Drinks and Driving
View allAll Photos Tagged endorse
The Church was built in 1799 on the former Caminho dos Pinheiros, today Rua da Consolação, with the help of alms from devotees to Our Lady of Consolation and with the endorsement of the diocesan bishop Mateus de Abreu Pereira were able to begin its construction, with the technique of taipa, quite common at the time. The oldest record of its construction is a document transcribed by Jacinto Ribeiro, in which it attributes the idealization of the temple to the faithful Luiz da Silva and his brothers. Located in a boggy and marshy region there is another document proving the Church's ancient existence: on November 23, 1803, an office was registered that showed the need for drinking water for the residents of the neighborhood "Nossa Senhora da Consolação". In view of the custom of baptizing the district with religious names, mainly related to sanctuaries, the Church, besides already existing, corresponded to an important piece for the functioning of the region. And, in the year 1810, a plant in the city of São Paulo contained the chapel.
Taking advantage of a pleasant day for photography in sunny Somerset, 47614 and 47593 "Galloway Princess" passes an emerging maize crop at Allerford with the 1Z72 06.20 Wolverhampton-Paignton "English Riviera Statesman" charter.
Taken with the assistance of a pole and my then-new 40mm prime which was used on this occasion to extenuate the amazing panorama at this location (thanks for the endorsement Sparky).
I blame people like us. We take pictures of pretty things in pretty places and share them with the world after all, so what do we expect? Post them here on the pages of Flickr and the chances are that only photographers will see them. But then again so many of us also post our photos on sites where a lot more people see them - pretty people who grin into their phones and post the images to far more followers than many of us are ever likely to have. Guilty Milord.
Well that's what I was thinking to myself yesterday as I searched for the quieter spaces amongst the hordes. It was a bit of a surprise to find so many people here on a Monday, but what we hadn't bargained for was the fact that it was a Baker Day, an occasional school closure day devised by an Education Secretary of yesteryear who wanted to invent something to endorse his passage into the House of Lords with a knighthood before leaving office. They all like to do things like that don't they? Suffice to say, there were far more people wandering around the handful of increasingly famous poppy fields than expected, most of them respectful, but with a noticeable minority strolling in among the flowers as if they somehow thought their footsteps wouldn't cause any damage to this fragile beauty spot. In fact one of you had recently asked me whether it was worth visiting the poppies this year, and a few messages were exchanged on the subject as I held my head in my hands at the sight of the family who took turns to lie down in an already flattened bed just a handful of yards in front of the composition I was busily lining up. And I'll bet their Instagram post gets a load more likes than mine does too. If I were half a head taller and rather more menacing in nature I might have had words, but of course I'm British and I don't like to make a scene. How often I've watched Arnold or Clint in a movie just looking at the bad guys in a certain way, artfully persuading them to move on with nothing more than the raising of a single eyebrow unless they wanted to be turned into toast. "I need your clothes, your boots, and your motorcycle." I wish I could do that sometimes. Most of the time in fact.
Relieved that the world had finally gone back to work, we'd arrived here in the van for the day after a fun packed "platty joobs" (I think I've spelt that correctly) weekend, at times checking in to see how Her Majesty was holding up amid all the excitement. At other moments over the long weekend we wandered across the road, making use of our locals' free entry wristbands to the ever growing music festival that drowns all other sounds from the air around here for three days at this time each year. Of course neither Ali nor I are keen on crowds, but it didn't stop us from making our way to the front row to see what a sixty year old pop star with a penchant for profanities who's spent much of his life shovelling illegal substances into his bloodstream looks like. A fun gig, but although she may be ninety-six, the Queen looks a lot better than Shaun Ryder, bless him. No wonder Black Grape have only made three albums in twenty-nine years.
This year's poppy show also seemed to have expanded, with more fields than ever seemingly painted red, planted by the National Trust who own this patch of land. Maybe it needed to be so in order to accommodate the number of people who seemed intent on visiting. Maybe I'm just used to arriving later in the day when most of them have headed to the Bowgie for their supper. But I'd decided I was going to go low to the ground and concentrate on greens, yellows and of course reds, rather than blues, making the sky all but an irrelevance. I've shot that classic view more than once before, and so have many others, so this time I preferred to concentrate on the small details right in front of me. Not for the first time I used the long lens that seems to work so well here, and I'm still wondering whether the 100-400 might have been an even better option. I had the crop camera with the art lens in the bag too, but that's where it stayed.
What did surprise me when I saved my raw files into my online drive was the fact that it was my first visit here since 2018. And there was I thinking I came here every year. So it seems that I may not be responsible for the arrival of the masses after all. It must be you then. Although I've just done it myself again haven't I?
If it's summer, and I'm awake, I want an Iced coffee from Dunkin Donuts... I used to make fun of people who talked all that " I need my coffee in the morning Waaa waaa" Shit... Well you know what? I don't NEED it, but I want it every day... so i guess that would mean I need it... So much so i felt i would pay homage to the drink that is there with me during all painting excursions... I swear they add some extra shit to it... To steal a quote from an alcoholic acquaintance of mine: "It's only a problem if you don't like it"
ALL RIGHT RESERVED
Ph.: Massimo Malvestio
Make Up: Antico Atelier
Model: Antico Atelier
ALL RIGHT RESERVED
YOU ARE FREE TO SHARE:
to copy, distribute and transmit the work without remove sign of author and add link at her website “http://www.massimomalvestio.altervista.org/“ or "www.anticoatelier.com"
Under the following conditions:
*ATTRIBUTION — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
*NONCOMMERCIAL — You may not use this work for commercial purposes.
