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Positano is a village and comune on the Amalfi Coast (Costiera Amalfitana), in Campania, Italy, mainly in an enclave in the hills leading down to the coast.
Positano was a port of the Amalfi Republic in medieval times, and prospered during the sixteenth and seventeenth centuries. By the mid-nineteenth century, however, the town had fallen on hard times. More than half the population emigrated, mostly to America.
Positano was a relatively poor fishing village during the first half of the twentieth century. It began to attract large numbers of tourists in the 1950s, especially after John Steinbeck published his essay about Positano in Harper's Bazaar in May, 1953: "Positano bites deep", Steinbeck wrote. "It is a dream place that isn’t quite real when you are there and becomes beckoningly real after you have gone."
Submitted 03/12/2014
Accepted 25/12/2014
Published:
- GRUPPO EDITORIALE L'ESPRESSO s (Italy) 15-Mar-2016
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Lamayuru (Inde) - Vue du monastère de Lamayuru (XIè siècle). Cet édifice religieux situé à 125 km de Leh, abrite une grande collection de manuscrits sacrés.
Lamayuru est une ancienne cité construite au pied du monastère, qui, avec la nature environnante, sont les seules véritables "attractions" de la région.
J'y suis resté trois jours. Un bon souvenir, loin du brouhaha indien. Reposant !
Cette photo est un peu particulière par rapport à ma ligne éditoriale, puisqu'il n'y a aucun élément humain. Mais avec un tel ciel et une telle lumière de fin de journée, je n'ai pu résister.
Lamayuru monastery
Lamayuru (India) - View of Lamayuru monastery (11th century). This religious building located 125 km from Leh, houses a large collection of sacred manuscripts.
Lamayuru is an ancient city built at the foot of the monastery, which, along with the surrounding nature, are the only real "attractions" in the region.
I stayed there for three days. A good memory, far from the Indian hubbub. Restful!
This photo is a bit special compared to my editorial line, since there is no human element. But with such a sky and such a light at the end of the day, I could not resist.
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Convulsive Plain.
Expressions formes région éditoriale brefs parallèles discussions puissantes structures couleurs fragmentations complexités effrénées passions,
magnifica symbola terrestria gnomes mythicas bestias tempestuosae circuli individualistarum invitationes extremae artis gradus suspiciones torquet.,
глубокое влияние географических корней значительный дизайн сбор впечатлений композиционные функции нетрадиционные оттенки ломаные оттенки,
movendo motivos típicos trabalhos transitórios permeando camadas espessas formas rodopiantes flores contrastantes breves associações influências jovens consideráveis,
seachmaill dhlúth pheirspictíocht doimhneacht radharc paiseanta torthaí sásúla léirithe atmaisféaracha fórsaí nádúr limistéir teimhneach rúin leathan,
インフォーマルなバリエーションリズミカルな雑草が波打つ表面抵抗黄色仮想ブルー重要な選択現代的な緑自然主義者夢見る発見革新空.
Steve.D.Hammond.
Cathedral of Santa Maria. Cagliari
©Ivan Sgualdini
Seguimi su / Follow me:
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E' possibile condividere liberamente questa immagine senza scopo di lucro, mentre l'uso editoriale/commerciale è permesso solo previa autorizzazione dell'autore Ivan Sgualdini.
Buy this photo on Getty Images : Getty Images
The Hallerbos (Dutch for Halle forest) is a forest in Belgium, covering an area of 552 ha (1,360 acres). It is mostly situated in the municipality of Halle, in Flemish Brabant and has also a little part in Walloon Brabant.
The forest is known in the region for its bluebell carpet which covers the forest floor for a few weeks each spring, attracting many visitors.
Submitted: 23/04/2016
Accepted: 05/05/2016
Published:
- Microsoft Multimedia Publishin (WASHINGTON) 10-Jul-2019
- Silhouette - Tre D Editoriale (Italy) 04-Sep-2020
- Double RO Ltd (Israel) 24-Jun-2021
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. press L to enlarge;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi L per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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All the photos I present were taken on the beaches of Taormina and its surroundings (Sicily-Italy); I made photos related to "beach photography" (a genre similar to "street photography");
I photographed on a beach a young lady who, leaning her smartphone against a paper bag, in order to self-portray, assumed statuesque and plastic poses for "artistics selfies"; … .I photographed a couple of lovers entwined with each other, regardless of everything that was around "their world"; ... I photographed young and old people ... with a great desire for the sea and a great desire to dive into the sea to swim (even if the sea water is still a little cold now ...); I made some photo-portraits of people I didn't know, I thank them very much for their sympathy and their availability; I tried to capture the essence of minimal photographic stories, collected walking along the beaches ... in search of fleeting moments ...
I used a particular photographic technique for some photographs at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production
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Tutte le foto che presento sono state realizzate sulle spiagge di Taormina e dintorni (Sicilia-Italia); ho realizzato foto riconducibili alla “beach photography” (un genere affine alla “street photography”);
ho fotografato su di una spiaggia una giovane signora che, appoggiato ad una busta di carta il suo smartphone, in modo da autoritrarsi, assumeva delle pose statuarie e plastiche da “selfie artistico”; ….ho fotografato una coppia di innamorati tra loro avvinghiati, incuranti di tutto ciò che stava attorno “al loro mondo”; …ho fotografato persone giovani e meno giovani…con tanta voglia di mare e tanta voglia di immergersi in mare per fare qualche nuotata (anche se l’acqua del mare adesso è ancora un po’ fredda…); ho realizzato dei foto-ritratti di persone che non conoscevo, le ringrazio veramente tanto per la loro simpatia e la loro disponibilità; ho cercato di cogliere al volo l’essenza di storie fotografiche minime, raccolte camminando per sulle spiagge... alla ricerca di attimi fugaci s-fuggenti ...
Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.---------------------------------------------------------
Fai bei sogni - un film di Marco Bellocchio | Trailer ufficiale [HD]
Fai Bei Sogni - Riunione di Redazione - Risposta alla lettera di Simone
Fai bei sogni di Massimo Gramellini | Clip + Trailer Compilation [HD]
Gramellini racconta "Fai bei sogni"
MASSIMO GRAMELLINI - FAI BEI SOGNI - Longanesi - UN SUCCESSO EDITORIALE
Il gesto eroico di Rachele Spolaor - Le Parole della Settimana - 19/12/2020
Virus, Amore e Amicizia - Le Parole della Settimana - 20/02/2021
La vita spezzata di Lisa Montgomery - Le Parole della Settimana - 18/01/2021
La storia di Denise - Le Parole della Settimana - 12/12/2020
Il primo paziente italiano di Covid in America - Le Parole della Settimana - 17/10/2020
Abou, dalle torture alla salvezza mancata - Le Parole della Settimana - 10-10-2020
Buonasera di Massimo Gramellini su "The Shoah Party" - Le parole della settimana 19/10/2019
Massimo Gramellini sull'incredibile storia di Chastity Patterson - Le parole della settimana 02/11
Buonasera di Gramellini dedicato ad una preside speciale - Le parole della settimana 16/05/2020
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Mandvi (Inde) - Pour ce reportage, je n’ai pas beaucoup de gros plans de personnages isolés. Comme cette série était destiné à être publiée dans un journal maritime professionnel, dans un premier temps, j’ai axé mon regard sur les bateaux. Bien entendu, les conditions de travail déplorables me sont vite apparues. Comment parler de ces boutres sans évoquer la précarité des ouvriers exposés à tous les dangers ?
Si je me suis toujours intéressé au genre humain, ce reportage a été un vrai déclic pour moi. C’est en découvrant ces hommes et ces femmes travaillant sur ces chantiers, que j’ai décidé de m’investir à 100 % dans la photo humaniste. l’Humain est alors devenu le fil rouge de tous mes reportages. Il en avait souvent été ainsi auparavant, mais depuis ce jour, j’en ai fait une véritable ligne éditoriale. C’était devenu une évidence.
Si la construction de ces boutes, monstres des mers, demandent de longues années de labeur, c’est que le travail se fait à plus de 90 % manuellement. 2008, n’est finalement pas si loin et hormis quelques postes à souder, les ouvriers utilisent essentiellement d’antiques outils. Sur cette photo, les hommes au premier plan utilisent une sorte d’herminette pour transformer une poutre en planche destinée à la coque. Ces poutres-planches seront assemblées à la masse et de clous monstrueux, seuls capables de percer et fixer des éléments de bois de plus de 50 centimètres d’épaisseur.
Handmade ship
Mandvi (India) - For this report, I don't have many close-ups of isolated characters. As this series was intended to be published in a professional maritime journal, I first focused my attention on boats. Of course, the deplorable working conditions soon became apparent to me. How can we talk about these dhows without mentioning the precariousness of the workers exposed to all the dangers ?
If I have always been interested in humankind, this report was a real trigger for me. It was by discovering these men and women working on these construction sites that I decided to invest 100% in humanist photography. Humans then became the common thread of all my reports. It had often been like this before, but since that day, I have made it a real editorial line. It had become obvious.
If the construction of these boats, monsters of the seas, requires long years of labor, it is because more than 90% of the work is done manually. 2008 is ultimately not that long ago and apart from a few welding stations, the workers mainly use old tools. In this photo, the men in the foreground use a sort of adze to transform a beam into a plank for the hull. These boards will be assembled using massive hammers and monstrous nails, the only ones capable of drilling and fixing wooden elements more than 50 centimeters thick.
A company of three posing at a café table in a busy city street. The ladies are wearing elegant woollen coats, the fellow is dressed in a suit and tie. Since I purchased this charming vintage photograph from an Italian vendor, it was presumably taken somewhere in Italy, most likely in Milan.
Country of origin: Italy
Mystery solved: the photo was taken on the corner of Via Lombardia and Via Veneto, Rome, Italy (see below). Thank you, Rob van Kan!
Para mim, um livro é como um filho. No dia da apresentação sai de casa e conquista vida própria. Publicar um livro é sempre um momento muito emotivo. Por isso, aquele dia de Março de 2005 foi particularmente emotivo para mim porque a publicação de "Dou Este Mar por Um Céu de Andorinhas" pôs fim a um interregno de 23 anos na minha actividade editorial.
For me, a book is like a child. On the day of the presentation leaves home and conquers his own life. Publishing a book is always a very emotional moment. So, that day in March 2005 was particularly emotional for me because the publication of "I Give This Sea By A Sky Of Swallows" ended a 23-years interregnum in my editorial activity.
