necrophilia
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Construite sur la partie la plus haute de la ville, la Cathédrale de Porto, également appelée La Sé, est l’édifice religieux le plus important de Porto. Située dans le quartier de Batalha, à côté des murailles qui protégeaient autrefois la ville, l’extérieur de l’édifice ressemble à une forteresse avec ses créneaux.
La colonne torsadée du pilori (Pelourinho) symbolise la puissance de la justice en face de Sé. On peut encore y apercevoir les crochets qui servaient aux exécutions.
Built on the highest part of the city, the Cathedral of Porto, also called La Sé, is the most important religious building in Porto. It is located in the Batalha district, next to the walls that once protected the city. The exterior of the building resembles a fortress with its battlements.
The twisted column of the pillory (Pelourinho) symbolizes the power of justice in front of Sé. You can still see the hooks that were used for executions.
Execution de la pose Sittelle!
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Merci de prendre le temps de visionner et d'apprécier mes photos!
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Thank you for taking the time to look and appreciate my pictures!
Photo taken on the Execution site Ghent-Oostakker.
This is the location where 66 members of the Resistance were executed during WWII
The statue was made by the Ghent sculptor Geo Vindevogel.
Photo taken on the Execution site Ghent-Oostakker.
This is the location where 66 members of the Resistance were executed during WWII
The statue was made by the Ghent sculptor Geo Vindevogel.
St Athernase Church is a Romanesque church located in Leuchars, Fife, Scotland. It is a Category A listed building and remains in use as a Church of Scotland parish church.
The chancel and half-round apse date from the 12th century with the exterior featuring blind arcades with typical Norman arches. The church was granted by Ness son of William, Lord of Leuchars, to the canons of St Andrews in 1185. Around 1700 a belfry was added, and in 1858 restoration was carried out to the nave.
The church is open to the public in summer, at other times by arrangement. Relics preserved inside include part of a 9th-century cross-slab found near the village (closely comparable to the large collection at St Andrews Cathedral), and three elaborate 16th century memorial stones of the Bruce's of Earlshall, the local lairds. One of the latter shows a full length figure of a woman, naïve in execution, but valuable in documenting contemporary dress.
The oft-mentioned dedication of the medieval church of Leuchars to St Athernase is actually an error. It arises from a nineteenth-century misreading of a list of church dedications in the Register of St Andrews Priory, a medieval manuscript now in the National Archives of Scotland. Folio 155v. has a list of churches dedicated, or re-dedicated, by bishop David de Bernham of St Andrews in the 1240s. The eighth church in this list is 'ecclesia sancti Johannis euangeliste et sancti Athernisci confessoris de Losceresch (the church of St John the evangelist and St Athernase the confessor). However the church of Losceresch is not the church of Leuchars, which in medieval sources is spelt Lochris, Locres etc., but the parish church of Lathrisk (now Kettle parish in Fife), whose early spellings are Losresc (1170s), Loseresch, Losseresc (1227) and such like. Athernase is the patron saint not of Leuchars but of Lathrisk.
The patron of Leuchars is not known for certain, but some medieval sources indicate a local cult of St Bonoc, a name unknown outside the parish of Leuchars, and a chapel of St Bonoc, complete with chaplain, is known to have existed.
"Athernase" may be an anglicised form of the name Itharnán, found also in Fife at Kilrenny, and on the Isle of May, an Irish missionary who "died among the Picts" in 669 according to the Annals of Ulster.
Amsterdam - Pieter Lodewijk Takstraat
Copyright - All images are copyright © protected. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited
Pieter Lodewijk Tak (Middelburg, 24 september 1848 - Domburg, 26 augustus 1907) was een Nederlands journalist en politicus.
Tak was zoon van een rentmeester in Middelburg, waar hij na een mislukte rechtenstudie in 1878 buitenlandse overzichten ging schrijven voor de Middelburgsche Courant. Hij was bevriend met Floor Wibaut, die evenals hij lid was van de Sociëteit Sint-Joris. Beide Middelburgers trokken naar de hoofdstad, Tak in 1882. Hij schreef daar voor De Amsterdammer en De Nieuwe Gids. Van dat laatste blad nam hij het financieel beheer over van Frank van der Goes, maar na een ruzie begon hij een eigen literair tijdschrift De Kroniek.