*NO DERIVATEWORK: — You may not alter, transform, or build upon this work
Typically I do not appreciate or endorse acts of art in such natural settings. But these surprised me, a bit off path and taking advantage of dead wood scars. I have a sense that they were made with respect.
Rocky River Reservation, Cleveland Metroparks. April 9, 2024.
iPhone 14
© Anders Leth Damgaard - www.amber-inclusions.dk.
_____________________________
If you are interested in using this picture (non-profit and non-commercial purposes), I will allow this under the following conditions :
1. For the license, give credits to: "© Anders Leth Damgaard" and create a link to this web page:"www.amber-inclusions.dk". Please note clearly on your web site that I hold the copyrights.
2. You must attribute the work in the manner specified by me (but not in any way that suggests that they endorse you or your use of the work).
3. If you alter, transform, or build upon the picture, you may distribute the resulting work only under the same license/copyrights as I have given my picture.
If you want to use the image in a book, brochure, poster or other printed media, please contact me and ask for an alternative copyright
A recent visit to Braithwaite & Whinlatter (primarily to watch the Tour of Britain cycle race) gave me the opportunity to scale little Barrow, the little fell overlooking the village, & also to wander up Coledale to within half a mile of its old mine. On one hand, I relished having very little in the way of a load to carry, waterproofs & sustenance being my only burden; on the other, turbulent skies & scattered, dramatic sunlight on the surrounding fells only served to have me rueing my lack of a camera.
Anyway, reacquainting myself with the unique delights of the Lakeland Fells prompted me to dig out one or two overlooked efforts from the past. Here's one not previously seen overlooking Lingcove from south of Esk Pike one fine day last October, an area I would dearly love to revisit in the coming autumnal months.
Apologies to anyone who commented or endorsed any of my images in the last few months, during my absence. All interest is greatly appreciated.
I'm hoping to have the means to take advantage of the approaching autumn/winter with my poor, bedraggled camera gear once again, but it's a little in the balance as I type this. Fingers crossed, anyway.
Thanks, all.
Puerto, Donostia, Guipúzcoa, País Vasco, España.
El puerto de San Sebastián (España) se encuentra situado dentro del término municipal de San Sebastián, formando parte de la bahía de la Concha, al sur del monte Urgull. Se inició su construcción moderna en la segunda mitad del s. XV d. C.
Historia
La vieja cofradía donostiarra de mareantes, maestres de navíos, pilotos y mercaderes surgió en el puerto fluvial, hoy desaparecido, de Santa Catalina, sobre el río Urumea hacia el siglo XIII.
Fue promovido en las décadas finales del siglo XII por un grupo de armadores bayoneses que aportaban su superior técnica mercantil-marítima. Refrendaron la concesión, por Sancho el Sabio de Navarra, de un fuero de abierta orientación mercantil y marinera.
De esta manera se fundó la Cofradía de Santa Catalina cuya sede estaba en la antigua iglesia de Santa Catalina. Se llamó de esta manera por el hecho de que en los siglos XII y XIII era el puerto fluvial de Santa Catalina, sobre el Urumea, el que preferían para su tráfico los mercaderes y mareantes donostiarras, con preferencia a los puertos de Urgull y de Pasajes.
Cuando, pasado un tiempo, las naos se hacían de mayores proporciones y requerían muelles de mayor calado para el atraque, sería la misma cofradía la que fijó su atención en las mejores condiciones que reunía para naos de gran tonelaje el abrigo que se escondía bajo el monte Urgull.
Por éste motivo financió la construcción de un guardamar, primero, y luego de un cay en tal lugar, con lo que el viejo puerto sobre el Urumea venía naturalmente a perder en importancia frente al de la Concha.
The port of San Sebastián (Spain) is located within the municipal district of San Sebastián, forming part of the Concha Bay, south of Mount Urgull. Its modern construction began in the second half of the 15th century AD.
History
The old San Sebastián guild of sailors, ship masters, pilots and merchants emerged in the river port, now disappeared, of Santa Catalina, on the Urumea River around the 13th century.
It was promoted in the final decades of the 12th century by a group of Bayonne shipowners who contributed their superior mercantile-maritime technique. They endorsed the concession, by Sancho the Wise of Navarre, of a charter with an open mercantile and seafaring orientation.
In this way the Santa Catalina Brotherhood was founded, whose headquarters were in the old church of Santa Catalina. It was called this way because in the 12th and 13th centuries, the river port of Santa Catalina, on the Urumea, was the one preferred by merchants and sailors from San Sebastián for their traffic, in preference to the ports of Urgull and Pasajes.
When, after a time, the ships became larger and required deeper docks for mooring, it was the same guild that focused its attention on the better conditions that the shelter hidden under Mount Urgull offered for large tonnage ships.
For this reason, it financed the construction of a seawall, first, and then a cay in that place, with which the old port on the Urumea naturally came to lose importance compared to that of La Concha.
Good news! I've opened an Etsy shop with my girlfriend and we plan to sell LEGO lamps, starting with this one, named Arcobaleno.
www.etsy.com/uk/listing/535965016/lego-lamp-arcobaleno?re...
