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Muita expectativa e animação foram marcas registrada do nosso evento e as atrações não decepcionaram. Teve muito rock, mas também teve reggae, alto astral de sobra, gente bacana e alegria contagiante. Dá só uma olhada no que rolou por lá no 1º dia de evento.
Expecting to ride the ferry to Capri, we were quite unprepared to have to take an alternate route to Capri; we discovered why they call it 'lug'gage...dragging our bags up the hill in a rain shower to wait 2 hours for a 30 minute bus ride, followed by a longer ferry ride. We finally made it to Capri though...
Al realizar un balance de la actividad turÃstica registrada en la entidad con motivo de la 84ª edición de la Guelaguetza, el Gobernador Gabino Cué Monteagudo afirmó que la máxima fiesta de hermandad del Pueblo de Oaxaca cumplió con todas las expectativas y con saldo blanco, a pesar de las manifestaciones magisteriales registradas en la capital del estado, toda vez que durante el periodo del 22 julio al 1 de agosto, la ciudad de Oaxaca registró una ocupación hotelera de 53% en promedio y un aforo de poco más de 82 mil visitantes.
Oaxaca de Juárez, Oax., 3 de agosto de 2016
While waiting for the BNSF watertown local to stop dicking around I heard somebody on the tc&w say set and centered so I took off into town and found this guy just departing. I had no idea they had these units let alone that units like this are still around. The bad thing about this shot was that the sun dropped behind the clouds and that I lost my wide angle lens .. I was stuck with my zoom lens. Zoom and clouds not a good combo :( Oh well atleast I caught them..
Mayor Eric Adams urges New Yorkers to take precautions as high heat is expected to continue through Wednesday, June 25. NYCEM Headquarters, Brooklyn. Saturday, June 21, 2025. Credit: Justin Persaud/Mayoral Photography Office.
Muita expectativa e animação foram marcas registrada do nosso evento e as atrações não decepcionaram. Teve muito rock, mas também teve reggae, alto astral de sobra, gente bacana e alegria contagiante. Dá só uma olhada no que rolou por lá no 1º dia de evento.
An interesting surprise... a tiny wolf spider carrying an egg sac. She was in no mood to stand around and pose, and both me and Rosie took quite a few disappointingly blurred photos of this one.
This one was somewhat improved with the assistance of my trusty SB25 flash, camera left, probably 1/16th strength through a tissue paper diffuser and about 6" away from the subject.
I don't expect the sculptor (Rudy Weller) had taken seagulls into consideration!
The Criterion Building, Piccadilli Circus, London
The Daughters of Helios or Three Graces depicts the three Charites - Aglaea, Euphrosyne, and Thalia - who in some accounts are the daughters of Helios and the naiad Aegle. The three female figures are made from gold-leaf-covered aluminium. They are installed at roof level, as if leaping off the 6th floor of the building (wikipedia)
Photo taken on Huawei phone 18th March, 2020
Two DDG images combined with original on Topaz and Photoshop
Esta mañana se llevo acabo una conferencia de prensa en donde los medios de comunicación de la Ciudad de Querétaro se hicieron presentes. 19 de Noviembre 2009
Esta mañana se llevo acabo una conferencia de prensa en donde los medios de comunicación de la Ciudad de Querétaro se hicieron presentes. 19 de Noviembre de 2009
What is there in his eyes? Doubt, thirst, hope, somthing ignorant. Maybe he just want to have a book of himself. He gazed attentively at the camera while I was taking this photo.
Expect to fulfil all romantic dreams in Munich, München or call her by any name. If at first, you are pushed for time visit the photographed sites ONLY! Then give her a second thought. Trust me, cos I loved her so…
Muita expectativa e animação foram marcas registrada do nosso evento e as atrações não decepcionaram. Teve muito rock, mas também teve reggae, alto astral de sobra, gente bacana e alegria contagiante. Dá só uma olhada no que rolou por lá no 1º dia de evento.
Muita expectativa e animação foram marcas registrada do nosso evento e as atrações não decepcionaram. Teve muito rock, mas também teve reggae, alto astral de sobra, gente bacana e alegria contagiante. Dá só uma olhada no que rolou por lá no 1º dia de evento.
This World Class attraction was everything we expected and more. Construction has just begun on a major expansion, but that has been managed in such a way that it does not in any way detract from the experience now.
This album focuses on the artwork inside the buildings and on the other interior spaces including the Eleven Restaurant and the Gift Shop. A separate album posted a few days ago is devoted to the two April mornings that we spent exploring just some of the trails that crisscross the 120 acres of Arkansas forest around the museum.
Alice Walton and her co-creative team can be proud of the vision and execution of everything on this 120 acre site.
_____________________________________________
"Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.
Alice Walton, the daughter of Walmart founder Sam Walton, spearheaded the Walton Family Foundation's involvement in developing Crystal Bridges. The museum's glass-and-wood design by architect Moshe Safdie and engineer Buro Happold features a series of pavilions nestled around two creek-fed ponds and forest trails. The 217,000 square feet complex includes galleries, several meeting and classroom spaces, a library, a sculpture garden, a museum store designed by architect Marlon Blackwell, a restaurant and coffee bar, named Eleven after the day the museum opened, "11/11/11". Crystal Bridges also features a gathering space that can accommodate up to 300 people. Additionally, there are outdoor areas for concerts and public events, as well as extensive nature trails. It employs approximately 300 people, and is within walking distance of downtown Bentonville."
en.wikipedia.org/wiki/Crystal_Bridges_Museum_of_American_Art
crystalbridges.org/nature-trails/
...
