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Studying and listening gangsta rap is not compatible. I stop studying and started to draw this illustration.
Illustration by Le petit Mutant
Creator of the first sampled drum machine and a designer of the MPC60 through MPC3000. Okay, you get the fact that he has a sense of humor.
Sound effects plug-in on Magix Samplitide Music Studio software.
Audio studio FX rack.
Watch this software interface YouTube @
Drum Machine Synthesizer Sequencer Magix Samplitude Music Studio
www.youtube.com/watch?v=pTKDHobPNZE
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by +Nilma Boston Rio
plus.google.com/113457459951571731789/posts
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the entrails. adhesive backed zip-tie mounts makes a great strain-relief to save the added wires from being ripped out.
You've surely heard its sounds, but maybe you haven't seen it yet: This, kids, is the Real Deal™ — the happenin' drum machine of the Techno era, Roland's TR-808 Rhythm Composer.
These are the tools I use to perform live with. Two Akai MPC 1000 with upgraded hard drives and the JJOSXL operating system.
These boxes store our collection. They are lignin-free, acid-free, and buffered with 3% calcium carbonate. Every shelf is numbered, as are the boxes, so by checking our collections data base, we know exactly where everything is. This is what's in the "Repository" field that you can see when you search the collection. Now that we've moved things, every item in the boxes will need to be updated.
After Vehicle Derek (actually in parallel for a while) I formed a group with my brother called Big Chief Fail. We had no drummer and used a drum machine instead.
For the first few gigs our drums were on tape, and this is it. We played it through the PA using an old personal stereo which I had wired up a footswitch to so that I could start and stop it between songs.
This is the sort of short tape that studios had to record two or three songs on.
This was recorded by Andy Faulkner at Sable Rose Studios in Coventry, which at the time was his bedroom. We took our Roland TR505 over there and recorded these drums using his Roland D-10, which we thought had better sounds.
In the transgression of an evil man there is a snare: but the righteous doth sing and rejoice.
Proverbs 29:6 King James Version
Here's what it looks like now (Dec. 2010)
1. DSI MoPho Keyboard for the mono / analog
2. Waldorf Blofeld for the poly / wavetable / digital
3. Akai MPC1000 (with JJ OS2XL) for drums / samples / sequencing / etc.
4. MacBook Pro running Ableton Live 8 for sequencing, recording, editing, mixing, etc.
5. RME Fireface 800 audio / MIDI interface
6. SM Pro Audio Nano Patch passive monitor controller
7. Adam A7 near-field monitors (not pictured)
All very nice and compact. Perfect for cramped NYC spaces.
Top shelf LtoR: Roland TR 626 Drum Machine, red marker, flyer for British Artists Football competition (www.britishartistsfootball.co.uk), 'SALE' exhibition flyer for The Royal Standard, various found price tags, £2, £1, piece of fluorescent orange card, SOLD graphic, Sale artwork. Botttom shelf: Various 1980's car stickers (and original packaging 'Sticka Glitter') Capri, Fiesta, Avenger, Chrysler, Blank white canvas, photo of a nice room, Little Big Planet PS3 game, rusty nail, square piece of stainless steel
currently have the leds working and being controlled by puredata (http://puredata.info/). Only one of the leds is wired incorrectly, but I think it should be easy enough to resolder (knock on wood).
Something is going wrong in my switch parallel to serial conversion though, need to debug.
This my apartment in Kingston... Nice and clean and Ikea minimalist. That's my old Powerbook on the desk. She is editing videos on my old dual G4... Oh yah, there is also an iMac DV behind the white chair with holes.
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