The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.

 

The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.

 

The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.

  

The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.

 

Felt like going pink for a while! Loving Clawtooth's new color packs from the Arcade, so cute! I'm a sucker for pastels. <3

 

Skin: [PF] (Pink Fuel) Doll V2

Eyes: [Buzz] Moka Eyes - Princess

Eyeliner: Lovely Disarray - Devotion Eye Shadows - Pink

Lips: Clemmm - Male Toy Lip /// Pink Caramel

 

Dress: ALTAIR* Candy Princess Dress Rose

Jacket: ISON - Occult Jacket - Black (@ Collabor88)

Hair: Clawtooth: Just for Kicks - Unicorn Pack (@ The Arcade)

Collar: Zenith=Muted Coven Collar Black (@ Collabor88)

Horns/Flower Crown: +Half-Deer+ Aventine Horns - Pastella Gothica RARE (old Arcade item)

Nails: {Nail Me!} Candy Brites Wave

Gloves: .ARISE. Long Gloves / Black

 

Bed: :CP: (Cheeky Pea) Mimi's Bakery Bed

Snowy Owl (Nyctea scandiaca) ruffling its feathers during a winter irruption year, on the beach of Damon Point State Park, which juts into Grays Harbor near Ocean Shores, Washington State, USA, January 2012, Snowy_Owl-88

P8190040.JPG

Scenes from the oldest cemetery in Los Angeles - The Evergreen Cemetery. It's in quite a disarray: the grass is unkempt, there are random dirt patches, and many broken headstones and fractured statues. It's a depressing site but fascinating nonetheless...there are sites dating back to the pioneers of LA and the tycoons as well - names like Lankershim and Van Nuys are highly recognizable by Angelino's! Check it out!

🎧: Trance Session.

 

✨: Picture.

Urquhart Castle;( Scottish Gaelic: Caisteal na Sròine) sits beside Loch Ness in the Highlands of Scotland. The castle is on the A82 road, 21 kilometres (13 mi) south-west of Inverness and 2 kilometres (1.2 mi) east of the village of Drumnadrochit.

 

The present ruins date from the 13th to the 16th centuries, though built on the site of an early medieval fortification. Founded in the 13th century, Urquhart played a role in the Wars of Scottish Independence in the 14th century. It was subsequently held as a royal castle, and was raided on several occasions by the MacDonald Earls of Ross. The castle was granted to the Clan Grant in 1509, though conflict with the MacDonalds continued. Despite a series of further raids the castle was strengthened, only to be largely abandoned by the middle of the 17th century. Urquhart was partially destroyed in 1692 to prevent its use by Jacobite forces, and subsequently decayed. In the 20th century it was placed in state care and opened to the public: it is now one of the most-visited castles in Scotland.

 

The castle, situated on a headland overlooking Loch Ness, is one of the largest in Scotland in area.[2] It was approached from the west and defended by a ditch and drawbridge. The buildings of the castle were laid out around two main enclosures on the shore. The northern enclosure or Nether Bailey includes most of the more intact structures, including the gatehouse, and the five-storey Grant Tower at the north end of the castle. The southern enclosure or Upper Bailey, sited on higher ground, comprises the scant remains of earlier buildings.

 

History

Early Middle Ages

The name Urquhart derives from the 7th-century form Airdchartdan, itself a mix of Gaelic air (by) and Old Welsh cardden (thicket or wood). Pieces of vitrified stone, subjected to intense heat and characteristic of early medieval fortification, had been discovered at Urquhart from the early 20th century.Speculation that Urquhart may have been the fortress of Bridei son of Maelchon, king of the northern Picts, led Professor Leslie Alcock to undertake excavations in 1983. Adomnán's Life of Columba records that St. Columba visited Bridei some time between 562 and 586, though little geographical detail is given. Adomnán also relates that during the visit, Columba converted a Pictish nobleman named Emchath, who was on his deathbed, his son Virolec, and their household, at a place called Airdchartdan. The excavations, supported by radiocarbon dating, indicated that the rocky knoll at the south-west corner of the castle had been the site of an extensive fort between the 5th and 11th centuries. The findings led Professor Alcock to conclude that Urquhart is most likely to have been the site of Emchath's residence, rather than that of Bridei who is more likely to have been based at Inverness, either at the site of the castle or at Craig Phadrig to the west.

 

The early castle

Some sources state that William the Lion had a royal castle at Urquhart in the 12th century, though Professor Alcock finds no evidence for this.[12] In the 12th and 13th centuries, the Meic Uilleim (MacWilliams), descendents of Malcolm III, staged a series of rebellions against David I and his successors. The last of these rebellions was put down in 1229, and to maintain order Alexander II granted Urquhart to his Hostarius (usher or door-ward), Thomas de Lundin. On de Lundin's death a few years later it passed to his son Alan Durward. It is considered likely that the original castle was built soon after this time, centred on the motte at the south-west of the site.In 1275, after Alan's death, the king granted Urquhart to John II Comyn, Lord of Badenoch.

 

The first documentary record of Urquhart Castle occurs in 1296, when it was captured by Edward I of England. Edward's invasion marked the beginning of the Wars of Scottish Independence, which would go on intermittently until 1357. Edward appointed Sir William fitz Warin as constable to hold the castle for the English. In 1297 he was ambushed by Sir Andrew de Moray while returning from Inverness, and Moray subsequently laid siege to the castle, launching an unsuccessful night attack. The English must have been dislodged soon after, since in 1298 Urquhart was again controlled by the Scots. In 1303 Sir Alexander de Forbes failed to hold off another English assault. This time Edward installed as governor Alexander Comyn, brother of John, as the family had sided with the English against Robert Bruce. Following his murder of the Red Comyn in 1306, Bruce completed his defeat of the Comyns when he marched through the Great Glen in 1307, taking the castles of Inverlochy, Urquhart and Inverness. After this time Urquhart became a royal castle, held for the crown by a series of constables.

 

The remains of the 13th-century "shell keep" or motte is the earliest part of the castle to survive

Sir Robert Lauder of Quarrelwood was constable of Urquhart Castle in 1329. After fighting at the Battle of Halidon Hill in 1333, where the Scots were defeated, Lauder returned to hold Urquhart against another threatened English invasion. It is recorded as being one of only five castles in Scotland held by the Scots at this time.[nb 1] In 1342, David II spent the summer hunting at Urquhart, the only king to have stayed here.