You live upon a stage, and everyone's agreed
You're the brightest hope by far that anyone can see
So when you take the limelight you can guarantee
You're gaining fame and claiming credibility
Tell me baby are you gonna get high as a kite?
Tell me baby are you gonna let it happen every night
How can you expect to be taken seriously?
You live within the law, and everyone assumes
You must find this a bore, and try something new
You're an intellectual giant, an authority
To preach and teach the whole world about ecology
Tell me baby are you gonna make any other claim?
Tell me baby are you gonna take any of the blame?
How can you expect to be taken seriously?
How can you expect to be taken seriously?
(Seriously)
(Seriously)
You live within the headlines, so everyone can see
You're supporting every new cause and meeting royalty
You're another major artist on a higher plane
Do you think they'll put you in the Rock'n'Roll Hall of Fame?
Tell me baby how you generate longevity
Tell me baby how you really hate publicity
How can you expect to be taken seriously?
How can you expect to be taken seriously?
Seriously (seriously)
Seriously, aah
(Do you have a message for your fans?)
How can you expect to be taken seriously?
How can you expect to be taken seriously?
(Seriously)
Seriously
(Seriously)
Seriously
Aah, seriously
My photo walk of Tuesday, September 17, 2024 in Lyon, France. I expected a mixture of sunshine and clouds for testing the B+W red filter but in turn, the cloud cover was tight. I decided to keep the red filter for the whole film anyway.
I used my Hasselblad 500 C/M camera loaded with a Kentmere 100 film. The Carl Zeiss normal lens Planar CF 1:2.8 f=80mm was equipped with a 67mm screw-on filter Light Red 5 B+W type 090 adapted to the Hasselblad bayonet filter mount with a specific adaptor. The Zenza Bronica metal shade hood designed for the 75mm Nikkor-P lens was mounted additionally to the filter to its 67mm thread.
The film was exposed for 25 ISO to compensate of the filter light absorption using a Minolta Autometer III and its 10° viewer for selective measurement privileging the shadow area's or by measuring the incident light with the opalescent dome.
View Nr. 11: 1/60s f/3.5 focusing @ 7m
Place Docteur Gailleton Maire de Lyon, September 17, 2024
69002 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 15min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm film.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
About my Hasselblad 500C/M:
I remember that somewhere around 2002, I considered to buy a Hasselblad camera. I gave up because I had no more access to a darkroom and I found too complicated to recreate one or to delegate the processing to a service lab. Afterward, I started digital photography that distracted me to operate again with films until more recently. It is only when I could manage in 2022 a reliable and quality way to exploit my negatives in a reasonable time, that I really could enjoy again of analog photography.
On July 17, 2024, I decided to buy "my" Hasselblad in a very traditional way, almost as I could in the 90’s, in a local real photographic store, Lyon, France. The store « Carré Couleur » of Jacques Larger, rue Servient, Lyon, France, is a long-time specialist of professional medium-format camera’s including Hasselblad ones. They had on display several revised and 6-month guaranteed camera’s and a large choice of lenses and accessories.`
I choose a 500 C/M year 1978 and a Carl Zeiss lens Planar T* 1:2.8 f=80mm of the CF series year 1986, plus a small set of little Hasselblad goodies. The 500 C/M is totally mechanical without any electrical nor electronic circuitry. The 500 C/M's were produced in Göteborg, Sweden, from year 1970 to 1994. They followed the production of the 500C camera’s (1957-1970). The latest V-series camera (503 CX, CW, CWI etc) ceased in 2006 and Hasselblad then produced only digital camera’s but also digital camera backs that could fit to the V-series includingbthis 500 C/M (www.hasselbladhistorical.eu/HS/HSTable.aspx)
This CF lens series has central shutter Prontor (Synchro-Compur for the earlier Zeiss series). They are more cylindrical than earlier series and equipped of the proprietary bayonet filter mount B60. The delayed shutter realease was also abandoned. The focusing screen is the « Bright » series with the Dodin stigmometer in the screen centrer and the squared cross-ruling lines. Later 501 and 503 were basically equipped with an even more brighter screen called « Acute-mat ». The camera back could dated from year 1977 is an « A-12 » back « A » standing for « Automatic ». The film advance automatically stops at view 1 with view counter on the right camera side.
After a complete demo by Jacques Larger, I studied the camera manipulation at home with the user manual in hand (an original edition of 1980) before doing the decisive « film d’essai » (test film) on a sunny morning of July 20, 2024.
The results show very high-quality, highly-contrasted negative views, perfectly exposed and spaced proving the good technical state of the camera, film magazine, and the lens/shutter.
On sept. 2, 2024, I received from a French specialist of collection camera's, a second film magazine Hasselblad "A12". This back is in a pristine condition and matches the production year 1978 (Hasselblad letter coding "UR") of the 500 C/M body.
The camera back is like a new with almost no signs of use. It arrived in its original Hasselblad box including the original user manual too. The film insert has latest 3 digits matching the film magazine serial number, that is not the case of the other magazine. Unmatched magazines and inserts, are very common and assumed not to be a technical problem, but Hasselblad maintained the pairing of the insert magazine to ensure to the customers of the best attention to the precision of the film plane.