Pour moi, un livre est comme un enfant. Le jour de la présentation laisse la maison et marche à la conquête de sa vie. La publication d'un livre est toujours un moment très émouvant. Donc, ce jour-là en Mars 2005 a été particulièrement émouvant pour moi parce que la publication de "Je Donne Cette Mer par Un Ciel d'Hirondelles" mis fin à une interrègne de 23 ans dans mon activité éditoriale.
Per me, un libro è come un bambino. Il giorno della presentazione va alla conquista della vita. La pubblicazione di un libro è sempre un momento molto emozionante. In modo che quel giorno di marzo 2005 è stato particolarmente emozionante per me, perché la pubblicazione di "Io Do Questo Mare per Un Cielo di Rondini" si è concluso un interregno di 23 anni nella mia attività editoriale.
Para mí, un libro es como un niño. En el día de la presentación se va de casa a la conquista de la vida. La publicación de un libro es siempre un momento muy emotivo. Así que aquel día de marzo de 2005 fue especialmente emotivo para mí, porque la publicación de "Doy Este Mar por Un Cielo de Golondrinas" terminó un interregno de 23 años en mi actividad editorial.
(editoriale completo qui: issuu.com/t-issuemagazine/docs/tissuenumerouno )
model: Elisa Mosconi.
dress: Andrea Silla.
MUA/Hair/Stylist: Giulia Brunetti.
Mercedes 540K Cabriolet A (1936-40) Engine 5401cc S8 Supercharged
Chassis Number 169355
MERCEDES SET
www.flickr.com/photos/45676495@N05/sets/72157623671722255...
Designed by Friedrich Geiger and introduced at the 1936 Paris Motorshow the 540K was a developedment of the 500K with an enlarged in displacement to 5,401 cubic centimetres fed by twin pressurized updraft carburetors, developing a 115 hp (86 kW). In addition, there was an attached Roots supercharger, which could either be engaged manually for short periods, or automatically when the accelerator was pushed fully to the floor increasing output to 180bhp and a top speed of top speed of 170 kilometres per hour (110 mph). Driving through a four-speed or optional five-speed manual gearbox that featured synchromesh on the top three gears and stopping with vacuum assisted hydraulic braking. Available as a both a two- and four-seat cabriolet, four seater coupé or seven seater limousine (with armoured sides and armoured glass), it was one of the largest cars of its time.The 540K had the same chassis layout at the 500K, but it was significantly lightened by replacing the girder-like frame of the 500K with oval-section tubes To meet individual wishes of customers, three chassis variants were available, as for the 500K: two long versions with a 3,290 mm (130 in) wheelbase, differing in terms of powertrain and bodywork layout; and a short version with 2,980 mm (117 in). The long variant, termed the normal chassis with the radiator directly above the front axle, served as the backbone for the four-seater cabriolets, the 'B' (with four side windows) and 'C' (with two side windows), and for touring cars and saloons. The shorter chassis was for the two-seater cabriolet 'A', set up on a chassis on which radiator, engine, cockpit and all rearward modules were moved 185 mm (7.3 in) back from the front axle
The Sindelfingen factory employed 1,500 people to create the 540K, and allowed a great deal of owner customisation, meaning only 70 chassis were ever bodied by independent builders. Regular replacement bodies were ordered in 1944 for a few cars
This car rolled of the Sidelfingen assembly line in 1937, and was delivered new to its first Berlin based owner on the 2nd July 1937. Shortly after WW2 it was purchased by Editoriale Domus on behalf of Gianinni Mazzocci, – founder of Quattroruote, as the flagship car of his motor collection, it remained untouched until 1966 when recommissioned to participate in various classic car events. In 1993 a major restoration was embarked upon which would take the next ten years under specialist Vittorio Klun of Milan, under the close scrutiny of Frederick Robutti, – head of the Quattroruote Museum, unusually it had remained in the same ownership from just after WW2 until 2017 when offered for auction
This shot was taken at the Coys Alexandra Palace Aution of 2016, but the car was merely on display pending future sale. It was offered by Coys at their True Greats Sale, at The Royal Horteculture Societys, Lindley Hall, Victoria Square London on 5th December 2017
Thankyou for a massive 57,396,125 views
Shot 28.10.2016 at The Alexandra Palace, London REF 124-134
sono vivaaaaahhh
finalmente è uscito tutto l'editoriale su sincerly yours mag e posso pubblicare queste foto fatte a luglio u.u
la bella bella bella Erminia <3
Italian postcard by Gruppo Editoriale Lo Vecchio, Genova. Photo: G.E.L. / Silvestre Suoni.
English musician, singer and songwriter John Lennon (1940-1980) rose to worldwide fame with the Beatles, the most commercially successful band in the history of pop. With Paul McCartney, he formed a song writing partnership that is one of the most celebrated of the 20th century. When the group disbanded in 1970, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine.
John Winston Lennon was born in an air-raid shelter during the Blitz in Liverpool. His parents were Julia (née Stanley) and Alfred Lennon, a merchant seaman of Irish descent, who was away at the time of his son's birth. His parents separated and he would not see his father for 20 years. Throughout the rest of his childhood and adolescence he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own. His mother bought him his first guitar in 1956, an inexpensive Gallotone Champion acoustic. Two years later, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed. Lennon failed all his examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. He started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. He was thrown out of the college before his final year. As a teenager Lennon had become involved in the skiffle craze. At age 15, he formed his first band, the Quarrymen (after Quarry Bank High School, which he attended) in 1956. Lennon first met Paul McCartney at the Quarrymen's second performance, after which he asked McCartney to join the band. In 1957 Lennon met Cynthia Powell at the Liverpool College of Art. They married in 1962. In 1958, the 18-year-old Lennon wrote his first song, Hello Little Girl, a UK top 10 hit for The Fourmost nearly five years later. McCartney suggested his friend George Harrison as the lead guitarist. Lennon thought Harrison (then 14 years old) was too young. McCartney engineered an audition on the upper deck of a Liverpool bus, where Harrison played Raunchy for Lennon and was asked to join. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became The Beatles in early 1960. In August that year, the Beatles were engaged for a 48-night residency in Hamburg, Germany. Desperately in need of a drummer, they asked Pete Best to join them. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances. The Beatles were performing at Liverpool's Cavern Club in 1962, when they were introduced to Epstein after a midday concert. He became their manager. Epstein had no prior experience of artist management, but had a strong influence on their early dress code and attitude on stage. McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, Love Me Do, was released in October 1962 and reached no. 17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours in 1963. The Lennon–McCartney song writing partnership yielded eight of its fourteen tracks. John was older than the other Beatles and he was very much the leader; he was the quickest wit and the smartest.
The Beatles achieved mainstream success in the UK during the beginning of 1963. Lennon married his girlfriend Cynthia Powell when she was pregnant. Lennon had to perform on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963. Lennon was on tour at the time and did not see his son until three days later. After the tour, Lennon went on holiday to Spain with Brian Epstein, leading to speculation about their relationship. Questioned about it later, Lennon said, "Well, it was almost a love affair, but not quite. It was never consummated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was homosexual.” In a later fictional film about this vacation, The Hours and Times (Christopher Munch, 1991), Lennon was played by Ian Hart. In another film about the Hamburg years of the Beatles, Backbeat (Iain Softley, 1994), Hart again played Lennon. After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, song writing an film making followed. Richard Lester made two films with The Beatles, A Hard Day’s Night (1964) and Help! (1965). Lennon also wrote two books, In His Own Write and A Spaniard in the Works. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire (MBE) in the 1965 Queen's Birthday Honours. Lennon grew concerned that fans attending Beatles concerts were unable to hear the music above the screaming of fans, and that the band's musicianship was beginning to suffer as a result. His song Help! (1965) expressed these feelings. The following January he was unknowingly introduced to LSD when a dentist, hosting a dinner party attended by Lennon, Harrison and their wives, spiked the guests' coffee with the drug. The Beatles had their final commercial concert on 29 August 1966. Instead of appearing live, the band began making their own ‘pop clips’, which were featured on television programs of the time. Deprived of the routine of live performances, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year. 1967 saw the release of Strawberry Fields Forever, and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon–McCartney's early years. In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road Lennon played in the anti-war, black comedy How I Won the War (Richard Lester, 1967) starring Michael Crawford. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film Magical Mystery Tour (1967). While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Lewis Carroll-inspired I Am the Walrus, was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation composed of Apple Records and several other subsidiary companies. In the cinema, The Beatles could be heard in the animation film Yellow Submarine (George Dunning, 1968). John and Cynthia divorced after he had fallen in love with Yoko Ono. At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, composed of Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Yoko Ono in the film
John Lennon married Yoko Ono in 1969, and changed his name to John Ono Lennon. The couple spent its honeymoon at the Amsterdam Hilton campaigning with a week-long Bed-In for Peace. At their second Bed-In for Peace in Montreal in 1969, they recorded Give Peace a Chance. It became the main anti-Vietnam protest song. Lennon detailed this period in the Beatles song The Ballad of John and Yoko. They also released a series of 14 lithographs called Bag One depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond the Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: Unfinished Music No.1: Two Virgins (known more for its cover, a nude photograph of Lennon and Ono, than for its music), Unfinished Music No.2: Life with the Lions and Wedding Album. Their live album Live Peace In Toronto became a Top Ten hit. In 1969, they formed the Plastic Ono Band, which featured Ono, guitarist Eric Clapton, bassist Klaus Voormann and drummer Alan White. They released the album Live Peace (1969) and the singles Cold Turkey (about his battle with heroin addiction) and Instant Karma! In September 1969, Lennon told the other Beatles that he planned to leave the group, and agreed not to inform the media while the group renegotiated their recording contract. He was outraged when McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's own debut solo album, John Lennon/Plastic Ono Band (1970), was received with high praise. Stephen Thomas Erlewine at AllMusic: “a scathingly honest confessional work inspired by his and Ono's primal scream therapy. Lennon supported the album with an extensive interview with Rolling Stone, where he debunked many of the myths surrounding the Beatles.” The album featured the songs Mother, in which Lennon confronted his feelings of childhood rejection, and the Dylanesque Working Class Hero. In protest at Britain's involvement in the Nigerian Civil War, its support of America in the Vietnam war and (jokingly) against the single Cold Turkey slipping down the charts, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status. He moved to Manhattan in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while some of his songs were adopted as anthems by the anti-war movement and the larger counterculture. Lennon's next album, Imagine (1971), got a more guarded critical response. But the title song became his most famous post-Beatles track, although the lyrics offended religious groups. In December 1971, Lennon and Ono released Happy Xmas (War Is Over). The new year saw the Nixon administration take what it called a ‘strategic counter-measure’ against Lennon's anti-war and anti-Nixon propaganda, embarking on what would be a four-year attempt to deport him. While Lennon was recording Mind Games (1973), he and Ono decided to separate. The ensuing 18-month period apart, which he later called his ‘lost weekend’, was spent in Los Angeles and New York in the company of May Pang. Lennon contributed I'm the Greatest to Starr's album Ringo (1973). Lennon then recorded the album Walls and Bridges (1974) with the #1 single Whatever Gets You thru the Night, featuring Elton John on backing vocals and piano. Lennon co-wrote Fame, David Bowie's first US number one, and provided guitar and backing vocals for the recording. He and Ono were reunited shortly afterwards. Lennon released Rock 'n' Roll (1975), an album of cover songs. Stand by Me, taken from the album and a US and UK hit, became his last single for five years. The same month, Elton John topped the charts with his cover of Lucy in the Sky with Diamonds, featuring Lennon on guitar and back-up vocals. Lennon disengaged himself from the music business in 1975 to raise his second son Sean Lennon, who was born on John's 35th birthday in 1975. John wrote the song Beautiful Boy for Sean. Lennon took on the role of househusband, and gave all his attention to his family. He wrote Cookin' (In the Kitchen of Love) for Starr's Ringo's Rotogravure (1976), performing on the track in June in what would be his last recording session until 1980. He appeared in the film Fire in the Water (Peter Whitehead, 1977) with Nathalie Delon. In 1980, he re-emerged with Ono with the single (Just Like) Starting Over and the album Double Fantasy (1980). Three weeks after the album’s release, on 8 December 1980, John Lennon was murdered. Mark David Chapman shot Lennon in the back four times at the entrance to his New York apartment. Within minutes after being shot, John Lennon was dead at age 40. He was cremated and Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. As of 2012, Lennon's solo album sales in the United States exceeded 14 million and, as writer, co-writer or performer, he is responsible for 25 number-one singles on the US Hot 100 chart. The cover of Rolling Stone issue featuring a nude Lennon hugging and kissing a fully clothed Yoko Ono taken by photographer Annie Leibovitz was voted the top magazine cover of the last 40 years by a panel of magazine editors, artists and designers chosen by the American Society of Magazine Editors. The photo was the cover of Rolling Stone's tribute to Lennon after his death. Ironically, the picture was taken on the last day of Lennon's life.