LEGO® is a registered trademark of the LEGO Company, which does not sponsor, authorize or endorse this site or product.
The Heart Truth® is a national awareness campaign for women about heart disease sponsored by the National Heart, Lung, and Blood Institute (NHLBI), part of the National Institutes of Health, U.S. Department of Health and Human Services (HHS). The Red Dress®, introduced by the NHLBI in 2002, is the national symbol for women and heart disease awareness. Visit www.hearttruth.gov for information on women and heart disease.
Photographer: Tim Lundin ~ TDLphoto@gmail.com ~
Photographer: Tim Lundin ~ TDLphoto@gmail.com ~ TDLphoto.com
®, TM The Heart Truth, its logo and The Red Dress are trademarks of HHS.
Participation by Mercedes-Benz Fashion Week, Diet Coke, Swarovski, Tylenol, St. Joseph's Aspirin, Bobbi Brown, and Brian Atwood does not imply endorsement by HHS.
Editor's note: This one is a stunner!
One of a series of photos of the moon and Earth's atmosphere as seen from the International Space Station over a period of time that covered a number of orbits by the orbital outpost.
Image credit: NASA
Original image:
spaceflight.nasa.gov/gallery/images/station/crew-30/html/...
More about space station research:
www.nasa.gov/mission_pages/station/research/index.html
There's a Flickr group about Space Station Research. Please feel welcome to join! www.flickr.com/groups/stationscience/
View more than 400 photos like this in the "NASA Earth Images" Flickr photoset:
www.flickr.com/photos/28634332@N05/
_____________________________________________
These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
President Barack Obama makes a point during an interview in the Roosevelt Room of the White House, March 27, 2009. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
First Lady Michelle Obama reacts while talking on the phone to children across the country as part of the annual NORAD Tracks Santa program. Mrs. Obama answered the phone calls from Kailua, Hawaii, Christmas Eve, Dec. 24, 2016.
(Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
This Myra Golden photograph is being made available only for Internet viewing and/or for personal use and printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of Myra Golden or the subject(s) of the photograph.
1964/1965 New York World's Fair
The 1964/1965 New York World's Fair held over 140 pavilions, 110 restaurants, for 80 nations (hosted by 37), 24 US states, and over 45 corporations to build exhibits or attractions at Flushing Meadows Park in Queens, NY.[1][2][3] The immense fair covered 646 acres (261 ha) on half the park, with numerous pools or fountains, and an amusement park with rides near the lake. However, the fair did not receive official sanctioning from the Bureau of International Expositions (BIE). Hailing itself as a "universal and international" exposition, the fair's theme was "Peace Through Understanding", dedicated to "Man's Achievement on a Shrinking Globe in an Expanding Universe". American companies dominated the exposition as exhibitors. The theme was symbolized by a 12-story-high, stainless-steel model of the earth called the Unisphere, built on the foundation of the Perisphere from the 1939 NYC fair.[4] The fair ran for two six-month seasons, April 22 – October 18, 1964, and April 21 – October 17, 1965. Admission price for adults (13 and older) was $2 in 1964 (equivalent to $15.78 in 2017) but $2.50 (equivalent to $19.41 in 2017) in 1965, and $1 for children (2–12) both years (equivalent to $7.89 in 2017).[5]
The fair is noted as a showcase of mid-20th-century American culture and technology. The nascent Space Age, with its vista of promise, was well represented. More than 51 million people attended the fair, though fewer than the hoped-for 70 million. It remains a touchstone for many American Baby Boomers, who visited the optimistic fair as children before the turbulent years of the Vietnam War, cultural changes, and increasing domestic violence associated with the Civil Rights Movement.
In many ways the fair symbolized a grand consumer show covering many products produced in America at the time for transportation, living, and consumer electronic needs in a way that would never be repeated at future world's fairs in North America. Many major American manufacturing companies from pen manufacturers, to chemical companies, to computers, to automobiles had a major presence.[2][1] This fair gave many attendees their first interaction with computer equipment. Corporations demonstrated the use of mainframe computers, computer terminals with keyboards and CRT displays, teletype machines, punch cards, and telephone modems in an era when computer equipment was kept in back offices away from the public, decades before the Internet and home computers were at everyone's disposal.
Site history
The site, Flushing Meadows Corona Park in the borough of Queens, was previously Manhattan's Corona Ash Dumps featured prominently in F. Scott Fitzgerald's The Great Gatsby as the Valley of Ashes. Prior to that, the site had been a natural wetland—literally wetland meadows that would flush the nearby runoff entering the adjacent bay. Flushing Meadows had been a Dutch settlement, named after the city of Vlissingen (whose English name is "Flushing").
Subsequently, the site was reclaimed for the 1939/1940 New York World's Fair, one of the largest world's fairs to be held in the United States, occupying nearly a square mile (2.6 km2) of land. The 1939 fair also occupied space that was filled in for the 1964/1965 exposition. Preceding these fairs was the 1853–54 New York's World's Fair, called the Exhibition of the Industry of All Nations, located in the New York Crystal Palace on what is now Bryant Park in the borough of Manhattan, New York City (All three of New York's world's fairs were the only international expositions to run for two years, rather than one).
