Donation to Hindu temples and Muktidham by Dr.Dayaram Aalok
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Online photo exhibition→ note.com/shin_ikegami/n/nb29be9e76180
*応援・ご寄付のお願い* *Request of support/donation.* Click here for details. → www.shinikegami.com/donation
*My planet, My Life.*
*Simple reason, Simple stories, Planet is circulate and “Life” is a season. *
* SONY ILCE‑7M2 / Lomography New Jupiter 3+ 1.5/50 L39/M *
・Link: Official photo gallery.
・Work - `work`
・Street - `Street wark`
Official Photo gallery, Art/snap works Updates every Monday.
Online photo exhibition→ note.com/shin_ikegami/n/nb29be9e76180
*応援・ご寄付のお願い* *Request of support/donation.* Click here for details. → www.shinikegami.com/donation
*My planet, My Life.*
*Simple reason, Simple stories, Planet is circulate and “Life” is a season. *
* SONY ILCE‑7M2 / Lomography New Jupiter 3+ 1.5/50 L39/M *
・Link: Official photo gallery.
・Work - `work`
・Street - `Street wark`
Official Photo gallery, Art/snap works Updates every Monday.
Hi everyone, I'm disabled and have been without a source of income for over a year so if you are in a position to help, I have setup an account to accept donations, even as little as the price of a coffee. Anything would be greatly appreciated.
See my "About" page on Flickr for the link. Thank you. www.flickr.com/people/jax_chile/
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Flores de Santa Gemita - 032021 - LR
100% of the Sale will go toward the Donation to Ukraine, we can help in this community, every effort count and your supports is needed!♥
Thank you to everyone who want support the Cause .
Event duration 5-19th March
maps.secondlife.com/secondlife/Evermore/112/136/1004
For more Information toward where the Donation goes and how it gonna be proceed Please Visit the Venue for more details
Shortly after getting 218 at a few spots along the Rook sub, they came to a stop in the hickory siding where they met two units for the WLE 643 and subsequently dropped their third unit and all of their tank cars off to the 643 which then followed them down after that. 218 is seen here passing through McDonald, PA after getting back underway from the siding on hickory to continue the rest of the trip into Pittsburgh (8/4/22).
Support your local historical society or museum...
Shot for Our Daily Challenge :“Locks-Keys & Mysteries”
In 2022 28 Chimpanzee Sculptures were unveiled between London Bridge and Tower Bridge on the south side of the river. The sculptures demonstrate 18 different behaviours and emotions shown by chimps — with whom we humans share 98% 0f our DNA — including love, grief, friendship and conflict.
gillieandmarc.com/blogs/news/28-chimpanzee-sculptures-unv...
The exhibition is the work of British and Australian artists Gillie and Marc known worldwide for their innovative public sculptures and paintings. Coming from very different backgrounds, they both share a profound love of wildlife and their art has raised many thousands in donations for wildlife charities.
In 2023 10 Chimp sculptures were moved to Kingston upon Thames.
Gillie and Marc have designed the sculptures to be interactive and engaging. We're encouraged to get as close as we want, touching their faces, examining their hands — even hugging them — so you may well struggle to drag your own little chimps away.
Videos: www.youtube.com/harrycollinsphotography
Prints: www.etsy.com/shop/HarColPhotographs
Website: www.harrycollinsphoto.com
Instagram: @harrycollinsphotography
If you like the content on this page, donations are appreciated to keep the content coming & can be made on Venmo to: @harrycollinsphotography
The wharf in Coupeville Washington was built in 1905 to export grain produced on Whidbey Island. The town sits on Penn Cove, a sheltered bay that provided a safe, sheltered harbor during the early settlement of the area. In 1792 Capt. George Vancouver named the harbor in honor of, as he wrote, “a particular friend.” It is thought that the person honored was either John or Richard Penn, both of whom were grandsons of William Penn, founder of Pennsylvania.
Before European settlement, 3 permanent villages inhabited by the Lower Skagit People were located around Penn Cove. The largest village called at bəc̓adᶻali, or “snake place" occupied the site of present day town of Coupeville.
Cmdr. Charles Wilkes of the US Navy charted the small bay in 1841. Wilkes was the American born great nephew of the former Lord Mayor of London John Wilkes. He led US Expeditions to the South Pacific (including Antarctica) and Puget Sound. He was an important and controversial naval leader during the Civil War and ended his career with the rank of Rear Admiral (retired).
In 1850 Issac Neff Ebey became one of the first non-native American settlers and farmers in the area. Others soon followed and made land claims as provided by the Donation Land Act of 1850. Also, in 1850 Captain Thomas Coupe laid out a town on the shores of Penn Cove which today bears his name, Coupeville. It became the center of commerce for the Island, an important port, and during the late 1800s, home to many active and retired sea captains and mariners.
The wharf is a contributing property to the Central Whidbey Island Historic District which was listed on the National Register of Historic Places in 1973. To better protect the unique history and landscape, Coupeville and its wharf was included in Ebey's Landing National Historical Reserve in 1978. This one-of-a-kind unit of the National Park System preserves and protects the historical record of the exploration and settlement of central Whidbey Island from 19th century to the present.
References:
www.nps.gov/ebla/learn/historyculture/index.htm
en.wikipedia.org/wiki/Ebey%27s_Landing_National_Historica...
www.ebeysreserve.com/learn-about-the-reserve
en.wikipedia.org/wiki/Isaac_N._Ebey
en.wikipedia.org/wiki/Coupeville,_Washington
npshistory.com/publications/ebla/nr-cent-whidbey-is-hd.pdf
en.wikipedia.org/wiki/Coupeville_grain_wharf
A Madonna and child statue and a large glass jar for donation money is on display inside a free botanical garden in Vigan, Philippines.