Sources: Stephen Thomas Erlewine (AllMusic), Wikipedia and IMDb.
More, more, more? Take a look at our postcard albums Vintage Pop Stars, French Pop Stars, British Pop Stars, and American Pop Stars!
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
English
...Yes!! we’ve achieved our aim!!
Dear Flickr friends, I am publishing this photo to share my happiness with you.
Do you remember my son Domenico? Well, he has given us a big satisfaction once again.
He has won a competition for information engineer in RAI - Radio Televisione Italiana.
He is going to be engaged by this prestigious company soon.
RAI is one of the most important communication company in Europe. It’s involved in different fields: television, radio, cinema and publishing.
This picture represents the Dying Horse, one of Italian sculptor Francesco Messina’s works. You can find it at the entrance of Rai top management in Viale Mazzini, Rome.
Congratulations Domenico, we’re proud of you.
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Italiano
... Si!!! Obiettivo raggiunto!!!
Cari amici di Flickr, pubblico questa foto perchè voglio condividere con voi la mia felicità!!!
Vi ricordate di mio figlio Domenico?, bene, lui ci ha regalato ancora tanta felicità e soddisfazione.
Ha vinto un concorso x Ingegnere Informatico alla RAI - Radio Televisione Italiana e sarà assunto nella prestigiosa azienda nei prossimi mesi.
La RAI Radiotelevisione Italiana è una delle più grandi aziende di comunicazione d'Europa: opera oltre che nel settore televisivo e radiofonico in quello editoriale e cinematografico.
La foto rappresenta il Cavallo Morente, opera dello scultore italiano Francesco Messina, che è posto all'ingresso della Direzione Generale Rai di Viale Mazzini a Roma.
Congratulazioni Domenico, siamo fieri di te!!!
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Best View: On Black
segnalo che è disponibile il libro
Fascino e rigore del collodio
Il collodio umido positivo e negativo
270 pagine 22x30, colori, con oltre 170 illustrazioni di grande formato.
Presso di copertina 49,9€, in promozione a 40€
Mi sembra che faccia una bella figura sia editoriale che di contenuto
Ulteriori informazioni tra cui una preview del libro in pdf in cui visionare il sommario, la prefazione di Paolo Barbaro, numerose pagine e la postfazione di Alberto Novo, qui:
www.bordinphotographic.it/manuali%20antiche%20tecniche/
oppure dal al sito:
cliccando sul bottone dell’Home page dove è scritto: "disponibile il libro italiano del collodio umido”; sarete reindirizzati alla pagina giusta
For all my friend who only speak english, this new book about wet plate collodion is in Italian. I think it is a good work but obviously apart from pictures, which speak a universal language, the text should be understood to make a book of some interest.
However, in the link before you can further look inside the book and if you want a copy contact me vie email: giorgio@bordinphotographic.it
The price should be 49.90€ but it is offered with a discount, at 40.00 €
Model • Roberta Lo Presti || Wardrobe Stylist • Janina Butz || Makeup Artist • Cetty Anello || Hair Stylist • Gaetano Pusanti || Photo+Graphics • ME
from Laura Cammarata and Valentina Pezzo Fashion Photography Workshop • Mondello -----> Palermo
Io racconto storie.
Per me è l'unico modo per potere sopravvivere.
MORE MORE MORE PHOTOS INSIDE -----> tutto l'editoriale.
____________
All of my images are under copyright.
Please don't use any of my pictures without my written permission.
© Copyright 2012 Barbara Geraci & AlterErgo Studio
All Rights Reserved - if you're interested in one to blog, printing etc. contact me: barbara@alterergo.it
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
Silvio Berlusconi chiede scusa agli italiani. Lo fa con un metodo alquanto bizzarro, anzi, sembra più una mossa politica legata al marketing editoriale, visto che le scuse sono annunciate sull'ultima fatica di Bruno Vespa, ovvero il libro “Il Palazzo e la Piazza. Crisi, consenso e protesta da Mussolini a Beppe Grillo”.
Insomma, il premier ha pensato bene di chiedere scusa agli italiani solo perchè non ce l'ha fatta. “La crisi ha cancellato i nostri sforzi, anche se noi abbiamo lasciato la disoccupazione al punto più basso degli ultimi vent'anni”. Così risponde alle timide domande del conduttore di Porta a Porta. Ma come? Il patron di Mediaset, il guru del tubo catodico che ha occupato per anni le vite degli italiani con le sue televisioni private e pure quelle pubbliche, quando ha potuto, che addirittura ci ha fatto sentire più volte la sua voce in diretta, anche quando non era stato invitato, ora chiede scusa attraverso un libro di Bruno Vespa?
Di sicuro le sue scuse arrivano tardivamente rispetto ai tempi e soprattutto suonano come una presa in giro anche per il suo elettorato con il quale non ha mantenuto quelle promesse che aveva annunciato a milioni di telespettatori, guarda caso, sotto i riflettori proprio di casa Vespa.
Silvio Berlusconi apologizes to the Italians. It does so with a method somewhat bizarre, indeed, seems more a political move linked to marketing publishing, as the excuses are announced last effort of Bruno Vespa, which is the book "The Palace Square. Crisis, consent and protest from Mussolini to Beppe Grillo ".
In short, the prime minister has seen fit to apologize Italians because they do not have it done. "The crisis has wiped our efforts, even if we have left unemployment at the lowest point in the last twenty years." So timid answers questions conductor Porta a Porta. But how? The owner of Mediaset, the guru of the picture tube that has occupied for years the lives of Italians with its private television and even public ones, when he could, which made us feel even more times her voice live, even when not had been invited, now apologizes through a book by Bruno Vespa?
Surely an apology comes late in relation to the time and especially sound like a tease for his electorate with whom he has kept the promises he had announced to millions of viewers, as it happens, under the spotlight of the house for Vespa.
Italian postcard by Gruppo Editoriale Il Vecchio, Genova. Photo: publicity still for the TV-series Beverly Hills 90210.
American producer, director, writer, film and TV actor Luke Perry died on 4 March 2019 at St. Joseph's Hospital in Burbank, California, from complications of a stroke he suffered last week. Luke had a prolific acting career on TV and in films. He became a household name as Dylan McKay on the hit coming-of-age series Beverly Hills 90210 (1990-1995; 1998-2000). He also starred as Fred Andrews on the drama series Riverdale (2017). He was 52.
Luke Perry was born Coy Luther Perry III in Mansfield, Ohio in, 1966. His parents were Ann Bennett, a homemaker, and Coy Luther Perry Jr., a steelworker. He was raised in the small community of Fredericktown. Perry moved to Los Angeles to pursue acting soon after graduating from high school. There he worked a series of odd jobs as he tried to break into the business. After appearing in the music video Be Chrool to Your Scuel for the band Twisted Sister alongside Alice Cooper, he scored an appearance as Ned Bates on the soap opera Loving (1987-1988), which required him to move to New York City. Perry then landed a role on another soap, this time portraying Kenny on Another World (1988-1989). But it was his role as seemingly bad boy Dylan McKay on Beverly Hills 90210 in 1990 which made Perry a popular teen idol. Perry had auditioned for the role of Steve Sanders, but the role eventually went to Ian Ziering before Perry was cast as Dylan McKay. Perry's character was not an original cast member of the show, and he was first featured in the show's second episode. He was originally intended to only appear in one story arc, for one or two episodes. Fox was initially reluctant to have him included as a regular, but Aaron Spelling felt differently and gave Perry a bigger role during the first two years until the network was won over. The actor famously left the show in Season 6, seeking to break away from the Dylan character, but returned in Season 9.