Beginnings
The 1964/1965 Fair was conceived by a group of New York businessmen who remembered their childhood experiences at the 1939 New York World's Fair. Thoughts of an economic boom to the city as the result of increased tourism was a major reason for holding another fair 25 years after the 1939/1940 extravaganza.[6] Then-New York City mayor, Robert F. Wagner, Jr., commissioned Frederick Pittera, a producer of international fairs and exhibitions, and author of the history of International Fairs & Exhibitions for the Encyclopædia Britannica and Compton's Encyclopedia, to prepare the first feasibility studies for the 1964/1965 New York World's Fair. He was joined by Austrian architect Victor Gruen (creator of the shopping mall) in studies that eventually led the Eisenhower Commission to award the world's fair to New York City in competition with a number of American cities.
Organizers turned to private financing and the sale of bonds to pay the huge costs to stage them. The organizers hired New York's "Master Builder" Robert Moses, to head the corporation established to run the fair because he was experienced in raising money for vast public projects. Moses had been a formidable figure in the city since coming to power in the 1930s. He was responsible for the construction of much of the city's highway infrastructure and, as parks commissioner for decades, the creation of much of the city's park system.
In the mid-1930s, Moses oversaw the conversion of a vast Queens tidal marsh garbage dump into the fairgrounds that hosted the 1939/1940 World's Fair.[7] Called Flushing Meadows Park, it was Moses' grandest park scheme. He envisioned this vast park, comprising some 1,300 acres (5 km2) of land, easily accessible from Manhattan, as a major recreational playground for New Yorkers. When the 1939/1940 World's Fair ended in financial failure, Moses did not have the available funds to complete work on his project. He saw the 1964/1965 Fair as a means to finish what the earlier fair had begun.[8]
To ensure profits to complete the park, fair organizers knew they would have to maximize receipts. An estimated attendance of 70 million people would be needed to turn a profit and, for attendance that large, the fair would need to be held for two years. The World's Fair Corporation also decided to charge site-rental fees to all exhibitors who wished to construct pavilions on the grounds. This decision caused the fair to come into conflict with the Bureau of International Expositions (BIE), as the international body headquartered in Paris that sanctions world's fairs: BIE rules stated that an international exposition could run for one six-month period only, and no rent could be charged to exhibitors. In addition, the rules allowed only one exposition in any given country within a 10-year period, and the Seattle World's Fair had already been sanctioned for 1962, as 2 years prior.[7]
The United States was not a member of the BIE at the time, but fair organizers understood that a sanction by the BIE would assure that its nearly 40 member nations would participate in the fair. Moses, undaunted by the rules, journeyed to Paris to seek official approval for the New York fair. When the BIE balked at New York's bid, Moses, used to having his way in New York, angered the BIE delegates by taking his case to the press, publicly stating his disdain for the BIE and its rules.[7] The BIE retaliated by formally requesting its member nations not to participate in the New York fair.[7] The 1939/1940 and 1964/1965 New York World's Fairs were the only significant world's fairs since the formation of the BIE to be held without its endorsement.[9]
WARNING-Graphic Hyper Violence within!!!!!
Notice - SKAM does not endorse the killing of oneself or others. SKAM endorses an open communication about the damage humans have done to our planet.
The Recycle Yourself Project is meant to invoke an emotion and discussion about such issues as Overpopulation, Pollution, Ecosystem Destruction Humans responsibility to the Environment, Culture Jamming, Art intervention and Anti-Commercialism/over-consumption.
The Recycle Yourself Philosophy
For billions of years the earth has recycled the life that has existed on it. Through a natural cycle. At one time the Human race followed that natural cycle. The humans lived hand and hand with the environment taking and giving back to the land. Even after death humans at one time gave their actual bodies back to the planet to decay in a natural way. Over time mankind has forgotten about our beautiful planet and how it created the life that exists on it. Then comes the age of the industrial revolution and corporations built upon mass consumerism. Marketing companies assault us ever day. By the time you are 5 years old you've already had 200,000 images planted into your brain from television and ad campaigns. This false reality is built and constructed into our minds to appear that if its sold on tv there is an unlimited supply. Buy buy buy this constructed ads tell us that there is nothing wrong with this behavior. The status quo is a false reality.
The real reality
Humans have already started what will be known as the 6th mass extinction on our planet. This has been created by the abuse we've done in the last 300 years to our mother earth.
The western mindset has infected the entire planet. Kill, rape and pillage, give nothing back. Even in death humans turn themselves in plastic wrapped corspe's that seep poisons into the ground that in turn effect our drinking water. Cancer, disease, and viruses are a by-product of our planet trying to control this over consumerism culture. Mother earth will win this war in the end but it will be at the expense of all forms of life on our planet. Education is the only thing that will change this behavior. If you want to climb the mountain you don't just jump to the top. This change needs to happen in steps. The first is being aware of such steps. If humans so selfishly ignore these warning signs. Some day there will be no fish in the sea, no birds in the sky, no whales in the ocean, no dogs to follow their masters, no flowers to bloom, no bees to pollinate them. This is a reality.
Now you have to ask yourself?
Do you want to be responsible for a dead planet?
Educate
Reduce
Reuse
Recycle Yourself!
New York City Police Department at the 60th annual Grammys on Sunday, January 28, 2017. Benjamin Kanter/Mayoral Photo Office.
