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The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
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The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
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The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
Shrink Wrap encapsulation of scaffold structures to provide weather protection for roof repair works that were taking place.
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It's going to be hard to encapsulate all that happened yesterday. Essentially, we cupped coffee at Exclusive in the morning with Francisco, Wayner, Jose Javier and crew, before setting out for Tarrazu. By far, most of the Micro Mills that Ritual is working with are in Tarrazu, so while I would have loved to have taken more time there, we ended up rushing through Altos de Abejonal, El Angel (Los Chacones) and Monte Copey. All were enriching to be sure, but we only had moments to meet the owners/producers, observe their operations and then we were on our way. It was great and also too hectic. After dark, we rolled down to Don Mayo to see some milling and to walk through the facility. We ended up hanging out for a while too. At some point, Francisco got us to our hotel/bungalow in the nearby town. After a mildly uncomfortable nights sleep, we're up for breakfast and drinking some coffee that is either supposed to be good and isn't, or isn't supposed to be good and therefore fine. It's unclear and I don't have the patience at the moment to work it out.
We're off in a minute to visit Los Angeles and then we head out for Chirripo and Los Crestones, which I'm very excited for.
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Nothing encapsulates the story of the out ward diaspora of the Merchant Princes of Shekavati than the beautiful decaying haveli’s left behind in the small towns of Sikar & Jhunjhunu which made up the Shekavat region of Jaipur State. These Haveli’s bearing names like “Modi ki Haveli”,Khaithan ki Haveli” etc is the who’s who of the current major industrial house’s in India. (Poddar,Bajaj,Goenka,Ruias, Singhania’s et al)
Had visited the deserted town of Chitpur last year to see the mansions of the Bohra’s. These haveli’s I got to see in Jhunjhunu still has people living in some parts of the mansions. The towns of Sikar & Jhunjhuna are still vibrant & full of bright earthy colours.
The quirky,exuberant paintings & murals all over the portions we were allowed to see is lovely. The “Tibrewala” & the “Modi” haveli has Gods, Cars, Trains driven by White Babu’s Mughal motifs & what not…. I saw Bhagat Singh twirling his mushtache on a wall
Some snaps..
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For my final project, I am creating a zine/catalog that encapsulates the entirety of " the [bjutefel] project". Inspired by a book arts project that looked at the lengths women will go to to become beautiful in the eyes of their society, "the [bjutefel] project" was a exhibition I curated and created art for in 2013 that showed the media's ridiculous expectations for beauty and the repercussions of such standards. Now, in 2015, the show is being expanded into a poster campaign that promotes self-confidence and unique beauty.
This catalog will tell the story of "the [bjutefel] project", as well as show original images and artwork from the exhibition and from the poster campaign. By creating a more solidified identity for the project and the catalog, I hope this project will display my layout design abilities, and inform people about an issue I am passionate about.
In regards to the details, the identity will create a common aesthetic throughout the catalog, with repeating elements, such as the brackets. The cover of the catalog will reflect the original book arts project, being in full bleed black ink, with (hopefully) a spot varnish logo. Other original elements from the book will be featured as well, such as the page collaged in censored celebrities. The layouts will be simplistic, allowing the photographs and content to speak to the reader.
Project Timeline:
March 31st - Style guide for catalog created
April 7th - Overall photos selected and general layout drafted
April 16th - All body copy written regarding the narrative about the project
April 23rd - All type and photos finalized
April 28th - Layout/order finalized
April 31st - Draft of entire catalog finished to be reviewed
May 12th - Final design finished and turned in
33.media.tumblr.com/1ef4c3324f51890e3103e442c6336f06/tumb...
For my final project, I am creating a zine/catalog that encapsulates the entirety of " the [bjutefel] project". Inspired by a book arts project that looked at the lengths women will go to to become beautiful in the eyes of their society, "the [bjutefel] project" was a exhibition I curated and created art for in 2013 that showed the media's ridiculous expectations for beauty and the repercussions of such standards. Now, in 2015, the show is being expanded into a poster campaign that promotes self-confidence and unique beauty.
This catalog will tell the story of "the [bjutefel] project", as well as show original images and artwork from the exhibition and from the poster campaign. By creating a more solidified identity for the project and the catalog, I hope this project will display my layout design abilities, and inform people about an issue I am passionate about.
In regards to the details, the identity will create a common aesthetic throughout the catalog, with repeating elements, such as the brackets. The cover of the catalog will reflect the original book arts project, being in full bleed black ink, with (hopefully) a spot varnish logo. Other original elements from the book will be featured as well, such as the page collaged in censored celebrities. The layouts will be simplistic, allowing the photographs and content to speak to the reader.
Project Timeline:
March 31st - Style guide for catalog created
April 7th - Overall photos selected and general layout drafted
April 16th - All body copy written regarding the narrative about the project
April 23rd - All type and photos finalized
April 28th - Layout/order finalized
April 31st - Draft of entire catalog finished to be reviewed
May 12th - Final design finished and turned in
1.bp.blogspot.com/-DGTpwdP4614/TsZcXzfTy2I/AAAAAAAAC5Q/l_...
