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Avenida el Poblado, Medellín.
2013 ©. Todos los derechos reservados.
Canon ts-e 17mm f4L
Fotografía de Arquitectura Medellín.
San Juan, PR
Listed: 10/13/2004
Edifido Victory Garden, built in 1936 is significant locally under Criterion C for the area of architecture as outstanding Spanish Revival building in the Municipality of San Juan, representative of apartment buildings, results of the rise in urban development in the area and excellent example of the work of the renowned Puerto Rican architect Pedro de Castro.
The Spanish Revival, an eclectic architecture style, had its heyday in the last decades of the XIX century and the first decades of the XX century. It was the style in vogue to build significant institutional and private edifices and numerous magnificent residences for a wealthy class in Puerto Rico. It was a style that looked at Spain as a cultural paradigm with its Moorish, Renaissance and Mediterranean influence, and to the style of the missions in California. It became so popular in Puerto Rico, California and Florida in that period. "Its employ in the architectural practice in United States and Puerto Rico respond to several factors: a taste for the exotic; a search for cultural roots; evoked by such places as the Universidad de Alcald de Henares; an accommodation to regional climatic conditions; and last, the historicist wave that swept over Western architecture at the beginning of the twentieth century”.
Victory Garden building is representative of the apartment buildings constructed during the building boom of the 30's, as part of the urban development of Santurce. Also, it is an excellent representative of the efforts to design functional apartment houses in Puerto Rico, integrating the beauty of the Spanish Revival style of the time.
The building's design efficiently recognizes the different programmatic needs for commercial spaces on the first floor and more private housing units on the upper floors. It also recognizes its proximity to a nice view of the Condado Lagoon, as every unit has a balcony towards it. At the same time, housing units - and the whole building - acknowledge the presence of Ponce de Leon Avenue - the city as such - on the opposite site. The design takes full advantage of the sloping topography on the site as the difference in level from the front of the building to the back wall allows for some covered parking space to develop under the main structure without occupying any of the scarce lot space behind the structure. The building's four-story bulk is cleverly handled to play down its scale to merge better with the surrounding structures along the street. The design indulges successfully in a play of solids and voids featuring outdoor covered balconies and uncovered terraces along the edge zones on both sides, to imply a step down in volume one story to the one below, all done in a subtle, almost unnoticeable manner. The mature design displayed on the general aspects of the building and site design is further made evident in the unit design.
Besides the exquisite handling of architectural composition in massing and elevation, the design excels for its quality in the use of architectural details and ornament pertinent to the Spanish Revival Style, one particularly mastered by De Castro. The careful composition of ornaments and moldings penetrates the building. The flooring in every room of the units displays a contained geometric pattern in hydraulic cement mosaic tile, a feature based on a long lasting Island tradition.
National Register of Historic Places
Historic Puerto Rico and the Virgin Islands Travel Itinerary
El legendario centro de producción del NO-DO; el Noticiario Documental de exhibición obligatoria en todos los cines de España antes de las películas, hoy con el logotipo de RTVE.
Imagen del Edificio Artklass, en la Plaza Euskadi de Bilbao no muy lejos del Guggenheim.
Diseñado por los arquitectos Robert Krier y Marc Breitman con el objetivo de recuperar el estilo tradicional de las casas del Ensanche sin perder modernidad.
Aunque a mas de uno le parezca un edificio "antiguo" lleva en pie unos cinco años.
Luz perfeita no fim de tarde de primavera e nada melhor que fotografar esse enorme monumento criado por Oscar Niemeyer continua impactuando o visual de Belo Horizonte.
Jurado del concurso Mies Crown Hall Americas Prize (MCHAP), integrado por reconocidos profesionales de Londres, Estados Unidos, México y Chile, luego de visitar campus Piura, dio a conocer a los finalistas del premio de arquitectura más importante del continente.
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Vacaciones en medellín, antioquia. La capital de la eterna primavera.
Imagen del Edificio Artklass, en la Plaza Euskadi de Bilbao no muy lejos del Guggenheim.
Diseñado por los arquitectos Robert Krier y Marc Breitman con el objetivo de recuperar el estilo tradicional de las casas del Ensanche sin perder modernidad.
Aunque a mas de uno le parezca un edificio "antiguo" lleva en pie unos cinco años.
EDIFICIO MORODER - GÓMEZ, 1961
Pza. de Tetuán 6
Arquitecto:
Miguel Fisac Serna.