As you know, I visited Loei province last weekend. I got this shot on the way going there while we are taking a rest for breakfast. I had already finished my breakfast at that time. The shop owner woman donated foods to Buddhist monk. Since it is donated in the early morning, I named it as "Early Donation".
copyright © serena dawn boggs
*who organ donation is*... flush mounts for my Organ Donor Awareness gallery.
bigger: farm1.static.flickr.com/246/461509429_cf4faa740c_o.jpg
and a most special thanks of gratefulness to...
Sara Heinrichs www.flickr.com/photos/awfulsara/
for the recommendation on the flush mounts. i wanted a way to display these without frames and she suggested just the right place! THANK YOU!!!
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Abused & Abandoned Street Dogs.
We had planned on going to the temple
tomorrow morning but that plan is on hold.
Right now both of us are really burned out.
Everything is ready to go except me. No# 1
has spent the last few days trying to keep
me standing upright. The short bursts of
energy are followed by long periods of
exhaustion. Tomorrow I'll spend most
of the day in a state of meditation.
That's orders from no# 1 ;-)---
When we return to the temple all the
dogs will receive their injections.
Mr Ed will get his carrots.
No# 1 will assist me.
Thank you for your comments and donations.
Thank You.
Jon&Crew.
Please help with your temple dog donations here.
www.gofundme.com/f/help-for-abandoned-thai-temple-dogs
Please,
No Political Statements, Awards,
Invites Large Logos or Copy/Pastes.
© All rights reserved.
.
The park, zoo and conservatory are owned by the City of Saint Paul and are a division of Saint Paul Parks and Recreation. Its attractions include the zoo, the conservatory, an amusement park, a carousel, Lake Como, a golf course, a pool and more. The park receives more than 1.9 million visitors annually.[1] Como Park is a free park and while no admission fee is charged for the zoo or conservatory, voluntary donations
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images.savoysystems.co.uk/GCL/375316.jpg
“A flower sprouting from the cracks in a wall is life creeping up everywhere.”
Giuseppe Tobia
“Un fiore che spunta dalle crepe di un muro è la vita che si arrampica ovunque.”
Giuseppe Tobia
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or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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The late Pope Francis left us a memorable phrase, referring to the tragic events of our current history, he said "build bridges, not walls", and almost paraphrasing Pope Francis, here in Sicily we tear down walls, let me explain... there is a traditional religious festival, during which the wall of a house, always the same wall, is torn down, to then be built again in anticipation of the celebration that will be held in the new year. But it is not so much the wall itself, even more characteristic is the way in which this wall is broken down: it is struck over and over again with the arms of the float, those used by the bearers to hold the float, on which sits the statue of Saint James, an incredible tradition whose origins are not unanimous. Many, many years ago, I was perhaps 20 years old, walking with a few friends one evening along Corso Umberto in Taormina, I learned from one of them about this incredible tradition. I remember it as if it were yesterday. He said, “In Sicily, there is a celebration in which, during the procession, the float with the Saint, loaded with provola (cheeses), is used like a battering ram to break down the wall of a house, which is then rebuilt (the battering ram, a medieval assault weapon, used to break down gates and castle walls).” This year, I was able to witness (and photograph) this very particular and unique tradition, which is celebrated every year on July 26th in the town of Capizzi (Messina), a celebration that commemorates the transfer of the relics of Saint James from his sanctuary. As mentioned, the most characteristic moment of the celebration is the "rite of miracles": the float with Saint James on it is violently hurled against the wall of a house adjacent to the church of Sant'Antonio, and each impact against this wall is interpreted as "a miracle of Saint James". The number of blows needed to overcome the wall is interpreted sometimes positively (if the blows are even), sometimes negatively (if the blows are odd). The "Miracles of St. James" do not have a certain origin, some think it could originate in ancient times from the destruction of a small pagan temple, or a synagogue, someone else instead traces this tradition as a form of revenge of the inhabitants of Capizzi (Capitini), this because the relics of the Saint were stolen from Capizzi to be kept in the city of Messina, by the Spanish nobleman Sancho de Heredia, in obedience in 1435 towards Alfonso V of Aragon, nicknamed "the Magnanimous" (he was king of Aragon, Valencia, Sardinia, Majorca, Sicily, titular king of Jerusalem, Corsica and Hungary, he was count of Barcelona and of the Catalan counties, and from 1442 he would also become king of Naples), therefore the demolition of the wall would be a form of revenge towards what was perhaps the house of the nobleman Sancho de Heredia, finally someone else traces this tradition to a legendary event, which recalls the defeat of a handful of Saracens, who They had barricaded themselves in that place. Currently in Capizzi, in the Sanctuary of San Giacomo Maggiore, the oldest relic of Saint James the Apostle in Sicily is housed: a finger of the saint. Another characteristic aspect of the festival is the presence of numerous provola cheeses placed on the roof of the float. These are offered by the population to Saint James. The presence of these typical cheeses is indicative of the type of economy in Capizzi, primarily linked to agriculture and livestock farming, with significant dairy and pork production, particularly that of the Nebrodi black pig, with typical cheeses such as provola capitina and maiorchino. Some residents told me that sometimes the donations of provola cheeses, even large ones, become so abundant that the float ends up becoming exceptionally heavy, severely testing the bearers' ability to support all that weight.
