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Peanut Butter Donation Montgomery Area Food Bank
From left are Montgomery Area Food Bank Executive Director Parke Hinman, Alabama Peanut Producers Association (APPA) Board members Billy Hixon of Pike County and Jerry Byrd of Dale County, APPA President Carl Sanders and APPA Executive Director Caleb Bristow.
we pared through our closets and got rid of stuff that didn't fit, or that we didn't like. We had a lot of clothes
donation
■ noun something that is given to a charity, especially a sum of money.
ME: via OFr. from L. donatio(n-), from donare 'give', based on donum 'gift'.
Avro Vulcan (XH558 / G-VLCN) "The Spirit Of Great Britain" - built in 1960.
This example is the only airworthy example of the 134 Avro Vulcan V bombers that were operated by the Royal Air Force from 1953 until 1984. Vulcan XH558 served with the RAF between 1960 and 1985 in the bomber, maritime reconnaissance and air-to-air refuelling roles. The RAF operated XH558 as a display aircraft from 1986 until 1992, when budget cuts forced its retirement.
It is operated by the Vulcan to the Sky Trust as a display aircraft, funded entirely by charitable donations and the UK Lottery's Heritage Fund. It is registered with the United Kingdom Civil Aviation Authority as G-VLCN but has an exemption to fly in Royal Air Force markings as XH558.
Royal Air Force:
XH558, was the twelfth Vulcan B2 built, first flew in 1960 and was delivered to No. 230 Operational Conversion Unit RAF at RAF Waddington on 1 July 1960. Almost immediately the aircraft moved with 230 OCU to RAF Finningley where the aircraft spent some eight years before returning to Lincolnshire in 1968. Most of its operational service was with the units of the Waddington Wing including No. 50 Squadron RAF. The aircraft was one of nine converted to a SR2 Maritime Radar Reconnaissance configuration in 1973 and flew with 27 Sqn. For the maritime reconnaissance role the terrain following radar (TFR) was removed and replaced by LORAN C equipment. XH558 was subsequently one of six Vulcans converted to the air-to-air refuelling variant K2 in 1982. The air-to-air refuelling variant was assessed on 1 May 1982. Go ahead for modification was given three days later and the first aircraft (XH561) made its maiden flight on 18 Jun 1982 and flew to Waddington five days later. XH558 was returned to standard B2 configuration in 1985 and was the last Vulcan in service, largely due to the fact that it had seen little service as a low-level bomber and had spent considerable time grounded due to an engine explosion during a routine preflight start approx 1970 which damaged the airframe taking many years to repair.. From 1986 to 1992, XH558 was the RAF's display aircraft, until budget cuts forced it to be grounded again.
After service with the Royal Air Force, the aircraft and most of the RAF spare parts for the Vulcan were sold to C.Walton Limited and delivered by air to Bruntingthorpe Aerodrome on 23 March 1993. The aircraft was kept in a serviceable condition and would undertake fast taxi runs along Bruntingthorpe's main runway.
Restoration to flight:
The engineering staff of the Vulcan Operating Company (the engineering arm of Vulcan to the Sky Trust, owners of XH558) worked to return Vulcan XH558 to flight, with the first test flight taking place 18 October 2007. They were supported by the "Vulcan to the Sky" club, a supporters and fundraising organisation. Though the website carried an announcement on 1 August 2006 that the project was in danger of being abandoned due to lack of finance, the target of raising the remaining £1.2m was achieved on 31 August 2006, thanks to a high-profile publicity campaign orchestrated by the supporters club, Vulcan to the Sky Club (formerly Vulcan 558 Club). Time had almost run out for XH558 when Sir Jack Hayward, a British philanthropist, donated £500,000, which topped off the £860,000 already raised by Vulcan to the Sky Club and Friends. Although the aircraft restoration was nearly complete, the aircraft was not ready for the flypast down the Mall in London for the 25th Anniversary of the Falklands conflict on 17 June 2007 or the RAF Waddington Airshow and the Royal International Air Tattoo (RIAT).
It was intended that the Vulcan would fly during at least one UK airshow during the 2007 season but due to delays in returning the aircraft to flight, mainly down to delays in the return of refurbished flight-critical components, the aircraft was not ready for the display season.