This photograph is provided by the New York City Mayoral Photography Office (MPO) for the benefit of the general public and for dissemination by members of the media. The photograph may not be manipulated in any way and may not be used in commercial materials, advertisements, emails, products or promotions that in any way suggests approval or endorsement of the City of New York, the Mayoral administration, or the de Blasio family without prior consent from the MPO (PhotoOffice@cityhall.nyc.gov). Any use or reprinting of official MPO photographs MUST use the following credit language and style: “Photographer/Mayoral Photography Office”, as listed at the end of each caption.
From the Jack Thwaites Photographic Collections.
Tasmanian Archive and Heritage Office: NS3195/2/2112
John Barras Thwaites (Jack Thwaites 1902-1986) was a conservationist and founding member of the Hobart Walking Club and Youth Hostels Association and active in various other organisations such as Australian Young Friends. He was Secretary of the Scenery Preservation Board. He had a keen interest in photography, amassing a significant collection of his own images as well as a small number of nineteenth and twentieth century images from other photographers.
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
April 29, 2015
"Visiting wounded warriors at Walter Reed, the President signed a patient's military banner at his request." (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
Of destroyed tenement.DISCLAIMER: This creation does not endorse or beatify nor try to endorse or beatify Nazi ideology, it's leaders and it is not any kind of Nazi propaganda whatsoever!!
The official portrait of the Obama family dog, "Bo", a Portuguese water dog, on the South Lawn of the White House. (Official White House Photo by Chuck Kennedy)
This official White House photograph is being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way or used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement of the President, the First Family, or the White House.
July 25, 2015
"I love looking at all the individual faces in this photograph of the President greeting children at the U.S. Embassy in Nairobi, Kenya." (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
President Barack Obama looks out the Green Room window prior to the "Open for Questions" virtual town hall meeting on the economy in the East Room of the White House, March 26, 2009. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
drums crowned by tapering domes were deliberately scored to resemble candles, thus manifesting a certain aesthetic and religious attitude.Why are onion domes predominant in Russian architecture?
soumis il y a 3 ans par res3k
Does it have any connection to similar domes in mosques?
Onion domes are predominant in Russian architecture because they became an important stylistic component of Russian Orthodox church design. According to what I have read, the dome's importance comes from symbolic and technical aspects. Russian onion domes have complex symbolic associations, from the classic "vault of heaven" to their appearance as tongues of flame, recalling the holy spirit. On the technical side, you have the often repeated theory that the domes were an adaptation to the climate, especially Russia's heavy snowfalls. The wooden construction of the onion dome would also have been a plus for Russian architects, was this material was in greater supply than the stone necessary for traditional, byzantine-style dome construction.One final reason for the predominance of the onion dome in Russian architecture: the origin of the dome and the associations that come with its origin. Russian church architecture, which features the dome most prominently out of all, is heavily influenced by Byzantine architecture. As Orthodox Christianity was the predominant religion, it follows that Russian builders sought to emulate the styles of the center of Orthodox Christianity, namely Constantinople. This architectural tradition places high importance on centrally-planned, domed spaces. This architectural tradition was combined in Russia with the native wooden-building traditions that have much in common with Scandinavia. These traditions stressed complex, creative wooden constructions with strong vertical components such as steeply pitching roofs and elaborate frameworks. The onion dome is a product of the combination of these two traditions. One source, an examination of the origin of the domes by S. V. Zagraevsky, argues that the domes were a Russian development in the 13th to 14th centuries along these lines--that Russian carpenters, skilled in complex woodwork from both building construction and shipbuilding (alluding to Rus's Scandinavian roots) developed the onion dome independently in order to fulfill the need for domes over Byzantine-influenced churches using wooden construction. This form of dome becomes widespread in the medieval period, thus cementing itself into "tradition" and becoming an essential part of Russian architecture.Note on sources and origins: like always, the story is far more complex than can be presented, and I would invite an expert on Russian culture to step in. The origins of the onion dome are shrouded as no original wooden domes from the period survive and scholars are forced to work from written and illustrative documentary evidence, which is open to varied interpretation. What I have read also presents two conflicting stories: that onion domes were a product of Indian and Byzantine sources that combined in the Islamic world, or that they were the products of independent developments that settled on the onion shape to suit their own technical or symbolic needs and which are only distantly connected to other similar designs in Central Europe, Russia, the Middle East, India. What is conclusive is that the widespread use of these domes dates back at least to the 12th-13th centuries. On sources, the most recent source on onion domes in English that I found (thanks to wiki) was Forms of the domes of the ancient Russian temples. Other works, such as National Elements in Russian Architecture and The Origin and the Distribution of the Bulbous Dome date back to the 1940s, but provide good insight into wooden dome architecture (note: these are JSTOR links). The wiki article on the Onion dome has a good introduction on these domes and has a list of sources, although many of them are in Russian.
perma-lienembed
[–]intangible-tangerine 1 point il y a 3 ans*
This is a story which begins with early Slavic Christian Religious architecture, which exerted a strong influence on secular architecture on the region. I'm just going to generalise and use 'church' here for all buildings used for Christian religious services, not bothering to distinguish between churches and basilicas and cathedrals and so forth as I don't wish to over complicate matters.
