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At dive ghat, pune

 

महा एकादशी निमित्त सगळ्याना शुभेच्या !!!

 

Clicked During the Palkhi Procession @ Diveghat ..The Entire Album coming Soon...

 

Varkari (वारकरी) is a religious movement (sampraday) within the bhakti spiritual tradition of Hinduism. It is geographically associated with the Indian states of Maharashtra and northern Karnataka. In the Marathi language of Maharashtra, vari (वारी) means 'pilgrimage' and a pilgrim is called a varkari. Every year, Varkari walk hundreds of miles to the holy town of Pandharpur, gathering there on ekadashi (the 11th day) of the Hindu lunar calendar month of Aashaadha (which falls sometime in July). Another pilgrimage is celebrated on the ekadashi of the month of Kartik (which falls sometime in November).

 

Varkaris worship Vithoba (also known as Vitthal), the presiding deity of Pandharpur, who is identified with Krishna, an avatar (incarnation) of Vishnu. Because of this association with Vishnu, Varkari is a branch of Vaishnavism. The teachers responsible for establishing and supporting the movement through its history include Dnyaneshwar, Namdev, Tukaram, Chokhamela and Eknath, who are accorded the Marathi title of Sant (Saint). Varkari making the pilgrimage to Pandharpur carry the palkhis (palanquins) of the saints from their places of samadhi (enlightenment or "spiritual birth"). According to historians, Vitthal devotees were holding pilgrimages prior even to Saint Dnyaneshwar of the 13th century. However, the current tradition of carrying the paduka (sandals) of the saints in a palkhi was started by the youngest son of Sant Tukaram, Narayan Maharaj, in 1685. Further changes were brought in by Haibatraobuwa and descendents of Sant Tukaram in the 1820s. Today about 40 palkhis of saints from all over Maharashtra come to Pandharpur with their devotees.

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पर त्या मावलीव भरोसा ठिवा, समदं वोक्के हुईल...

Wish I could get some more details :-(

Last Sunday at Dive ghat it was a pleasure to see some beautiful birds like Harriers, Great grey shrike, Blue rock thrush, Crested larks etc..

येणार तो, त्यालापण आपली काळजी आहेच की. पाऊस जगायला तयार राहा...

 

Do read the blog entry पाऊस जगा...!!!

 

पंढरीची वाट अजुनी आहे पुढे फार, घेऊ दे मज घडी भाराचा विसावा !! - Palkhi 2010

At Dive Ghat, Pune

 

''दिंडया पताका वैष्णव नाचती । पंढरीचा महिमा वर्णावा किती ॥''

 

View On Black

"पायी हळू हळू चला, मुखाने विटू नाम बोला॥''

From the Palkhi-09 shoot.

 

Read more about this shoot from Suhas's blog.

This was captured during the same trip to Dive Ghat, Pune.

पाऊले चालती पंढरीची वाट !!! Palkhi - 2010

पाऊले चालती पंढरीची वाट !!! Palkhi - 2010

This Lake was built by Bajirao Peshwe in 18th Century.

And light was terribly bad. But weather was awesome, so was the place.

Its second day of the week and I have nothing to upload than the archive.

 

Lens: Canon EF-50mm f/1.8 II

Aperture: f/1.8

ISO: 100

Mastani Talao, Beautiful view from top of Dive ghat which leads to Saswad from Pune.

India (quiet obviously) is home to some of the most enormous gatherings in the world. The one I had witnessed called ‘Sant Dnyaneshwar palki’ was a rather small one with twelve lakh pilgrims from all over the state. The biggest is by far the ‘Maha-kumbh’ held every twelve years, which attracts crores of pilgrims from all over the country. Here, in India even a wedding can easily attract a few hundred guests, and we sure love our thirty three crore gods and goddesses and equally varied festivals.......

  

you can find the complete post here :

 

vishaltomarphotgraphy.wordpress.com/travel-with-me/few-st...

 

follow me on twitter

 

twitter.com/#!/Vishal_Tomar_01

  

find me on facebook

 

www.facebook.com/pages/Vishal-Tomar-Photography/125406490...

Recently have been obsessed with macros with 85mm and raynox.