Luke Perry also appeared in the cinema. In 1992, he won a supportingco-starring in the film version of Joss Whedon's Buffy The Vampire Slayer (Fran Rubel Kuzui, 1992), with Kristy Swanson. It follows a Valley girl cheerleader named Buffy who learns that it is her fate to hunt vampires. It was a moderate success at the box office but received mixed reception from critics.The film was taken in a different direction from the one its writer Joss Whedon intended, and five years later, he created the darker and acclaimed TV series of the same name. Perry played roles in such films as Terminal Bliss (Jordan Alan, 1992), the biographical drama 8 Seconds (John G. Avildsen, 1994) about rodeo legend Lane Frost, and the crime drama Normal Life (John McNaughton, 1996) with Ashley Judd. He had a small role in Luc Besson's Science-Fiction adventure The Fifth Element (1997) with Bruce Willis and Milla Jovovich. Perry guest-starred as gay characters in the sitcoms Spin City (1997) and Will & Grace (2005); he appeared as Carter Heywood's ex-boyfriend who subsequently fell in love with a woman on Spin City and played a geeky birdwatcher who caught the eye of Jack McFarland on Will & Grace.
Luke Perry made his Broadway debut in 2001 as Brad in a revival of The Rocky Horror Show. But it was television that showed the actor the most love. From 2001 to 2002, he starred in the prison drama Oz, as the Reverend Jeremiah Cloutier. From 2002 to 2004 he acted in the post-apocalyptic TV series Jeremiah. And in 2006 Perry co-starred in the ensemble drama series Windfall, about a group of friends who win the lottery. In 2008, Perry guest-starred as rapist Noah Sibert in the television series Law & Order: SVU, and also guest-starred as cult leader Benjamin Cyrus in an episode of Criminal Minds. From 2017 until his death, Perry took on the role as Archie Andrews' dad Fred in the hit drama Riverdale, based on the characters from the Archie comics. Perry also played a role in Quentin Tarantino's upcoming Charles Manson film, Once Upon a Time in Hollywood. In 1993, Perry married actress Rachel 'Minnie' Sharp and the couple welcomed son Jack and daughter Sophie. They divorced a decade later. At the time of his death, Perry was engaged to Wendy Madison Bauer.
Sources: Lida Respers France (CNN), Westerns... All' Italiana, Wikipedia and IMDb.
9143 R Brodovi M/S ASIA - Lloyd Triestino Constr. C.R.D.A Trieste 1953 Lft 158 m, lfo 21 m, Imm 7m 2 diesel engines 16100 HP 2 propellers, V 19.5 knots 11.693 Tons Capacity: I class 286 Pass, Tourist class 181 Pass Sold in 1977 and transformed into livestock carrier with the name "Persia" Scrapped in 1985 at Gadani Beach Owner Lloyd Triestino S.p.A. N. Ship manager Lloyd Triestino S.p.A. N. IMO number 5026827 Passenger Cargo Ship classification La Editoriale Libraria S. p. A. Trieste SN485264
H.E.R. winner of contest A song for Amnesty - Voices for Freedom, 23rd edition.
Premiazione vincitrice H.E.R. Una canzone per Amnesty 2020
(left: Emanuele Russo, President of Amnesty International Italy, right: contest speaker Carmen Formenton, member of Amnesty International - Italy)
My new video of the live song performance & the prizing together with a slide show of my shooting of HER, can be visualized at the link:
Il mio nuovo editoriale (in Inglese) su TuttoDisco/Musica online magazine e blog:
tuttodisco.blogspot.com/2020/08/HER-wins-song-4-Amnesty-V...
No use of any kind of my photos, included downloading, posting, sharing, using the image of this & all other albums without my prior written consent.
Image copyrighted ©WhiteANGEL Photography
Umiliati, derisi. Non c'è verso, Berlusconi le bugie e le battute le annovera nel sangue. Riferiscono le cronache di due giornate europee, dense d’incontri, riunioni, cene, pranzi, conferenze stampa, dichiarazioni fra cui quella del cavaliere: "Ho parlato a lungo con la Merkel, si è convinta". E ai giornalisti italiani che gli chiedevano se l'Italia supererà l'esame del Consiglio europeo di Bruxelles ha risposto con la solita arrogante battuta: "Io non sono mai stato bocciato nella vita."
Subito arrivano le smentite: non c'è mai stata una conversazione fra Berlusconi e la Merkel. Fra i due la ruggine è ormai molto spessa, la stampa tedesca ha pubblicato con grande evidenza gli "apprezzamenti" sul fondo schiena di Anghela. Difficile credere alla lunga conversazione, solo qualche giornale italiano, servitore del padrone e dintorni, un po' di televisioni, ci hanno creduto o meglio hanno finta per dovere editoriale.
Ci hanno comunque pensato sia Merkel sia Sarkozy protagonisti di una scenetta che farà il giro delle televisioni di tutto il mondo. E' andata cosi. La tedesca e il francese, i protagonisti della due giorni europea, hanno tenuto una conferenza stampa. "Abbiamo incontrato Papandreu e Berlusconi e abbiamo ricordato loro le responsabilità che hanno tutti i paesi in questo periodo di crisi", ha detto Nicolas Sarkozy. I giornalisti hanno chiesto loro se avessero fiducia nel premier italiano. La Merkel,- come si vede nelle immagini- è rimasta leggermente imbarazzata, ha risposto timidamente sì, poi ha incontrato lo sguardo che parlava da sé di Sarkozy. Entrambi sono scoppiati a ridere. E la risata ha contagiato il gruppo folto dei giornalisti. Il presidente francese, per non dire di più: "Abbiamo fiducia - ha puntualizzato - nell'insieme delle autorità italiane, nelle istituzioni politiche, economiche e finanziarie del paese".
Humiliated, mocked. There's no way, Berlusconi lies and jokes of the counts in the blood. They report the news of two European days, dense of meetings, meetings, dinners, lunches, press conferences, statements including that of the knight: "I spoke at length with Merkel, he believes." And Italian journalists who asked him if Italy will exceed the examination of the Brussels European Council has responded with his usual arrogant joke: "I have never been rejected in life."
Now come the denials: there has never been a conversation between Berlusconi and Merkel. Between the two rust is now very thick, the German press has prominently published the "appreciation" on the bottom back Anghel. Hard to believe the long conversation, just a few Italian newspaper, master and servant of the surroundings, a bit 'of television, we have believed, or pretended to have to have more editorial.
There have, however, both Merkel and Sarkozy thought involved in a scene that will make the rounds of television around the world. It 'happened this way. The German and French, the protagonists of the European Union two days, held a press conference. "We met Papandreou and Berlusconi, and we reminded them of the responsibilities that all countries in this period of crisis," Sarkozy said. The journalists asked them if they had confidence in the Italian prime minister. Merkel, - as seen in images-was slightly embarrassed, replied timidly, then met the gaze of Sarkozy spoke for itself. Both burst out laughing. And the laughter has infected large group of journalists. The French president, to say the least: "We have confidence - has pointed out - the whole of the Italian authorities, in political institutions, economic and financial of the country."
I remember the team and to the students that the way the comment by e-mail is always open, so as to allow even explicit reservations.
In my images, in many circumstances, there are recognizable people. If you are not pleased, contact me and I will remove.
Si prega di non utilizzare le mie immagini su siti web, blog o altri mezzi senza il mio permesso!
Please don't use my images on websites, blogs or other media without my permission!
Por favor, no use mis imágenes en los sitios web, blogs u otros medios de comunicación sin mi permiso!
SI CONSIGLIA LA VISIONE GRANDE E SU SFONDO NERO
WE RECOMMEND THE GREAT VISION AND BLACK BACKGROUND
"Pure"
Online su Arsenic Magazine,editoriale con i miei scatti
www.arsenicmag.com/submissions/2015/12/6/pure
@arsenic magazine
#arsenic
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
Italian postcard by Gruppo Editoriale Lo Vecchio, Genova. Photo: G.E.L. / Silvestre Suoni.
English musician, singer and songwriter John Lennon (1940-1980) rose to worldwide fame with the Beatles, the most commercially successful band in the history of pop. With Paul McCartney, he formed a song writing partnership that is one of the most celebrated of the 20th century. When the group disbanded in 1970, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine.
John Winston Lennon was born in an air-raid shelter during the Blitz in Liverpool. His parents were Julia (née Stanley) and Alfred Lennon, a merchant seaman of Irish descent, who was away at the time of his son's birth. His parents separated and he would not see his father for 20 years. Throughout the rest of his childhood and adolescence he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own. His mother bought him his first guitar in 1956, an inexpensive Gallotone Champion acoustic. Two years later, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed. Lennon failed all his examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. He started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. He was thrown out of the college before his final year. As a teenager Lennon had become involved in the skiffle craze. At age 15, he formed his first band, the Quarrymen (after Quarry Bank High School, which he attended) in 1956. Lennon first met Paul McCartney at the Quarrymen's second performance, after which he asked McCartney to join the band. In 1957 Lennon met Cynthia Powell at the Liverpool College of Art. They married in 1962. In 1958, the 18-year-old Lennon wrote his first song, Hello Little Girl, a UK top 10 hit for The Fourmost nearly five years later. McCartney suggested his friend George Harrison as the lead guitarist. Lennon thought Harrison (then 14 years old) was too young. McCartney engineered an audition on the upper deck of a Liverpool bus, where Harrison played Raunchy for Lennon and was asked to join. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became The Beatles in early 1960. In August that year, the Beatles were engaged for a 48-night residency in Hamburg, Germany. Desperately in need of a drummer, they asked Pete Best to join them. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances. The Beatles were performing at Liverpool's Cavern Club in 1962, when they were introduced to Epstein after a midday concert. He became their manager. Epstein had no prior experience of artist management, but had a strong influence on their early dress code and attitude on stage. McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, Love Me Do, was released in October 1962 and reached no. 17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours in 1963. The Lennon–McCartney song writing partnership yielded eight of its fourteen tracks. John was older than the other Beatles and he was very much the leader; he was the quickest wit and the smartest.