When the Kievan Rus, a confederation of Slavic tribes living in parts of modern day Russia, Belarus and Ukraine, were gradually Christianised from the mid 8th to the early 11th c. they were primarily influenced by missions from the Byzantine Church and so they adapted the Byzantine dome for their own church architecture. However, whereas Byzantine Churches usually featured a large central dome, as can be seen with the most famous example, the Hagia Sophia these early medieval Slavic churches feature several smaller domes with the characteristic bulging onion shape, see the Cathedral of Saint Sophia in Novgorod built in the late 11th c. which may be due to some influence from earlier Slavic pagan architectural styles that are lost to us. Perhaps reflecting earlier buildings with multiple tower structures or bulged roofs.
This onion dome hasn't been completely dominant through all of the history of Russian and Eastern European Christian architecture, during the later medieval period a fashion for pointed roofs emerged, such as that of the 15th c. Spasskaya Tower in Moscow. Nevertheless the onion domed towers continued to be built alongside these. Sometimes the two styles were used simultaneously as seen with this early 16 th church at Ostrov, near Moscow where a pointed roof is topped off with a small dome.
... and so this story continues, waves of architectural fashions such as 17th c Ukrainian Baroque and 19th c Neo-Classical Byzantine sweep through the region, some of which typically incorporate onion domes and some of which don't, but it never disappears from the architects' tool kits. Because it was associated so strongly with the original conversion of the Keivan Rus, regarded as the common ancestor culture of Russia Ukraine and Belarus, it was had strong connotations of connecting later structures to this past and tying them in with a narrative of distinctive Russian/Slavic identity.
perma-lienembed
True or not an architect once told me that the shape was heavily influenced by Russian climatology, with significant quantities of snow along the year this shape prevents the snow to accumulate on the roofs hence they would not collapse under the snow weight.You seem to be downvoted as a non-historian, but the hypothesis if very plausible. Initially church architecture in Russia was obviously very influenced by the Byzantine architecture, and domes were either egg-shaped, or even flatter than that (modern reconstruction of the Pirogoshcha Church of Our Lavy in Kiev, Ukraine)). But then in Russia they were quickly replaced by so called "helmet domes" (example: Dormition Cathedral in Vladimir, Russia). And it is this transition that might have been indeed influenced by the simple snow factor.
Starting as of XIII and for sure by XVI century helmet domes gradually evolved into onion domes. I don't know why it happened. Maybe, in a way, it "just happened", because all styles tend to evolve somewhere, and it does not always happen for particular reason, or serve a particular purpose.
I am not quite sure I can endorse what intangible-tangerine said in the comment nearby about secular architecture being an example here. Secular architecture in Russia was overwhelmingly wooden, and the only major type of brick "domes" that evolved from wooden domes is the tent roof church, which was quite popular for a while, but was then officially prohibited in XVII century for some reason, and allowed only for construction of bell-towers. It is rather uncomfortable to make a roundish dome, be it egg-, helmet-, or onion-shape one out of wood (even though it is technically possible). I am also not aware of any evidence for pre-Christian, or secular round dome-like structures in Russian architecture.As for pagan temples, it looks like Slavic pagan shrines were almost always located outdoors. While among Western Slavs some temples might have apparently existed, for some reason in modern reconstructions they are always depicted quite squarish in design (but here I am not sure, as the whole topic of Slavic Paganism is a rather sketchy one, due to a strong influence from romantic neo-pagan groups).
[+]Centurion521 nombre de points du commentaire sous la limite (11 enfants)
www.reddit.com/r/AskHistorians/comments/1gb89y/why_are_on...
An onion dome (Russian: луковичная глава, lúkovichnaya glava; compare Russian: лук, luk, "onion") is a dome whose shape resembles an onion. Such domes are often larger in diameter than the drum upon which they sit, and their height usually exceeds their width. These bulbous structures taper smoothly to a point.It is the predominant form for church domes in Russia (mostly on Russian Orthodox churches) and in Bavaria, Germany (German: Zwiebelturm (literally "onion tower"), plural: Zwiebeltürme, mostly on Catholic churches), but can also be found regularly across Austria, northeastern Italy, Eastern Europe, Mughal India, the Middle East and Central Asia.