 

Over the next two hundred years, the Great Glen was raided frequently by the MacDonald Lords of the Isles, powerful rulers of a semi-independent kingdom in western Scotland, with a claim to the earldom of Ross. In 1395, Domhnall of Islay seized Urquhart Castle from the crown, and managed to retain it for more than 15 years. In 1411, he marched through the glen to take on the king's supporters at the Battle of Harlaw. Although an indecisive battle, Domhnall subsequently lost the initiative and the crown was soon back in control of Urquhart. In 1437 Domhnall's son Alexander, now Earl of Ross, raided around Glen Urquhart but could not take the castle. Royal funds were granted to shore up the castle's defences. Alexander's son John succeeded his father in 1449, aged 16. In 1452 he too led a raid up the Great Glen, seizing Urquhart, and subsequently obtained a grant of the lands and castle of Urquhart for life. However, in 1462 John made an agreement with Edward IV of England against the Scottish King James III. When this became known to James in 1476, John was stripped of his titles, and Urquhart was turned over to an ally, the Earl of Huntly.

 

The Grants

 

The Grant Tower viewed from Loch Ness

Huntly brought in Sir Duncan Grant of Freuchie to restore order to the area around Urquhart Castle. His son John Grant of Freuchie (d.1538) was given a five-year lease of the Glen Urquhart estate in 1502. In 1509, Urquhart Castle, along with the estates of Glen Urquhart and Glenmoriston, was granted by James IV to John Grant in perpetuity, on condition that he repair and rebuild the castle.[20] The Grants maintained their ownership of the castle until 1912, although the raids from the west continued. In 1513, following the disaster of Flodden, Sir Donald MacDonald of Lochalsh attempted to gain from the disarray in Scotland by claiming the Lordship of the Isles and occupying Urquhart Castle. Grant regained the castle before 1517, but not before the MacDonalds had driven off 300 cattle and 1,000 sheep, as well as looting the castle of provisions. Grant unsuccessfully attempted to claim damages from MacDonald. James Grant of Freuchie (d.1553) succeeded his father, and in 1544 became involved with Huntly and Clan Fraser in a feud with the Macdonalds of Clanranald, which culminated in the Battle of the Shirts. In retaliation, the MacDonalds and their allies the Camerons attacked and captured Urquhart in 1545. Known as the "Great Raid", this time the MacDonalds succeeded in taking 2,000 cattle, as well as hundreds of other animals, and stripped the castle of its furniture, cannon, and even the gates. Grant regained the castle, and was also awarded Cameron lands as recompense.

 

The Great Raid proved to be the last raid. In 1527, the historian Hector Boece wrote of the "rewinous wallis" of Urquhart,[21] but by the close of the 16th century Urquhart had been rebuilt by the Grants, now a powerful force in the Highlands. Repairs and remodelling continued as late as 1623, although the castle was no longer a favoured residence. In 1644 a mob of Covenanters (Presbyterian agitators) broke into the castle when Lady Mary Grant was staying, robbing her and turning her out for her adherence to Episcopalianism. An inventory taken in 1647 shows the castle virtually empty.[25] When Oliver Cromwell invaded Scotland in 1650, he disregarded Urquhart in favour of building forts at either end of the Great Glen.

 

Broken masonry from the destruction of the gatehouse

When James VII was deposed in the Revolution of 1688, Ludovic Grant of Freuchie sided with William of Orange and garrisoned the castle with 200 of his own soldiers. Though lacking weapons they were well-provisioned and, when a force of 500 Jacobites (supporters of the exiled James) laid siege, the garrison were able to hold out until after the defeat of the main Jacobite force at Cromdale in May 1690. When the soldiers finally left they blew up the gatehouse to prevent reoccupation of the castle by the Jacobites. Large blocks of collapsed masonry are still visible beside the remains of the gatehouse. Parliament ordered £2,000 compensation to be paid to Grant, but no repairs were undertaken.Subsequent plundering of the stonework and other materials for re-use by locals further reduced the ruins, and the Grant Tower partially collapsed following a storm in 1715.

 

Later history

By the 1770s the castle was roofless, and was regarded as a romantic ruin by 19th-century painters and visitors to the Highlands.In 1884 the castle came under the control of Caroline, Dowager Countess of Seafield, widow of the 7th Earl of Seafield, on the death of her son the 8th Earl. On Lady Seafield's death in 1911 her will instructed that Urquhart Castle be entrusted into state care, and in October 1913 responsibility for the castle's upkeep was transferred to the Commissioners of His Majesty's Works and Public Buildings. Historic Scotland, the successor to the Office of Works, continues to maintain the castle, which is a category A listed building and a scheduled monument in recognition of its national significance.

 

In 1994 Historic Scotland proposed construction of a new visitor centre and car park to alleviate the problems of parking on the main A82 road. Strong local opposition led to a public inquiry, which approved the proposals in 1998 .The new building is sunk into the embankment below the road, with provision for parking on the roof of the structure.The visitor centre includes a display on the history of the site, including a series of replicas from the medieval period; a cinema; a restaurant; and shop. The castle is open all year, and can also host wedding ceremonies.[33] In 2011 more than 315,000 people visited Urquhart Castle, making it Historic Scotland's third most visited site after the castles of Edinburgh and Stirling.

 

Urquhart Castle is sited on Strone Point, a triangular promontory on the north-western shore of Loch Ness, and commands the route along this side of the Great Glen as well as the entrance to Glen Urquhart. The castle is quite close to water level, though there are low cliffs along the north-east sides of the promontory. There is considerable room for muster on the inland side, where a "castle-toun" of service buildings would originally have stood, as well as gardens and orchards in the 17th century.[2] Beyond this area the ground rises steeply to the north-west, up to the visitor centre and the A82. A dry moat, 30 metres (98 ft) across at its widest, defends the landward approach, possibly excavated in the early Middle Ages. A stone-built causeway provides access, with a drawbridge formerly crossing the gap at the centre. The castle side of the causeway was formerly walled-in, forming an enclosed space similar to a barbican .

