View allAll Photos Tagged discoverglobe
Pandora's Trunk (4829)
This evening, the sky was filled with unusual, beautiful cloud formations. I decided to make this composition look as if the clouds and stars were streaming from the open trunk of the car, almost as if spirits or the very stars were being unleashed. Pearsonville Auto Salvage Yard, Mojave Desert, California. I used a handheld LED flashlight to illuminate the interior/exterior of the truck. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.
This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the junkyard car with a handheld ProtoMachines LED2 flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken
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Nikon D610/14-24mm f/2.8, 160s total @ f/8 ISO 200. Oct 2016. I photographed this with Tim Little, Steve McIntyre, and Troy Paiva near a full moon. Troy is an enormous pioneer in light painting night photography.
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NadaDada is a group of artists who came to recognition in 2007 with the first Dada Motel Exhibit centered at the historic El Cortez Hotel in Reno, Nevada.
Outside the historic mining town of Goldfield, NV, in a desert dotted by Joshua Trees, you can see a field of old cars that are wildly painted and jammed into the ground at unlikely angles. This is the International Car Forest of the Last Church, created by Michael "Mark" Rippie and painted by Chad Sorg. In July 2014, I stayed in Goldfield and created night photos with light painting to enhance the bold colors of the painted cars even more. Light painting photos of this nature are often best done near a full moon, and although occasionally plagued with cloudy skies, I managed to get some photos I was happy with here at this strange art installation.
With a nod of gratitude to Troy Paiva and Lance Keimig, two photographers who largely pioneered this sort of light painting approach.. I don't do this sort of light painting often, but their two books definitely had an influence on this photo.
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Title: Nada Car (3182)
Photo: Ken Lee Photography
Info: Nikon D610, AF-S Nikkor 14-24mm f/2.8G ED lens at 14mm, 247 seconds, f/8, ISO 200. 2014-07-11 02:05. I used an LED flashlight and SB-600 with gels to light paint. All colored light work was done during the exposure, and is not a Photoshop creation.
Location: International Car Forest of the Last Church, Goldfield, NV, USA
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Fotografía nocturna con pintura de luz en el desierto de Nevada, EE.UU. fuera el pueblo fantasma de Goldfield. Se trata de una instalación artística en el medio de la nada. Asimismo, el artista no era dueño de la tierra. :D
Título: Nada Coche (3182)
Foto: Ken Lee Photography
Info:. Nikon D610, AF-S Nikkor 14-24mm f/2.8G ED en 14mm, 247 segundos, f / 8, ISO 200 11/07/2014 02:05. He utilizado un flash LED y el SB-600 con geles a la pintura de luz. Todo el trabajo ligero de color se hizo durante la exposición, y no es una creación de Photoshop.
Ubicación: International Car Forest of the Last Church (Bosques de Coches Internacional de la última Iglesia), Goldfield, NV, EE.UU.
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This picture was taken while trekking thorugh the Singalila National Park in The Himalayas. The cloud cover giving the green valley a hide and seek of the shadows.
Excuse Me While I Touch The Sky (5302)
This is a real photo taken at night. This evening, everything was illuminated by a big bright moon, an almost full moon. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I illuminated the foreground with a hand-held ProtoMachines LED2 flashlight to bring out more depth. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D I used a Pinout remote controller/app to set and trigger the camera.
I took this photo in Joshua Tree National Park, CA, hanging out with Dave Dasinger while doing so. JTNP is my spiritual home for night photography, and it felt utterly fantastic to return here to photograph here at night and hike during the day.
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