smug behind you're back you are too blind to notice" "(Mr Sanders) Dan you are

 

making a mistake here you have potential don't do this Dan" "im sorry but im resigning this

 

dumb job besides im going to loose my job one way or another when you give it to you're lame

 

son so i might as well quit when i can" Dan started to walk out the door "(Mr Sanders) DAN YOU

 

CAN HAVE FAME RICHES AND ANYTHING YOU DESIRE DON'T SCREW THIS ONCE IN A

 

LIFETIME OPPORTUNITY" Dan left the office and to his cubical to pack his things away "(Pete)

 

woh what you doing small fry where you going in a rush" "i quit my job" "(Pete) aww is this

 

about the San Diago thing" "i wanted to do this for 6 straight years of working with you and

 

you're dad" so Dan punched Pete on the nose and left the company with his things he drove

 

back to his small appartment he was in a rage "right that's it this place is driving me sick i can't

 

live this way anymore i need a new fresh start this stupid city isn't helping me i make small wage

 

and live in a crappy small appartment" Dan packed his things in a suitcase and exited his room

 

only to bump into Misses West "(Misses West) Dan what have i told you don't track mud these

 

carpets are new how stupid are you and i exspect this weeks rent right now and in hand not a

 

check so cough it up now" Dan got into her face "NO HOW ABOUT YOU LICK THE MUD OFF

 

AND WITH THE RENT YOU CAN SHOVE IT I DON'T NEED A SMALL CRAPPY ROOM LIKE THAT

 

AND EXSPECIALY THE RENT YOU CHARGE FOR IT" Dan stomped off to his car threw his

 

suitcase in and drove out of the city he continued driving until he could find a new place for a

 

new start he waved goodbye to New York for the last time and continued his drive he drove and

 

drove he nearly drove sixty miles until he saw a strange place it was a small town Dan could feel

 

the possibillity the moment he layed his eyes on this small town and it was a new start for him

 

but the strange thing is that there was this building that was massive it was bigger then the

 

town itself it was a massive building that was the size of a city like New York per say it was all

 

colourful so Dan drove into the town he looked at the sign this was the Town of Bristleberry so

 

Dan drove through the town he parked his car close to the humungious building at the end of

 

the town he looked around it felt empty but it wasn't the big gates opend at the huge building

 

and people were walking out there was about twelve people in total then a well dressed woman

 

came out and noticed Dan by his car she walked over to him "(Mia) well well a stranger in our

 

town what brings you here wonderer" "hey this seems like a nice town im looking for a new

 

start" "(Mia) well this town is run by me it's a pretty low population but soon this town will be

 

booming with people you'll see" "what is this building it's massive it nearly takes over the whole

 

desert" "(Mia) well this building is a Zootopia and it's size keeps whats inside safe and secure"

 

"haha a Zoo in the desert next to a small town?" "(Mia) don't mock the desert is the right size to

 

hold this Zoo and if you have no interest then go back under the rock you climbed from" "im

 

sorry for mocking...you feel strongly about this zoo don't you" "(Mia) ahh yes i do thank you for

 

the understanding but stop avoiding my question why are you here" "like i said i want to start a

 

new life i spent ten years in New York living in a boring appartment and six years working a

 

dead end job" "(Mia) aha...well as Mayor of this Town i'll accept you're invite to live here but one

 

condition" "and that would be?" "(Mia) you seem like a nice guy but do you like animals?" "well

 

yeah hehe i had a cat when i was a kid" "(Mia) ok i'll take that as a yes im Mia by the way" "Dan"

 

the two shook hands "(Mia) well Dan it would be nice to have someone live here but it would be

 

also nice if you could pitch in and work to keep the town wholesum do you know what i mean?"

 

"yes i do and i will do any work you want me to" "(Mia) great you are offically a zoo worker

 

welcome to Bristleberry" "wait...zoo worker? but i don't know anything about working with

 

animals" "(Mia) i have faith in you Dan you seem to look like a good worker you said you wanted

 

a new start right?" "yeah but...." "(Mia) this will be you're new start you will live here for free but

 

work for me and gain all sorts of skills here like animal care" "hmm...well ok...but where would i

 

stay?" "(Mia) right here" Mia raised her arms high at the massive zoo "wait inside the Zoo?"