 

Urquhart is one of the largest castles in Scotland in area The walled portion of the castle is shaped roughly like a figure-8 aligned northeast-southwest along the bank of the loch, around 150 by 46 metres (492 by 151 ft), forming two baileys (enclosures): the Nether Bailey to the north, and the Upper Bailey to the south.[nb 2] The curtain walls of both enclosures date largely to the 14th century, though much augmented by later building, particularly to the north where most of the remaining structures are located.

 

Nether Bailey

 

The remains of the gatehouse

The 16th-century gatehouse is on the inland side of the Nether Bailey, and comprises twin D-plan towers flanking an arched entrance passage. Formerly the passage was defended by a portcullis and a double set of doors, with guard rooms either side. Over the entrance are a series of rooms which may have served as accommodation for the castle's keeper. Collapsed masonry surrounds the gatehouse, dating from its destruction after 1690.

 

The Nether Bailey, the main focus of activity in the castle since around 1400,[36] is anchored at its northern tip by the Grant Tower, the main tower house or keep. The tower measures 12 by 11 metres (39 by 36 ft), and has walls up to 3 metres (9.8 ft) thick. The tower rests on 14th-century foundations, but is largely the result of 16th-century rebuilding Originally of five storeys, it remains the tallest portion of the castle despite the southern wall collapsing in a storm in the early 18th century. The standing parts of the parapet, remodelled in the 1620s, show that the corners of the tower were topped by corbelled bartizans (turrets). ] Above the main door on the west, and the postern to the east, are machicolations, narrow slots through which objects could be dropped on attackers. The western door is also protected by its own ditch and drawbridge, accessed from a cobbled "Inner Close" separated from the main bailey by a gate. The surviving interior sections can still be accessed via the circular staircase built into the east wall of the tower. The interior would have comprised a hall on the first floor, with rooms on another two floors above, and attic chambers in the turrets. Rooms on the main floors have large 16th-century windows, though with small pistol-holes below to allow for defence.

 

To the south of the tower is a range of buildings built against the thick, buttressed, 14th-century curtain wall. The great hall occupied the central part of this range, with the lord's private apartments of great chamber and solar in the block to the north, and kitchens to the south. The foundations of a rectangular building stand on a rocky mound within the Nether Bailey, tentatively identified as a chapel.

 

Upper Bailey

The Upper Bailey is focused on the rocky mound at the south-west corner of the castle. The highest part of the headland, this mound is the site of the earliest defences at Urquhart. Vitrified material, characteristic of early medieval fortification, was discovered on the slopes of the mound, indicating the site of the early medieval fortification identified by Professor Alcock. In the 13th century, the mound became the motte of the original castle built by the Durwards, and the surviving walls represent a "shell keep" (a hollow enclosure) of this date. These ruins are fragmentary, but indicate that there were towers to the north and south of the shell keep.

 

A 16th-century water gate in the eastern wall of the Upper Bailey gives access to the shore of the loch.The adjacent buildings may have housed the stables. To the south of this, opposite the motte, is the base of a doocot (pigeon house) and the scant remains of 13th-century buildings, possibly once a great hall but more recently re-used as a smithy.

  

"The Stranger's Tomb"

Located in the crypt under King's Chapel

Boston, MA

August 11, 2023

 

The largest tomb, separate from the others, was for the chapel’s use. Boston churches helped the city with charitable burials of almshouse residents, the unclaimed, travelers, sailors, etc. Thus, this tomb was called the Strangers’ Tomb because the buried were strangers to the church or community. It also may have served the purpose of a charnel pit, an enclosure traditionally used to hold remains emptied from elsewhere, or otherwise requiring “storage” or temporary burial. There appear to be 30-50 people in the Strangers’ Tomb, many without names or personal details in the chapel records. Although there are some coffins, some remains are without coffins, and skeletons have collapsed and mingled over time. Left undisturbed, they cannot be counted.

 

It is also the burial place of the Chevalier de Saint-Sauveur, a French nobleman whose ship, as an ally, was being resupplied in Boston Harbor during the American Revolution. Since there was a food shortage, some Bostonians’ frustration flared into a riot, in which the Chevalier was killed. To prevent a diplomatic crisis, Boston agreed to bury him in the King’s Chapel crypt and to provide a rare Roman Catholic funeral at the tomb door.

 

The Strangers’ Tomb is the only to be entered after the tombs were bricked up in the 1850s. In 1976, its interior was measured and examined to make sure some HVAC equipment could be safely installed nearby without damaging the tomb. Interior views of this tomb expose its stark contrast to the other, family-owned, ones. The sheer volume of remains, the absence of coffins, and the disarray as time took its toll make this tomb space unique in the crypt.

  

South of the Machrie site on a cliff with a sea view of the island of Ailsa Craig. The Isles of Arran. Scotland. British Isles.

 

From around 5,000 ybp.

Neolithic touching towards the Chacolithic).

 

The tumulus / cairn / barrow (burial structure covered with earthworks) is mixed up from its past, and, whilst it is still obviously raised above the landscape, it is nonetheless in a confortable state of disarray. The burial armature consisted of a corridor penetrating into the artificial mound. The corridor had four distinct chanbres. The contents were documented a century ago with bone numbers not adding up (bones from 6 adults a child and a baby). Small animals, medium animals and human rumagers might all contribute to this lack of biological maths. On saying that, bones do not seem to have been sacred and, as is often the case today, it was not greatly taboo to move bones around. The point of interest for the photograph is the direction of the corridor. Whilst the orthostates have obviously stooped and leaned with the passing years they do seem to be pointing to the island of Ailsa Craig (here a slight cloud-like mark on the horizon line). An essential iconic pyramidal form (from this view) just like the pyramidal hills that assemble close to the Biscay venus hill. Building a megalith that takes an iconic part of the local vista into its design. Landscape with ritual, cultural and spiritual significance ?

  

The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.

 

Amedeo Modigliani

Italian painter and sculptor (1884–1920)

"Modì" redirects here. For the 2024 biographical film, see Modì, Three Days on the Wing of Madness.

Amedeo Clemente Modigliani (US: /ˌmoʊdiːlˈjɑːni/; Italian: [ameˈdɛːo modiʎˈʎaːni]; 12 July 1884 – 24 January 1920) was an Italian painter and sculptor of the École de Paris who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures — works that were not received well during his lifetime, but later became much sought-after. Modigliani spent his youth in Italy, where he studied the art of antiquity and the Renaissance. In 1906, he moved to Paris, where he came into contact with such artists as Pablo Picasso and Constantin Brâncuși. By 1912, Modigliani was exhibiting highly stylized sculptures with Cubists of the Section d'Or group at the Salon d'Automne.

