View allAll Photos Tagged dotmatrix
ReBoot / Trading Card
> Armor Pile
ReBoot Fleer Ultra cards / Fleer Corp. (USA, 1995)
Copyright: Mainframe Joint Venture (Canada)
Ephemera-Sammlung MTP
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Kevin Belton
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Kevin Belton
For four days (29 August - 1 September 2017) Southeastern are operating some trains into London Waterloo using the former Eurostar viaduct from Stewarts Lane. During this period (and the following weekend) Waterloo East and Charing Cross are closed while Thameslink works between New Cross and London Bridge are commissioned.
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Andy Henley
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
ReBoot / Trading Card
> Campu-Boss
ReBoot Fleer Ultra cards / Fleer Corp. (USA, 1995)
Copyright: Mainframe Joint Venture (Canada)
Ephemera-Sammlung MTP
convergence to chaos - this is a plot of the classic logistic map with insufficient preiterations for full convergence within the resolution of the printing hardware, and we can see the artefacts of the varying convergence rate which depends on the parameter lambda (x-axis).
edited by Heather Cadsby & Maria Jacobs.
Toronto, january 1981.
28 pp/26 printed, offset. 5-1/2 x 8-1/2, stapled wrappers.
poetry by Barry Dempster, Hans Jewinski, Brenda McNeill, Mary Melfi, Gianna Patriarca, Michael Warren, George Whipple; cover by Helena Hamilton; announcements incl.readings by Milton Acorn, bpNichol, David Phillips; workshop by Christopher Dewdney.
stapled shut for mailing (staple since removed) with dotmatrix address label to A Space & 15¢ canadian postage (cancelled) & "A Space Archive Copy" rubberstamp inside front & rear covers...
5.oo
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
Here is a video of our LED Dot Matrix Box (8X8M) scrolling a fun message.
For instructions on how to make your own visit the Instructable here:
(coming soon)
(shameless plug)
Or to keep up to date on all the neat things happening at .:oomlout:. hq please check out our blog -
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
the fifth dotmatrix project brought together two greensboro acts, each with little time playing together, yet both with big, unique sounds. project tritium kicked off the evening with james marshall owen dropping his bowie-esque delivery and jagger-esque stage presence over highly composed music and sounds that at times seemed improvised. the raving knaves then took the stage (and our sound engineer) and rocked their set with a variety of kinetic, powerpop tunes. david mclean's hips might still be gyrating. a fine time had by all.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
this was the official kick-off show for the dotmatrix project, and both the radials and sorry about dresden kicked ass! the photos and videos don't lie.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Michael Dunn
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
The huge departures and arrivals information board at London Liverpool Street Railway Station.
In 2007 this dot matrix board replaced the popular and great fun to watch 'flapper board' display which was the largest of its type in the United Kingdom.
Aerial insect detection survey summary report, "Extent of Damage in Oregon in 1979 by Reporting Area and B.F." This page shows tree damage summarized for ranger districts on the Deschutes National Forest in Oregon.
Note: Acreage was calculated by planimeter and/or dot-counting the insect and disease polygons on paper aerial survey maps. Volumes were then calculated using numbers of dead trees, tree species, and an average volume/tree/Reporting Area. These data were summarized in Fort Collins, Colorado.
This process was replaced with a Geographic Information System (GIS) in Region 6 in 1988. All of these early reports were eventually replaced by more precise geospatial data.
Date: February 1, 1979
Credit: USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection.
Source: Aerial Survey Program collection.
For geospatial data collected during annual aerial forest insect and disease detection surveys see: www.fs.usda.gov/detail/r6/forest-grasslandhealth/insects-...
For related historic program documentation see:
archive.org/details/AerialForestInsectAndDiseaseDetection...
Johnson, J. 2016. Aerial forest insect and disease detection surveys in Oregon and Washington 1947-2016: The survey. Gen. Tech. Rep. R6-FHP-GTR-0302. Portland, OR: USDA Forest Service, Pacific Northwest Region, State and Private Forestry, Forest Health Protection. 280 p.
Image provided by USDA Forest Service, Pacific Northwest Region, State and Private Forestry, Forest Health Protection: www.fs.usda.gov/main/r6/forest-grasslandhealth
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
The huge departure and arrivals information board at London Liverpool Street Railway Station.
In 2007 this dot matrix board replaced the popular and great fun to watch 'flapper board' display which was the largest of its type in the United Kingdom.
I was going to take a photograph of one of these matrix signs that have recently sprung up all around London Heathrow Airport but I thought a video would be easier... ;-)
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
the second dotmatrix project event was a blast. both carolina clearwater and old stone revue flexed their talents.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Tanya Peterson
ReBoot / Trading Card
> Cyber Romance
ReBoot Fleer Ultra cards / Fleer Corp. (USA, 1995)
Copyright: Mainframe Joint Venture (Canada)
Ephemera-Sammlung MTP
CLS and Strobist
SB800 camera right 1/1 w/ full CTO
SB600 camera left 1/1 w/ full CTO
WB on Tungsten.
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard
The seventh dotmatrix project brought together two greensboro songwriters, historians, and musicians. Yet both ladies, accomplished musicians in well-known bands across the Carolinas and beyond kept reminding the audience to be kind: This solo performance was a first for both.
Riannon Giddens is a world-traveling musician with the black string preservation band, The Carolina Chocolate Drops. The project was one of her first solo debuts, relying only occasionally on the support of Laurelyn Dossett and guitarist Scott Manring. Her roots music included a few original tunes, such as the ballsy-blues girl ballad, "Two-time Loser." And with her early vocal training at the prestigious Oberlin Conservatory, Rhiannon performed a multi-lingual, multi-cultural act, singing in languages known only in the Gaelic-Scottish regions, plus "Mal Hombre" in Spanish, and "Slaves Lament." A regularly touring musician, Rhiannon made the most of the hometown gig, and brought her sister on stage for gospel songs that featured harmonies only possible from a childhood spent singing together. Off her usual repertoire, however, Rhiannon dropped in a tune she's always wanted to sing, she said, Patsy Cline's, "I Fall to Pieces."
Laurelyn Dossett also made a break from her regular appearances with Polecat Creek, and sang songs she's written for the band, and more recently, songs she's created for the original "playsical" projects at Triad Stage, such as "Brother Wolf" and "Bloody Blackbeard." While Dossett played solo, she played many songs originally written for the bluegrass and Old Time string, such as "Midway Road" and "The Island," off the band's new album "Ordinary Seasons." With a story behind every tune, Dossett is something of a modern historian, writing songs that tell stories from the Piedmont region, such as "Leaving Eden," which chronicles the night drive of a mother and her children as they leave a community built on and later burned by a collapsing textile industry. One hot October night in early 2000 inspired "Surry County's" burning. With guitarist Scott Manring, and vocalist Rhiannon Giddens occasionally joining her on set, Laurelyn rocked a set that's usually reserved for the more, well, reserved audience.
And the audience came to listen. Before the first guitar was tuned, listeners lined up chairs, settling in with their dark brews in tall pint glasses, only breaking the silence to applaud, stomp, sing along, or laugh.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by Mark Smith
Norwich Railway Station departures for platform 1 and platform 2.
We're on the 18:00 as far as Colchester ;-)
the fourth dotmatrix project shook, stirred and mixed it up real nice. tom beardslee kicked off the night with his storytelling blues playing and then possum jenkins simply brought down the house. all due respect to shooter jennings, but these guys put the "o" back in country that night.
if you use this photo anywhere, please respect the CC license and provide the following attribution, as is:
Photo by John Leonard