 

"(Mia) yes we have housing through these gates built for workers like yourself just head on

 

inside and pick a bed and tomorrow i will show you the rest of the zoo and again welcome to the

 

zoo" "thanks" so Mia took off Dan walked through the gates holding his suitcase and saw the

 

sign that said "Workers Dorm" so Dan walked into the Dorm and noticed other people they

 

looked at Dan and greeted him "(Pop) well well we got ourselfs new meat haha welcome to the

 

zoo mate" "um hey" "(Clair) haha don't mind Pop he gets carried away when he meets new

 

people" "(Pop) well little missy you didn't mind it haha" "(Clair) *giggle* i'll let you off just

 

because you're old" "(Sam) hey keep it down trying to get some shuteye here" "(Clair) sorry

 

Sam...that's Sam don't mind him he's just sleepy ok that's Jayson this here is Tommy and that's

 

my sister Becky" "wow it's great to meet you all" "(Tommy) so what brings you here why'd you

 

come to a place like this?" "well i used to live in New York but i just had enough i couldn't stand

 

working a dumb job with low pay and living in an appartment with high rent" "(Pop) ahh nothing

 

like the crappy life...anyway Dan you will have so much fun with this job just don't get carried

 

away and think so little about this job and when the time comes don't think strongly about it

 

either" "i won't caring for a zoo will be way better then some dumb office job" "(Sam) listen it is

 

good to meet you Dan but we are not having a party for you're arrival so pick a bed unpack go

 

to bed and sleep please we all have work in the morning and we need to gain energy" "ohh ok

 

sorry Sam" "(Sam) hey don't be sorry im sorry for being harsh im just tierd from a long days

 

work" "(Clair) Sam's right ok Dan choose a bed and i'll help you around the zoo if you want now

 

lets have some sleep" so everyone got to bed Dan walked over to the bed next to Tommy he

 

made himself at home by unpacking and he got into bed and fell asleep but in the middle of the

 

night he woke up from a loud noise it was the sound of banging like earthquakes and the sound

 

of a giant ape making loud oohing sounds but then all went calm Dan fell back to sleep until

 

morning finaily Dan got out of bed after being awoken by Tommy "thanks for waking me Tommy

 

i wouldn't want to be late for my job" "(Tommy) hey don't mention it we are bunk buddies so of

 

course i'll wake ya up" so Dan got dressed and walked with Tommy to grab some breakfast he

 

sat down with Clair Becky Pop and Tommy "i heard weird sounds last night so weird" "(Clair)

 

wasn't Tommy was it...he has a snoring problem" "(Tommy) hey now i don't snore that bad"

 

"(Clair) yes you do" "(Tommy) no i don't" Tommy and Clair were being playful "no no it was

 

weirder then that it was something i've never heard" "(Becky) probably the animals acting up"

 

"hehe don't get me wrong but it sounded like it was a giant ape" everyone sat in silence after

 

what Dan said "(Tommy) ah listen does anyone want more eggs or baccon?" everyone felt weird

 

around Dan they left the breakfast table and walked off Dan felt confused Mia walked in the

 

moment Dan was about to get up "(Mia) hey Dan how are you doing did you sleep well?" "yeah i

 

did uh listen" "(Mia) did you meet the workers? the most important thing here is making

 

friends" "yes i did but something is a miss" "(Mia) a miss?" "yeah we were having breakfast i

 

said that there were wierd noises last night big bangs and i mean big and the scream of an ape

 

but this ape seemed giant from the screams it was letting out" "(Mia) good they haven't told

 

you" "told me what?" "(Mia) i can't tell you it's something you have to see telling you won't help

 

now if your finished we have work to do" Dan and Mia stood up and walked out of the canteen

 

and to another gate "where is everyone?" "(Mia) doing work now Dan this job you will be

 

helping Clair she will assist you with you're work so no need to worry now im going to open this

 

gate and Clair will take you to the animals" so Mia opend the gate Clair and Dan walked through

 

the gate they continued walking but all of a sudden a giant hair hand reached out and grabbed

 

Dan while he was being grabbed he screamed as he was being pulled through the giant habbitat

 

he then saw what grabbed him it was a giant Orangutan "(Clair) Marsha put him down come on

 

put him down now" Marsha looked at Dan with curious eyes Dan was in panic Marsha started

 

screaming along with Dan she didn't like Dan screaming "AHHH HELPP MEE PLEASE" "(Clair)

