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The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.
I have just discovered that one of Steve's pictures was uploaded to flickr the day before it was taken.
www.flickr.com/photos/7352884@N02/2535826444/
textures - alicepopkorn
ewan thot
www.flickr.com/photos/natura_pagana/4284883326/in/set-721...
planet by Lady Victoire
light beam by Obsidian Dawn
Inspired by Ernest Heminway's "The Old Man and the Sea," and taken along a quiet dock in the South of France.
CLONELY
Tuesday 25 July and Wednesday 26 July at 9pm, £5.
King’s Arms Studio, 11 Bloom Street, Salford M3 6AN.
CLONELY is an adventure in existential sci-fi crisis. A blend of bullsh*t arthouse theatre with the best of sci-fi cinema, but on stage and with DIY props. Expect lo-fi aesthetics, an awkward five minute docking scene, and long monologues about how dark and bleak space life is. Are you scared of dying aclone?
Presented by Charlie Hammond and Jasmine Chatfield.
Sci-fi, performance, art, theatre.
Book tickets via www.greatermanchesterfringe.co.uk
Interview with Charlie by Andrew Riley and Aleksandra Todorova: youtu.be/xwumviEnCEw
Photograph Shay Rowan
A set inspired by Sartre's existential conclusion that the consequence of God's nonexistence leads to an ongoing experience of anguish, forlornness, and despair.
Panasonic Lumix DMC-GF1
Panasonic Lumix G Vario 20mm/1.7
1/3200 sec. at f/1.7, ISO 100
April 2011
This is Charles Sanders Peirce's MS 460. It covers his system of existential graphs and the philosophical basis for diagramatic reasoning. I'm hoarding here and am well aware that it is barely legible. If it stirs your curiosity visit www.helsinki.fi/science/commens/
Now the subject of a proposition is necessarily an individual or in relative propositions a set of individuals, in this sense, that when I say ‘All crows are black,’ I may be understood to mean ‘Select any crow you like and that crow is black.’
...But how can a law which is essentially general, which must relate to more than experience ever can cover or it is not a general rule at all, how can this be the subject of a proposition?
for more graffiti from around the world - some as funny as this one please look at
www.flickr.com/photos/barbarachandler/sets/72157621856335...
* Love London by Barbara Chandler (Batsford, hardback) is on offer prepublication on Amazon for £6.59 with free delivery - instead of £9.99 come August
www.amazon.co.uk/Love-London-Barbara-Chandler/dp/1849940118
For more Love London pictures see
www.flickr.com/photos/barbarachandler/sets/72157626803881...
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While I was playing with a bit of a longer exposure, a sparrow must've hopped into shot, and promptly left again as I lowered my camera. Quite a funny result, it must have had a little existential crisis ;)
Puscifer
at The Greek Theatre
Los Angeles, CA
June 12, 2022
All photos © Kaley Nelson Photography - www.KaleyNelson.com
Puscifer
at The Greek Theatre
Los Angeles, CA
June 12, 2022
All photos © Kaley Nelson Photography - www.KaleyNelson.com
John Kerry and Ann Coulter are in strange fellowship on ISIS.
Both Kerry and Coulter claim that ISIS poses no threat to America and they absurdly assert that something else is the real existential threat (Kerry – global warming; Coulter – immigration).
One denies the nature of ISIS, the other its goals. Kerry denies that ISIS is Islamic; Coulter denies that ISIS is in America.
Furthermore, Coulter and Kerry are both appalled at the extent of media coverage of ISIS and each would like to silence the media.
See “Coulter and Kerry Agree on ISIS” at wp.me/p4jHFp-hE.
#InTrumpWeTrust #NeverTrump #ISIS
The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.
The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.
Progetto Arcevia 2.0/12
In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.
40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.
Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.
Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.
an experimental non-existential moment (with - {sorta} - soundtrack)..
Moments are funny, would you not agree? I walk away and trust explicitly the moment shall continue beyond my perception and sense. Right now, I believe the scene is unfolding gently and infinitely. I do not need to see it to believe in it.
Now I have showed this to you, would you also believe the sea and tree atop the cliff would stay enveloped within their own tangible reality... Or, does it stop the moment you look away?
The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.
The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.
“Confused” and “scattered over the face of the whole earth’’, we are incompetent.
Medical sciences are rejected by holistic eastern healing, while existential philosophy often neglects highly insightful Buddhist realizations. Ignorance leads to disserverment. HSBC’s amazing, “A different point of view” campaign, involves posters depicting two sides of a spectrum. Two photographs of similar subjects from different cultures, asks; good or bad?; vacation or hell?; delicious or disgusting? HSBC hit the nail on the head: “isn’t it better when you can see something from another’s perspective?”
But seeing is just the first step. Seeing is more than stopping for a moment and reflecting. Seeing must grow into a thirst for knowledge, sympathy for cultural difference and a desire for acceptance and cooperation. What transforms this initial seeing into the goal of understanding? Communication.
On TED, Ken Robinson (2006) spoke of education as a process of stigmatizing mistakes and so educating creativity out of our youth. Rather, education should be nurtured as a process of communicating with our youth. Consciously infecting the minds of children, we should show them that through a journey of being aware (seeing change), enabling (being changed), and empowering (leading change), “they can” (Kiran Bir Sethi, TEDIndian, 2009).
My intention with “Babel” was to depict playful communication between youth of different cultures. Stemmed from an innate fellowship, a lost understanding, they once again build bridges of coactions shown through teamwork. A unique teamwork that leads to understanding, to collective development, and to the ‘Rapprochement of Cultures’, since, ‘...if as one people speaking the same language they have begun to do this, then nothing they plan to do will be impossible for them’. (Genesis:11:6).
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Friedrich Nietzsche
typographical portrait
by Kenneth Rougeau
This portrait of Friedrich Nietzsche was created using the existential philosopher's own words, specifically a selection from Beyond Good And Evil. This image is part of the In Your Own Words collection of text based portraiture.
Drought and the increasingly hostile climate are not doing anything to ease my climate dysphoria or existential dread. Brought to you by the same species that brought you #HotGirlSummer and #WhiteBoySummer !
A 36-year-old man, Patrik Eriksson, is in the midst of an existential crisis when his two coworkers Erik Hemmendorff and Ruben Östlund (The Guitar Mongoloid and Involuntary) decides to document his life using their cell phones. The film project leads to intimate situations and long conversations on relationships, sex and friendship. Patrik sees the material and decides to make a movie of his own depressions and struggle to find love and happiness.
This is an extremely honest, raw and charming documentary, shot entirely by cell phone cameras. The story is easily recognizable: a man that is struggling with his love life and friends who are trying to help. It is also funny to watch three guys in their 30s completely involved in creating the perfect text-message to a girl.
Patrik Eriksson will be a guest at the festival.
Patrik Eriksson, born 1970 in Örebro, Sweden. Studied film directing at the School of Film Directing in Göteborg.