The Beatles achieved mainstream success in the UK during the beginning of 1963. Lennon married his girlfriend Cynthia Powell when she was pregnant. Lennon had to perform on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963. Lennon was on tour at the time and did not see his son until three days later. After the tour, Lennon went on holiday to Spain with Brian Epstein, leading to speculation about their relationship. Questioned about it later, Lennon said, "Well, it was almost a love affair, but not quite. It was never consummated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was homosexual.” In a later fictional film about this vacation, The Hours and Times (Christopher Munch, 1991), Lennon was played by Ian Hart. In another film about the Hamburg years of the Beatles, Backbeat (Iain Softley, 1994), Hart again played Lennon. After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, song writing an film making followed. Richard Lester made two films with The Beatles, A Hard Day’s Night (1964) and Help! (1965). Lennon also wrote two books, In His Own Write and A Spaniard in the Works. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire (MBE) in the 1965 Queen's Birthday Honours. Lennon grew concerned that fans attending Beatles concerts were unable to hear the music above the screaming of fans, and that the band's musicianship was beginning to suffer as a result. His song Help! (1965) expressed these feelings. The following January he was unknowingly introduced to LSD when a dentist, hosting a dinner party attended by Lennon, Harrison and their wives, spiked the guests' coffee with the drug. The Beatles had their final commercial concert on 29 August 1966. Instead of appearing live, the band began making their own ‘pop clips’, which were featured on television programs of the time. Deprived of the routine of live performances, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year. 1967 saw the release of Strawberry Fields Forever, and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon–McCartney's early years. In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road Lennon played in the anti-war, black comedy How I Won the War (Richard Lester, 1967) starring Michael Crawford. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film Magical Mystery Tour (1967). While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Lewis Carroll-inspired I Am the Walrus, was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation composed of Apple Records and several other subsidiary companies. In the cinema, The Beatles could be heard in the animation film Yellow Submarine (George Dunning, 1968). John and Cynthia divorced after he had fallen in love with Yoko Ono. At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, composed of Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Yoko Ono in the film
John Lennon married Yoko Ono in 1969, and changed his name to John Ono Lennon. The couple spent its honeymoon at the Amsterdam Hilton campaigning with a week-long Bed-In for Peace. At their second Bed-In for Peace in Montreal in 1969, they recorded Give Peace a Chance. It became the main anti-Vietnam protest song. Lennon detailed this period in the Beatles song The Ballad of John and Yoko. They also released a series of 14 lithographs called Bag One depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond the Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: Unfinished Music No.1: Two Virgins (known more for its cover, a nude photograph of Lennon and Ono, than for its music), Unfinished Music No.2: Life with the Lions and Wedding Album. Their live album Live Peace In Toronto became a Top Ten hit. In 1969, they formed the Plastic Ono Band, which featured Ono, guitarist Eric Clapton, bassist Klaus Voormann and drummer Alan White. They released the album Live Peace (1969) and the singles Cold Turkey (about his battle with heroin addiction) and Instant Karma! In September 1969, Lennon told the other Beatles that he planned to leave the group, and agreed not to inform the media while the group renegotiated their recording contract. He was outraged when McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's own debut solo album, John Lennon/Plastic Ono Band (1970), was received with high praise. Stephen Thomas Erlewine at AllMusic: “a scathingly honest confessional work inspired by his and Ono's primal scream therapy. Lennon supported the album with an extensive interview with Rolling Stone, where he debunked many of the myths surrounding the Beatles.” The album featured the songs Mother, in which Lennon confronted his feelings of childhood rejection, and the Dylanesque Working Class Hero. In protest at Britain's involvement in the Nigerian Civil War, its support of America in the Vietnam war and (jokingly) against the single Cold Turkey slipping down the charts, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status. He moved to Manhattan in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while some of his songs were adopted as anthems by the anti-war movement and the larger counterculture. Lennon's next album, Imagine (1971), got a more guarded critical response. But the title song became his most famous post-Beatles track, although the lyrics offended religious groups. In December 1971, Lennon and Ono released Happy Xmas (War Is Over). The new year saw the Nixon administration take what it called a ‘strategic counter-measure’ against Lennon's anti-war and anti-Nixon propaganda, embarking on what would be a four-year attempt to deport him. While Lennon was recording Mind Games (1973), he and Ono decided to separate. The ensuing 18-month period apart, which he later called his ‘lost weekend’, was spent in Los Angeles and New York in the company of May Pang. Lennon contributed I'm the Greatest to Starr's album Ringo (1973). Lennon then recorded the album Walls and Bridges (1974) with the #1 single Whatever Gets You thru the Night, featuring Elton John on backing vocals and piano. Lennon co-wrote Fame, David Bowie's first US number one, and provided guitar and backing vocals for the recording. He and Ono were reunited shortly afterwards. Lennon released Rock 'n' Roll (1975), an album of cover songs. Stand by Me, taken from the album and a US and UK hit, became his last single for five years. The same month, Elton John topped the charts with his cover of Lucy in the Sky with Diamonds, featuring Lennon on guitar and back-up vocals. Lennon disengaged himself from the music business in 1975 to raise his second son Sean Lennon, who was born on John's 35th birthday in 1975. John wrote the song Beautiful Boy for Sean. Lennon took on the role of househusband, and gave all his attention to his family. He wrote Cookin' (In the Kitchen of Love) for Starr's Ringo's Rotogravure (1976), performing on the track in June in what would be his last recording session until 1980. He appeared in the film Fire in the Water (Peter Whitehead, 1977) with Nathalie Delon. In 1980, he re-emerged with Ono with the single (Just Like) Starting Over and the album Double Fantasy (1980). Three weeks after the album’s release, on 8 December 1980, John Lennon was murdered. Mark David Chapman shot Lennon in the back four times at the entrance to his New York apartment. Within minutes after being shot, John Lennon was dead at age 40. He was cremated and Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. As of 2012, Lennon's solo album sales in the United States exceeded 14 million and, as writer, co-writer or performer, he is responsible for 25 number-one singles on the US Hot 100 chart. The cover of Rolling Stone issue featuring a nude Lennon hugging and kissing a fully clothed Yoko Ono taken by photographer Annie Leibovitz was voted the top magazine cover of the last 40 years by a panel of magazine editors, artists and designers chosen by the American Society of Magazine Editors. The photo was the cover of Rolling Stone's tribute to Lennon after his death. Ironically, the picture was taken on the last day of Lennon's life.
Sources: Stephen Thomas Erlewine (AllMusic), Wikipedia and IMDb.
(editoriale completo qui: issuu.com/t-issuemagazine/docs/tissuenumerouno )
model: Elisa Mosconi.
dress: Andrea Silla.
MUA/Hair/Stylist: Giulia Brunetti.
Italian postcard by Gruppo Editoriale Il Vecchio, Genova. Photo: publicity still for the TV-series Beverly Hills 90210 with Luke Perry, Jason Priestley, Ian Ziering and Brian Austin Green.
American producer, director, writer, film and TV actor Luke Perry died on 4 March 2019 at St. Joseph's Hospital in Burbank, California, from complications of a stroke he suffered last week. Luke had a prolific acting career on TV and in films. He became a household name as Dylan McKay on the hit coming-of-age series Beverly Hills 90210 (1990-1995; 1998-2000). He also starred as Fred Andrews on the drama series Riverdale (2017). He was 52.
Luke Perry was born Coy Luther Perry III in Mansfield, Ohio in, 1966. His parents were Ann Bennett, a homemaker, and Coy Luther Perry Jr., a steelworker. He was raised in the small community of Fredericktown. Perry moved to Los Angeles to pursue acting soon after graduating from high school. There he worked a series of odd jobs as he tried to break into the business. After appearing in the music video Be Chrool to Your Scuel for the band Twisted Sister alongside Alice Cooper, he scored an appearance as Ned Bates on the soap opera Loving (1987-1988), which required him to move to New York City. Perry then landed a role on another soap, this time portraying Kenny on Another World (1988-1989). But it was his role as seemingly bad boy Dylan McKay on Beverly Hills 90210 in 1990 which made Perry a popular teen idol. Perry had auditioned for the role of Steve Sanders, but the role eventually went to Ian Ziering before Perry was cast as Dylan McKay. Perry's character was not an original cast member of the show, and he was first featured in the show's second episode. He was originally intended to only appear in one story arc, for one or two episodes. Fox was initially reluctant to have him included as a regular, but Aaron Spelling felt differently and gave Perry a bigger role during the first two years until the network was won over. The actor famously left the show in Season 6, seeking to break away from the Dylan character, but returned in Season 9.
Luke Perry also appeared in the cinema. In 1992, he won a supportingco-starring in the film version of Joss Whedon's Buffy The Vampire Slayer (Fran Rubel Kuzui, 1992), with Kristy Swanson. It follows a Valley girl cheerleader named Buffy who learns that it is her fate to hunt vampires. It was a moderate success at the box office but received mixed reception from critics.The film was taken in a different direction from the one its writer Joss Whedon intended, and five years later, he created the darker and acclaimed TV series of the same name. Perry played roles in such films as Terminal Bliss (Jordan Alan, 1992), the biographical drama 8 Seconds (John G. Avildsen, 1994) about rodeo legend Lane Frost, and the crime drama Normal Life (John McNaughton, 1996) with Ashley Judd. He had a small role in Luc Besson's Science-Fiction adventure The Fifth Element (1997) with Bruce Willis and Milla Jovovich. Perry guest-starred as gay characters in the sitcoms Spin City (1997) and Will & Grace (2005); he appeared as Carter Heywood's ex-boyfriend who subsequently fell in love with a woman on Spin City and played a geeky birdwatcher who caught the eye of Jack McFarland on Will & Grace.
Luke Perry made his Broadway debut in 2001 as Brad in a revival of The Rocky Horror Show. But it was television that showed the actor the most love. From 2001 to 2002, he starred in the prison drama Oz, as the Reverend Jeremiah Cloutier. From 2002 to 2004 he acted in the post-apocalyptic TV series Jeremiah. And in 2006 Perry co-starred in the ensemble drama series Windfall, about a group of friends who win the lottery. In 2008, Perry guest-starred as rapist Noah Sibert in the television series Law & Order: SVU, and also guest-starred as cult leader Benjamin Cyrus in an episode of Criminal Minds. From 2017 until his death, Perry took on the role as Archie Andrews' dad Fred in the hit drama Riverdale, based on the characters from the Archie comics. Perry also played a role in Quentin Tarantino's upcoming Charles Manson film, Once Upon a Time in Hollywood. In 1993, Perry married actress Rachel 'Minnie' Sharp and the couple welcomed son Jack and daughter Sophie. They divorced a decade later. At the time of his death, Perry was engaged to Wendy Madison Bauer.
Sources: Lida Respers France (CNN), Westerns... All' Italiana, Wikipedia and IMDb.
Italian postcard by Gruppo Editoriale Il Vecchio, Genova. Photo: publicity still for the TV-series Beverly Hills 90210.
American producer, director, writer, film and TV actor Luke Perry died on 4 March 2019 at St. Joseph's Hospital in Burbank, California, from complications of a stroke he suffered last week. Luke had a prolific acting career on TV and in films. He became a household name as Dylan McKay on the hit coming-of-age series Beverly Hills 90210 (1990-1995; 1998-2000). He also starred as Fred Andrews on the drama series Riverdale (2017). He was 52.