 

ok ok Dan calm down oh no MIA MIA" Clair ran to Mia "(Clair) Mia we need help please come

 

asap hurry" Mia and Clair rushed through the gates and looked through the habbitat "(Mia)

 

woh..ok ok Dan remain calm just remain calm stop screaming don't panic" "please this thing is

 

going to kill me do something please DO SOMETHING" Marsha saw Dan's disscomfort so she

 

cradled him in her arms and started rocking him Mia ran through between the bars and walked

 

close to Marsha "(Mia) Marsha Marsha it's me Mia you know who i am don't you" Marsha looked

 

down at Mia and she nodded "(Mia) ok Marsha i want you to put him Down can you do that

 

please" Marsha started making noises "(Mia) did you want to greet him and say hi to him?"

 

Marsha nodded again and then she put her hand to her heart "(Mia) you like him?" Marsha

 

nodded to say no "(Mia) ok you love him you want to be his friend?" Marsha nodded again to

 

say yes "(Mia) ok ok put him down and i promise that i will get him to visit you but only if you

 

put him down gently can you do that?" Marsha nodded and gently place Dan down on the

 

ground next to her foot Dan was shaking all over "(Mia) ok ok good girl Marsha good girl" Mia

 

grabbed Dan by the arm and got him out of the habbitat her and Clair walked Dan out of the big

 

gates and into the canteen Dan was shaking all over he sat down Clair and Mia sat next to him

 

"(Mia) ah you're shaking all over Dan" "w.w.w.what happend why is that ape huge...im dreaming

 

right please say this is some weird dream this isn't right at all it can't be" "(Mia) shh shh Dan it's

 

ok don't worry hmm maybe i should of told you before letting you through" "tell me what...i

 

could of died you know" "(Mia i assure you that Marsha is gentle please calm down Dan now

 

slowly tell me what happend" "ah well me and Clair were walking and all of a sudden this giant

 

hand grabbed me from behind and dragged me through these giant bars i have never been so

 

scared in my life" "(Clair) aww poor thing" Clair put her arm around Dan "Mia now is the time to

 

tell me what is going on that wasn't a normal animal that grabbed me something is wrong with

 

this place" "(Mia) ok ok if you must know this place is a zoo no lies but it's different from any

 

zoo the animals here well...they are giant's" "giant's...." "(Mia) yes and the animal that grabbed

 

you was an Orangutan but giant" "how...how do animals become like that?" "(Mia) they eat

 

special food with a mixture of relic herbs and old egyption spices that makes a potion which can

 

ulter the size of animals this is why i made this zoo think how happy animals will be they have

 

tons of space and we take care of them but we won't harm them in any way because we can't

 

they are giants these animals are gentle and they won't hurt any human" "realy what about that

 

giant ape?" "(Mia) Marsha is gentle Dan she was just really curious that's all but she's never

 

done that before not even with the group we have now" "you think that makes me happy being

 

the one to be grabbed" "(Mia) no Dan no but she shows strong signs of love for you Dan it's like

 

she feels connected to you" "what like a lover nope i don't date giant apes" "(Mia) no more like a

 

best friend she seemed really fond of you Dan so don't hate her for that she wanted to greet you

 

that's all" "well...she didn't hurt me thank god but still...a zoo of giants i don't think i can work

 

here" "(Mia) listen Dan we all work with the animals do you know where Pop is now?" "where?"

 

"(Mia) he's feeding the elephants not only that Tommy is feeding the kangaroos" "(Clair) and

 

Becky is feeding the crocodiles" "WHAT!!! crocodiles? you're kidding right?" "(Mia) no she's

 

not kidding the crocodiles you see are mean and attack anything but this one is gentle Becky is

 

by the giant open mouth of the crocodile throwing meat inside but the big guy won't hurt her

 

because he likes her and doesn't want to hurt her so you see all the animals here are gentle but

 

they may be gentle but get curious when they see you so please think about it i promise you

 

won't get hurt here you will enjoy it the best part of this job is bonding with the animals" "(Clair)

 

you know Dan even Mia pitches in" "(Mia) that's right i spent most of my time playing with the

 

lion cubs they are so cute" "hm...well i did want an interisting job and this seems like it and a

 

good place to live so....fine i'll stay but i want someone with me to help me" "(Mia) that's fine