Tak was aanvankelijk links-liberaal, aanhanger van Treub. In 1899 werd hij lid van de SDAP, en hij ging werken bij Het Volk. Van de socialistische partijkrant werd hij in 1903 hoofdredacteur, nadat het partijbestuur Pieter Jelles Troelstra uit deze functie had ontheven. In 1905 ontsloeg Tak de journalist Jacob Israël de Haan na de publicatie van diens roman Pijpelijntjes. De homoseksuele tendens in het boek was voor Tak niet aanvaardbaar. Wel maakte hij zich sterk voor vrouwenrechten.
Van 1905 tot zijn vroege dood was hij bovendien partijvoorzitter, kamerlid voor het kiesdistrict Franeker, lid van Provinciale Staten en gemeenteraadslid van Amsterdam. Hij stierf in 1907 tijdens een vakantie op het landgoed Duinvliet bij Domburg aan een hartverlamming.
P.L. Tak richtte in 1901 de woningbouwvereniging De Dageraad op. Deze corporatie noemde een complex woningen in Amsterdam-Zuid in de jaren-1920 naar de oprichter. Dit woningcomplex is beroemd wegens de fraaie architectuur in de stijl van de Amsterdamse School.
Jordan Lndscapes - RAW Nx2 Tiff Png as21 dn df auto psdR sk JPEG 8.94 MB.
Mukawer: According to FLAVIUS JOSEPHUS, it is the location of the imprisonment and Execution of JOHN the BAPTIST.
As they say...winter is coming. Execution by Christmas Lights; Solveig. slurl - maps.secondlife.com/secondlife/Solveig/109/163/21
The word sail, a monument to poetry, is the name of a steel sculpture by Heinrich Popp.
The sculpture stands on an open field northwest of Sotzweiler, the birthplace of the sculptor and today a district of the Saarland municipality of Tholey in the district of St. Wendel. On an elevation of about 338 metres above NHN, the sculpture represents a landmark visible from afar.
The word sail consists of two sail-shaped triangles, one of which stands on the top and which are twisted against each other. The two halves of the sail, made of stainless steel, are welded together at their highest point. At the same time, the empty space between the two steel plates also has a sail-like shape, depending on the point of view.
The monument, a gift from Heinrich Popp to his home community, was erected in 2005 after several years of planning and execution. The two steel plates were cast in the Dillinger Hütte and rolled to a thickness of 3 cm. The sculpture has a height of 13 meters and a total weight of approx. 30 tons.
The term word sail is also the name of a writing and poetry competition initiated by the artist at participating schools in Saarland.
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Das Wortsegel, ein Denkmal für Poesie, ist der Name einer Stahlplastik von Heinrich Popp.
Die Skulptur steht auf offenem Feld nordwestlich von Sotzweiler, dem Geburtsort des Bildhauers und heute ein Ortsteil der saarländischen Gemeinde Tholey im Landkreis St. Wendel. Auf einer Anhöhe von etwa 338 Metern über NHN stellt die Plastik eine weithin sichtbare Landmarke dar.
Das Wortsegel besteht aus zwei jeweils segelförmigen Dreiecken, von denen eins auf der Spitze steht und die gegeneinander verdreht/verspiegelt aufgestellt sind. An ihrer obersten Stelle sind die beiden aus rostendem Stahl erschaffenen Segelhälften miteinander verschweißt. Gleichzeitig besitzt auch der sich zwischen den beiden Stahlplatten befindende leere Raum abhängig vom Betrachtungsstandpunkt ebenfalls eine segelähnliche Form.
Das Denkmal, ein Geschenk von Heinrich Popp an seine Heimatgemeinde, wurde nach mehrjähriger Planungs- und Ausführungsphase 2005 errichtet. Die beiden Stahlplatten wurden in der Dillinger Hütte gegossen und bis auf eine Stärke von 3 cm gewalzt. Die Skulptur hat eine Höhe von 13 Metern und besitzt ein Gesamtgewicht von ca. 30 Tonnen
Der Begriff Wortsegel ist gleichzeitig der Name eines von dem Künstler ins Leben gerufenen Schreib- und Lyrikwettbewerbs an teilnehmenden Schulen im Saarland.
www.outdooractive.com/de/poi/saarland/wortsegel/1303315/#...
The castle was built by the Venetians in the early 13th c entury. It is among the largest castles in the Mediterranean area. At the south edge of the castle a fortified islet floats. Bourtzi, as it is called, a prison and place of executions during the Turkish Occupation, was built in 1500 and is connected to the Sea Gate of the castle with a paved tiny road.