Luke Perry was born Coy Luther Perry III in Mansfield, Ohio in, 1966. His parents were Ann Bennett, a homemaker, and Coy Luther Perry Jr., a steelworker. He was raised in the small community of Fredericktown. Perry moved to Los Angeles to pursue acting soon after graduating from high school. There he worked a series of odd jobs as he tried to break into the business. After appearing in the music video Be Chrool to Your Scuel for the band Twisted Sister alongside Alice Cooper, he scored an appearance as Ned Bates on the soap opera Loving (1987-1988), which required him to move to New York City. Perry then landed a role on another soap, this time portraying Kenny on Another World (1988-1989). But it was his role as seemingly bad boy Dylan McKay on Beverly Hills 90210 in 1990 which made Perry a popular teen idol. Perry had auditioned for the role of Steve Sanders, but the role eventually went to Ian Ziering before Perry was cast as Dylan McKay. Perry's character was not an original cast member of the show, and he was first featured in the show's second episode. He was originally intended to only appear in one story arc, for one or two episodes. Fox was initially reluctant to have him included as a regular, but Aaron Spelling felt differently and gave Perry a bigger role during the first two years until the network was won over. The actor famously left the show in Season 6, seeking to break away from the Dylan character, but returned in Season 9.
Luke Perry also appeared in the cinema. In 1992, he won a supportingco-starring in the film version of Joss Whedon's Buffy The Vampire Slayer (Fran Rubel Kuzui, 1992), with Kristy Swanson. It follows a Valley girl cheerleader named Buffy who learns that it is her fate to hunt vampires. It was a moderate success at the box office but received mixed reception from critics.The film was taken in a different direction from the one its writer Joss Whedon intended, and five years later, he created the darker and acclaimed TV series of the same name. Perry played roles in such films as Terminal Bliss (Jordan Alan, 1992), the biographical drama 8 Seconds (John G. Avildsen, 1994) about rodeo legend Lane Frost, and the crime drama Normal Life (John McNaughton, 1996) with Ashley Judd. He had a small role in Luc Besson's Science-Fiction adventure The Fifth Element (1997) with Bruce Willis and Milla Jovovich. Perry guest-starred as gay characters in the sitcoms Spin City (1997) and Will & Grace (2005); he appeared as Carter Heywood's ex-boyfriend who subsequently fell in love with a woman on Spin City and played a geeky birdwatcher who caught the eye of Jack McFarland on Will & Grace.
Luke Perry made his Broadway debut in 2001 as Brad in a revival of The Rocky Horror Show. But it was television that showed the actor the most love. From 2001 to 2002, he starred in the prison drama Oz, as the Reverend Jeremiah Cloutier. From 2002 to 2004 he acted in the post-apocalyptic TV series Jeremiah. And in 2006 Perry co-starred in the ensemble drama series Windfall, about a group of friends who win the lottery. In 2008, Perry guest-starred as rapist Noah Sibert in the television series Law & Order: SVU, and also guest-starred as cult leader Benjamin Cyrus in an episode of Criminal Minds. From 2017 until his death, Perry took on the role as Archie Andrews' dad Fred in the hit drama Riverdale, based on the characters from the Archie comics. Perry also played a role in Quentin Tarantino's upcoming Charles Manson film, Once Upon a Time in Hollywood. In 1993, Perry married actress Rachel 'Minnie' Sharp and the couple welcomed son Jack and daughter Sophie. They divorced a decade later. At the time of his death, Perry was engaged to Wendy Madison Bauer.
Sources: Lida Respers France (CNN), Westerns... All' Italiana, Wikipedia and IMDb.
Italian postcard by Gruppo Editoriale Lo Vecchio, Genova. Picture: poster for The Yellow Submarine (George Dunning, 1968). George Martin was the musical director.
Yesterday, 8 March, record producer George Martin (1926-2016) passed away. Martin helped the Beatles achieve unparalleled global success after hearing one of their demo tapes in 1962, when a number of other labels had previously turned them down. The ‘fifth Beatle’ was a talented musician and producer who oversaw landmark albums and helped the band to stretch the boundaries of sound recording.
George Henry Martin was a carpenter's son from North London. Having taught himself to play the piano, he was running his own dance band at school by the time he was 16. He attended The Guildhall School of Music after five years in the British Fleet Air Army. In 1950, he started producing records for EMI’s Parlophone label and was noted for his comedy recordings with the likes of Peter Sellers, Spike Milligan and a young Peter Cook and Jonathan Miller. The Goons connection quickly endeared him to the Beatles. While Martin was initially sceptical about their ability as musicians and songwriters, he took to their humour and personalities immediately. Memorably George Harrison told him: “I don’t like your tie for a start” when Martin asked him if they disliked anything about the set up. So, Martin was willing to take a chance on The Beatles's innovative version of American R&B. In November 1962, the band recorded Please Please Me, with Martin suggesting they speed the song up. As they finished, Martin told them from the control room: “Gentleman you have just made your first No 1 record” – which became true in the New Musical Express chart (although it was No 2 in the Record Retailer chart which became the official UK chart).
After his groundbreaking work with the Beatles, Martin had earned his ticket to ride, and he worked with a spectrum of luminaries including Jeff Beck, the Mahavishnu Orchestra, America, Jimmy Webb, Kenny Rogers, Ultravox and Elton John. He produced Shirley Bassey’s theme song for the Bond movie Goldfinger (1964), and composed the score for a further Bond, Live and Let Die (1973), as well as producing its title song, which was performed by Paul McCartney and Wings. The Beatles were always quick to credit Sir George’s central role in the creation of the band’s sound. Before his death at the hands of Marc Chapman in 1980, Lennon said: “George had done little or no rock 'n' roll when we met him and we'd never been in a studio so we did a lot of learning together." Sir Paul McCartney paid tribute to a “great man”, saying : “He was a true gentleman and like a second father to me. He guided the career of The Beatles with such skill and good humour that he became a true friend to me and my family. If anyone earned the title of the fifth Beatle it was George.”
Sources: The Telegraph and The Guardian.
Italian postcard by Gruppo Editoriale Il Vecchio, Genova. Photo: publicity still for the TV-series Beverly Hills 90210, with Luke Perry and Jason Priestley.
American producer, director, writer, film and TV actor Luke Perry died on 4 March 2019 at St. Joseph's Hospital in Burbank, California, from complications of a stroke he suffered last week. Luke had a prolific acting career on TV and in films. He became a household name as Dylan McKay on the hit coming-of-age series Beverly Hills 90210 (1990-1995; 1998-2000). He also starred as Fred Andrews on the drama series Riverdale (2017). He was 52.
Luke Perry was born Coy Luther Perry III in Mansfield, Ohio in, 1966. His parents were Ann Bennett, a homemaker, and Coy Luther Perry Jr., a steelworker. He was raised in the small community of Fredericktown. Perry moved to Los Angeles to pursue acting soon after graduating from high school. There he worked a series of odd jobs as he tried to break into the business. After appearing in the music video Be Chrool to Your Scuel for the band Twisted Sister alongside Alice Cooper, he scored an appearance as Ned Bates on the soap opera Loving (1987-1988), which required him to move to New York City. Perry then landed a role on another soap, this time portraying Kenny on Another World (1988-1989). But it was his role as seemingly bad boy Dylan McKay on Beverly Hills 90210 in 1990 which made Perry a popular teen idol. Perry had auditioned for the role of Steve Sanders, but the role eventually went to Ian Ziering before Perry was cast as Dylan McKay. Perry's character was not an original cast member of the show, and he was first featured in the show's second episode. He was originally intended to only appear in one story arc, for one or two episodes. Fox was initially reluctant to have him included as a regular, but Aaron Spelling felt differently and gave Perry a bigger role during the first two years until the network was won over. The actor famously left the show in Season 6, seeking to break away from the Dylan character, but returned in Season 9.
Luke Perry also appeared in the cinema. In 1992, he won a supportingco-starring in the film version of Joss Whedon's Buffy The Vampire Slayer (Fran Rubel Kuzui, 1992), with Kristy Swanson. It follows a Valley girl cheerleader named Buffy who learns that it is her fate to hunt vampires. It was a moderate success at the box office but received mixed reception from critics.The film was taken in a different direction from the one its writer Joss Whedon intended, and five years later, he created the darker and acclaimed TV series of the same name. Perry played roles in such films as Terminal Bliss (Jordan Alan, 1992), the biographical drama 8 Seconds (John G. Avildsen, 1994) about rodeo legend Lane Frost, and the crime drama Normal Life (John McNaughton, 1996) with Ashley Judd. He had a small role in Luc Besson's Science-Fiction adventure The Fifth Element (1997) with Bruce Willis and Milla Jovovich. Perry guest-starred as gay characters in the sitcoms Spin City (1997) and Will & Grace (2005); he appeared as Carter Heywood's ex-boyfriend who subsequently fell in love with a woman on Spin City and played a geeky birdwatcher who caught the eye of Jack McFarland on Will & Grace.
Luke Perry made his Broadway debut in 2001 as Brad in a revival of The Rocky Horror Show. But it was television that showed the actor the most love. From 2001 to 2002, he starred in the prison drama Oz, as the Reverend Jeremiah Cloutier. From 2002 to 2004 he acted in the post-apocalyptic TV series Jeremiah. And in 2006 Perry co-starred in the ensemble drama series Windfall, about a group of friends who win the lottery. In 2008, Perry guest-starred as rapist Noah Sibert in the television series Law & Order: SVU, and also guest-starred as cult leader Benjamin Cyrus in an episode of Criminal Minds. From 2017 until his death, Perry took on the role as Archie Andrews' dad Fred in the hit drama Riverdale, based on the characters from the Archie comics. Perry also played a role in Quentin Tarantino's upcoming Charles Manson film, Once Upon a Time in Hollywood. In 1993, Perry married actress Rachel 'Minnie' Sharp and the couple welcomed son Jack and daughter Sophie. They divorced a decade later. At the time of his death, Perry was engaged to Wendy Madison Bauer.
Sources: Lida Respers France (CNN), Westerns... All' Italiana, Wikipedia and IMDb.