 

with me" "(Clair) this is so great glad to have you here Dan" "(Mia) now Dan the first job should

 

be easy so don't get scared just enjoy yourself you will see how fun it is and don't worry when

 

you first meet the animals they will get curious around you but they will get used to you you'll

 

see...ok now Dan Clair you have jobs to do you better get to it" "wait before i go on this huge

 

adventure can you please tell me what im getting into and please no sercucy" "(Mia) not a

 

problem Dan i will tell you the job and i gave you the most easyest job then anyone else has"

 

"thanks" "(Mia) this job is simple even Marsha could get it done now what you have to do is just

 

pick some leafs from a tree and feed the Giraffes" "heh it's going to take alot of leafs to feed

 

those Giraffes" "(Mia) well no not really because the potion we use on the animals is also used

 

in the fertalizer so all the greenery can grow big enough to fill any animal up and to also make

 

them feel at home here" "aw that's great...well we got a job to do lets go" "(Mia) that's the spirit

 

Dan good luck" so Dan and Clair took off to the Giraffe enclosure Clair stopped Dan by the door

 

"(Clair) Dan wait...you know it's great you're doing this but if the first job doesn't go so great for

 

you don't worry i'll be here to take care of you i just hope you can trust me" "yeah i trust you

 

and i don't know what im getting into without giving it a try in some weird way i can't wait to try

 

this out" "(Clair) ok through this door is where the Giraffes are lets go" so Dan and Clair walked

 

through the door into a jungled area the place looked so beautyful everything was green and

 

healthy it was like a paradise "wow this place is like a jungle i thought Giraffes didn't live around

 

jungled areas" "(Clair) *teehee* no Dan it's not a jungle it's just a big patch of grass that has

 

grown in front of the door" "woh so this is just normal grass like the grass you see in gardens?"

 

"(Clair) yup that's right in all the areas the grass is this big but don't worry you won't get lost

 

come on i'll show you the way" so the two walked through the giant blades of grass it was quite

 

a walk but they finally made it to the end Dan looked at his surroundings in awe he looked to the

 

distance and saw the Giraffes happily wondering around "wow those Giraffes look so small"

 

"(Clair) *tehe* they do look small but remember they are so huge we just need to get closer"

 

"b.but what if they step on us" "(Clair) they won't step on us we have to go up the big tree that's

 

the route to the girraffes come on lets go" so Dan and Clair walked on over to the big tree as

 

they walked Dan stopped "wait how are we supossd to climb that giant tree it's got to be

 

fivehundred feet tall" "(Clair) it's simple luckly we have a lift that will take us up to the top

 

branch" "wow great idea" so the two got to the tree they were quite close to the giraffes "woh

 

they look so huge" "(Clair) don't worry Dan these giraffes are super gentle" the two got into the

 

lift and they were sent up Dan looked in beauty at the giraffes as they were rising from the feet

 

to the top of there heads they made it to the top of the highest branch the view was like nothing

 

seen before Dan was in awe the view made him think about the good things in life and this was

 

the good life "(Clair) Dan DAN" "oh sorry it's just this view it's incredable" "(Clair) yeah it's

 

something special for the first time im glad you appreciate the view you got a good eye Dan it's

 

the eye of beauty...ok back to work now Dan go from each branch and get some leafs" "wait arnt

 

the Giraffes tall enough to reach up and get the leafs?" "(Clair) good question i asked that at

 

first and what i was told is that the leafs on the top of the tree are more greener and have more

 

nourishment so the giraffes will enjoy these more" Dan and Clair worked hard going from

 

branch to branch grabbing leafs Dan had a handful of leafs "what do i do with these look at the

 

size on them" "(Clair) go into the lift and put them in the basket" so Dan did that and went out to

 

find more they finally had enough leafs to fill any girraffe up the two got into the lift and were

 

taken down to the middle of the tree "(Clair) ok Dan now we are going to do something

 

incredable now if you seen beauty then you are going to love this in this task we are going to

 

feed the girraffes" "*gulp* feed the girraffes umm can't we leave them here for them to find?"