 

Quick Facts Born, Died ...

Modigliani's oeuvre includes paintings and drawings. From 1909 to 1914, he devoted himself mainly to sculpture. His main subjects were portraits and full figures, both in the images and in the sculptures. Modigliani had little success while alive but after his death achieved great popularity. He died of tubercular meningitis, at the age of 35, in Paris.

 

Family and early life

 

Modigliani's birthplace in Livorno

Modigliani was born into a Sephardic Jewish family in Livorno, Italy. A port city, Livorno had long served as a refuge for those persecuted for their religion, and was home to a large Jewish community. His maternal great-great-grandfather, Solomon Garsin, had immigrated to Livorno in the 18th century as a refugee.

 

Modigliani's mother, Eugénie Garsin, born and raised in Marseille, was descended from an intellectual, scholarly family of Sephardic ancestry that for generations had lived along the Mediterranean coastline. Fluent in many languages, her ancestors were authorities on sacred Jewish texts and had founded a school of Talmudic studies. Family legend traced the family lineage to the 17th-century Dutch philosopher Baruch Spinoza. The family business was money lending, with branches in Livorno, Marseille, Tunis, and London, though their fortunes ebbed and flowed.

 

Modigliani's father, Flaminio, was a member of an Italian Jewish family of successful businessmen and entrepreneurs. While not as culturally sophisticated as the Garsins, they knew how to invest in and develop thriving business endeavors. When the Garsin and Modigliani families announced the engagement of their children, Flaminio was a wealthy young mining engineer. He managed the mine in Sardinia and also managed the almost 30,000 acres (12,141 ha) of timberland the family owned.

 

A reversal in fortune occurred to this prosperous family in 1883. An economic downturn in the price of metal plunged the Modiglianis into bankruptcy. Ever resourceful, Modigliani's mother used her social contacts to establish a school and, along with her two sisters, made the school into a successful enterprise.

 

Amedeo Modigliani was the fourth child, whose birth coincided with the disastrous financial collapse of his father's business interests. Amedeo's birth saved the family from ruin; according to an ancient law, creditors could not seize the bed of a pregnant woman or a mother with a newborn child. The bailiffs entered the family's home just as Eugénie went into labour; the family protected their most valuable assets by piling them on top of her.

 

Modigliani had a close relationship with his mother, who taught him at home until he was 10. Beset with health problems after an attack of pleurisy when he was about 11, a few years later he developed a case of typhoid fever. When he was 16 he was taken ill again and contracted the tuberculosis which would later claim his life. After Modigliani recovered from the second bout of pleurisy, his mother took him on a tour of southern Italy: Naples, Capri, Rome and Amalfi, then north to Florence and Venice.

 

His mother was, in many ways, instrumental in his ability to pursue art as a vocation. When he was 11 years of age, she had noted in her diary: "The child's character is still so unformed that I cannot say what I think of it. He behaves like a spoiled child, but he does not lack intelligence. We shall have to wait and see what is inside this chrysalis. Perhaps an artist?"

 

Art student years

Modigliani is known to have drawn and painted from a very early age, and thought himself "already a painter", his mother wrote, even before beginning formal studies. Despite her misgivings that launching him on a course of studying art would impinge upon his other studies, his mother indulged the young Modigliani's passion for the subject.

 

At the age of fourteen, while sick with typhoid fever, he raved in his delirium that he wanted, above all else, to see the paintings in the Palazzo Pitti and the Uffizi in Florence. As Livorno's local museum housed only a sparse few paintings by the Italian Renaissance masters, the tales he had heard about the great works held in Florence intrigued him, and it was a source of considerable despair to him, in his sickened state, that he might never get the chance to view them in person. His mother promised that she would take him to Florence herself, the moment he was recovered. Not only did she fulfil this promise, but she also undertook to enroll him with the best painting master in Livorno, Guglielmo Micheli.

 

Micheli and the Macchiaioli

 

Portrait of Pablo Picasso, 1915, private collection

 

His home in Venice

Modigliani worked in Micheli's Art School from 1898 to 1900. Among his colleagues in that studio would have been Llewelyn Lloyd, Giulio Cesare Vinzio, Manlio Martinelli, Gino Romiti, Renato Natali, and Oscar Ghiglia. Here his earliest formal artistic instruction took place in an atmosphere steeped in a study of the styles and themes of 19th-century Italian art. In his earliest Parisian work, traces of this influence, and that of his studies of Renaissance art, can still be seen. His nascent work was influenced by such Parisian artists as Giovanni Boldini and Toulouse-Lautrec.

 

Modigliani showed great promise while with Micheli, and ceased his studies only when he was forced to, by the onset of tuberculosis.

 

In 1901, whilst in Rome, Modigliani admired the work of Domenico Morelli, a painter of dramatic religious and literary scenes. Morelli had served as an inspiration for a group of iconoclasts who were known by the title "the Macchiaioli" (from macchia —"dash of colour", or, more derogatively, "stain"), and Modigliani had already been exposed to the influences of the Macchiaioli. This localized landscape movement reacted against the bourgeois stylings of the academic genre painters. While sympathetically connected to (and actually pre-dating) the French Impressionists, the Macchiaioli did not make the same impact upon international art culture as did the contemporaries and followers of Monet, and are today largely forgotten outside Italy.

 

Modigliani's connection with the movement was through Guglielmo Micheli, his first art teacher. Micheli was not only a Macchiaiolo himself, but had been a pupil of the famous Giovanni Fattori, a founder of the movement. Micheli's work, however, was so fashionable and the genre so commonplace that the young Modigliani reacted against it, preferring to ignore the obsession with landscape that, as with French Impressionism, characterized the movement. Micheli also tried to encourage his pupils to paint en plein air, but Modigliani never really got a taste for this style of working, sketching in cafés, but preferring to paint indoors, and especially in his own studio. Even when compelled to paint landscapes (three are known to exist), Modigliani chose a proto-Cubist palette more akin to Cézanne than to the Macchiaioli.