 

More at www.pankajz.com/gallery/after-monsoon-small-wonder

This is the last fort that was built in my state. Nikon 18-55mm f3.5-5.6

Concept of Wari

The PANDHARPUR WARI is distinct from all other forms of pilgrimages like the ‘yatra’ in a variety of ways. To begin with, it is a collective form of BHAKTI (worship) often undertaken as an extension of family tradition. It has a predetermined scheduled and route and has no purpose other than sheer worship. The ‘yatra’ on the under hand is undertaken by individuals at their convenience to a variety of deities for personal reasons. Participating in the WARI is its own reward and Panduranga the lone object of worship. The WARI is a microcosm of the vast sects, sub-sects, castes and trades that go into the making of the state of Maharastra – as men, women, young and old people from all walks of life, age and socio-economic status walk alongside each other, never for a moment being aware of their differences or status. Most unconventional is the belief that the Lord Vithhal awaits this meeting with his devotees (bhaktas). The eagerness to meet Lord Vitthal and the repetitive chanting of RAM-KRISHNA-HARI refrain during the walk are unifying bonds among different peoples all termed WARKARIS. No other rituals dot the WARIKARI horizon unlike in the ‘yatra’ where host of rites and rituals are prescribed and have to be adhered to. In short, WARI is synonymous with annual pilgrimage on foot to PANDHARPUR and the WARKARI refers to the ardent devotee of Lord Vitthal.

The WARKARI SAMPRADAYA (sect) considers all the EKADASHIs (the eleventh days after waxing and waning of the moon) as especially auspicious. Even among these are considered more significant the Aashaadhi (June-July) and Kartiki (November-December) Ekadashis. These Ekadashis coincide with the new-moon fortnights. That is when PANDHARPUR WARI is undertaken in Maharashtra. Besides these, two more WARIs viz the Chaitra (or spring - first lunar month) and Maghi (eleventh month of the Hindu lunar calendar) Ekadashis are also deemed to be important.

Concept of Wari

The PANDHARPUR WARI is distinct from all other forms of pilgrimages like the ‘yatra’ in a variety of ways. To begin with, it is a collective form of BHAKTI (worship) often undertaken as an extension of family tradition. It has a predetermined scheduled and route and has no purpose other than sheer worship. The ‘yatra’ on the under hand is undertaken by individuals at their convenience to a variety of deities for personal reasons. Participating in the WARI is its own reward and Panduranga the lone object of worship. The WARI is a microcosm of the vast sects, sub-sects, castes and trades that go into the making of the state of Maharastra – as men, women, young and old people from all walks of life, age and socio-economic status walk alongside each other, never for a moment being aware of their differences or status. Most unconventional is the belief that the Lord Vithhal awaits this meeting with his devotees (bhaktas). The eagerness to meet Lord Vitthal and the repetitive chanting of RAM-KRISHNA-HARI refrain during the walk are unifying bonds among different peoples all termed WARKARIS. No other rituals dot the WARIKARI horizon unlike in the ‘yatra’ where host of rites and rituals are prescribed and have to be adhered to. In short, WARI is synonymous with annual pilgrimage on foot to PANDHARPUR and the WARKARI refers to the ardent devotee of Lord Vitthal.

The WARKARI SAMPRADAYA (sect) considers all the EKADASHIs (the eleventh days after waxing and waning of the moon) as especially auspicious. Even among these are considered more significant the Aashaadhi (June-July) and Kartiki (November-December) Ekadashis. These Ekadashis coincide with the new-moon fortnights. That is when PANDHARPUR WARI is undertaken in Maharashtra. Besides these, two more WARIs viz the Chaitra (or spring - first lunar month) and Maghi (eleventh month of the Hindu lunar calendar) Ekadashis are also deemed to be important.

Ashy Prinia ~ Prinia socialis

 

Taken @ Dive Ghat, outskirts of Pune, Maharashtra, India

 

Watch out my nature pics here.

Little Grebe ~ Tachybaptus ruficollis

 

Taken @ Dive Ghat, outskirts of Pune, Maharashtra, India

 

This cute little chap was around for quite some time; hardly came nearby. It just came near twice and this is the other moment.

 

Watch out my nature pics here.

 

© 2009 Santanu Banik, All rights reserved

better viewed large..press L

This is one of my first birding shot. My Sigma 70-300 suddenly stopped autofocusing and had to click all the snaps with manual focus.

 

Any suggestions and feedback are most welcome and will help me to improve.

चला पंढरीसी जाऊ | रखमा देवीवरा पाहू ||

डोळे निवतील कान | मना तेथे समाधान ||

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