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Il compianto papa Francesco ci ha lasciato una memorabile frase, in riferimento alle tragiche vicende della nostra attuale storia, ha detto “costruite ponti, non muri”, e quasi parafrasando Papa Francesco, qui da noi in Sicilia i muri li abbattiamo, mi spiego meglio ….c’è una festa tradizionale religiosa, durante la quale il muro di una casa, sempre lo stesso muro, viene abbattuto, per poi venire costruito in attesa della festa che si terrà il nuovo anno, ma non è tanto il muro in se, ancor più caratteristico è il modo in cui questo muro viene sfondato: esso viene colpito più, e più volte con i bracci del fercolo, quelli che servono ai portatori per reggere la vara, sul quale siede la statua di San Giacomo, una incredibile tradizione sulle cui origini non c’è unanimità di pensiero. Io tanti, tanti anni fa, forse avevo 20 anni, passeggiando con pochi amici di sera sul Corso Umberto di Taormina, venni a sapere da uno di questi, di questa tradizione che ha dell’incredibile, lo ricordo come fosse ieri, disse “in Sicilia c’è una festa nella quale durante la processione, la vara con il Santo, carica di provole (formaggi) viene utilizzata come fosse un’ariete per sfondare il muro di una casa, che poi verrà ricostruito (l’ariete, arma medioevale d’assalto, utilizzata per sfondare portoni e muri dei castelli),”. Quest’anno, ho potuto assistere (e fotografare) questa tradizione così particolare ed unica, che si celebra ogni anno il 26 luglio nel paese di Capizzi (Messina), festa che commemora il trasferimento delle reliquie di San Giacomo dal suo Santuario, e, come anticipato, il momento più caratteristico della festa è il “rito dei miracoli”, la vara con sopra San Giacomo viene violentemente scagliata contro il muro di una una casa adiacente la chiesa di Sant'Antonio, ed ogni urto contro questo muro viene inteso come “un miracolo di San Giacomo”, il numero dei colpi necessari per avere la meglio sul muro viene interpretato ora in maniera positiva (se i colpi sono pari), ora in maniera negativa (se i colpi sono dispari). I “Miracoli di San Giacomo” non hanno una origine certa, qualcuno pensa possa originare anticamente dalla distruzione di un piccolo tempio pagano, od una sinagoga, qualcun altro invece fa risalire questa tradizione come una forma di rivalsa degli abitanti di Capizzi (Capitini), questo perché le reliquie del Santo furono sottratte a Capizzi per essere custodite nella città di Messina, da parte del nobile spagnolo Sancho de Heredia, in obbedienza nel 1435 verso Alfonso V d'Aragona, soprannominato "il Magnanimo" (era re di Aragona, Valencia, Sardegna, Maiorca, Sicilia, re titolare di Gerusalemme, Corsica e Ungheria, era conte di Barcellona e delle contee catalane, e dal 1442 sarebbe diventato anche re di Napoli), quindi l’abbattimento del muro sarebbe una forma di vendetta verso quella forse era la casa del nobile Sancho de Heredia, infine qualcun altro fa risalire questa tradizione ad un evento leggendario, che ricorda la sconfitta di un manipolo di saraceni, che si erano asserragliati in quel luogo. Attualmente a Capizzi, nel Santuario di San Giacomo Maggiore, si trova la più antica reliquia di San Giacomo Apostolo Maggiore che abbiamo in Sicilia, si tratta di un dito del Santo. Un altro aspetto caratteristico della festa, è la presenza di numerose provole messe sul tetto della vara, queste sono offerte dalla popolazione a San Giacomo, la presenza di questi tipici formaggi è indicativa del tipo di economia che c’è a Capizzi, principalmente legata all'agricoltura e alla pastorizia, con una importante produzione casearia e di carne suina, in particolare quella del maiale nero dei Nebrodi, con formaggi tipici, come la provola capitina e il maiorchino. Mi dicevano alcuni abitanti che a volte la donazione delle provole, anche di grosse dimensioni, diviene così abbondante, che la vara finisce con acquisire un peso eccezionale, mettendo a dura prova la capacità di reggere tutto quel peso da parte dei portatori.
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My donation to BCSF. Package includes a handmade flower crown and four sets of hand painted eyechips :)
.
Abused, Abandoned Jungle Dogs.
- Photo from the archives -
Pumpkin will be going to the dog clinic
in the next couple of days. She seems
better but early every morning, 3-4 AM
she looses her dinner and I clean it up.
More info will be available after her
visit to the clinic. As for now she
does wander around the
place, then down
for a long nap.
Thank You.
Jon&Crew.
Please help with your temple dog donations here.
www.gofundme.com/saving-thai-temple-dogs.
Please,
No Political Statements, Awards, Invites,
Large Logos or Copy/Pastes.
© All rights reserved.
.
Model Dakhari Drew
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Can you help make my next shoots happen and also help towards the cost of hosting the shots on here? My link for donations is www.buymeacoffee.com/sophiemerlo Thank you!!
For all those attending, have a great time at Pullipcon! Check out my donation piece if you get the chance. :D
I am proud to present my donation piece for Pullipcon's raffle, 22th March, 2014 in Barcelona Spain. The set includes antlers, doe ears, and a tail. All proceeds go to charity. For me pics please see Poison Girl's gorgeous photoshoot with this set. She will be displaying this set at the convention on one of her stunning custom dolls. Many thanks to her for all her kindness~ ^u^
Some impressions of the very last minute surprise show by Aelva Fairelander - wonderful scenes and costumes, combined with music and special effects - what an incredible ending event of this years Faire ...
Thank you Aelva! Also a big thank you to co-star Haveit Neox
Here's some screen shots of the donations being processed through my account to donate to The Hunger Project!
Just got home from Thanksgiving with friends and family so hopefully by Monday or Tuesday the money should be in my paypal, and I'll post the receipts of that transaction as well! You can follow this process more closely on the blog.
We raised L$164,762 over thanksGIVING weekend and through the Can Drive, so thank you so much to everyone who donated and participated!
Donate Directly:
We got a donation of masks at work, it was a wonderful gesture
Don't use this image on websites, blogs or other media without explicit permission.
© All rights reserved
Model: Amy Marie
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I promised my Ukrainian friend Anatoly www.flickr.com/photos/uav2014 that I’d be sending more help to the people of Ukraine, and to the people helping the people of Ukraine.
As I no longer feel comfortable travelling and leaving my elderly mother alone at home, I'm diverting my otherwise travel budget to help the people of Ukraine.