 

While with Micheli, Modigliani studied not only landscape, but also portraiture, still life, and the nude. His fellow students recall that the last was where he displayed his greatest talent, and apparently this was not an entirely academic pursuit for the teenager: when not painting nudes, he was occupied with seducing the household maid.

 

Despite his rejection of the Macchiaioli approach, Modigliani nonetheless found favour with his teacher, who referred to him as "Superman", a pet name reflecting the fact that Modigliani was not only quite adept at his art, but also that he regularly quoted from Nietzsche's Thus Spoke Zarathustra. Fattori himself would often visit the studio, and approved of the young artist's innovations.

 

In 1902, Modigliani continued what was to be a lifelong infatuation with life drawing, enrolling in the Scuola Libera di Nudo, or "Free School of Nude Studies", of the Accademia di Belle Arti in Florence. A year later, while still suffering from tuberculosis, he moved to Venice, where he registered to study at the Regia Accademia ed Istituto di Belle Arti. It is in Venice that he first smoked hashish and, rather than studying, began to spend time frequenting disreputable parts of the city. The impact of these lifestyle choices upon his developing artistic style is open to conjecture, although these choices do seem to be more than simple teenage rebellion, or the clichéd hedonism and bohemianism that was almost expected of artists of the time; his pursuit of the seedier side of life appears to have roots in his appreciation of radical philosophies, including those of Nietzsche.

  

Portrait of Chaïm Soutine, 1916

Early literary influences

Having been exposed to erudite philosophical literature as a young boy under the tutelage of Isaco Garsin, his maternal grandfather, he continued to read and be influenced through his art studies by the writings of Nietzsche, Baudelaire, Carducci, Comte de Lautréamont, and others, and developed the belief that the only route to true creativity was through defiance and disorder.

 

Letters that he wrote from his 'sabbatical' in Capri in 1901 clearly indicate that he is being more and more influenced by the thinking of Nietzsche. In these letters, he advised friend Oscar Ghiglia;

 

(hold sacred all) which can exalt and excite your intelligence... (and) ... seek to provoke ... and to perpetuate ... these fertile stimuli, because they can push the intelligence to its maximum creative power.

The work of Lautréamont was equally influential at this time. This doomed poet's Les Chants de Maldoror became the seminal work for the Parisian Surrealists of Modigliani's generation, and the book became Modigliani's favourite to the extent that he learnt it by heart. The poetry of Lautréamont is characterized by the juxtaposition of fantastical elements, and by sadistic imagery; the fact that Modigliani was so taken by this text in his early teens gives a good indication of his developing tastes. Baudelaire and D'Annunzio similarly appealed to the young artist, with their interest in corrupted beauty, and the expression of that insight through Symbolist imagery.

 

Modigliani wrote to Ghiglia extensively from Capri, where his mother had taken him to assist in his recovery from tuberculosis. These letters are a sounding board for the developing ideas brewing in Modigliani's mind. Ghiglia was seven years Modigliani's senior, and it is likely that it was he who showed the young man the limits of his horizons in Livorno. Like all precocious teenagers, Modigliani preferred the company of older companions, and Ghiglia's role in his adolescence was to be a sympathetic ear as he worked himself out, principally in the convoluted letters that he regularly sent, and which survive today.

 

Dear friend, I write to pour myself out to you and to affirm myself to myself. I am the prey of great powers that surge forth and then disintegrate ... A bourgeois told me today–insulted me–that I or at least my brain was lazy. It did me good. I should like such a warning every morning upon awakening: but they cannot understand us nor can they understand life...

Paris

Arrival

 

Portrait of Juan Gris, 1915

In 1906, Modigliani moved to Paris, then the focal point of the avant-garde. In fact, his arrival at the centre of artistic experimentation coincided with the arrival of two other foreigners who were also to leave their marks upon the art world: Gino Severini and Juan Gris.

 

He later befriended Jacob Epstein, with whom he aimed to set up a studio or Temple of Beauty to be enjoyed by all. Modigliani himself intended to create the drawings and paintings of the stone caryatids for 'The Pillars of Tenderness' which would support the imagined temple.

  

Le Bateau-Lavoir in 1910

Modigliani squatted in the Bateau-Lavoir, a commune for penniless artists in Montmartre, renting himself a studio in Rue Caulaincourt. Even though this artists' quarter of Montmartre was characterized by generalized poverty, Modigliani himself presented—initially, at least—as one would expect the son of a family trying to maintain the appearances of its lost financial standing to present: his wardrobe was dapper without ostentation, and the studio he rented was appointed in a style appropriate to someone with a finely attuned taste in plush drapery and Renaissance reproductions. He soon made efforts to assume the guise of the bohemian artist, but, even in his brown corduroys, scarlet scarf and large black hat, he continued to appear as if he were slumming it, having fallen upon harder times.

 

When he first arrived in Paris, he wrote home regularly to his mother, sketched his nudes at the Académie Colarossi, and drank wine in moderation. At that time, he was considered, by those who knew him, to be a bit reserved, verging on the asocial, and is noted to have commented, upon meeting Picasso, who at the time was wearing his trademark workmen's clothes, that even though the man was a genius, that did not excuse his uncouth appearance.

 

Transformation

Within a year of arriving in Paris, however, his demeanour and reputation had changed dramatically. He transformed himself from a dapper academician artist into a sort of prince of vagabonds.

 

The poet and journalist Louis Latourette, upon visiting the artist's previously well-appointed studio after his transformation, discovered the place in upheaval, the Renaissance reproductions discarded from the walls, the plush drapes in disarray. Modigliani was already an alcoholic and a drug addict by this time, and his studio reflected this. Modigliani's behaviour at this time sheds some light upon his developing style as an artist, in that the studio had become almost a sacrificial effigy for all that he resented about the academic art that had marked his life and his training up to that point.

 

Not only did he remove all the trappings of his bourgeois heritage from his studio, but he also set about destroying practically all of his own early work, which he described as "Childish baubles, done when I was a dirty bourgeois".

 

The motivation for this violent rejection of his earlier self is the subject of considerable speculation. From the time of his arrival in Paris, Modigliani consciously crafted a charade persona for himself and cultivated his reputation as a hopeless drunk and voracious drug user. His escalating intake of drugs and alcohol may have been a means by which Modigliani masked his tuberculosis from his acquaintances, few of whom knew of his condition. Tuberculosis—the leading cause of death in France by 1900—was highly communicable, there was no cure, and those who had it were feared, ostracized, and pitied. Modigliani thrived on camaraderie and would not let himself be isolated as an invalid; he used drink and drugs as palliatives to ease his physical pain, helping him to maintain a façade of vitality and allowing him to continue to create his art.