The castle was built by the Venetians in the early 13th c entury. It is among the largest castles in the Mediterranean area. At the south edge of the castle a fortified islet floats. Bourtzi, as it is called, a prison and place of executions during the Turkish Occupation, was built in 1500 and is connected to the Sea Gate of the castle with a paved tiny road.
The gallows was erected in 1597 instead of a wooden gallows. The number of people executed is unclear, but there are some indications that relatively few people died there, which is also due to the relatively liberal jurisprudence of the Count House of Erbach. Only one execution in 1746 is documented in the church records, which is considered certain. Johann Adam Beisel from Unter-Sensbach was hanged for theft and adultery. [2] According to the inscription on a memorial stone next to the gallows, the "last execution in 1804, a gypsy woman for stealing a chicken and two loaves of bread" should have taken placeThree red sandstone columns about five meters high were set up so that they form the corners of an equilateral triangle. They carry three crossbars arranged in a triangle, which is why the place of execution is also known as the so-called "three-sleeper gallows". The gallows served the high court of the Oberzent under the rule of the Counts of Erbach; In 1806 they were deprived of their jurisdiction by Napoleonic law, which also ended the right to impose the death penalty. The gallows was erected in 1597 instead of a wooden gallows. The number of people executed is unclear, but there are some indications that relatively few people died there, which is also due to the relatively liberal jurisprudence of the Count House of Erbach. Only one execution in 1746 is documented in the church records, which is considered certain. Johann Adam Beisel from Unter-Sensbach was hanged for theft and adultery. [2] According to the inscription on a memorial stone next to the gallows, the "last execution in 1804, a gypsy woman for stealing a chicken and two loaves of bread" should have taken place
Nebur Cyborg LETHAL OUTFIT ACCESS
featuring
TANAKA MAELSTROM MK-7 MAINSTORE
UNHOLY HO-MUSUBI CYBORG ARM Neo Japan event
IMPORTANT: for non-pro users who read the info on a computer, just enlarge your screen to 120% (or more), then the full text will appear below the photo with a white background - which makes reading so much easier.
The color version of the photo above is here: www.lacerta-bilineata.com/ticino-best-photos-of-southern-...
THE STORY BEHIND THE PHOTO:
So far there's only been one photo in my gallery that hasn't been taken in my garden ('The Flame Rider', captured in the Maggia Valley: www.flickr.com/photos/191055893@N07/53563448847/in/datepo... ) - which makes the image above the second time I've "strayed from the path" (although not very far, since the photo was taken only approximately 500 meters from my house).
Overall, I'll stick to my "only-garden rule", but every once in a while I'll show you a little bit of the landscape around my village, because I think it will give you a better sense of just how fascinating this region is, and also of its history.
The title I chose for the photo may seem cheesy, and it's certainly not very original, but I couldn't think of another one, because it's an honest reflection of what I felt when I took it: a profound sense of peace - although if you make it to the end of this text you'll realize my relationship with that word is a bit more complicated.
I got up early that day; it was a beautiful spring morning, and there was still a bit of mist in the valley below my village which I hoped would make for a few nice mood shots, so I quickly grabbed my camera and went down there before the rising sun could dissolve the magical layer on the scenery.
Most human activity hadn't started yet, and I was engulfed in the sounds of the forest as I was walking the narrow trail along the horse pasture; it seemed every little creature around me wanted to make its presence known to potential mates (or rivals) in a myriad of sounds and voices and noises (in case you're interested, here's a taste of what I usually wake up to in spring, but you best use headphones: www.youtube.com/watch?v=AfoCTqdAVCE )
Strolling through such an idyllic landscape next to grazing horses and surrounded by birdsong and beautiful trees, I guess it's kind of obvious one would feel the way I described above and choose the title I did, but as I looked at the old stone buildings - the cattle shelter you can see in the foreground and the stable further up ahead on the right - I also realized how fortunate I was.
It's hard to imagine now, because Switzerland is one of the wealthiest countries in the world today, but the men and women who had carried these stones and constructed the walls of these buildings were among the poorest in Europe. The hardships the people in some of the remote and little developed valleys in Ticino endured only a few generations ago are unimaginable to most folks living in my country today.
It wasn't uncommon that people had to sell their own kids as child slaves - the girls had to work in factories or in rice fields, the boys as "living chimney brushes" in northern Italy - just because there wasn't enough food to support the whole family through the harsh Ticino winters.