A comienzos de la década de 1960, en el momento más fértil de su trayectoria profesional, Miguel Fisac redacta dos importantes proyectos para la ciudad de Valencia, uno escolar y otro residencial. El primero, el Instituto Benlliure (un ejemplo de serenidad constructiva y claridad funcional, increíblemente demolido en 1998), y el segundo, el edificio Moroder (una manera contemporánea y distinta de construir edificios de viviendas en la ciudad histórica). En ambos casos Fisac, un arquitecto muy capacitado para la invención, perfecciona piezas de ladrillo y prefabricados de hormigón que ya había utilizado con anterioridad en Valladolid (Instituto Núñez de Arce) y Calahorra (Escuela Apostólica de Misioneros del Espíritu Santo). En la plaza de Tetuán, el edificio define un primer cuerpo que recupera la alineación y altura de sus vecinos (6 plantas) para, tras retirarse sutilmente y delinear un cuidado jardín, adelantar un segundo y elevado cuerpo (10 plantas) que provoca un nuevo diálogo con la histórica torre-campanario del convento de Santo Domingo. Dos núcleos de acceso, conectados en planta baja a través de un espacioso vestíbulo, posibilitan la existencia de dos diferentes viviendas por planta, una de gran dimensión y múltiples dependencias que se ubica en el bloque más bajo, y otra de superficie menor en el más alto. El edificio, muy bien conservado, desarrolla ideas en torno a la composición, prefabricación, industrialización y seriación totalmente novedosas en la ciudad.
Texto extraido de la "Guia de Arquitectura de Valencia" CTAV 2007.
Edificio Deheza | Estudio Arqtipo www.arqtipo.com.ar
Ciudad de Buenos Aires, Argentina, 2013
© Federico Kulekdjian Fotografía
Es el edificio publico mas grande de Latinoamérica, Ubicado en la Provincia de San Juan, Argentina. Comenzado a realizar en los comienzos de 1974 y luego de mas de 30 años de abandono fue terminado en el año 2009. Fue considerado uno de los monumentos a la desidia de le epoca de la dictadura militar en Argentina (1976-1983) por lo que fue llamado "el Monumento al Cemento".
Localizado na esquina da Avenida Faria Lima com a Cidade Jardim, o Edifício Dacon é um marco arquitetônico na zona sul da capital de São Paulo, por sua estética ousada e imponência.
Projetado pelo arquiteto Ricardo Julião, esse importante centro financeiro e comercial, foi inaugurado no ano de 1981, com uma altura de 96 metros, revestido de vidro japonês esverdeado. O Edifício Dacon é o primeiro empreendimento que recebeu painéis de vidros em toda a fachada.
San Juan, PR
Listed: 10/13/2004
Edifido Victory Garden, built in 1936 is significant locally under Criterion C for the area of architecture as outstanding Spanish Revival building in the Municipality of San Juan, representative of apartment buildings, results of the rise in urban development in the area and excellent example of the work of the renowned Puerto Rican architect Pedro de Castro.
The Spanish Revival, an eclectic architecture style, had its heyday in the last decades of the XIX century and the first decades of the XX century. It was the style in vogue to build significant institutional and private edifices and numerous magnificent residences for a wealthy class in Puerto Rico. It was a style that looked at Spain as a cultural paradigm with its Moorish, Renaissance and Mediterranean influence, and to the style of the missions in California. It became so popular in Puerto Rico, California and Florida in that period. "Its employ in the architectural practice in United States and Puerto Rico respond to several factors: a taste for the exotic; a search for cultural roots; evoked by such places as the Universidad de Alcald de Henares; an accommodation to regional climatic conditions; and last, the historicist wave that swept over Western architecture at the beginning of the twentieth century”.
Victory Garden building is representative of the apartment buildings constructed during the building boom of the 30's, as part of the urban development of Santurce. Also, it is an excellent representative of the efforts to design functional apartment houses in Puerto Rico, integrating the beauty of the Spanish Revival style of the time.
The building's design efficiently recognizes the different programmatic needs for commercial spaces on the first floor and more private housing units on the upper floors. It also recognizes its proximity to a nice view of the Condado Lagoon, as every unit has a balcony towards it. At the same time, housing units - and the whole building - acknowledge the presence of Ponce de Leon Avenue - the city as such - on the opposite site. The design takes full advantage of the sloping topography on the site as the difference in level from the front of the building to the back wall allows for some covered parking space to develop under the main structure without occupying any of the scarce lot space behind the structure. The building's four-story bulk is cleverly handled to play down its scale to merge better with the surrounding structures along the street. The design indulges successfully in a play of solids and voids featuring outdoor covered balconies and uncovered terraces along the edge zones on both sides, to imply a step down in volume one story to the one below, all done in a subtle, almost unnoticeable manner. The mature design displayed on the general aspects of the building and site design is further made evident in the unit design.
Besides the exquisite handling of architectural composition in massing and elevation, the design excels for its quality in the use of architectural details and ornament pertinent to the Spanish Revival Style, one particularly mastered by De Castro. The careful composition of ornaments and moldings penetrates the building. The flooring in every room of the units displays a contained geometric pattern in hydraulic cement mosaic tile, a feature based on a long lasting Island tradition.
National Register of Historic Places
Historic Puerto Rico and the Virgin Islands Travel Itinerary