"About a Woman" editorial for Thrifty Hunter Magazine July Summer Issue ♥
// CREDITS //
Model: Martina Klimic @ Be Nice
Hair stylist: Alina Brichese at The Beauty Room
Make up: Cecilia Carbonelli
Styling: Michela Puzzer & Alessia Alessio-vernì
Clothing, accessories and location: BOOGALOO vintage and more
Photo and Retouching: Michela Riva www.michelariva.com
پراید در اصل در شرکت مزدا ژاپن با نام مزدا ۱۲۱ طراحی و تولید شد و تولید آن در ۱۹۸۶ تا ۱۹۹۳ ادامه داشت. در آمریکای شمالی این خودرو توسط شرکت فورد با نام فورد فستیوا فروش رفت. این مدل همچنین از ۱۹۸۷ تا ۲۰۰۰ در شرکت کیا موتورز کره جنوبی تولید میشد و در سال ۲۰۰۱ خط تولید آن به سایپا منتقل شد.
The Ford Festiva is a subcompact car that was marketed by the Ford Motor Company between 1986 and 2002. Built by Mazda in Japan and Kia Motors in South Korea, the Festiva was sold in Japan, the Americas, and Australasia. The name "Festiva" is derived from the Spanish word for "festive".
Designed by Mazda using the DA platform and B series inline-four engines, the Festiva continued the trend of Fords built and designed by Mazda for the Asia-Pacific market such as the Laser and Telstar. It is not to be confused with the Ford Fiesta sold in Europe and North America.
South Korean first generation sales began in 1986 under the name Kia Pride, assembled by Kia under license. Australasia and Europe received the first version between 1987 and 1991 as the "Mazda 121". After 1991, Australasian sales occurred under the "Ford Festiva" name, while European sales continued under the name "Kia Pride". Kia ended production of the Pride in 2000, although SAIPA of Iran has produced this model in various forms since 2001. This ongoing production has been in parallel to the second generation Festiva introduced in 1993, sold as the Ford Aspire in North America and Kia Avella in South Korea and other markets. Although these second generations models were withdrawn in 2000, a third generation was sold between 1996 and 2002 in Japan as a badge engineered version of the Mazda Demio.
Contents [hide]
1 First generation (WA; 1986–1993)
1.1 Mazda 121
1.2 Kia Pride
2 Second generation (WB, WD, WF; 1993–1996)
2.1 Ford Aspire
2.2 Kia Avella
3 Third generation (1996–2002)
4 References
5 External links
[edit]First generation (WA; 1986–1993)
First generation
ManufacturerMazda (1986–1990)
Kia Motors (1986–2000)
Arab American Vehicles (1998)
SAIPA (2001–present)
Also calledKia Pride
Mazda 121
Production1986–1993
1993–present (ongoing)
AssemblySouth Korea: Sohari Plant, Gwangmyeong (Kia); Gwangju Plant, Gwangju (Kia)
China: Jiangsu (Dongfeng Yueda)
Egypt: Cairo[1]
Iran: Tehran (Pars Khodro)[2]
Japan: (Mazda)
Taiwan: (Ford Lio Ho)[3]
Venezuela: Valencia (Ford Motor de Venezuela)
Body style2-door pickup (SAIPA)
3-door hatchback
4-door sedan
5-door hatchback
5-door liftback (SAIPA)
5-door wagon
PlatformMazda DA platform
Engine1,138 cc Mazda B1 I4
1,290 cc Mazda BJ I4[4]
1,324 cc Mazda B3 I4
Transmission3-speed Jatco 3N71 automatic
4-speed manual
5-speed manual
The first generation Ford Festiva was designed by Mazda in Japan at the request of parent company Ford.[5][6] The Mazda-designed and built three-door hatchback was launched in Japan in 1986 under the name "Ford Festiva".[7][8] Festiva utilized the front-wheel drive layout, and its mechanicals consisted of rack and pinion steering, independent front suspension with struts, coil springs and sway bar, and a torsion beam rear suspension.[5][9] The Festiva was facelifted in 1989, receiving a redesigned grille insert and tail lamp lenses.[10] In Japan at launch, the Festiva three-door was offered in L, L Special, S, Ghia, and Canvas Top specification levels.[11] Ford retailed the Japanese market Festiva via the Autorama dealership network.[11]
Facelift Ford Festiva GL 3-door (US)
Facelift Ford Festiva GL 3-door (US)
Facelift Ford Festiva β sedan (Japan)
In mid-1986, another Ford partner, Kia Motors in South Korea began production of the Festiva under license as the "Kia Pride".[7] Starting from mid-1987 for the 1988 model year, Kia began exports to Canada under the "Ford Festiva" name, with United States sales commencing by the end of 1987.[11] Ford offered a single 1.3-liter B3 four-cylinder engine and three trim levels: L, L Plus, and LX.[10] The two base models featured a four-speed manual overdrive transmission, with the LX upgraded to a five-speed unit. A tachometer and tilt steering wheel also featured on the LX trim,[12] as did alloy wheels, remote mirrors, cloth interior seating, and an AM/FM cassette radio.[13] Ford released a minor facelift in North America for the 1990 model year.[14] At the same time, the engine's fuel delivery system transitioned from carburetor to fuel injection, and transmission choices were revised with a standard five-speed manual transmission and optional three-speed automatic.[10] Ford also replaced the manual front seat belts with motorized versions, and fitted manual rear seat belts as standard.[10] For the 1991 model year, the L Plus and LX models were combined into a single GL trim.[10] Optional power steering was deleted for 1992, and the GL gained alloy wheels and the availability of a "sport" package.[10] The final 1993 model year brought no changes.[10] Over the life of the Festiva in the United States, Kia exported roughly 350,000 units.[15] The agreement with Ford materialized in accordance with Kia's strategy implemented in the mid-1980s to progressively fill the void at the low-cost end of the market slowly being abdicated by the Japanese brands pursuing more expensive models with higher profit margins.[15] Compared to rival automakers in Japan, and also Europe and North America, Kia's main competitive advantage was its lower-paid South Korean workforce—which translated into lower-priced cars.[15]
Mazda began producing the Festiva as the "Mazda 121" for Australasia and Europe in 1987, but this model was never retailed in Japan.[7] The 121 ended production in 1990,[16] and was officially discontinued by Mazda Australia in February 1991.[17] From October 1991, Ford Australia began importing the car as the "Ford Festiva" from Kia's South Korean production facility.[18] Where the Mazda was sold as a three-door hatchback, the Ford was sold initially as a five-door only. From January 1993, a Festiva three-door, badged "Festiva Trio" was launched in Australia.[19] Both versions were powered by the overhead camshaft carbureted 1.3-liter B3 engine with the five-speed manual transmission; a three-speed automatic was optional for the five-door.[9][20] Standard equipment in Australia included an AM/FM radio, tachometer, intermittent windscreen wipers, remote releases for the rear door and fuel tank filler door, with air-conditioning available as an option.[9] Ford discontinued the Festiva in the Australian market in March 1994.[18]
Ford Australia's action was paralleled in Europe where Kia started exporting three- and five-door hatchback, four-door sedan, and five-door wagon variants of the Kia Pride in 1991.[21] These additional sedan and five-door hatchback body variants were also imported from South Korea in left-hand drive and sold in Japan (officially a right-hand drive market) as the "Ford Festiva 5" and "Festiva β", respectively.
The 2008 edition of Monash University's Used Car Safety Ratings (UCSR), found that the first generation Festiva provides a "worse than average" (two out of five stars) level of safety in the event of an accident, in a comparison to other "light cars".[22] The safety rating was not calculated solely on the basis of the protection of the vehicle's occupants, with protection for "cyclists, pedestrians and drivers of other vehicles" included to give a "better guide to the total community impact of vehicle safety."[22]
[edit]Mazda 121
See also: Mazda 121
Mazda began selling the 121 as a single three-door hatchback body variant in 1987 to sit below the larger 323 model.[5] Despite being manufactured there, the 121 was not sold in Japan under the "Mazda" brand.[7] Australian specification 121s were fitted with the 1.3-liter B3 engine, mated to a five-speed manual transmission.[17] European markets also received the 55 PS (40 kW) 1.1-liter B1 engine with a four-speed manual transmission.[23]
The 121 was sold in Australia from March 1987.[5] It featured a sliding rear bench seat, which increased cargo space by as much as 180 millimeters (7.1 in).[5] Levels of trim in Australia comprised the base-line Deluxe, the Super Deluxe, and the Fun Top (based on the Super Deluxe), featuring a large electric sliding canvas sunroof.[5] From October 1988, the Super Deluxe was discontinued and replaced by the Shades trim.[5] The European premiere for the 121 was at the Geneva Auto Salon in March 1988. The 1.1-liter version was added in July 1989. Trim levels were L and LX, with an SR version also available in the UK.[23]
Mazda issued an update for the 121 (released in October 1989 for the Australian market) with a new grille insert, body-hued exterior trim, redesigned instrumentation and interior seats and trim.[17] The Mazda variant was discontinued in 1991, being replaced by a new generation Mazda 121, based on the Japanese market Autozam Revue.[17][24][25]
Pre-facelift Mazda 121 Shades 3-door (Australia)
Pre-facelift Mazda 121 Shades 3-door (Australia)
Pre-facelift Mazda 121 3-door, with canvas roof (Netherlands)
Facelift Mazda 121 3-door (Germany)
[edit]Kia Pride
"Kia Pride" redirects here. For the automobile sold in South Korea since 2005 as the "Kia New Pride", see Kia Rio.
The "Kia Pride"-badged version of the Festiva was manufactured in South Korea by Kia Motors from 1986 to 2000. The Pride was sold in four-door sedan form (in LX, GTX, and β trim levels), as well as three- and five-door hatchback forms (the CD-5) and five-door wagon body styles. The Pride was replaced in 2000 by the Rio.
The Pride launched in the United Kingdom in June 1991, fitted with both the 1.1- B1 and 1.3-liter B3 engines. The 1.1 was only available as a three-door in the basic L trim (Whitewall tires were a common place feature on them).[26] Fuel injection appeared on the 1.3-liter-engined models in November 1994, referred to as the "1.3i". At this time, the 1.1-liter version was deleted.[26] December 1995 saw the Start 1.3i three-door replace the L, but from June 1999, the entry-level three-door was again renamed S with the higher-level three- and five-doors known as the SX.[26] Production ended during 2000.[26]
SAIPA built the Kia Pride in Iran under license using up to 85 percent local parts as the "SAIPA Pride" from 2001 to 2005. Since 2003, a new five-door liftback model based on the Pride called the "SAIPA 141 has been produced, while continuing to sell the Iranian version of the Pride under the names "SAIPA Saba GLXi" (four-door sedan), "SAIPA Nasim Safari" (five-door wagon) and "SAIPA Nasim DMi" (five-door hatchback). Compared to the these versions, the SAIPA 141 features revised rear styling and interior design. SAIPA 141 is sold in Venezuela under name "Turpial".[27] Another variant, known as the "SAIPA 132" began production in 2008 and differs from the Saba with its revised front and rear styling. A pickup body style of this car has also been produced since 2008 called "SAIPA Pick-Up", with a 500-kilogram (1,100 lb) payload. The platform/engine of the Kia Pride also formed the basis for the Iranian P.K (2000–2005) and New P.K (2005 onwards) models, which utilize Renault 5 bodies. In Iran, Prides continue to be the most common car with approximately 40 percent on vehicles in that country being a Pride-derived SAIPA.