Other types of Eastern Orthodox cupolas include helmet domes (for example, those of the Saint Sophia Cathedral in Novgorod and of the Assumption Cathedral in Vladimir), Ukrainian pear domes (Saint Sophia Cathedral in Kiev), and Baroque bud domes (St. Andrew's Church in Kiev).Art historians disagree on when and why onion domes became a typical feature of Russian architecture. Byzantine churches and architecture of Kievan Rus were characterized by broader, flatter domes without a special framework erected above the drum. In contrast to this ancient form, each drum of a Russian church is surmounted by a special structure of metal or timber, which is lined with sheet iron or tiles.By the end of the nineteenth century, most Russian churches from before the Petrine period had bulbous domes. The largest onion domes were erected in the seventeenth century in the area around Yaroslavl, incidentally famous for its large onions. Quite a few had more complicated bud-shaped domes, whose form derived from Baroque models of the late seventeenth century. Pear-shaped domes are usually associated with Ukrainian Baroque, while cone-shaped domes are typical for Orthodox churches of Transcaucasia.Russian icons painted before the Mongol invasion of Rus do not feature churches with onion domes. Two highly venerated pre-Mongol churches that have been rebuilt—the Assumption Cathedral and the Cathedral of St. Demetrius in Vladimir—display golden helmet domes. Restoration work on several other ancient churches revealed some fragments of former helmet-like domes below newer onion cupolasPrior to the eighteenth century, the Russian Orthodox Church did not assign any particular symbolism to the exterior shape of a church.[10] Nevertheless, onion domes are popularly believed to symbolise burning candles. In 1917, noted religious philosopher Prince Yevgeny Trubetskoy argued that the onion shape of Russian church domes may not be explained rationally. According to Trubetskoy, drums crowned by tapering domes were deliberately scored to resemble candles, thus manifesting a certain aesthetic and religious attitude.[11] Another explanation has it that the onion dome was originally regarded as a form reminiscent of the edicula (cubiculum) in the Church of the Holy Sepulchre in Jerusalem. Onion domes often appear in groups of three, representing the Holy Trinity, or five, representing Jesus Christ and the Four Evangelists. Domes standing alone represent Jesus. Vasily Tatischev, the first to record such interpretation, disapproved of it emphatically. He believed that the five-domed design of churches was propagated by Patriarch Nikon, who liked to compare the central and highest dome with himself and four lateral domes with four other patriarchs of the Orthodox world. There is no other evidence that Nikon ever held such a view.brightly painted: their colors may informally symbolise different aspects of religion. Green, blue, and gold domes are sometimes held to represent the Holy Trinity, the Holy Spirit, and Jesus, respectively. Black ball-shaped domes were once popular in the snowy north of Russia.
The Santa Twins Endorse Shopping Local, perhaps because it reduces the Christmas Eve load.
This is my friend, Bob, who makes a perfect Santa, and the beard is his very own,
© AnvilcloudPhotography
Freikörperkultur (FKK) is a German movement whose name translates to Free Body Culture. It endorses a naturistic approach to sports and community living. Behind that is the joy of the experience of nature or also on being nude itself, without direct relationship to sexuality. The followers of this culture are called traditional naturists, FKK'ler, or nudists. There has been an extensive removal of restrictions on public nudity in Germany since about the 1980s.
Western Pa.
This image is not an endorsement of any political party but rather a visual record/documentation of politics in Western Pennsylvania.
© All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic,
mechanical, photocopying and recording without my written consent.
UNESCO Tentativelist.
''Historical monuments are the common heritage of mankind''
Rock Tombs;
Six rock tombs on the Dalyan river (4th - 2nd century BC), which are Dalyan's prime sight
The façades of the rock tombs resemble the fronts of Hellenistic temples with two Ionian pillars, a triangular pediment, an architrave with toothed friezes, and acroterions shaped like palm leaves.
The Kaunos city walls
The spectacular Kaunos city walls were erected during the reign of Mausolos in the 4th century BC. They are extraproportional in relation to the size of Kaunos and its population, presumably because the satrap had high expectations of the city's future as a marine and commercial port. The city walls start west of the inner port and run along the hills N and NW of the city, to the top of the steep cliff opposite Dalyan centre. There is a walking track along the wall, starting at the Çandır water station. The regularly-shaped rectangular blocks and the way the blocks have been positioned give a fine impression of Hellenistic building techniques. Parts of the wall are well-kept, other parts have been taken down and rebuilt.
UNESCO Tentativelist.
whc.unesco.org/en/tentativelists/5906/
Ancient City of Kaunos
Turkey
Date of Submission: 15/04/2014
Criteria: (i)(ii)(iii)(iv)
Category: Cultural
Submitted by:
Permanent Delegation of Turkey to UNESCO
State, Province or Region:
City of Mugla, Mediterranean Region
The Secretariat of the United Nations Educational Scientific and Cultural Organization (UNESCO) and the World Heritage Centre do not represent or endorse the accuracy or reliability of any advice, opinion, statement or other information or documentation provided by the States Parties to the World Heritage Convention to the Secretariat of UNESCO or to the World Heritage Centre.
The publication of any such advice, opinion, statement or other information documentation on the World Heritage Centre’s website and/or on working documents also does not imply the expression of any opinion whatsoever on the part of the Secretariat of UNESCO or of the World Heritage Centre concerning the legal status of any country, territory, city or area or of its boundaries.
Property names are listed in the language in which they have been submitted by the State Party
Description
The property within boundaries of District of Koycegiz is located in the face of Dalyan City and on the right shores of Dalyan Stream (Calbis) which connect Koycegiz Lake to Mediterranean. It was the capital of the ‘Kaunos Region’ between the Caria and Lycia until the beginning of the 4th BC.
The existence of Kaunos had known by the scholars but its location was a mystery until English archaeologist Hoskyn discovered it in 1842. Swedish archaeologist P. Roos defined the independent state boundaries of Kaunos as follows: “Starting from the Fethiye Bay at the north and Ancient City of Krya at the north of the bay; extending till Tlos at the 35 km east of Fethiye, Idyma at Gokova Bay at the west and Çamkoy located in the west of Urla which is little forward to north.” In today’s context, the coastal area starting from the south plains of Mugla and extending till the mountains between Mugla and Antalya was under the sovereignty of Kaunos. Kaunos has kept this borders until the 4th century BC but then lost its statue of sovereign state after the Persian invasion. It was one of two cities resisting against Persian invasion (other is Xanthos) such that they paid high taxes to prevailing states many times in order to keep their independency as a port city.
