View allAll Photos Tagged existential

Last night, I had a minor panic-attack-existential-crisis, and spent an hour coming up with The Plan. The plan is a way to make my life meaningful, and consists of a three-pronged attack: Volunteer at the Humane Society, go back to school, and start up an AR (animal rights) website, getting the word out and being informative, graphic, in-your-face truthful, and awesome.

 

As of now, I'm awaiting word from the Humane Society about whether I can come to the next dog walking class, getting info in the mail about an online college I'm going to enroll in, (Medical assistant- one of the fastest growing occupations this decade!) and I plan to delete my old blogger account and start a new one. Yay progress! Yay school! Yay puppies! Yay opening minds!

 

Yay!

From 2006 to 2009 concern in the Hunter about climate change diminished.

Thomas Hardy at his 'existential' best...

 

Epitaph On A Pessimist

 

I'm Smith of Stoke aged sixty odd

I've lived without a dame all my life

And wish to God

My dad had done the same.

From a series in 2003

A 36-year-old man, Patrik Eriksson, is in the midst of an existential crisis when his two coworkers Erik Hemmendorff and Ruben Östlund (The Guitar Mongoloid and Involuntary) decides to document his life using their cell phones. The film project leads to intimate situations and long conversations on relationships, sex and friendship. Patrik sees the material and decides to make a movie of his own depressions and struggle to find love and happiness.

This is an extremely honest, raw and charming documentary, shot entirely by cell phone cameras. The story is easily recognizable: a man that is struggling with his love life and friends who are trying to help. It is also funny to watch three guys in their 30s completely involved in creating the perfect text-message to a girl.

Patrik Eriksson will be a guest at the festival.

  

Patrik Eriksson, born 1970 in Örebro, Sweden. Studied film directing at the School of Film Directing in Göteborg.

went back to the abandoned buildings, had a lot more fun this time!

lost

 

existential reflections

Femeia, moştenire culturală şi existenţială

Martin Lovell, friend and fellow photographer shot during our recent visit to the Photographers Gallery in London.

 

In the period following World War I, a curious attraction appeared at fairgrounds: the photographic shooting gallery. If the punter’s bullet hit the centre of the target, this triggered a camera. Instead of winning a balloon or toy, the participant would win a snapshot of him or herself in the act of shooting.

 

Yes Martin did hit the target.

thephotographersgallery.org.uk/shoot-existential-photography

An exhibition featuring the work of:

 

Belladonna Johnson

Heather Tatarek

Heather Tubwon

Kayla McMullen

Kayleigh Fichten

Sissorelle Ferox

 

"There is no specific force, there is instead existential energy, which is an incarnation of the spirit concept. Basically the essence of life, the thing that motivates development, makes things grow and causes things to change...The ability of an individual to pursue their purpose with an amplified understanding and sensitivity. Existential Energy."

  

Facebook . Twitter . Tumblr . Cargo . Old Flickr .

His first existential crisis, at age 40-minutes.

Of course, such distinctions might be traced out much further but I limit myself to the distinctions which are needed in present study.

June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:

 

438 - Pandemics and the Existential Threat to Global Security (Priority)

 

Ron Klain, Lisa Monaco, Nancy Sullivan

 

Moderator: Tommy Vietor

 

St. Regis Hotel Ballroom

 

5:30 - 6:30 pm

Photo by Ian Wagreich

Jonah in his existential dilemma.

Somewhere over California

it's all in the mind.. keep your perspective bright and it would stay bright..

Beginning the existential angst of yet another arduous trip around the sun with the traditional downcast mood.

Femeia, moştenire culturală şi existenţială

CLONELY

Tuesday 25 July and Wednesday 26 July at 9pm, £5.

King’s Arms Studio, 11 Bloom Street, Salford M3 6AN.

CLONELY is an adventure in existential sci-fi crisis. A blend of bullsh*t arthouse theatre with the best of sci-fi cinema, but on stage and with DIY props. Expect lo-fi aesthetics, an awkward five minute docking scene, and long monologues about how dark and bleak space life is. Are you scared of dying aclone?

Presented by Charlie Hammond and Jasmine Chatfield.

Sci-fi, performance, art, theatre.

Book tickets via www.greatermanchesterfringe.co.uk

Interview with Charlie by Andrew Riley and Aleksandra Todorova: youtu.be/xwumviEnCEw

Photograph Shay Rowan

David Antreasian

Albuquerque City Hall, 7th Floor

400 Marquette NW

PAC.0783

 

...feeling very existential...

...under Address: "This is not my beautiful house", and Help: "How do I work this?"

East Midlands based artist Lyra Morgan graduated with a Master’s Degree in Advanced Theories and Practice from the University of Derby in 2011, having previously received a First Class Honours Degree from the Birmingham Institute of Art and Design.

With high standards of production, Lyra creates her ‘scapes’ by taking inspiration from seeing the extra-ordinary in the seemingly every day or ordinary, the natural world and being free enough in spirit to allow each work to build through a cycle of evolution. She creates abstract but instinctively balanced compositions, sensitive to the gradations of tone using unique techniques she has developed through the open and experimental approach to her practice.

Colour has always played a big part in Lyra’s life and art career, loving the way it can transform how we experience and live in any space.

“When I first started painting, I had reasonably clear ideas about what I wanted to paint. Now that I paint on a daily basis, the paintings seem to take on a life of their own and I realise now more than ever that a big part of my arts practice is about being ‘present’ in the moment and embracing process itself.”

Pieces available at the Ark:

28. Existential 1, Acrylic on canvas, 100 x 140cms

35-37. Intuition (Triptych), Acrylic on canvas, (3 canvases of 76 x 106cms )

To see more of Lyra’s work visit:

www.lyramorgan.com

or email lyra@lyramorgan.com

 

www.artintheark.wordpress.com

 

www.arkcentre.com

The leather-clad intellectual ponders the important questions of life, like how much milk to put in his tea.

The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.

This one is my fav, I think out of this series.

Ease the existential dread of growing up with these extra stylized pop inspired buns. It's Babydoll Blonde And Black Bubble Ponytails Wig. Featuring 6 Buns that make a halo of Blonde and Black Loops. This mini bun halo two-tone pigtails feature extra-long bubble pigtails that keep this look extra sugary sweet- sure to get you a seat with the cool kids. This wig is made with synthetic fibers and has a breathable capless design.

 

Buy Now: www.halloweenpartyonline.com/collections/cosplay-wigs/pro...

The purchase of this tablet was of existential importance

For Blaine Fontana's "Square Foot" show at:

 

Thinkspace Gallery

4210 Santa Monica Blvd.

Los Angles, CA 90029

#323.913.3375

 

www.thinkspacegallery.com

 

Gallery Hours: Thursday through Sunday 1-6PM (or by appointment)

Progetto Arcevia 2.0/12

In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.

40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.

Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.

Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.

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