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Concerned about her beau, Selwyn Spencely’s, true affections for her, and worried about the threat his cousin and 1923 debutante, Pamela Fox-Chavers, posed to her own potential romantic plans with Selwyn, Lettice concocted a ruse to spy on Pamela and Selwyn at the Royal Horticultural Society’s 1923 Great Spring Show*. As luck would have it, Lettice ran into Pamela and Selwyn, quite literally in the latter’s case, and they ended up having tea together. Whilst not the appropriate place to talk about Selwyn’s mother, Lady Zinnia, whom Lettice suspects of arranging a match between Selwyn and Pamela, who are cousins, Selwyn has agreed to organise a dinner with Lettice where they can talk openly about the future of their relationship and the interference of Lady Zinnia. However, whilst Lettice waits for the dinner to be arranged, she has a wonderful distraction to take her mind off things.
That is why today we are far from London, returning to Wiltshire, where Lettice grew up at Glynes, the grand Georgian family seat of the Chetwynds, and the home of Lettice’s parents, the presiding Viscount and Countess of Wrexham and the heir, their eldest son Leslie and his new wife Arabella. However, we are not at Glynes, but rather in Glynes Village at the local village hall where a much loved annual tradition is taking place. Every year the village have a summer fête, run by the local women and overseen by Lettice’s mother, Lady Sadie, to help raise money for a worthy cause in the village. The summer fête is one of the highlights of the village and country calendar as it always includes a flower show, a cake stand, stalls run by local famers’ wives selling homemade produce, games of hoopla, a coconut shy, a tombola and a jumble sale, a white elephant stall and a fortune teller – who is always local haberdasher Mrs. Maginot who has a theatrical bent and manages the Glynes theatrical players as well as her shop in the village high street. All the stalls and entertainments are held either in the village hall or the grounds surrounding it. Not only do the citizens of the village involve themselves in the fête, but also the gentry, and there is always much excitement when matriarch of the Brutons, Lady Gwyneth – Gerald’s mother, and Lady Isobel Tyrwhitt – Arabella’s mother, attend. Neither lady have been well over the last few years with Lady Gwyneth suffering a spate of bronchial infections and Lady Isobel receiving treatment for cancer, so it is a rare treat to have both in attendance. This year’s summer fête is a special one for Arabella in particular, for as the newly minted Mrs. Leslie Chetwynd, she now joins the effort to help run the Glynes summer fête for the first time and has been given the second-hand clothing stall to run as part of the jumble sale.
The Glynes village hall is a hive of activity, and the cavernous space resounds with running footsteps, voluble chatter from the mostly female gathering, hammering and children’s laughter and tears as they run riot around the adults as they set up their stalls. Mr. Lovegrove, who runs the village shop, climbs a ladder which is held by the elderly church verger Mr. Lewis and affixes the brightly coloured Union Jacks and bunting that have been used every year since the King’s Coronation in 1911 around the walls. Lady Sadie casts a critical eye over the white elephant stall, rearranging items to put what she considers the best quality items on more prominent display, whilst removing a select few pieces which she thinks unsuitable for sale, which she passes to Newman, her ladies maid, to dispose of. Bramley, the Chetwynd’s butler arranges and categorises books for the second-hand book stall, perhaps spending a little too much time perusing some of the titles. Mrs. Elliott who runs the Women’s Institute manages the influx of local women bringing in cakes with regimental efficiency. And amongst all the noise, activity and excitement, Arabella busies herself unpacking boxes of old clothes and tries her best to make her trestle an attractive addition to the summer fête. Lettice perches on an old bentwood chair, offering suggestions to her sister-in-law whilst pulling faces as she lifts up various donations before depositing them in disgust where they had been beforehand.
“Here we are then,” Gerald announces as he walks across the busy floor of the hall bearing a wooden tray containing several teacups and a plate of cupcakes from the refreshments stand, narrowly avoiding Mrs. Lovegrove’s two youngest children as they chase one another around his legs. The sound of his jolly call and his footsteps joining all the other cacophony of setting up going on around him. “Refreshments for the hard workers,” he looks at Arabella. “And the not-so-hard-workers.” he looks at Lettice.
“Don’t be cheeky!” Lettice says to him with a hard stare, letting a limp stocking fall from her hand and collapse into a wrinkled pool on the trestle table’s surface.
Gerald puts the three tea cups down where he can find a surface on Arabella’s trestle table, followed by a long blue and gilt edged platter on which sit three very festive cupcakes featuring Union Jacks made of marzipan sticking out of white clouds of icing.
“Mrs. Casterton’s special cupcakes.” he announces proudly with a beaming smile.
“How on earth did you get those, Gerald?” gasps Lettice in surprise, eyeing the dainty cakes greedily. “Mrs. Casterton hasn’t let me take food from her kitchen since I started dining at the table with the rest of the family, never mind pinch anything from her stall for the fundraiser!”
“It helps when you aren’t her employer’s indulged youngest child.” Gerald says, tapping his nose knowingly.
“I was not an indulged child!” Lettice defends, raising her hand to the boat neckline of her frock and grasping her single strand of creamy white pearls hanging about her neck. “You were more indulged by Aunt Gwen than I ever was by Mater or Pater.”
“Oh, just ignore him, Tice!” laughs Arabella from her place behind the trestle. “You know Gerald has always had the ability to charm anything from anyone when he wants to.”
“That’s true,” Lettice replies, eyeing Gerald with a cocked eyebrow and a bemused smile as she picks up her magenta and gilt rimmed cup and sips her tea. “I had forgotten that.”
“What can I say?” laughs Gerald proudly with a shrug of his shoulders.
“It’s not so much what you can say as what you can do, Gerald.” mutters Arabella with a frustrated sigh.
“I am at your service, my lady?” Gerald replies, making a sweeping bow before Arabella and Lettice, who both laugh at his jester like action.
“Be careful what you promise, Gerald.” giggles Lettice.
“Bella would never expect too much from me, Lettice.” Gerald retorts with a smile. “She’s known me all her life and she knows what my limitations are.”
“Well, I was hoping you could help me by working some magic on my second hand clothing stall.” Arabella remarks with another frustrated sigh as she tugs at the old fashioned shirtwaister** blouse with yellowing lace about the collar. “I’ve tried and tried all morning, but nothing I seem to do helps make anything look more modern and more attractive to buy.”