If you wonder why contemporary Swiss historians speak of "slaves" as opposed to child laborers, it's because that's what many of them actually were: auctioned off for a negotiable prize at the local market, once sold, these kids were not payed and in many cases not even fed by their masters (they had to beg for food in the streets or steal it).
Translated from German Wikipedia: ...The Piazza grande in Locarno, where the Locarno Film Festival is held today, was one of the places where orphans, foundlings and children from poor families were auctioned off. The boys were sold as chimney sweeps, the girls ended up in the textile industry, in tobacco processing in Brissago or in the rice fields of Novara, which was also extremely hard work: the girls had to stand bent over in the water for twelve to fourteen hours in all weathers. The last verse of the Italian folk song 'Amore mio non piangere' reads: “Mamma, papà, non piangere, se sono consumata, è stata la risaia che mi ha rovinata” (Mom, dad, don't cry when I'm used up, it was the rice field that destroyed me.)... de.wikipedia.org/wiki/Kaminfegerkinder
The conditions for the chimney sweeps - usually boys between the age of 8 and 12 (or younger, because they had to be small enough to be able to crawl into the chimneys) - were so catastrophic that many of them didn't survive; they died of starvation, cold or soot in their lungs - as well as of work-related accidents like breaking their necks when they fell, or suffocatig if they got stuck in inside a chimney. This practice of "child slavery" went on as late as the 1950s (there's a very short article in English on the topic here: en.wikipedia.org/wiki/Spazzacamini and a more in depth account for German speakers in this brief clip: www.youtube.com/watch?v=gda8vZp_zsc ).
Now I don't know if the people who built the old stone houses along my path had to sell any of their kids, but looking at the remnants of their (not so distant) era I felt an immense sense of gratitude that I was born at a time of prosperity - and peace - in my region, my country and my home. Because none of it was my doing: it was simple luck that decided when and where I came into this world.
It also made me think of my own family. Both of my grandparents on my father's side grew up in Ticino (they were both born in 1900), but while they eventually left Switzerland's poorest region to live in its richest, the Kanton of Zurich, my grandfather's parents relocated to northern Italy in the 1920s and unfortunately were still there when WWII broke out.
They lost everything during the war, and it was their youngest daughter - whom I only knew as "Zia" which means "aunt" in Italian - who earned a little money to support herself and my great-grandparents by giving piano lessons to high-ranking Nazi officers and their kids (this was towards the end of the war when German forces had occupied Italy).
I never knew that about her; Zia only very rarely spoke of the war, but one time when I visited her when she was already over a 100 years old (she died at close to 104), I asked her how they had managed to survive, and she told me that she went to the local prefecture nearly every day to teach piano. "And on the way there would be the dangling ones" she said, with a shudder.
I didn't get what she meant, so she explained. Visiting the city center where the high ranking military resided meant she had to walk underneath the executed men and women who were hanging from the lantern posts along the road (these executions - often of civilians - were the Germans' retaliations for attacks by the Italian partisans).
I never forgot her words - nor could I shake the look on her face as she re-lived this memory. And I still can't grasp it; my house in Ticino is only 60 meters from the Italian border, and the idea that there was a brutal war going on three houses down the road from where I live now in Zia's lifetime strikes me as completely surreal.
So, back to my title for the photo above. "Peace". It's such a simple, short word, isn't it? And we use it - or its cousin "peaceful" - quite often when we mean nice and quiet or stress-free. But if I'm honest I don't think I know what it means. My grandaunt Zia did, but I can't know. And I honestly hope I never will.
I'm sorry I led you down such a dark road; I usually intend to make people smile with the anecdotes that go with my photos, but this one demanded a different approach (I guess with this latest image I've strayed from the path in more than one sense, and I hope you'll forgive me).
Ticino today is the region with the second highest average life expectancy in Europe (85.2 years), and "The Human Development Index" of 0.961 in 2021 was one of the highest found anywhere in the world, and northern Italy isn't far behind. But my neighbors, many of whom are now in their 90s, remember well it wasn't always so.
That a region so poor it must have felt like purgatory to many of its inhabitants could turn into something as close to paradise on Earth as I can imagine in a person's lifetime should make us all very hopeful. But, and this is the sad part, it also works the other way 'round. And I believe we'd do well to remember that, too.
To all of you - with my usual tardiness but from the bottom of my heart - a happy, healthy, hopeful 2025 and beyond.
This is another example of having an idea but not being able to get the envisioned execution. So much that can be improved upon but I've taken too much time to work on it today.