Historically Significant March 12, 1953, Brooklyn Dodgers vs. Boston Braves PSA Type 1 Encapsulated Photo incl, Jackie Robinson, George Crowe, Joe Black, Sam Jethroe, Roy Campanella Bill Bruton– Measures Approx. 7 x 9 (Includes PSA Type 1 LOA)
This historically significant image portraying six renowned African American ballplayers was taken on March 12, 1953, before a Miami, Florida spring training game between the Brooklyn Dodgers and Boston Braves. From left to right, it includes the iconic Jackie Robinson, George Crowe, Joe Black, Sam Jethroe, legendary Hall of Fame backstop Roy Campanella and Bill Bruton. In a previous auction, this PSA Type 1 photo had been inadvertently advertised as being taken in March 1952; however, accurate research has now dated it to March 12, 1953 (a full year later). Its unquestionable spring training 1953 origin is due to the fact that Bill Bruton played his inaugural and/or rookie season in 1953 with the Milwaukee Braves, even though he is wearing a Boston cap in the illustration along with the two other Braves players as well (Crowe and Jethroe). So how is this possible? Remarkably, this classic image was actually taken only a single day before the Boston Braves were officially relocated to Milwaukee! Indeed, on March 13, 1953, Boston Braves owner Lou Perini announced that due to dwindling attendance, he was relocating his Boston Braves from Braves Field to Milwaukee, Wisconsin, with his team to now play their games at Milwaukee County Stadium. Known as Black Friday to startled Boston fans, they were quickly stripped of their beloved National League franchise, with the legendary Red Sox now the only MLB Boston franchise remaining in Beantown. This historical account substantiates the image's irrefutable March 1953 origin, with the three Brave's players little realizing they would be switching their Boston uniforms to Milwaukee flannels the following day. Of utmost significance is the appearance of the immortal Jackie Robinson on the far left as well as his fellow Cooperstown inductee teammate Roy Campanella second from the right. Measuring approximately 7 x 9. It depicts six African American MLB ballplayers who only seven years earlier would have never imagined taking part in an MLB illustration, with the unprecedented courageous efforts of the immortal Jackie Robinson in 1947 revolutionizing our National Pastime and America forever!
The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
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The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
SILVER encapsulated rotary screw compressors
Power Requirements :208/240460/575V / 60Hz / 3Ph
Power Output / CFM:47.3 CFM @ 145 PSI
Horse Power:15Hp
Dimensions:58 x 25 x 57
Weight:800 Lbs.
Tank Capacity:70 Gal.
Max Pressure PSI / Bar :145 PSI
10 Bar
Output Power:11 KW
Noise Level:68 db/A
Connection:1/2"
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Crews transport NOAA’s encapsulated GOES-U satellite from the Astrotech Space Operations facility to the SpaceX hangar at Launch Complex 39A at NASA’s Kennedy Space Center in Florida beginning on Friday, June 14, 2024, with the operation finishing early Saturday, June 15, 2024. The fourth and final weather-observing and environmental monitoring satellite in NOAA’s GOES-R Series will assist meteorologists in providing advanced weather forecasting and warning capabilities. The two-hour window for liftoff opens 5:16 p.m. EDT Tuesday, June 25, aboard a SpaceX Falcon Heavy rocket from Launch Complex 39A at NASA’s Kennedy Space Center in Florida.
Photo credit: NASA/Ben Smegelsky
blogs.nasa.gov/goes/2024/06/17/advanced-weather-satellite...
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The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
The Mezquita encapsulates about 1,500 years of Cordoban history in one location.
The building that you will see standing on this location is simultaneously called: the Mosque-Cathedral of Cordoba (Mezquita-Catedral de Cordoba), the Great Mosque of Cordoba (Mezquita de Cordoba), and Cathedral of Our Lady of the Assumption (Catedral de Nuestra Senora de la Asuncion). How on Earth did that come to pass? Well, a little history of the site...
Before the Christians were the Moors, and before the Moors, the Visigoths...who had built a (presumably humble, I imagine) church called St. Vincent's here. It was a Catholic church.
When the Moors came along in 711 A.D., everyone prayed happily in the church (most likely different times and different locations in the church). Eventually, the Moorish ruler, Abd al-Rahman I, bought out the Christian interest in the church and ordered construction of the Great Mosque on the site in 784 A.D..
Subsequent rulers expanded the mosque. Abd al-Rahman II ordered a new minaret (the current bell tower) to be built. (The site of the original minaret is a few meters inside the Door of Forgiveness on the patio of oranges.) Al-Hakam II enlarged the building and enriched the mihrab (most important section of the mosque) in 961 A.D. The last of the expansions took place in 987 A.D. under al-Mansur with the completion of the outer naves (practically doubling the size of the building) and courtyard. At that time, the mosque could accommodate about 35,000 people.
There have been subtractions, too. There was once a raised walkway that connected the mosque to the palace which no longer exists.
Architecturally, it was originally a square design with a central nave leading from the door to the mihrab with 5 naves on each side. The columns (jasper, onyx, marble, granite) are from a previous Roman building on site. The double arches are in horseshoe shape (typical Muslim design) and are made of stone and brick in the original section and painted stone in the "new" 987 A.D. expansion.
Well, that's a rough summary of the mosque, but this is a cathedral, too. When King Fernando III reconquered Cordoba in 1236, I'm told he found the mosque so beautiful he didn't want to destroy it. (Look at the Seville Cathedral in contrast; that was the site of the mosque and, well...it's almost completely gone.)
This is the opposite. The minaret stopped being a minaret calling Muslims to prayer and was converted into the bell tower that you see.
The most bizarre thing, though, is the interior of the mosque. Along the edges, the naves have primarily been converted into chapels. There are about 45 chapels around the building. There's also an (old) main chapel and a current chapel which is beautiful. Standing inside the current chapel, you almost forget you're in a mosque. Also, there's a sacristy that has a few treasures and looks like it has no business being in a mosque.
It's a very strange (and beautiful) dynamic that you see in this place. This doesn't come for free, though.
Spanish Muslims would like to pray here in the mosque. It's their history, too. They've petitioned both the Spanish church and the Vatican, only to be repeatedly denied. In 2010, a few Muslim tourists (from an eastern European tour group) prayed here and were stopped by guards who told them to continue with the tour or leave. They began to fight...
Who knows what the future of this place will be? Nothing on this planet seems to last forever.
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