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Linda Chalmers is a Toronto-based emerging artist who, through painting, explores themes of colour and digitization. By hybridizing the gestural and the digital, Linda creates saturated settings of multiple layers that weave in and out of each other, simultaneously expanding and merging fields of space and colour.
Echo Kona solids bundle from Sew Fresh Fabrics (Ash, Glacier, Sage, Aqua, Candy Green, and Nightfall)
Model- Echo
MUA/HAIR- Michael Cartier Onsouvanh
Assistant Kelly Kristine T
Designer- Rachel frank
Intern- Julie
Wardrobe Stylist- Ginger Peach
Studio- Wicker Park Studio
01 Going Up
02 Do It Clean
03 Show Of Strength
04 Pride
05 Over The Wall
06 Rescue
07 All My Colours Turn To Clouds
08 Heaven Up Here
09 Pictures On My Wall
10 Villiers Terrace
11 Monkeys
12 All That Jazz
13 Happy Death Man
14 Crocodiles
15 Stars Are Stars
16 The Puppet
Echo was where the UP used to take publicity shots of Big Boys etc. Here an afternoon eastbound slows for the 90degree left curve into Echo Canyon; June '78.
While I was busy trying to photograph some mud-puddling Echo Azures, my dog Max kept scaring them off.
Photographed on 5/15/2018.
Launched from Vandenberg Air Force Base on January 25, 1964, Echo II conducted communication, atmospheric drag, and air density experiments. Inserted into Earth orbit in a metal canister, Echo II inflated into a large reflective balloon. Like Echo I, the satellite was used to perform passive communications experiments by bouncing radio signals from one ground station to another.
New Mexico Museum of Space History; Alamagordo, New Mexico, USA. Read more about the Echo satellites in the scientific tourist #25.
Loved the back light on her hair and the smoke.
Natural light with a reflector cam-right to give some fill.
A850 and Zeiss
Echo & The Bunnymen (Liverpool 1978), live at the Paradiso Club, Amsterdam, The Netherlands. Playing their first 2 albums "Crocodiles" (1980) and "Heaven Up Here" (1981). January 21st, 2012.
Today has been a great day. I was walking down the hall around lunch time and Echo (one of our awesome volunteer translators) was putting up some of the pictures that the kids had colored while recovering or waiting for their surgery. She asked me to help, so I did, and before long, kids were coming out of the woodwork with their drawings. They really brightened up the otherwise perfunctorily sterile hospital wall.
Brussels, Belgium 16 October 2012
EU DEVDAYS 2012 - Echo Seminar
Winners of the photo contest "Behind the scenes"
Photo: © European Union
Glen Echo Park, part of the National Parks Service, is located just outside of Washington D.C., In the Maryland Suburbs.
Echoes of Ellington jazz orchestra featuring Mark Armstrong
Tom Walsh
Ian Bateman
Mike Hall
Tony Fisher
Jay Craig
Philip Judge
Echoes of winter - a knitwear pattern by Ruth Garcia-Alcantud for www.rockandpurl.com.
Phographer: Valerie Boissel
I got 40 miles per gallon on road (and more!) when SUV's would rush around me to get to the next gas stop.
© Kate and Anna Oliynyk
Picture was taken on August 7th 2014 at Toronto Zoo
Please Do Not Use Without Our Permission
With the intensification of the migratory crisis caused by the war in Syria, Hungary, Serbia and Macedonia close their borders to thousands of people fleeing, breaking an ancient migratory route: the Balkan route. In Greece, along the barbed wire of the Macedonian border, men, women and children gather in camps, in huge self-managed tent cities, where NGOs, volunteers and activists are challenging the game of mafias of human traffickers.
Echoes shows a limbo in which the desperation of a pending future contrasts with a vital and stubborn resistance, focusing her gaze on the day before the eviction of Eko Station, the last remaining informal camp in northern Greece. Through the frequencies of a pirate radio, words and rebel songs echo in the silence imposed by the Fortress Europe.
A film by Gabriele Cipolla
with Davide Agnolazza e Mohammed JJO
production:RADIO NOBORDER / #OVERTHEFORTRESS / MACAO
Runtime: 76 min. Year of production: 2016
Language: Arabic,Kurmanji, English
Subtitle English, Italian
Shooting format: digital 4k
Available : 4k DCP, HD file
Mix audio: Marc Brunelli/ Musics: Eko camp e MZKY
Traslation: Kovan Direj / Subtitles: Davide Agnolazza
Borders is a new public art installation that features life-sized sculptures in aluminum and iron pairs. There are 26 them, by Icelandic artist Steinunn Thórarinsdóttir. On exhibit now at the northwest corner of Grant Park in the Solti Garden, near Jackson Boulevard and South Michigan Avenue.