Lettice and Gerald look around at Arabella’s stall. The shirtwaister outfit with its pretty, albeit slightly marked, lace, tweed skirt and leather belt with a smart, yet old fashioned Art Nouveau buckle really is the most attractive piece that she has on display. Around it on the surface of her trestle are a jumble of yellowing linen napkins complete with tarnished napkin rings, a selection of embroidered, tatted*** and crocheted doilies, mismatched pairs of leather and lace gloves and several rather worn looking hats that are really only suitable for gardening now, rather than being worn to church services on Sunday.
“I warned you Gerald.” Lettice says with a knowing wink.
“Don’t you remember how much we all felt sorry for whomever ran the second-hand clothing stall at the fête each year as children, Bella?” Gerald asks.
“It was always the short straw.” Lettice adds.
“Yes, being stuck under the piercing stare of His Majesty.” Gerald indicates to the portrait of King George V, dating back to the pre-war years when the King still had colour in his hair.
“The worst stall to have because none of the villagers ever seem to have anything nice or remotely fashionable to donate, even for a good cause like new books for the village school.” Lettice picks up a pretty primrose yellow napkin. “These are nice at least.”
“Except there are only three of them.” points out Arabella with a disappointed air. “I can’t seem to find a fourth.” She picks up a red dyed straw hat in the vain hope that it will be there, even though she has searched beneath it three times already. “And I’ve looked everywhere.”
“Tea for two, perhaps?” Gerald suggests hopefully as he picks up his own teacup and takes a sip of tea.
“Oh, you two are no help!” scoffs Arabella. “I’ve a right mind to stick you both with these!” She grasps a pair of knitting needles complete with some rather dreadfully made rows of incomplete knitting and a ball of wool and thrusts them through the air between she, Lettice, and Gerald. “They’ll get you working.”
“Even if they do, Bella, we aren’t miracle workers.” remarks Gerald.
All three of them laugh good heartedly.
“Oh I must make the best of it,” Arabella sighs resignedly as she tugs at the left leg-of-mutton sleeve**** of the shirtwaister. “After all, this is my first year as Leslie’s wife, and the first jumble sale I am actively helping to run to help raise funds for the village. I must make this stall a success no matter what.” The steely determination in her voice surprises her as she speaks. “I’m a Chetwynd now, and I can’t disappoint the villagers with a poor show.”
“Nor Mater.” adds Lettice, taking another sip of tea.
“No indeed!” agrees Gerald. “Lady Sadie will be judging you from afar, Bella, rest assured. If your stall isn’t a great success, you’ll hear about it.”
“In a dozen little quips.” Lettice adds.
“More like a hundred.” corrects Gerald.
“Tearing delicately phrased strips off you.” agrees Lettice.
“Inflicting as much pain for as long as possible.” adds Gerald with seriousness.
“Oh stop, Gerald!” laughs Arabella. “She isn’t anywhere near as much of a dragon as you and Tice paint her to be.”
“You’ve only been married to the family for a little while now,” Lettice counters, looking at her sister-in-law over the magenta and gilt painted rim of her cup. “And you and Leslie have your own lives and are left pretty much to your own devices down in the Glynes Dower House from what I can gather. We’ll give you a little while longer to find out the truth about your wicked mother-in-law.” She smiles cheekily.
“I have grown up alongside you, going in and out of your house, Tice,” Arabella replies with a dismissive wave of her hand. “So it’s not like Sadie is an unknown quantity to me.”
“But you’ve never been a recipient of her acerbic tongue either, I’ll wager.” adds Gerald dourly. “You’re far too sweet and compliant a young daughter-in-law for that, but both Lettice and I have.”
“I still don’t know,” Lettice queries, turning her attention to Gerald. “What was it you said to Mater that night of Hunt Ball that set her so against you, Gerald? I’ve never known her to take against anyone so vehemently, except perhaps poor Aunt Egg who can never do any right in her eyes.”
Gerald blushes, remembering the altercation he had with Lettice’s mother, Lady Sadie, at the ball. In a slightly inebriated state he told her that neither she nor Lettice had any sway over Selwyn Spencely’s choice of a wife, any more than Selwyn did himself, explaining that it was his mother, the Duchess of Mumford, Lady Zinnia, who would choose a wife for him. “I keep telling you, darling girl. I really don’t remember,” he replies awkwardly, covering his tracks as best as he can. “If you remember, I was rather tight***** that night on your father’s champagne.”
“Well,” Arabella says with a sigh. “I’m determined not to incur her wrath, even though I’m sure it’s nowhere near as awful as you two suggest.”
“Oh-oh!” Gerald mutters under his breath to Lettice. “In coming.”
“Oh no.” moans Lettice quietly in return behind the painted smile she places on her face as she, Gerald and Arabella are suddenly set upon by the Miss Evanses, the two spinster sisters who live in Holland House, a Seventeenth Century manor house in the village.
The trio smile benignly as the two sisters twitter to one another in crackling voices that sound like crisp autumn leaves underfoot as they approach them.
“Well, twice in as many weeks, Miss Chetwynd!” exclaims the younger of the Miss Evanses in delight, a joyous smile spreading across her dry, unpainted lips. “Last week at the Royal Horticultural Society’s Great Spring Show, and now here! How very blessed we are to see you again.”
“How do you do, Miss Evans, Miss Evans,” Lettice acknowledges them both with a curt nod from her seat. She glances at the two old women, who must be in their seventies at least, both dressed in a similar style to when she saw them last week at the Royal Horticultural Society’s Great Spring Show, in floral gowns of pre-war Edwardian era length, their equally old fashioned whale bone S-bend corsets****** forcing their breasts into giant monobosoms down which sautoirs******* of glittering Edwardian style beads on gold chains cascade. Wearing toques with feather aigrettes jutting out of them atop their waved white hair they look like older versions of Queen Mary.
“I’m afraid you are a little early for the jumble sale, Miss Evans and Miss Evans,” Arabella remarks sweetly. “We are still setting up.”