 

"(Clair) no Dan i want you to get the experiance which means interacting with the animals that's

 

one of the major jobs here ok so grab a leaf and get there attention" "hehe ok" so Dan and Clair

 

grabbed a leaf each and waves the leaf in the air shouting over to the giraffe "HERE GIRAFFE

 

HERE UMM SNACKY?" one of the giraffes took interest of the little voices with curiosity the

 

giraffe looked down at the brance only to see Dan and Clair the giraffe lowerd it's head down

 

"(Clair) ok Dan give her the leaf" "uh...you first" "(Clair) Dan this is a first time experiance for

 

you so you will have to go first" Clair hid the leaf behind her back the giraffe got closer to Dan

 

she had her nose right by Dan she started giving a few sniffs "woh hehe ok calm down hehe"

 

"(Clair) tehe she's just curious Dan don't worry" "heh what if i get sucked up her nose?" "(Clair)

 

haha don't worry Dan you'll be fine just raise the leaf up to her" Dan raised the leaf up next to

 

the giraffes nose the giraffe got the whiff of the leaf she lowerd her head until her eyes met to

 

Dan's level Dan was now looking into the eyes of the giant giraffe "hey over here girl eat this

 

leaf...but don't eat me ok" the giraffe raised her head until her mouth was next to him and she

 

gently grabbed the leaf and started chewing on it Dan looked at Clair with awe "i did it i fed the

 

giraffe...it was so awesome i can't believe i did that and she was so gentle" "(Clair) see i told you

 

that was amazing Dan good job" a big shadow loomed over Dan he looked up and saw the

 

giraffe looking down at him "heh hey there did you enjoy that? that's a good girl" the giraffe

 

stuck her tounge out and tried to lick Dan but Dan was quick he evaded the lick "WOH uhh..ok

 

ok nice joke but stop it now" but the giraffe didn't let up she tried to lick him again "ahh Clair

 

help me please" "(Clair) ok Dan ok im not going to help you just try to resolve this problem

 

yourself" "b.but Clair" the giraffe tried again but Dan didn't want this he just wanted to finish his

 

job so he ran across the tree the giraffe which was fast than Dan moved across trying to lick him

 

again but missed as Dan lowerd his head but without looking he slipped into a big dent on the

 

tree he was on his back looking at the looming giraffe over him "no Clair she's going to eat me"

 

the giraffe slowly lowerd her mouth down as the mouth got closer Dan tried to get on his feet

 

but he couldn't he froze as he saw the giant mouth up above him "no no NOOO!!!" the giraffes

 

mouth coverd the big dent Dan fell in everything got dark the hole was coverd with the giraffes

 

giant lips and mouth and then the tongue came out and started licking at Dan but the licks were

 

real gentle Clair raised the leaf up in the air "(Clair) HERE GIRL HERE come get it" the giraffe

 

lost interest and moved her head away over to Clair she grabbed the leaf and began eating it

 

Dan got out of the big hole and ran to Clair "(Clair) oh my god Dan" Clair had to cover her

 

mouth from the laughter "(Clair) HAHAHAHA sorry Dan but wow look at you" "why didn't you

 

help me?" "(Clair) Dan listen you didn't need help these giraffes are gentle they don't mean to

 

harm anyone you just need to relax and let the giraffe do what she was going to do she won't

 

eat you being she is a herbivore" after eating the leaf the giraffe lowerd her head to Dan and

 

started rubbing against him after that she put her head next to the tree and kept her head there

 

"(Clair) aww she likes you Dan and look she wants us to climb on" "are you crazy? from this

 

height" "(Clair) cmon Dan be brave" Clair grabbed Dan's hand and the two ran on the giraffes

 

muzzle the giraffe raised her head up high Dan grabbed on to a stride of fur hoping not to fall

 

the giraffe lowerd her head down to the ground and kept it there Dan and Clair climbed down to

 

the ground Dan bravely walked over to the giraffe and started stroking it by the chin the giraffe

 

was loving it "listen im sorry for accusing you of trying to eat me i didn't know" the giraffes

 

understood the words Dan said she gave Dan the most gentlest lick she rubbed her head next

 

to Dan and then she raised her head up high and started walking Dan looked in awe as the

 

giraffes walked over the two "(Clair) we did it Dan congratulations you passed the test" "test?