ATLANTIC OCEAN (May 2, 2023) Aviation Boatswain’s Mate (Handling) 2nd Class James Polkdinkins directs a CH-53E Super Stallion, assigned to the “Condors” of Marine Heavy Helicopter Squadron (HMH) 464, during flight operations on the flight deck of the amphibious assault ship USS Wasp (LHD 1), May 2, 2023. Wasp is underway conducting Basic Phase inspections and assessments. (U.S. Navy photo by Mass Communication Specialist 2nd Class Sydney Milligan)
Take a walk through time. Trace the path of the emigrants along the Oregon Trail. Echo Meadows was a popular “nooning” place where emigrants could rest themselves and their stock. Visitors can look at the interpretive signs then walk ½ mile on a paved path to see nearly one mile of intact wagon ruts, part of the primary Oregon Trail route from 1847 to1860. Throughout your walk to the wagon ruts you can stop and read the interpretive signs about the area and its history.
This day-use area has parking and a ½ mile of paved trail with interpretive signs. This awesome little piece of Oregon’s history is open year-round.
Nearby attractions are the City of Echo Fort Henrietta Park, city museum, and the Scenic old Umatilla River highway from Echo to Pendleton with one Oregon Trail highway wayside.
From Interstate 84, take Echo Exit 193, 5 miles west of City of Echo along Echo-Buttercreek Highway.
To learn more about the BLM and the Oregon Trail head on over to: www.blm.gov/or/oregontrail/index.php
It's not bad, rather standard but correctly done. The genderlocked classes might turn away some players.
www.youtube.com/watch?v=uLJ_QVfT_wM
Overhead the albatross hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
The echo of a distant time
Comes willowing across the sand
And everything is green and submarine
And no-one showed us to the land
And no-one knows the where or whys
But something stirs and something tries
And starts to climb towards the light
Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me
And do I take you by the hand
And lead you through the land
And help me understand the best I can
And no-one calls us to move on
And no-one forces down our eyes
And no-one speaks and no-one tries
And no-one flies around the sun
Cloudless everyday you fall upon my waking eyes
Inviting and inciting me to rise
And through the window in the wall
Come streaming in on sunlight wings
A million bright ambassadors of morning
And no-one sings me lullabies
And no-one makes me close my eyes
And so I throw the windows wide
And call to you across the sky
(ok, ok, this is a seagull not an albatros...but it's the same, for me...)
Paul Noble Marble Hall exhibition at Laing Art Gallery, Newcastle 2011-2014
Paul Noble Marble Hall situates Noble’s own art, centred on his huge tapestry villa joe, within the historical context of the Laing’s architecture and collections. Using archive photographs dating to around the time of the opening of the Gallery in 1904, the artist re-created the early appearance of the Hall with plants. The plants also refer to Noble’s interest in exploring the boundary between the natural world and cultural constructs. This theme is echoed in the images on his ‘artist designed’ wallpaper, featuring antique plinths interspersed with vegetation.
Paul Noble’s tapestry has been purchased for the Gallery with the aid of substantial grants. The artist has made a gift of a ceramic sculpture, seven, which was part of a large group incorporated in the original installation. The piece is covered with a thick shiny glaze inspired by those used in traditional Japanese ceramics. It is presented on a carved wooden stand in the style of Chinese ‘scholars’ stones’ – naturally occurring rocks selected for particular qualities such as shape and surface these are traditionally placed on pedestals.
The tapestry and ceramic link directly to the Laing’s collection, and central to the installation is Henry Moore’s large bronze sculpture Seated Woman: Thin Neck. Noble has made an in-depth study of Moore, who famously liked to go beach-combing in search of flints and pebbles eroded into inspiring shapes. Noble’s ceramics are diminutive versions of the organic sculptures made by Moore in response to his beach-combing collection, reducing the monumentality of Moore’s sculptures to the scale and status of ornaments.
The ceramic piece realises in three-dimensional form the precious collection of objects housed in ‘villa joe’, which features in the artist’s tapestry of the same title. The building is named after Joseph Holtzman, editor-in-chief and art director of the cult décor magazine Nest, who is known for his meticulously hyper-decorated Manhattan apartment, in which the juxtaposition of every object is fine-tuned. Through the glass walls of Holtzman’s museum, as shown in the bottom left-hand side of the tapestry, one can see the exhibits neatly laid out. There is a jarring contrast between the modern, cultured museum and the rough, monumental forms of the natural landscape surrounding and dwarfing it.
Lesley Richardson 2013