“Oh, thank you! We know, Mrs. Chetwynd.” twitters the elder of the Miss Evanses, surprising Arabella a little as she still gets used to being referred to by her new married name. “I was just remarking to Henrietta this very morning over breakfast that we do so much look forward to the village fête every year.”
“Yes, it’s a nice way for us to be able to support the local community in our own small way, isn’t that right Geraldine?” enthuses her sister, raising her white lace glove clad hand to her wrinkled and dry mouth as she giggles in a rather unseemly girlish way.
“Indeed yes, Henrietta. It is to aid the school this year, is it not?”
“It is Miss Evans.” Arabella confirms. “To help buy new books for the children.”
“A very fine cause, I must say,” the younger of the Miss Evanses remarks indulgently. “Helping the young ones to read and develop their fertile minds. Rather like gardening, wouldn’t you say?”
“It is not even remotely like gardening!” quips her sister. “Stop talking such nonsense Henrietta.”
“We shall of course be glad of your patronage when the jumble sale opens in an hour.” Arabella quickly says in an effort to diffuse any unpleasantness between the two spinster sisters, at the same time emphasising the time the sale begins.
“Well,” adds the elder of the Miss Evanses seriously. “We shall of course come and spend a few shillings and pence when it opens officially, but…”
“Oh!” interrupts the younger of the Miss Evanses. “Is your frock designed by Master Bruton, Miss Chetwynd?” She addresses Gerald in the old fashioned deference of the village and county folk when addressing the children of the bigger aristocratic houses.
“Yes, Miss Evans. Mr. Bruton,” Lettice applies gravatas to the correct reference to Gerald’s name now that he is of age. “Did design my frock.”
“Oh it’s ever so smart!” the younger of the sisters enthuses.
“Thank you, Miss Evans.” Gerald acknowledges her.
“And your hat?” Miss Evans points to the yellow straw hat. “Didn’t I see you wearing that at Master Leslie’s wedding to Miss Arabella?”
“Mrs. Chetwynd, I think you mean, Henrietta.” corrects her sister with a sharpness to her remark.
“Oh yes!” bristles the younger Miss Evans at her sister’s harsh correction, raising her hand to her mouth again. “Yes of course! Mrs. Chetwynd, I do apologise.”
“It’s quite alright, Miss Evans.” Arabella assures her. “I am still getting used to being Mrs. Chetwynd myself.”
“How very observant of you, Miss Evans.” Lettice addresses the younger of the siblings. “I did indeed have my hat made for Leslie and Bella’s wedding. It was made by a friend of Mr. Bruton’s, Miss Harriet Milford.”
“Yes, well thinking of hats, I…” begins the elder Miss Evans.
“Oh it’s most becoming, Miss Chetwynd.” the younger Miss Evans interrupts her sister again as she compliments Lettice in an obsequious manner, followed by another twittering giggle.
“I can send someone down to Holland House this afternoon after the fête with her details if you like.” Lettice replies. “The next time you’re in London, you might pay her a call.”
The two sisters give one another a sour look at the idea, their lips thinning and their eyes lowering as they nod to one another in unison before turning back to Lettice and Gerald.
“Aside from the Great Spring Show, we don’t have much call to go up to London these days, do we Henrietta?”
“Indeed no, Geraldine.” agrees the younger Miss Evans between pursed lips, a tinge of regret in her statement.
“Besides we find the services of Mrs. Maginot’s in the high street to be quite adequate.”
“Good lord!” gasps Gerald, causing the two spinster sisters to blush at his strong language. “Is old Mrs. Maginot still going?” He chuckles. “Fancy that!”
The elder Miss Evans clears her dry and raspy throat awkwardly before continuing. “For our more bucolic, and doubtlessly simple tastes, Master Bruton, we find Mrs. Maginot to be quite satisfactory.” Both sisters raise their lace gloved hands to their toques in unison, patting the runched floral cotton lovingly. “We aren’t quite as fashionable as you smart and select London folk down here in sleepy little Glynes, Master Bruton, Miss Chetwynd, but we manage to keep up appearances.”
“On indeed yes, Miss Evans.” Lettice replies with an amused smile. “No-one could fault you on maintaining your standards.”
“I imagine you will soon be designing Miss Chetwnd’s own wedding frock, Master Bruton.” the younger of the Miss Evanses announces rather vulgarly.
“That’s only if I let her get married, Miss Evans,” Gerald teases her indulgently. “I might like to whisk her away and lock her in a tower so that I can keep her all to myself.”
“After what we all saw with our own eyes at the Hunt Ball, I’m sorry Master Bruton, but I don’t think you are in the running for Miss Chetwynd’s affections!” the younger Miss Evans twittering giggle escapes her throat yet again as her eyes sparkle with delight at the very faintest whiff of any gossip.
“How is Mr. Spencely, Miss Chetwynd?” the elder Miss Evans asks pointedly, her scrutinising gaze studying Lettice’s face.
Lettice blushes at the directness of both Miss Evans’ question and her steely gaze. “Oh, he’s quite well, as far as I know, Miss Evans.” she replies awkwardly.
“As far as you know?” the older woman’s outraged tone betrays her surprise as she looks quizzically into Lettice’s flushed face.
“Well, I haven’t seen Selw… err, Mr. Spencely just as of late.”
“Oh?” the elder Miss Evans queries. “I thought we saw you leave the tent we were in at the Great Spring Show, on the arm of Mr. Spencely.”
“Yes, I’m sure it was him, Miss Chetwynd.” adds the younger Miss Evans as she raises a lace clad finger in thought. “He’s very striking and hard to mistake for someone else.”
Silently Lettice curses the beady eyed observation the two spinster sisters are known for. Of course, they of all people at the bustling and crowded Chelsea flower show, noticed her inadvertent stumble into Selwyn and then her departure with him. Although perfectly innocent, and accompanied by her married friend Margot Channon, and Selwyn’s cousin, Pamela Fox-Chavers, she can see how easily the Miss Evanses can construe the situation to their own advantage of spreading salacious London gossip about Lettice, as daughter of the local squire, around the citizenry of Glynes village.