Kaunos was mentioned as Ksibde in Lycian scripts, while as Kbid in the scripts of other surrounding cities. Life style and language of Kaunos people share similarities with Carian people except five letters in their alphabet are not seen in latter which makes Kaunos language is unique to them. Heredot reveals in this respect that “There is Carian influence in their language or their influence in Carian language. This is an issue which I couldn’t clarify.” In fact, epigraphic materials in Carian language are found mostly in Kaunos today. Kaunosian could not be understood until very recently just because Carian language was not decoded. However, by virtue of a stela written in Greek and Carian, it has been possible to unravel Carian language and a little of Kaunosian due to Greek language had already been known.
Kaunos was an important sea port city with two ports; one is in the south at the southeast of Küçük Kale (Small Castle) and the inner port at its northwest, the present Sülüklü Göl (the Lake of the Leeches). The southern port was used from the foundation of the city till roughly the end of the Hellenistic era, after which it became inaccessible due to its drying out. The latter was used till the late days of Kaunos, but due to the silting of the delta and the ports, Kaunos had by then lost its important function as a trade port and started becoming poor. After Caria had been captured by Turkish tribes and the serious malaria epidemic of the 15th century AD, Kaunos was completely abandoned.
The city was constructed on terraces; significant religious structures like Baselius Kaunios Temple, Apollon Sanctuary and Demeter Sacred Rocks on one side and Bath, Theatre and other structures including Palaestra on a large terrace which is called Upper City on the other. The monumental terrace on which the Upper City situated connects Baliklar Mountain with the Acropolis by extending the city into Mediterranean like a tongue and naturally creating a second harbour basin in the east.
In many places in the ancient city, it has been found stone cutlery and arrowheads from Palaeolithic era. The finding and remains in Kaunos reveal the prosperity of the city as a great power of its time and that it was a sovereign state which minted on its behalf. The coins printed in this region especially in the first half of the 5th century BC are of great importance since a winged figure is displayed on the front side while pyramidal formed monoliths on the back. Besides, letters of K and B found on the coins are important due to they are the first two letters of the first name of Kaunos, Kbid.
The oldest find at the Kaunos archaeological site is the neck of a Protogeometric amphora dating back to the 9th century BC, or even earlier. A statue found at the western gate of the city walls, pieces of imported Attic ceramics and the South – Southeast oriented city walls show habitation in the 6th century BC. Although none of the architectural finds at Kaunos itself dates back to earlier than the 4th century BC, history of Kaunos is believed much earlier than that.
Because of the paleogeographic formation of Dalyan Delta and the silting of the former Bay of Dalyan (from approx. 200 BC onwards), Kaunos is now located about 8 km from the coast.
President Barack Obama talks to a Member of Congress on the phone in the Oval Office, March 21, 2010. Assistant to the President for Legislative Affairs Phil Schiliro works in the background. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
President Barack Obama talks on the phone with Nicole Hockley and families of the victims of the Sandy Hook Elementary School shootings in Newtown, Conn., in the Oval Office, April 11, 2013. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
President Barack Obama looks at the Grand Canyon in Arizona on Aug. 16, 2009.
(Official White House photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
This artist rendering shows an aerial view of the liftoff of the 70-metric-ton (77-ton) lift capacity configuration SLS from the launchpad. The first flight test of NASA's new rocket is scheduled for 2017.
Image credit: NASA/MSFC
Original image:
www.nasa.gov/exploration/systems/sls/multimedia/gallery/s...
More about SLS:
www.nasa.gov/exploration/systems/sls/index.html
More SLS Photos:
www.nasa.gov/exploration/systems/sls/multimedia/gallery/S...
Space Launch System Flickr photoset:
www.flickr.com/photos/28634332@N05/sets/72157627559536895/
_____________________________________________
These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
Nov. 3, 2015
"The President high-fives Sen. Barbara Mikulski, D-Md., during a meeting with her and Rep. Nita Lowey, D-N.Y., left, in the Oval Office. At right is OMB Director Shaun Donovan." (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
President Barack Obama poses for a picture at Magnolia’s Deli & Café during the college affordability bus tour, in Rochester, N.Y., Aug. 22, 2013. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
President Barack Obama talks on the phone with Prime Minister Benjamin Netanyahu of Israel, in the Oval Office, Sept. 28, 2012. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
I believe that these guys and gals have returned to their winter homes as I did not see any of them on my last outing! This one was doing a bit of preening and allowed me to get nice and close! Photo taken on Horsepen Bayou!
Many computer issues today and am really handicapped by a dead keyboard!! On a backup but each key feels like I'm pressing a brick down instead of the slick movement of my regular keyboard!! Firefox crashed for some reason today and I lost all of my bookmarks as well. My backup set was rather old and my recent password changes are not logged into the latest update!! Yeeeech!! Just another headache! Will just say that my comments may be a bit brief until I get a new keyboard!! Because I type so much I had it insured! Time will tell!
A bit of a revision to the issues!! Got the keyboard to work and it really is sweet!! I am not big on endorsing things but for you people who like ergonomic keyboards that Microsoft Sculpt is the best thing out there as far as I'm concerned! I reattached the keyboard and it seems to be working fine again!! And YES...the first thing I checked initially was the batteries!! Don't care...as long as it works! Hope everybody has a great week ahead!
DSL_8473uls