 

Modigliani's use of drink and drugs intensified from about 1914 onward. After years of remission and recurrence, this was the period during which the symptoms of his tuberculosis worsened, signaling that the disease had reached an advanced stage.

  

Nu Couché au coussin Bleu, one of the finest examples of reclining nudes by Modigliani, 1916

He sought the company of artists such as Utrillo and Soutine, seeking acceptance and validation for his work from his colleagues. Modigliani's behavior stood out even in these Bohemian surroundings: he carried on frequent affairs, drank heavily, and used absinthe and hashish. While drunk, he would sometimes strip himself naked at social gatherings. He died in Paris, aged 35. He became the epitome of the tragic artist, creating a posthumous legend almost as well known as that of Vincent van Gogh.

 

During the 1920s, in the wake of Modigliani's career and spurred on by comments by André Salmon crediting hashish and absinthe with the genesis of Modigliani's style, many hopefuls tried to emulate his "success" by embarking on a path of substance abuse and bohemian excess. Salmon claimed that whereas Modigliani was a totally pedestrian artist when sober, "...from the day that he abandoned himself to certain forms of debauchery, an unexpected light came upon him, transforming his art. From that day on, he became one who must be counted among the masters of living art."

 

Some art historians suggest that it is entirely possible that Modigliani would have achieved even greater artistic heights had he not been immured in, and destroyed by, his own self-indulgences.

 

Output

During his early years in Paris, Modigliani worked at a furious pace. He was constantly sketching, making as many as a hundred drawings a day. However, many of his works were lost—destroyed by him as inferior, left behind in his frequent changes of address, or given to girlfriends who did not keep them.

 

He was first influenced by Henri de Toulouse-Lautrec, but around 1907 he became fascinated with the work of Paul Cézanne. Eventually he developed his own unique style, one that cannot be adequately categorized with those of other artists.

 

He met the first serious love of his life, Russian poet Anna Akhmatova, in 1910, when he was 26. They had studios in the same building, and although 21-year-old Anna had recently married, they began an affair. Anna was tall with dark hair, pale skin and grey-green eyes: she embodied Modigliani's aesthetic ideal and the pair became engrossed in each other. After a year, however, Anna returned to her husband.

 

Gallery of works

Portrait of Maude Abrantes, 1907, Hecht Museum

Portrait of Maude Abrantes, 1907, Hecht Museum

The Cellist, 1909, Juan Abelló Collection

The Cellist, 1909, Juan Abelló Collection

Paul Guillaume, Novo Pilota, 1915, Musée de l'Orangerie

Paul Guillaume, Novo Pilota, 1915, Musée de l'Orangerie

Bride and Groom, 1915

Bride and Groom, 1915

Portrait of Moise Kisling, 1915

Portrait of Moise Kisling, 1915

Head of a Young Girl, 1916, Private Collection of Matvey Yozhikov

Head of a Young Girl, 1916, Private Collection of Matvey Yozhikov

Portrait of the painter Manuel Humbert, 1916, National Gallery of Victoria

Portrait of the painter Manuel Humbert, 1916, National Gallery of Victoria

Jacques and Berthe Lipchitz, 1916

Jacques and Berthe Lipchitz, 1916

Léon Indenbaum, 1916, Henry and Rose Pearlman Collection, on long-term loan to the Princeton University Art Museum

Léon Indenbaum, 1916, Henry and Rose Pearlman Collection, on long-term loan to the Princeton University Art Museum

Portrait of Beatrice Hastings, 1916

Portrait of Beatrice Hastings, 1916

Madame Kisling, 1917

Madame Kisling, 1917

Portrait of Blaise Cendrars, 1917, Galleria Sabauda, Turin

Portrait of Blaise Cendrars, 1917, Galleria Sabauda, Turin

Portrait of the Artist's Wife (Jeanne Hébuterne), 1918

Portrait of the Artist's Wife (Jeanne Hébuterne), 1918

Jeanne Hébuterne with Yellow Sweater, 1918

Jeanne Hébuterne with Yellow Sweater, 1918

The Little Peasant, 1918, Tate Liverpool

The Little Peasant, 1918, Tate Liverpool

Dedie Hayden, 1918, Centre Georges Pompidou

Dedie Hayden, 1918, Centre Georges Pompidou

Portrait of a Young Woman, 1918, New Orleans Museum of Art

Portrait of a Young Woman, 1918, New Orleans Museum of Art

Portrait of Jeanne Hebuterne, Seated, 1918, Israel Museum, Jerusalem

Portrait of Jeanne Hebuterne, Seated, 1918, Israel Museum, Jerusalem

Beatrice Hastings, 1916–1919, Solomon R. Guggenheim Museum

Beatrice Hastings, 1916–1919, Solomon R. Guggenheim Museum

Self-portrait, 1919, oil on canvas, Museum of Contemporary Art, São Paulo

Self-portrait, 1919, oil on canvas, Museum of Contemporary Art, São Paulo

Gypsy Woman with Baby, 1919, National Gallery of Art

Gypsy Woman with Baby, 1919, National Gallery of Art

Buste de femme, unknown, before 1919, Museo Nacional de Bellas Artes (Buenos Aires)

Buste de femme, unknown, before 1919, Museo Nacional de Bellas Artes (Buenos Aires)

Woman with a Fan, 1919, stolen from Musée d'Art Moderne de la Ville de Paris

Woman with a Fan, 1919, stolen from Musée d'Art Moderne de la Ville de Paris

Portrait of a man, 1918, private collector

Portrait of a man, 1918, private collector

Montparnasse, Paris

 

Four sculptures by Modigliani exhibited at the 1912 Salon d'Automne along with the Cubists

Sculpture

 

Female Head, 1911/1912, Tate

In 1909, Modigliani returned home to Livorno, sickly and tired from his wild lifestyle. But soon he was back in Paris, this time renting a studio in Montparnasse. He originally saw himself as a sculptor rather than a painter, and was encouraged to continue after Paul Guillaume, an ambitious young art dealer, took an interest in his work and introduced him to sculptor Constantin Brâncuși. He was Constantin Brâncuși's disciple for one year.