 

what do you mean test?" "well we are happy you want to work here but we had to make sure

 

you are capable of this sort of work so we gave you the most simplest job ever and you passed

 

that giraffe adored you" "wow this is amazing...so what's the next job?" "(Clair) tehe Dan you

 

love this don't you but it's just one job a day to do these jobs are tiering Dan you should get

 

some rest i think it's time to grab some dinner and just have a me time but Dan remember this

 

any job you get will get tougher but it will be more easy when you understand the animal you

 

are working with now im starving lets get some grub" the two walked to the exit and left the

 

giraffes habitat it was finally the end of the day all the workers got together and had a big feast

 

in honnor of welcoming Dan to the team while they were eating Pop stood up giving his glass a

 

clink everyone stopped eating to hear Pop's speach except for Jayson he continued eating Pop

 

clinked his glass until Jayson finally stopped "(Pop) ok ok i would love to welcome Dan to the

 

team he did an acceptable job but even though he was face to face with Marsha he handled

 

himself and still agreed to stay and that is what makes Dan a great asset and also a great guy to

 

know great to have you with us Dan" everyone agreed to what Pop "(Tommy) here here great to

 

have you with us Dan" Tommy said as he gulped his wine then Dan had to stand up and say

 

some words "ok i don't normally make speaches but this has got to be the first greatest job i've

 

ever had and i don't mean to share my life with you all but i started out as a low life that worked

 

a boring office job a jerk of a boss and also the butt licker of his son i've lived in a poxy

 

appartmant with a horrible landlord and it feels like i've walked through the heaven gates

 

meeting all you nice people a great boss that respects me great adventure in my work and a nice

 

place to live and i couldn't be more greatful so thank you all for this great thing i've come

 

across" Dan sat down everyone clapped for Dan's speach "(Pop) great speach Dan you sure

 

you haven't given any speaches before because you're good at it" "im sure but thanks anyway"

 

Jayson stood up and walked off "hey what's that guys problem he hasn't said one word to me

 

did i do something" "(Tommy) he hardly talks just goes to his dutys "(Becky) you know what i

 

don't trust that guy at all something is off about him and it's not just me Marsha's got a problem

 

with him when ever he passes Marsha plays up she goes bazerk" "(Pop) i know what you mean

 

he also works by himself" "(Mia) well he does his job this is meant to be a loving job lets just

 

leave it be and celibrate Dan's honnor to the team" "(Clair) you did a great job today Dan hehe

 

you should of seen him today" "aw cmon Clair don't you dare tell them about today" "(Clair)

 

tehe oh hush Dan...so me and Dan were on the giant branch waving our leafs i hid my leaf when

 

the giraffe walked over to us the giraffe moved her nose over to Dan and gave a few sniffs Dan

 

got scared that he'd end up in her nose..." "(Pop) HAHA" "(Tommy) priceless" "(Clair) heh so

 

the giraffe grabbed the leaf from Dan and started eating it then after she ate it Dan felt so proud

 

of himself then the giraffe started eyeing him the giraffe stuck her tounge out and tried to lick

 

him but Dan was quick he evaded the giant tongue and ran for his life across the branch as he

 

was running he didn't realize the giant dent on the tree he slipped into the dent looked up only

 

to see the giant giraffe looking down on him" "(Pop) haha wow" "(Clair) the giraffe then lowerd

 

her giant lips on the dent and started making all these sloshing and kissing noises i thought it

 

was cute all i could hear was Dan screaming what do i do what do i do i couldn't help him

 

because he had to figure out for himself he was scared that he was going to get eaten so then i

 

swooped in waving a giant leaf trying to get that giraffe's attention it works luckly" "(Tommy)

 

wow heh then what happend?" well for some strange reason i've never seen it before the giraffe

 

lowerd it's head like she wanted Dan to jump on her head so we jumped on and she took us for

 

a little ride by the exit lowerd us down and then gave Dan a little lick and walked off"

 

"(Pop)...wow now that was a great story it got tough but you managed well Dan good job"

 

"(Tommy) yeah good for a first time thing" "(Becky) well glad you decided to stick around after

 

what happend if it were me first time i would of quit" after the meal they decided to chat some

 

more and have some more wine after drinking everyone went off to the dorm but bumped into

 

Jayson he was coverd in mud and some blood "(Clair) oh my god Jayson what happend"

 

"(Jayson) just a little accident but i'll be fine" "(Tommy) you sure because looks like you need to

 

see a doctor you're coverd in blood" "(Jayson) im fine i just....well i thought i'd pay a visit to

 

Marsha" "(Becky) but what happend? Marsha is gentle she wouldn't hurt anyone" "(Sam) what's