“I believe you were here for a purpose, Miss Evans.” Gerald pipes up, quickly defending his best friend from any more uncomfortable cross examination.
“Oh,” the elder Miss Evans replies, the disappointment at the curtailing of her attempt to gather gossip clear in both her tone of voice and the fall of her thin and pale face. “Yes.” She turns to Arabella. “I have actually come early today to see you on business, Mrs. Chetwynd.”
“Me, Miss Evans?” Arabella raises her hand to the scalloped collar of her blouse and toys with the arrow and heart gold and diamond broach there – a wedding gift from her husband.
“Yes.” replies the elder of the two sisters. “You see, when I heard that you were running the second-hand stall this year, I did feel sorry for you.”
“Sorry for me, Miss Evans?”
“Yes,” she replies, screwing up her eyes. “For as you know, there is always a poor offering of donated goods by the other villagers, and it makes for a rather sad and depressing sight amidst all this gaiety.” She gesticulates over Arabella’s trestle with a lace glove clad hand, sending forth the whiff of lavender, cloves and camphor in the process.
“Unless you are donating one of your lovely frocks to the sale, Master Bruton?” the younger of the Miss Evanses adds with a hopeful lilt in her voice. “I should buy it, even if it didn’t fit me.”
Gerald splutters and chokes on the gulp of tea he has just taken as the question is posed of him. Coughing, he deposits his cup quickly and withdraws a large white handkerchief which he uses to cover his mouth and muffle his coughs.
“Oh, poor Master Bruton!” exclaims the younger of the Miss Evanses as she reaches out and gently, but pointlessly, taps Gerald on the shoulder in an effort to help him. “Did you tea go down the wrong way?”
“I arrest my case.” her elder sister snaps giving Gerald a steely, knowing look.
“Now be fair, Miss Evans,” Lettice defends her friend, filled with a sudden burst of anger towards the hypocritical old woman, who despite having plenty of money of her own, only spends a few shillings at the fundraiser every year. “Gerald is still establishing himself in London! He cannot afford to give one of his frocks away when he has to pour what little profit he currently makes back into supporting and promoting his atelier.”
“As you like, Miss Chetwynd.” Miss Evans replies dismissively. “It is a pity though that neither Master Bruton, nor yourself could cast something Mrs. Chetwynd’s way, to help make her stall more,” She pauses momentarily as she considers the correct word. “Appealing.”
Lettice feels the harshness of the old woman’s rebuke, but she says nothing as she feels a flush of shame rise up her neck and fill her face.
“Geraldine!” her younger sister scolds her. “That’s most uncharitable of you.”
“Charity, my dear Henrietta, begins at home.” She looks critically at the knotted half completed knitting, the yellow and age stained linen and the mismatched gloves. “And Mrs, Chetwynd, I see that try as you might, you cannot disguise the usually dispirited efforts of the village used clothing drive this year.”
“Oh, well I haven’t really finished setting up yet, Miss Evans.” Arabella defends herself. “There are still some things to unpack from the boxes behind me.” She indicates to several large wooden crates stacked up behind her against the wall under the watchful gaze of the King.
“Which are items that doubtlessly didn’t sell last year, or the year before that have been shuffled away, only to make their annual reappearance.”
“Perhaps you have something appealing,” Lettice emphasises her re-use of the elder Miss Evans’ word as she tries to regain some moral standing against the older woman. “To offer at this year’s second-hand clothing stall, Miss Evans.”
“As a matter of fact,” the elder Miss Evans replies with a self-satisfied smile and sigh. “That is exactly why I am here.”
With a groaning heave, she foists the wicker basket, the handle of which she has been grasping in her bony right hand, up onto the trestle table’s surface. She opens one of the floral painted flaps and withdraws a large caramel felt Edwardian style picture hat of voluminous pre-war proportions from within the basket’s interior. The brim of the hat is trimmed with coffee and gold braid, woven into an ornate pattern whilst the crown is smothered in a magnificent display of feathers in curlicues and the brim decorated with sprigs or ornate autumnal shaded foliage and fruit.
“As I said, charity begins at home, so I thought I would add some style and panache to your stall, Mrs. Chetwynd, with the addition of this beautiful hat.”
“Oh, thank you, Miss Evans.” Arabella says with a sweet, yet slightly forced smile as the older woman tears off a smaller blue stiffed lace hat from a wooden hatstand and replaces it with her enormous millinery confection.
“I know it is only a hat from Mrs. Maginot, and not a London milliner,” she looks pointedly at Lettice. “But I dare say it will be more than suitable for our modest little country jumble sale.”
“Oh I’m sure it will be,” Arabella lies politely as she looks in dismay at the old fashioned headwear.
“Geraldine!” gasps her sister in disbelief. “You love that hat! I remember you had Mrs. Maginot make it for the King’s Coronation celebrations at great expense!”
“That’s true, Henrietta, but it just sits in a box at home these days and never gets worn anymore. It seems a shame to hide it away when it could look fetching on another’s head in church on Sunday. No-one will have anything to rival it. Not even you, Miss Chetwynd.”
“I agree with that,” whispers Lettice discreetly into Gerald’s ear, unnoticed by either of the spinster sisters. “I’d rather die than be caught in that ghastly thing. It looks every minute of it’s age.”
“Just a touch Miss Havisham, don’t you think?” Gerald whispers back, causing both he and Lettice to quietly snort and stifle their giggles.
“Well, that really is most kind of you, Miss Evans.” Arabella says loudly and brightly with a polite nod of acknowledgement, anxious to cover up the mischievous titters from her friend and sister-in-law.
“It’s my pleasure.” she replies with a beatific smile. “Well, we shan’t hold you up any longer from doing your setting up of the clothes, Mrs. Chetwynd. Come along Henrietta. Let’s go and make sure Mr. Beatty has my floral arrangement in a suitably advantageous place. I’m not having it shunted to the back like last year.”