 

Although a series of Modigliani's sculptures were exhibited in the Salon d'Automne of 1912, by 1914 he abandoned sculpting and focused solely on his painting, a move precipitated by the difficulty in acquiring sculptural materials due to the outbreak of war, and by Modigliani's physical debilitation.

 

In June 2010 Modigliani's Tête, a limestone carving of a woman's head, became the third most expensive sculpture ever sold.

 

Friends and influences

Modigliani painted a series of portraits of contemporary artists and friends in Montparnasse: Chaïm Soutine, Moïse Kisling, Pablo Picasso, Diego Rivera, Marie "Marevna" Vorobyev-Stebeslka, Juan Gris, Max Jacob, Jacques Lipchitz, Blaise Cendrars, and Jean Cocteau, all sat for stylized renditions. Modigliani painted Soutine's portrait several times, when they lived together in the Cité Falguière around 1916.

 

War years

 

Modigliani, Pablo Picasso and André Salmon, 1916

At the outset of World War I, Modigliani tried to enlist in the army but was refused because of his poor health.

 

Known as Modì (which plays on the French word 'maudit', meaning 'cursed') by many Parisians, but as Dedo to his family and friends, Modigliani was a handsome man, and attracted much female attention. Women came and went until Beatrice Hastings entered his life. She stayed with him for almost two years, was the subject of several of his portraits, including Madame Pompadour, and the object of much of his drunken wrath.

 

When the British painter Nina Hamnett arrived in Montparnasse in 1914, on her first evening there the smiling man at the next table in the café introduced himself as "Modigliani, painter and Jew".[citation needed] They became great friends.[citation needed]

 

In 1916, Modigliani befriended the Polish poet and art dealer Léopold Zborowski and his wife Anna. Zborowski became Modigliani's primary art dealer and friend during the artist's final years, helping him financially, and also organizing his show in Paris in 1917.

 

Patronage of Léopold Zborowski

 

Portrait of Léopold Zborowski, 1918

1917 Paris Show

The several dozen nudes Modigliani painted between 1916 and 1919 constitute many of his best-known works. This series of nudes was commissioned by Modigliani's dealer and friend Léopold Zborowski, who lent the artist use of his apartment, supplied models and painting materials, and paid him between fifteen and twenty francs each day for his work.

 

The paintings from this arrangement were thus different from his previous depictions of friends and lovers in that they were funded by Zborowski either for his own collection, as a favor to his friend, or with an eye to their "commercial potential", rather than originating from the artist's personal circle of acquaintances.

 

The Paris show of 1917 was Modigliani's only solo exhibition during his life, and is "notorious" in modern art history for its sensational public reception and the attendant issues of obscenity. The show was closed by police on its opening day, but continued thereafter, most likely after the removal of paintings from the gallery's streetfront window.

 

Nude Sitting on a Divan is one of a series of nudes painted by Modigliani in 1917 that created a sensation when exhibited in Paris that year. According to the catalogue description from the 2010 sale of the painting at Sotheby's, seven nudes were exhibited in the 1917 show.

 

Nu couché realized $170,405,000 at a Christie's, New York, sale on 9 November 2015, a record for a Modigliani painting and placing it high among the most expensive paintings ever sold.

 

Nudes

Iris Tree, c. 1916, Courtauld Institute of Art

Iris Tree, c. 1916, Courtauld Institute of Art

Reclining Nude, 1917, Metropolitan Museum of Art

Reclining Nude, 1917, Metropolitan Museum of Art

Seated Nude, 1917, Royal Museum of Fine Arts Antwerp

Seated Nude, 1917, Royal Museum of Fine Arts Antwerp

Nude, 1917, Solomon R. Guggenheim Museum

Nude, 1917, Solomon R. Guggenheim Museum

Nude Sitting on a Divan ("La Belle Romaine"), 1917

Nude Sitting on a Divan ("La Belle Romaine"), 1917

Nude on a Blue Cushion, 1917, National Gallery of Art

Nude on a Blue Cushion, 1917, National Gallery of Art

Nu couché, 1917–18, sold for $170.4 million in 2015 to Liu Yiqian

Nu couché, 1917–18, sold for $170.4 million in 2015 to Liu Yiqian

Seated Nude, 1918, Honolulu Museum of Art

Seated Nude, 1918, Honolulu Museum of Art

Nu couché (sur le côté gauche), 1917

Nu couché (sur le côté gauche), 1917

Nice

On a trip to Nice which had been conceived and organized by Zborowski, Modigliani, Foujita and other artists tried to sell their works to rich tourists. Modigliani managed to sell a few pictures, but only for a few francs each. Despite this, during this time he produced most of the paintings that later became his most popular and valued works.[citation needed]

 

During his lifetime, he sold a number of his works, but never for any great amount of money. What funds he did receive soon vanished for his habits.

 

Jeanne Hébuterne

 

Jeanne Hébuterne

In the spring of 1917, the Ukrainian sculptor Chana Orloff introduced him to a 19-year-old art student named Jeanne Hébuterne who had posed for Tsuguharu Foujita. From a conservative bourgeois background, Hébuterne was renounced by her devout Roman Catholic family for her liaison with Jewish Modigliani, whom they saw as little more than a debauched derelict. Despite her family's objections, soon they were living together.

  

Jeanne Hébuterne with Hat and Necklace, 1917

Modigliani ended his relationship with the English poet and art critic Beatrice Hastings. A short time later Hébuterne and Modigliani moved together into a studio on the Rue de la Grande Chaumière. Jeanne began to pose for him and appears in several of his paintings. Jeanne Hébuterne became a principal subject for Modigliani's art. Modigliani was known to be abusive towards his lovers, Hébuterne was suffering from depression after becoming pregnant for the second time.

  

Towards the end of the First World War, early in 1918, Modigliani left Paris with Hébuterne to escape from the war and travelled to Nice and Cagnes-sur-Mer. They would spend a year in France. During that time they had a busy social life with many friends, including Pierre-Auguste Renoir, Pablo Picasso, Giorgio de Chirico and André Derain.