 

goingon where did this blood come from" "(Jayson) just drop it ok Marsha...had a meltdown she

 

overreacted and threw me on the ground ok" "(Clair) oh my god" "(Tommy) impossible she

 

couldn't of" "(Jayson) well that's the truth now im tired im gonna go to bed goodnight folks" so

 

Jayson went off to bed "(Becky) ok something isn't right" "(Sam) i know what you mean

 

something is up but i can't quite point my finger" "i think we should check on Marsha" "(Clair)

 

no she'll be fine trust me maybe she felt stressed out she didn't mean it" "(Tommy) well i agree

 

with Dan and im with him we should check on her" "(Sam) well what ever but you do know that

 

Mia has the keys and she's not going to give them just by asking nicely" "(Tommy) Sam's right

 

Dan heh" "i know she might have had more wine then us maybe if you distract her i can make a

 

grab for her keys" "(Becky) Dan you're insane she'll figure it out it's you're first day and if she

 

does catch you then she will hawl you out of this job" "she might let me off with a warning just

 

do this quick i'll never sleep with this going on in my head" Dan and Tommy walked out of the

 

dorm and into the canteen only to see Mia sat down sipping her wine the two walked on over to

 

her "hey Mia" "(Mia) heey Dan Tommy can..can i say it's great to have you with us Dan

 

you...*hiccup* you are the best thing to ever happen" "thanks...uhh you know that's a great

 

jacket you're wearing" "(Mia) thanks it's made with fake leathure but looks real *hiccup* heey

 

cmon sit have a drink with you're good boss" "no im good well...me and Tommy were talking and his sisters birthday is coming up she too is against any animal cruility and the thing is Tommy doesn't know her size so could it be possible for Tommy to try on you're jacket" "(Mia) *hiccup* why on...why on earth for?" "(Tommy) well me and my sister we are sort of the same size i kind of screwed up her last birthday pressent so could i try it on?" "(Mia) aw i can't say no to you Tommy my sweet golden haired boy here try it on" Mia took off her jacket and handed it over to Tommy he put her jacket on and put his hands in the pockets "(Tommy) wow this is so comfy so much room space in the pockets" "(Mia) *hiccup* glad you like it Tommy...now can i have it back" "(Tommy)....I LOVE YOU DAN" Tommy rushed over to Dan to give him a hug Dan then realized so he sneaked his hands into the pockets and carefully grabbed the keys trying his best not to make them clink it took a while but he got the keys and put them in his pocket Mia rushed over to Dan and she wrapped her arms around the two "(Mia) *hiccup* i love you both too you know...*hiccup* you know this is part of the job i love just being with great employees like you two" "we love you too Mia....*yawn* wow today was such a good first day of work for me it's made me so sleepy" "(Tommy) yeah me too *yawn* goodnight Mia" "(Mia) ok goodnight you two see you next morning" Tommy and Dan walked off they rushed to the animal sactom and opend the cage to go through they walked over to Marsha's habbitat "(Tommy) ok we are going to check on Marsha just to see how she is but if Jayson is right we should keep our distance" "fine we will just hope for the....best" the door opend "(Tommy) oh my god....this is unreal" sounds of dissconfort could be heard "....i don't believe it"

 

___TO BE CONTINUED___

First a rant, then a review. I (try) to work hard at my job to be able to afford to try new beers and eventually review them. However, it pisses me the eff off when one of my roommates has been stealing my beers and beer glasses for weeks now. I had a hoard of Quebec beers, I wanted to drink my bottle of Unibroue "U" Rousse, and hmm.. for some reason the bottle was opened and empty. That's not like me.. EVERY time I try/drink a beer, I post it on untappd, even if it's Club or OV. But this time, I looked to see if I had it very late at night when I may have had a few too many.. nope. I didn't check in.. so something's up. I look in a box where I had 12 different Quebec beers.. oh look.. 6 of them are all empty.. I didn't even get to try them! Then the other day I wanted to drink a bottle of Unibroue 17 Grande Réserve out of my Unibroue glass (Note: I bought one for $25 + shipping off eBay and got another two from my friend Jonny, but the other two are at the farm), the Unibroue glass is missing! I live in a place that's basically a dorm meets rooming home, everyone here's about my age. None of them really like beer, so it seems really unusual that someone would be stealing my beer I used my HARD EARNED MONEY to buy.. IN QUEBEC! You may be saying "but Cody? Why don't you move out?" Well, I'm perpetually broke. I can't afford to move out. Every time I do have money, I save it for my Quebec bièrcation fund ($50 or so per paycheque) and the rest goes to bills bills bills. I'm sick of this fucking shit.. I work my ass off (even if some don't think I do.. I honestly try my best) and this is the thanks I get. What does this have to do with tonight's review? One beer that fortunately DIDN'T get stolen out of the box was the new Big Bison ESB by Fort Garry Brewing.