The Registan was the heart of the ancient city of Samarkand of the Timurid dynasty, now in Uzbekistan. The name Rēgistan means "Sandy place" or "desert" in Persian.
The Registan was a public square, where people gathered to hear royal proclamations, heralded by blasts on enormous copper pipes called dzharchis - and a place of public executions. It is framed by three madrasahs (Islamic schools) of distinctive Islamic architecture.
The three madrasahs of the Registan are: the Ulugh Beg Madrasah (1417–1420), the Tilya-Kori Madrasah (1646–1660) and the Sher-Dor Madrasah (1619–1636). Madrasah is an Arabic term meaning school.
La façade occidentale est la plus large (41 mètres) parmi celles de tous les édifices gothiques de France. Elle se compose de deux tours de hauteurs inégales, la tour nord ayant été reconstruite après son effondrement en 1506. Cinq portails permettent l'accès à l'intérieur, tous à double porte, et correspondent exactement aux cinq nefs. Leurs sculptures sont particulièrement remarquables. Le portail central offre au regard une scène du Jugement dernier d'une grande qualité d'exécution. Le parvis permettant d'accéder à cette façade est cependant étroit.
The western facade is the widest (41 meters) among those of all the Gothic buildings in France. It is made up of two towers of unequal heights, the north tower having been rebuilt after its collapse in 1506. Five portals allow access to the interior, all with double doors, and correspond exactly to the five naves. Their sculptures are particularly remarkable. The central portal offers a scene of the Last Judgment of great quality of execution. The square giving access to this facade is however narrow.
Plant ornament is the most widespread ornament after geometric, it is characterized by its favorite motifs, and the latter are different in different countries, at different times. Plant ornament, in comparison with other types, provides the greatest opportunities for creating a variety of motifs, execution techniques, for an original interpretation of form. Plant ornament uses numerous forms of plants: leaves, flowers, fruits, taken together or separately. This is an artistic reworking of various forms of the plant world. In the hands of an ornamental artist, the original forms, scales, colors change and are subordinated according to the laws of symmetry. In stylization, all typical features of the plant are enhanced in accordance with its character, and the particular or accidental are removed or weakened. Often these changes are so significant that the original material is transformed beyond recognition. The most common plant forms since ancient times include: acanthus, lotus, papyrus, palms, hops, laurel, grapevine, ivy, oak.
Орнамент купольного пілону. Храм на честь ікони Божої Матері «Печерська». Скит Києво-Печерської Лаври.
Рослинний орнамент - це найпоширеніший орнамент після геометричного, для нього характерні свої улюблені мотиви, причому останні різні в різних країнах, у різні часи. Рослинний орнамент у порівнянні з іншими його видами надає найбільші можливості для створення різноманітних мотивів, прийомів виконання, для оригінального трактування форми.
Рослинний орнамент використовує численні форми рослин: листя, квіти, плоди, взяті разом чи окремо. Це художня переробка різноманітних форм рослинного світу. У руках художника-орнаменталіста початкові форми, масштаби, колір змінюються і підпорядковуються за законами симетрії.
При стилізації посилюються відповідно до характеру рослини всі типові особливості її та видаляється або послаблюється окреме або випадкове. Часто ці зміни настільки значні, що початковий матеріал перетворюється до невпізнанності.
До найпоширеніших рослинних форм з найдавніших часів відносяться: акант, лотос, папірус, пальми, хміль, лавр, виноградна лоза, плющ, дуб.
Bathurst
Esta estación esta ubicada en el partido de Coronel Suarez en la provincia de Buenos Aires del ex FCRPB de la línea Rosario - Puerto Belgrano (Bahía Blanca) cuya línea fue culminada en 1910 y posteriormente cerrado en el año 1949 .
La parte norte del ramal paso bajo la dirección del Ferrocarril Mitre y la parte sur del Ferrocarril Roca.
Aun el ramal entre Rosario y el noroeste de Buenos Aires (estacion Necol) se mantiene con servicio de cargas , pero hacia el sur fue cerrado y las estaciones desmanteladas .
El nombre de la estación recuerda al marino Guillermo Bathurst que sirvió bajo el mando del almirante Guillermo Brown
Mas tarde seria opositor del gobierno de Juan Manuel de Rosas quién ordenó su fusilamiento en 1842.
Texto de www.hora13.com/estaciones%20trenes/trenes%20dos/viejas%20...