On 16 August 2007, the aircraft started engine testing on the airfield at Bruntingthorpe. On the next day, XH558's No.3 Rolls-Royce Olympus 202 jet engine was run for the first time in over 20 years. This is a different engine from that used by XH558 during its final season with the RAF's Vulcan Display Flight in 1992, with all four of the Vulcan's original Olympus 202 engines having been replaced by zero-hour units which had been stored since 1982. The VTS Team also has another four fully inhibited engines in stock. The removed engines were either scrapped, sectioned for display or passed on to VRT's XL426 at Southend. Another milestone in the restoration project was achieved on 22 August 2007, when all four of XH558's Olympus engines were run at nearly full power settings, for short intervals.
The first post-restoration flight, which lasted 34 minutes, took place on 18 October 2007.
On 14 April 2008, the Vulcan flew from Bruntingthorpe to RAF Cottesmore to have a Compass swing and test flights. Whilst in mid air the plane called Mayday after believing the Auxiliary power unit (APU) was on fire. It landed safely at Cottesmore and the cause was later discovered to be an electrical fault.
On 16 April, a further two-hour test flight was planned to perform "straight line testing" of avionics. The flight was scheduled to go between Cambridge and Marham, but this was abandoned when one of XH558's undercarriage doors failed to close due to an electrical micro-switch malfunction and the aircraft made a safe return to Bruntingthorpe Airfield.
During part of May 2008, XH558 resided at RAF Coningsby where it underwent further testing, and while there took part in a photo-call with the Lancaster and a Typhoon .
On 9 June 2008, XH558 flew its final test flight and was granted on 3 July, by the CAA, its Permit to Fly at 1605. At 1705, it launched for RAF Waddington where it flew its airshow routine, in front of Civil Aviation Authority of the United Kingdom examiners who then issued its DA (Display Authorisation) for the RAF Waddington airshow in the first week of July.
On 29 March 2011, XH558 landed at its new home Robin Hood Airport Doncaster Sheffield. This location is the former RAF Finningley airbase where XH558 was previously based for 8 years during the 1960s. The aircraft will be stored and maintained in the hangar that previously provided the same maintenance workshop nearly 50 years earlier.
The longer-term aim is to make the authorised modifications that will allow fatigue life to match expected engine life, with both expiring at about the same time in the period 2013 to 2015, depending on Fatigue Index usage and engine cycle usage.
The donation box at the north entrance to the British Museum. The bills include 5 Euros, 5 British Pounds, 5 US Dollars, and 1000 Korean Won. And there are coins too. (dsc07889, cropped)
In some Thailand Temples, donations are place in these golden plate when making your offerings. They are extremely valuable and are worth their weight in gold. But in Buddhism, the giving of personal effort is even more valuable than giving goods. To teach someone how to fish is better than give him a fish. To help someone get better so they can get back on their own feet is giving them a new chance in life. This type of Dharma giving is the highest order of giving.
I always admire those individuals who go out of their way to donate their own time for humanitarian reasons. Thank you
~m
Like yourselves, I donate to many causes, and subscribe to many sources of information which give access to knowledge for a price. Here they ask no price and give all free access. So I send them my THANK YOU for appreciating me. Barbara
BC has more than doubled its deceased organ donor rate in the last six years and surged well ahead of the national rate, thanks to a concentrated effort on the part of health care staff in the province’s hospitals, in combination with ever-increasing public awareness and support for organ donation.
Learn more: www.transplant.bc.ca/sites/default/files/news/2015_Record...
BC has more than doubled its deceased organ donor rate in the last six years and surged well ahead of the national rate, thanks to a concentrated effort on the part of health care staff in the province’s hospitals, in combination with ever-increasing public awareness and support for organ donation.
Learn more: www.transplant.bc.ca/sites/default/files/news/2015_Record...
We donated 40 centerpieces for the gala. What an amazing night it was with over 400 people caring and giving for such a wonderful event.
This is the photo SRCS Somaliland Coordinator with the branch secretaries during a medical donation to the Ministry of Health.
The true spirits of Christmas is to give :D
While I do enjoy shopping, I also try to control my spending and give as much as possible.
Around Christmas, I always listen to Do They Know It's Christmas? from Band Aid 1984 to remind myself to think of the many much less fortunate than myself.
By donating, I get a tax receipt which reduces my taxes, so it's a bit of a selfish act, I must confess.
CAMH -- Centre for Addiction and Mental Heath is a Toronto mental health medical and research facility.
Michael Garron Hospital is my local hospital located only 10 minutes from my home.