 

Matt & team over at Fort Garry Brewing have been working on a bunch of new seasonals/one-offs for quite a while now, and I still remember reviewing their very first craft beer, Munich Eisbock back in 2011.. oh how the times have changed!

 

Appearance: Big Bison, like most of their seasonals/Brewmasters beers comes in a painted 650mL bottle. Big Bison has a portrait of a.. bison with the words Big Bison on it, with a 1970 Manitoba centennialesque "Manitoba" logo. Pours a somewhat clear slightly reddish-honey golden ale, thick amount of creamy beige head, fluffy as heck.

 

Aroma: Has a kind of Fort Garryesque aroma to it, reminiscent of Fort Garry's Rouge in aroma, some moderate amount of bitterness from the hops, a whiff of barley, sweet caramel malt notes and slightly bready.

 

Taste: While it's called a "bitter", it's quite moderate in bitterness to the tongue.. hi-oh ;) It has a bit of a creamy mouthfeel, floral yet somewhat bitter hops, caramel maltiness, slightly grainy, and somewhat toasted. The flavour is very much of a Fort Garry taste to it, it has a combination of Fort Garry of the past meets Fort Garry of the present. Notes that remind me of Fort Garry Rouge and Gibraltar yet flavours we should expect from Brewmaster Matt.

 

Overall Thoughts: I'm nowhere near as cranky as I was when I was starting this piece, the beer really calmed me down, soothed me to the point I'm just about ready to go to sleep. I've had quite a few Extra Special Bitters (ESBs) in the past few weeks thanks to taste testing beers at the Lt Governor's Winter Festival, and this is an incredibly solid ESB, nice moderate amount of bitterness, creamy on the palate, caramel notes, a bit toasty, not a beer you would see in Manitoba circa 1970 but this is a style that seems to be one of the "next big styles" in beer, as I've seen a few of my favourite breweries starting to experiment with ESBs as of late. Costs $6.55/650ML bottle at the Liquormart. 5.5% ABV and 45 IBU. I love the name, it's really a Manitoban kind of beer name, and the 1970 "Manitoba" logo reminds me of Manitoba's past. This will of course, pair well with a local bison burger topped with fresh bacon (with a bit of drizzling of maple syrup), Bothwell's award winning Monterey Jack cheese, buns from Le Croissant, Minary Homestyle Bakery in Souris or my favourite.. Stella's Cracked Wheat buns. Oh and don't forget to have a bit of BBQ sauce for the Big Bison burger.. a stout/dark ale BBQ sauce will do its trick!

 

Okay.. I'm hungry.

My friend, Amanda, is 32 weeks with twins! A boy and a girl!!

This card is a

REAL PHOTOGRAPH

on Bromide paper.

The Rotograph Co., N.Y. City

Printed in England

Photo only Copyright 1908 by the Rotograph Co. N.Y.

Postmarked April 11, 1912

Message: "Dear Sis:-- Your suit is here so will expect you down. We are all well and hope you are the same. sister Jane"

High Street, Feltham

 

20180516_4990x

Expecting a pair of 86’s on this one however 66 528 was showing on the maps and did turn up passing Rugeley Trent Valley station with 4M87 Felixstowe to Trafford Park freightliner service

Mckenzie River Trail, Willamette National Forest, Oregon USA

Secrets revealed of the Abode of Chaos (132 pages, adult only) >>>

 

"999" English version with English subtitles is available >>>

HD movie - scenario thierry Ehrmann - filmed by Etienne Perrone

 

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voir les secrets de la Demeure du Chaos avec 132 pages très étranges (adult only)

 

999 : visite initiatique au coeur de la Demeure du Chaos insufflée par l'Esprit de la Salamandre

Film HD d'Etienne PERRONE selon un scénario original de thierry Ehrmann.

  

courtesy of Organ Museum

©2012 www.AbodeofChaos.org

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