“Oh, yes Geraldine.” her sister replies obsequiously.
Lettice, Gerald and Arabella watch as the two old ladies slowly retreat and heave a shared sigh of relief.
Gerald deposits his cup on the trestle’s surface and walks up to the grand Edwardian hat and snatches it off the wooden stand before placing it atop his own head with a sweeping gesture. “Do you think it suits me?” he laughs.
Lettice and Arabella laugh so much they cannot answer.
“Well,” Gerald sighs, returning the hat to the stand. “Even if Hattie could make hats a hundred times more fashionable than this, maybe some local lady who is a bit behind the times will want to take this beauty home.” He arranges it carefully on the rounded block so that it shows off the autumnal themed fruit garland pinned to the wide felt brim.
“That’s the spirit I need, Gerald.” Arabella manages to say as she recovers from laughing at her friend’s theatrical modelling of the hat, and quietly she hopes that someone will buy the hat and everything else she has in her remit to sell, to help raise money for schoolbooks for the local village and country children that attend the Glynes Village School.
*May 20 1913 saw the first Royal Horticultural Society flower show at Chelsea. What we know today as the Chelsea Flower Show was originally known as the Great Spring Show. The first shows were three day events held within a single marquee. The King and Queen did not attend in 1913, but the King's Mother, Queen Alexandra, attended with two of her children. The only garden to win a gold medal before the war was also in 1913 and was awarded to a rock garden created by John Wood of Boston Spa. In 1919, the Government demanded that the Royal Horticultural Society pay an entertainment tax for the show – with resources already strained, it threatened the future of the Chelsea Flower Show. Thankfully, this was wavered once the Royal Horticultural Society convinced the Government that the show had educational benefit and in 1920 a special tent was erected to house scientific exhibits. Whilst the original shows were housed within one tent, the provision of tents increased after the Great War ended. A tent for roses appeared and between 1920 and 1934, there was a tent for pictures, scientific exhibits and displays of garden design. Society garden parties began to be held, and soon the Royal Horticultural Society’s Great Spring Show became a fixture of the London social calendar in May, attended by society ladies and their debutante daughters, the occasion used to parade the latter by the former. The Chelsea Flower Show, though not so exclusive today, is still a part of the London Season.
**A shirtwaister is a woman's dress with a seam at the waist, its bodice incorporating a collar and button fastening in the style of a shirt which gained popularity with women entering the workforce to do clerical work in the late Nineteenth and early Twentieth Centuries.
***Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings and necklaces, and other decorative pieces.
****A leg of mutton sleeve is a sleeve that has a lot of fullness around the shoulder-bicep area but is fitted around the forearm and wrist. Also known as a gigot sleeve, they were popular throughout different periods of history, but in particular the first few years of the Twentieth Century.
*****’Tight’ is an old fashioned upper-class euphemism for drunk.
******Created by a specific style of corset popular between the turn of the Twentieth Century and the outbreak of the Great War, the S-bend is characterized by a rounded, forward leaning torso with hips pushed back. This shape earned the silhouette its name; in profile, it looks similar to a tilted letter S.
*******A Sautoir is a long necklace consisting of a fine gold chain and typically set with jewels, a style typically fashionable in the late Nineteenth and early Twentieth Centuries.
Whilst this charming village fête scene may appear real to you, it is in fact part of my 1:12 miniatures collection, including items from my own childhood.
Fun things to look for in this tableau include:
Perhaps the main focus of our image, the elder Miss Evans’ camel coloured wide brimmed Edwardian picture hat is made of brown felt and is trimmed with miniature coffee coloured braid. The brim is decorated with hand curled feathers, dyed to match the shade of the hat, as well as a spray of golden “grapes” and dyed flowers. Acquired from an American miniatures collector who was divesting herself of some of her collection, I am unsure who the maker was, other than it was made by an American miniature artisan. 1:12 size miniature hats made to such exacting standards of quality and realism such as these are often far more expensive than real hats are. When you think that it would sit comfortably on the tip of your index finger, yet it could cost in excess of $150.00 or £100.00, it is an extravagance. American artists seem to have the monopoly on this skill and some of the hats that I have seen or acquired over the years are remarkable.
The shirtwaister dummy, complete with lace blouse, tweed skirt and Art Nouveau belt attached to a lacquered wooden base, is an artisan miniature as well, once again by an unknown person. It came from Kathleen Knight’s Doll House Shop in the United Kingdom.
The divine little patriotic cupcakes, each with a Union Jack on the top, has been made in England by hand from clay by former chef turned miniature artisan, Frances Knight. Her work is incredibly detailed and realistic, and she says that she draws her inspiration from her years as a chef and her imagination. Each cupcake is only five millimetres in diameter and eight millimetres in height! The plate on which they stand and the teacups on the table are made by the Dolls House Emporium and are part of a larger sets including plates, tureens and gravy boats.
Miss Evans’ wicker picnic basket that can be seen peeping out near the right-hand side of the picture was made by an unknown miniature artisan in America. The floral patterns on the top have been hand painted. The hinged lids lift, just like a real hamper, so things can be put inside. When I bought it, it arrived containing the little yellow napkins folded into triangles and the hand embroidered placemats that you see on the table in the foreground.
The knitting needles and tiny 1:12 miniature knitting, the red woven straw hat, the doilies, the stockings and the napkins in their round metal rings all came from Kathleen Knight’s Doll House Shop in the United Kingdom. The elbow length grey ttravelling gloves on the table are artisan pieces made of kid leather. I acquired these from a high street dolls house specialist when I was a teenager. Amazingly, they have never been lost in any of the moves that they have made over the years are still pristinely clean.
The wooden boxes in the background with their Edwardian advertising labels have been purposely aged and came from The Dolls’ House Supplier in the United Kingdom.
The Portrait of King George V in the gilt frame in the background was created by me using a portrait of him done just before the Great War of 1914 – 1918. I also created the Union Jack bunting that is draped across the wall in the background.