The history of the Austrian Museum of Applied Arts/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides Emperor Franz Joseph I on 7 March on the initiative of his uncle Archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London), the establishment of the "k. k. Austrian Museum for Art and Industry" and apponted Rudolf von Eitelberger, the first professor of art history at the University of Vienna, to director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the kk polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k. k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom setting up of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park on the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger Straße 11-13/Schwarzspanierstrasse 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by Emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building on the ring. Objects from now on could be placed permanently and arranged according to main materials. / / The Arts School moves into the house on Stubenring. / / Opening of Austrian art and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum of funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Applied Arts, adjoining the museum, Stubenring 3 , also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry and the School of Art at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the arts and crafts school join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and crafts since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger is Jacob von Falke, his longtime deputy, appointed manager. Falke plans all collection areas als well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high baroque in the history of art and in applied arts in particular.
1895 / end of the Directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism .
1897 / end of the Directorate of Bruno Bucher. Arthur von Scala, Director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and school of applied arts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagated the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, Archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine art and crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the " k. k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum receives thereby rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and crafts.
1914 / Exhibition of works by the Austrian art industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum of arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide .
1920 / As part of the reform of museums of the First Republic, the collection areas are delineated. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the Directorate of Eduard Leisching Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director .
1930 / The Werkbund (artists' organization) Exhibition Vienna, A first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag finishes his Directorate .
1932 / Richard Ernst is the new director .
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over craft inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is re-established by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" of Austria by Nazi Germany, the museum was renamed "National Museum of Decorative Arts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Applied Arts in Vienna" is also enlarged in this way.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Applied Arts in Vienna" is renamed "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the Directorate Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as the new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna 1900 presents Crafts of Art Nouveau for the first time after the Second World War. / / It is started with the systematic processing of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary grantes the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel is as a branch of the Museum angegliedert (annexed). Gleichzeitig (at the same time) with the building came the important collection of Franz Sobek - old Viennese clocks, emerged between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are merged.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues to today of Austria's most important design project in the 20th Century.
1968 / On Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows on the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director .
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the art space in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as Director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: Designer. First exhibition of the Italian designer in Austria
1986 / Peter NOEVER is appointed as Director and started building up the collection of contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of thee old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is re-established, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchnerstraße is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on the MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa : Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive Personale of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned .
2000 / Outsourcing the federal museums, transforming the museum into a "scientific institution under public law". / / The exhibition of art and industry. The beginnings of the Austrian Museum of Applied Arts in Vienna are dealing with the founding history of the house and the collection.
2001 / As part of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work the "Four lemurs heads " are placed at the Stubenbrücke located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin in Vienna is presented.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historic Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, the exhibition The Price of Beauty. 100 years Wiener Werkstätte takes place. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disziplinatornbsp / / The exhibition Ukiyo-e Reloaded for the first time presents the collection of Japanese woodblock prints of the MAK in large scale.
2006 / Since the beginning of the year the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents special exhibitions annually. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects .
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes using a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, the center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property of museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noevers resignation Martina Kandeler-Fritsch takes over temporarily the management. / / Since 1 September Christoph Thun-Hohenstein is director of the MAK.
My blood donation to the WP Blood Transfusion Service at the offices of Coronation Fund Managers in Claremont. Looking at this now even, I might pass out.
Size: 6”x6”
Tesserae: Scrap stained glass, millefiori, vitreous tile, and salvaged mirror, on 1/4" environmental MDF
Statement:
This work depicts an abstract forest at dawn. On a salvaged mirror substrate, I have used scrap stained glass for the leaf canopy and the hilly ground, with accents of Italian glass millefiori. I left the tree trunks and branches as "open cut-outs" with no tessera, which allows the mirror substrate to show through and form the tree trunks and branches. The trees are all "interlocked" with one another by their web of branches. My intention with the overall composition is to suggest that between the heavens and the earth we are all interconnected ("Beyond Borders") and by using the mirror as a major element, I hope to remind anyone who views the piece and sees their reflection in the trees, that they, too, are part of that infinite connection.
About me:
My name is Francesca De Lorme and I am the owner of Studio Fresca in northeastern Vermont. While I enjoy art of all kinds and work in a variety of media, as well as teach art part-time at nearby Burke Mountain Academy, I am totally and irrevocably smitten with mosaic. When I'm not delving into dumpsters or scavenging around salvage yards, I create Mixed-Media Mosaic Art using primarily recycled, salvaged and reclaimed materials — and I love the entire process. The art and craft of making mosaics is totally engrossing to me because it involves the heart in the passion of creation, the head in fitting together all the elements of the puzzle, and the hands in fine craftsmanship. For me, art is both interaction and expression; an exploration of discovery that perfectly weds the mind, the soul and the body in an ongoing, thought-provoking, and always entertaining, dialog...with myself, with the world around me — and with ALL the stuff, both physical and metaphysical, of life. I am affiliated with several local and national artists associations and my work has been consistently chosen for exhibit in major and minor juried shows. I also offer small group and individual classes; serve as Artist-in-Residence for schools; plan, design and coordinate community public art projects; and sell some mosaic materials and supplies.