Arab American Vehicles (AAV) manufactured the Pride in Cairo, Egypt, circa 1998.[1] Jiangsu Yueda Auto Works (later Yueda Kia Motors, currently Dongfeng Yueda Kia Motors) began assembly of the Pride in 1997. The sedan was called the Yueda Kia Pride YQZ6390, the hatchback either YQZ6370 or YQZ7141. Chinese production ended in December 2003.[28]
Pre-facelift Kia Pride 5-door (UK)
Facelift Kia Pride 3-door (Germany)
Facelift Kia Pride wagon (Germany)
Saipa Pick-Up (Iran)
[edit]Second generation (WB, WD, WF; 1993–1996)
Second generation
ManufacturerKia Motors
Also calledFord Aspire
Kia Avella
Production1993–1996
1996–2000 (ongoing)
AssemblySouth Korea: Gwangmyeong (Sohari Plant)
Body style3-door hatchback
4-door sedan
5-door hatchback
Engine1.3 L Mazda B3 I4
1.5 L Mazda B5 I4
Transmission3-speed Jatco 3N71 automatic
5-speed manual
The second model Ford Festiva was jointly developed between Kia and Ford, retaining most of the drivetrain of the previous model with a more rounded body style. This new Festiva was slightly longer, wider, more aerodynamic, and suspended by MacPherson struts in the front and a torsion bar axle in the rear. While it was sold in certain markets as a second generation Festiva, Ford renamed it the "Aspire" in North American markets, where the five-door model was offered for the first time. In South Korea, the car was badged "Kia Avella". The sedan version was mainly restricted to the South Korean market, although it was also available with Festiva badging in Taiwan.
Depending on the market, some retained the SOHC, throttle-body injected motor, while others received an engine with a DOHC cylinder head and MPI also designed by Mazda. These engines were:
B3 EGi: 1.3 L (1,323 cc) fuel injected 8-valve I4 making 73 hp (DIN) (54 kW) at 5000 rpm and 99 ft.lbf (135 Nm) of torque at 3000 rpm
B5 EGi: 1.5 L (1,498 cc) fuel injected 8-valve I4 making 88.4 hp (DIN) (65 kW) at 5000 rpm and 99 ft.lbf (135 Nm) of torque at 4000 rpm (Asia and Oceania only)
Transmission options comprised a five-speed manual transmission, although all models could be optioned with a four-speed automatic. Australian and U.S. models were equipped with a three-speed automatic.
Facelifted Ford Festiva Trio S 3-door (Australia)
In 1997, the Festiva received a new front bumper with an oval grille, reshaped headlamps, and other minor changes. The Aspire was dropped from the Ford range in the United States after 1997.
The second generation Festiva continued to be sold in Australia until 2000 when it was replaced by the Ford Ka. Australian second-generation Festivas have U.S. side marker light cut-outs on each side of the vehicle (driver-side and passenger-side) at the front and rear. Instead of housing orange reflectors/lights at the front sides and red reflectors/lights at the rear sides, there are non-lit orange reflectors at all four locations. These redundant reflectors, coupled with the orange side indicator repeater (which is not required in the U.S., and was not included on the Aspire) make for a unique side profile.
Kia developed their following model, the Kia Rio, completely independently, and finished their relationship with Ford.
Like the first generation, the 2008 edition of the Used Car Safety Ratings (UCSR) by Monash University in Australia found the second series Festiva to provide a "worse than average" (two out of five stars) safety protection level in the event of an accident.[22] In the 2010 edition, the scoring was downgraded to "very poor" (equivalent to one of five stars, or the "significantly worse than average" terminology used in 2008.[29]
[edit]Ford Aspire
In North America, the Ford Aspire was the first car in its class to have standard dual airbags and optional four-wheel ABS. An SE model available from 1994 to 1995 included a blue-faced gauge package with a tachometer, a rear spoiler, alloy wheels, fog lights, upgraded interior, and "SE" badging.
[edit]Kia Avella
The version of the Festiva sold in Korea, from March 1994, was badged "Kia Avella".[30][31] "Avella" was a made up portmanteau word, combining aveo (Latin for "desire") and ella (Spanish for "she").[32] Available in sedan (Avella Delta), three-door and five-door hatchback body styles. Sales of the Avella totalled 115,576 in 1994 but dropped to only 27,850 in 1998. The Avella was primarily intended for export markets carrying Ford badging, as South Korean customers tended to prefer sedans over hatchbacks. It was sold in a very few export markets with Kia badging, such as Malta. The Avella was discontinued in 1999 (although production for some export markets continued until 2000), it and the Pride (first generation Festiva) were collectively replaced by the Kia Rio in 2000.
All Avellas came standard with 13 inch wheels, a four-speaker stereo, heated rear glass, anti-lock brakes (ABS), driver's side airbag, and door impact beams. Optional equipment included air conditioning, power locks, power mirrors, power windows, folding rear seats, dimming interior mirror, a tachometer, and aluminum wheels. The Avella was the first South Korean car in its class to offer dual airbags and ABS-brakes.[32] The Delta version received a slightly reworked front end from its hatchback siblings.
While the standard Avellas received the 73 PS (54 kW) 1.3 liter Mazda B3 engine, higher spec versions were available both with an SOHC and a more powerful DOHC version of the 1.5 liter B5 engine. The 105 PS (77 kW) DOHC version was only available in the four-door Avella Delta. Five-speed manuals as well as three- or four-speed automatic transmissions were available.
Pre-facelift Ford Festiva SX 3-door (Japan)
Pre-facelift Ford Festiva GLi 5-door (Australia)
Pre-facelift Kia Avella Delta sedan (South Korea)
Pre-facelift Kia Avella Delta sedan (South Korea)
Facelift Ford Festiva sedan (Taiwan)
[edit]Third generation (1996–2002)
Ford Festiva Mini Wagon (Japan)
Main article: Mazda Demio
Sales of the second generation Festiva ended in 1996 for the Japanese market, being replaced by generation three—a badge engineered Mazda Demio (DW). Known as the "Ford Festiva Mini Wagon", the Japanese-only model range consisted of a single five-door hatchback body style available with either a 1.3 or 1.5 liter engine. Transmission options were a three-speed or four-speed automatic and a five-speed manual. Production continued until Mazda ceased manufacture of the equivalent Demio in 2002.
[edit]References
^ a b "Production History". Arab American Vehicles. Retrieved 2010-03-25.
^ "Pars Khodro in history" (PDF). Pars Khodro. Retrieved 2010-09-13.
^ "Plant Information". Ford Motor Company. Retrieved 2010-08-07.
^ "日本フォード フェスティバ ＧＴ−Ａ [Ford Festiva GT-A]". Goo-net. Proto Corporation. Retrieved 2011-02-15. (Japanese)
^ a b c d e f g "Mazda 121 DB11 (Mk1) 121 1987-1989". GoAuto. John Mellor. Retrieved 2010-08-07.
^ Halligan, Rod (May 2, 2009). "Mazda 121 - Carsguide Car of the Week". Carsguide. News Limited. Retrieved 2011-02-18.
^ a b c d Norman, Rich (2005). "History of Festiva". Fordfestiva.com. Retrieved 2010-08-07.
^ Radley, Kevin (July 1986). "Far-Eastern Ford". Popular Science (New York City: Bonnier Corporation): 14.
^ a b c "1991 Ford Festiva 5-dr hatch". GoAuto. John Mellor. Retrieved 2010-08-08.
^ a b c d e f g "1990-1993 Ford Festiva: Full Review". HowStuffWorks. Retrieved 2011-02-20.
^ a b c Hartford, Bill (June 1986). "Fordable Festiva". Popular Mechanics (Des Moines, Iowa: Hearst Magazines): 10.
^ Vaughan, Brian (December 2, 2010). "1988 Ford Festiva Specifications". eHow. Retrieved 2011-02-20.
^ Swan, Tony (September 1988). "Ford Festiva LX". Popular Mechanics (Des Moines, Iowa: Hearst Magazines): 121.
^ Dammann, George (1993). 90 Years of Ford. Motorbooks International. p. 597. "After getting a slight facelift in 1990, the virtually unchanging Korean-built Festiva remained a carbon of last year."
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From Wikipedia, the free encyclopedia
A former top reporter with the Rapho agency, Hans Silvester is a tireless traveller. His photographs capture the state of the planet and humanity, subtle examples of the delicacy of an object, the grace of a gesture or the frightening magnificence of a disaster.
The exhibition Straight to the Point: Pétanque and Jeu Provençal Through the Lens of Hans Silvester shows an early observation of the game of boules in Provence in the 1970s. His method, based on a patient connection with his subject, is already apparent in this Provençal study. Set against perfectly mastered black and white backdrops, Hans Silvester’s images highlight the players' performances and convey the omnipresent Provençal drama. Not to forget the audience, the "gallery", at one around the players.
He invites visitors to join him in observing these men, women and children, focused on the moment, deeply involved in the game, a fragment of Provence such as he has experienced, imagined and described it for over sixty years.
HANS SILVESTER
Born 1938, Lörrach, Germany.
Hans Silvester embodies the emblematic figure of the globetrotting photographer whose generous and concerned gaze unceasingly takes in the multiplicity of the peoples with whom he comes in contact. No sooner had he graduated from the École de Fribourg than he took to the road, producing acclaimed photo reports (Camargue, 1960). In 1965 he joined the Rapho agency and became an important contributor to major international magazines. In the 1980s Hans Silvester became an environmental activist, documenting deforestation, rural exodus, and the ravages of globalization throughout five continents. While pursuing his travels and explorations, he has lived and worked in Provence since 1962.
Publication: Viser juste : pétanque et jeu provençal dans l’objectif de Hans Silvester, coédition Museon Arlaten et Silvana Editoriale, 2024.