TRASLATOR
Bathurst
This station is located in the Coronel Suarez party in the province of Buenos Aires of the former FCRPB of the Rosario - Puerto Belgrano line (Bahía Blanca) whose line was completed in 1910 and later closed in 1949.
The northern part of the branch passed under the direction of the Miter Railroad and the southern part of the Roca Railroad.
Even the branch between Rosario and the northwest of Buenos Aires (station Necol) is maintained with cargo service, but to the south it was closed and the stations dismantled.
The name of the station reminds the sailor William Bathurst who served under the command of Admiral William Brown
Later it would be an opponent of the government of Juan Manuel de Rosas who ordered his execution in 1842.
The Bridge of Sighs (Italian: Ponte dei Sospiri, Venetian: Ponte de i Sospiri) is a bridge in Venice, Italy. The enclosed bridge is made of white limestone, has windows with stone bars, passes over the Rio di Palazzo, and connects the New Prison (Prigioni Nuove) to the interrogation rooms in the Doge's Palace. It was designed by Antonio Contino, whose uncle Antonio da Ponte designed the Rialto Bridge, and it was built in 1600. The view from the Bridge of Sighs was the last view of Venice that convicts saw before their imprisonment. The bridge's English name was bequeathed by Lord Byron in the 19th century as a translation from the Italian "Ponte dei sospiri", from the suggestion that prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells. In reality, the days of inquisitions and summary executions were over by the time that the bridge was built,[citation needed] and the cells under the palace roof were occupied mostly by small-time criminals. In addition, little could be seen from inside the bridge due to the stone grills covering the windows.
(Wikipedia)
Gibbet Rock or Peter's Stone, Cressbrook Dale, Derbyshire Peak District. Local myth holds that close by was the site for the last public gibbetting in Derbyshre in 1815 when the body of convicted murderer Anthony Lingard was gibbetted for 11 years following execution by hanging in Derby jail.
Execution Rocks Light is a lighthouse in the middle of Long Island Sound on the border between New Rochelle and Sands Point, New York. It stands 55 feet tall, with a white light flashing every 10 seconds
Model: Lita
Dourone: Two pictures taken at one second difference in Brussels, Belgium in april 2019.
Mural located in Angelholm, Sweden
Execution date: August 4th 2019
Ängelholm
This installation was totally designed and made by the artist and specially created for the place. Both, the structure and the hand painted 64 panels of 1m2 are made of wood.
The wood has an anti-humidity treaty to ensure its duration over time as well as 4 layers of paint in addition to the artwork own acrylic paint. It also has 170 anchor points to the wall. With a total of 4 people, this installation was carried out on site in less than 2 weeks. The artwork is now visible in the city of Angelholm, Sweden.
#AbFav_CHAOS
I loved the combination of these colours... watercolours!
"In conceptual art the idea or concept is the most important aspect of the work.
When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair.
The idea becomes a machine that makes the art.”
—Sol LeWitt.
Hope you enjoy? I did making this!
NETWORKING?
THE BODY PUFFS or Bath lily... (or Body-'scrunchies' as they are also commonly known) are an ex-foliating accessory in the bathroom/shower nowadays...
Made as a 'balled up' design, the material is some sort of netting fabric.
I find that the body puffs make it a more pleasant experience when in the bath or shower as they allow you to achieve a luxurious lather...
Have a wonderful day, filled with love and beauty and thank you for all the support, M, (*_*)
For more: www.indigo2photography.com
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"conceptual art", three, BODY-PUFF, "bath lily", body-scrunchie, exfoliating, netting, ball, shower, bath, white, blue, green, studio, colour, square, black-background, Hasselblad, "magda indigo"
A new mural has appeared on the wall of the renovated tenement house. It is dedicated to Jan Kowalewski - a certified lieutenant colonel of the Polish Army, a mathematician, linguist and cryptologist. Founder of the cryptology and radio intelligence department in Poland after regaining independence after the First World War. He broke Soviet codes during the war with the Bolsheviks (1919), for many years he was an officer of the Second Department of the General Staff.
The mural is made with an interesting technique (it reminds me a bit of the Matrix movie). Here, the execution technique is associated with decoding the ciphers.
Kingdoms of Blue and Red clash in an epic conflict! Widespread war has engulfed both of these lands. Which side will win, and which side will face utter destruction?
Here is my MOC that I built for RebelLUG's Kingdoms At War Collaboration.
I'd like to hear your feedback!
Be sure to check out the collab on Instagram, and on YouTube!