Francesca De Lorme
Studio Fresca
Website: www.studiofresca.com
Vermont, USA
My wife Jacqueline and I are organizing a benefit fundraiser to help her cousin Ryan and his family as their son Hunter faces a tremendous medical struggle. I am in the process of recruiting donations from some of the very best photographers in the area that will be auctioned off at the end of the month with the proceeds going to help Hunter.
If you are on Facebook please "attend" the event to stay in the loop on Hunter's progress and to get updates on the fantastic items that will be available. If you would like to help by making a donation, or helping recruit items please send me a message.
Here is the FB link to the event, www.facebook.com/events/512838505431125/
Below is Hunter's story as told by his loving mom, Brianna.
Our journey began when our sweet baby boy was born on August 12, 2009. It was one of the best days of our lives - the other being our daughter's birth. I was only 19, and Ryan was 23, we knew our son was the most perfect gift we could ever receive, and from the moment I found out I was pregnant I could feel his beautiful soul shining inside of me.
We were willing to do anything for him from the moment we laid our eyes on him. He looked so strong, and wise beyond his years. We decided to name him Hunter Ryan, for his Indian heritage, and after his daddy. He was a hard to please baby, would wake up screaming for no reason, never slept through the night, and would not even allow me to ever leave his sight.
Still, there was no room for concern, he met every major milestone in a normal manner. I just thought he was a fussy baby because he was my first baby and I didn't have much to go off of. When he started walking he was very clumsy, but I never thought anything of it, I figured he was just clumsy from growing so quickly because he is such a tall boy.
It wasn't until he was 18 months until my concern grew- he was not saying a single word. We started doing speech language therapy, occupational therapy, and worked with a developmental therapist in our home until the time he turned three. They told us he was globally delayed- and our whole world was turned upside down. Our hope grew as time went on. His speech therapist told me she had believed he had apraxia, which is a disorder of motor planning- most of the symptoms fit.
After we ended our therapies with them, we had to meet with our regional center and have Hunter diagnosed by the psychologist before he turned 3. At this meeting Hunter was diagnosed with Autism, I knew this diagnosis was not correct. The good thing about the diagnosis is Hunter got his behavioral services funded and his communicative skills are flourishing, and he is now talking a ton!
At this point Hunter had been without any medical insurance for almost a year. We decided to get a neurologist referral when we noticed him hands started to tremor occasionally, especially when he is tired. But every referral we would get would expire because we didn't have the money to pay for an appointment. We finally managed to get Hunter medical insurance again but my husband was laid off from work 3 days after Christmas in 2012.
We continue to fight for our son, and provide him with what he needs. My husband is now working an internship, and going to college to find a more secure future job. I have worked on and off over the years serving, and doing odd jobs to pay the bills. It is very hard to work when your special needs child has preschool for 2 hours everyday, with two hours of intensive in-home therapy afterwards while also caring for our beautiful 7 month old baby girl.
Since Hunter now has insurance I thought it would be easy to get him the care he needed- I was wrong. We waited months- countless referrals and never a call back- he was a low priority because as the referral lady said, "it's not like he needs brain surgery or anything." I continued to call and scream at the referral department for weeks on end. At this point I felt helpless- I had done EVERYTHING in my power to help my son, he needed medical attention.
The day his early intervention preschool teacher told me she had started to see regression in his fine motor I knew at that MOMENT I could not sit around and watch my son deteriorating in front of me any longer. We got in the car and drove our son to the closest Children's Hospital Emergency Room. It was there that we finally got real answers from a CT. Our son has a brain malformation called Arnold-Chiari Type 1. It is a serious neurological disorder where the bottom part of the brain, the cerebellum, descends out of the skull and crowds the spinal cord, putting pressure on both the brain and spine and causing many symptoms. It is a birth defect and my baby has been in chronic pain his entire life! He manages to be such a happy little man most of the time and he is a fighter.
We are meeting with a neurosurgeon on May 23rd to have an M.R.I. exam done and discuss possible decompression surgery. He is perfect to us, but I want to be able to help him live the best life possible.
For more information on Chiari check out this website www.conquerchiari.org/index.html
Please keep Hunter in your prayers and thoughts.
God Bless,
Hunter, Brianna, Ryan, and Aubree