  

Portrait of Jeanne Hébuterne, 1918

After he and Hébuterne moved to Nice on 29 November 1918, she gave birth to a daughter whom they named Jeanne (1918–1984). Modigliani already had a son from his relationship with Simone Thiroux, Gérard Thiroux (1917–2004), and at least two other extramarital children. In May 1919 they returned to Paris with their infant daughter and moved into an apartment on the rue de la Grande Chaumière.

 

Hébuterne became pregnant again. Modigliani then got engaged to her, but Jeanne's parents were against the marriage, especially because of Modigliani's reputation as an alcoholic and drug user. However, Modigliani officially recognized her daughter as his child. The wedding plans were shattered independently of Jeanne's parents' resistance when Modigliani discovered he had a severe form of tuberculosis.

 

Death and funeral

Although he continued to paint, Modigliani's health deteriorated rapidly, and his alcohol-induced blackouts became more frequent.

 

In 1920, after not hearing from him for several days, a neighbour checked on the family and found Modigliani in bed delirious and holding onto Hébuterne. A doctor was summoned, but little could be done because Modigliani was in the final stage of his disease, tubercular meningitis. He died on 24 January 1920, at the Hôpital de la Charité.

 

There was an enormous funeral, attended by many from the artistic communities in Montmartre and Montparnasse. When Modigliani died, 21-year-old Hébuterne was eight months pregnant with their second child. The day after Modigliani's death, Hébuterne was taken to her parents' home. There, inconsolable, she threw herself out of a fifth-floor window, killing herself and her unborn child.

 

Modigliani was buried in Père Lachaise Cemetery. Hébuterne was buried at the Cimetière de Bagneux near Paris, and it was not until 1930 that her embittered family allowed her body to be moved to rest beside Modigliani. A single tombstone honors them both. His epitaph reads: "Struck down by death at the moment of glory". Hers reads: "Devoted companion to the extreme sacrifice".

 

Managing only one solo exhibition in his life and giving his work away in exchange for meals in restaurants, Modigliani died destitute.

 

Legacy

 

Modigliani in 1919, near the end of his life

 

Grave of Modigliani and Hébuterne in Père Lachaise Cemetery

Influences

The linear form of African sculpture and the depictive humanism of the figurative Renaissance painters informed his work. Working during that fertile period of "isms", Cubism, Dadaism, Surrealism, Futurism, Modigliani did not choose to be categorized within any of these prevailing, defining confines. He was unclassifiable, stubbornly insisting on his difference. He was an artist putting down paint on canvas and creating works not to shock and outrage, but to say, "This is what I see."

 

More appreciated over the years by collectors than academicians and critics, Modigliani was indifferent to staking a claim for himself in the intellectual avant-garde of the art world. One can say he recognized the merit of Jean Cocteau's proclamation: "Ne t'attardes pas avec l'avant-garde" ("Don't wait with the avant-garde"). Pseudo-goitre, a medical condition, is also known as Modigliani syndrome. This name was derived from the curved neck of women in Modigliani's paintings which appeared like pseudogoitre.

 

Since his death, Modigliani's reputation has soared. Nine novels, a play, a documentary, and three feature films have been devoted to his life. Modigliani's sister in Florence adopted his daughter, Jeanne (1918–1984). As an adult, she wrote a biography of her father titled Modigliani: Man and Myth.

And I feel so much depends on the weather. So is it raining in your bedroom? And I see that these are the eyes of disarray. Would you even care? - Stone Temple Pilots

 

Plush

a mistake that turned out cool, I think.

www.womanwild.org

George Kastrioti Skanderbeg (6 May 1405 – 17 January 1468), widely known as Skanderbeg (from Turkish: İskender Bey, meaning "Lord Alexander", or "Leader Alexander"; Albanian: Gjergj Kastrioti Skënderbeu), was a 15th-century Albanian lord.[D] He was appointed as the governor of the Sanjak of Dibra by the Ottoman Turks in 1440. In 1444, he initiated and organized the League of Lezhë, which proclaimed him Chief of the League of the Albanian people, and defended the region of Albania against the Ottoman Empire for more than two decades.[1] Skanderbeg's military skills presented a major obstacle to Ottoman expansion, and he was considered by many in western Europe to be a model of Christian resistance against the Ottoman Muslims. Skanderbeg is Albania's most important national hero and a key figure of the Albanian National Awakening.

Skanderbeg was born in 1405[G] to the noble Kastrioti family, in a village in Dibra. Sultan Murad II took him hostage in 1423 and he fought for the Ottoman Empire during next twenty years. In 1443, he deserted the Ottomans during the Battle of Niš and became the ruler of Krujë. In 1444, he organized local leaders into the League of Lezhë, a federation aimed at uniting their forces for war against the Ottomans. Skanderbeg's first victory against the Ottomans, at the Battle of Torvioll in the same year marked the beginning of more than 20 years of war with the Ottomans. Skanderbeg's forces achieved more than 20 victories in the field and withstood three sieges of his capital, Krujë.

In 1451 he recognized de jure the suzerainty of Kingdom of Naples through the Treaty of Gaeta, to ensure a protective alliance, although he remained an independent ruler de facto.[2] In 1460–1461, he participated in Italy's civil wars in support of Ferdinand I of Naples. In 1463, he became the chief commander of the crusading forces of Pope Pius II, but the Pope died while the armies were still gathering. Left alone to fight the Ottomans, Skanderbeg did so until he died in January 1468.

Marin Barleti, an early 16th century Albanian historian, wrote a biography of Skanderbeg, which was printed between 1508 and 1510. The work, written in Latin and in a Renaissance and panegyric style, was translated into all the major languages of Western Europe from the 16th through the 18th centuries. Such translations inspired an opera by Vivaldi, and literary creations by eminent writers such as playwrights William Havard and George Lillo, French poet Ronsard, English poet Byron, and American poet Henry Wadsworth Longfellow.

 

George Kastrioti Skënderbeu appears in various Latin sources as Georgius Castriotus Scanderbegh. Gjergj is the Albanian equivalent of the name George. The form of his last name was given variously as Kastrioti,[3] Castriota,[4] Castriottis,[5] or Castriot.[6] The last name Kastrioti refers both to the Kastrioti family and to a municipality in northeastern Albania called Kastriot, in the modern Dibër District, from which the family's surname derives,[7][8][9] having its origin in the Latin castrum via the Greek word Κάστρο (English: castle).[10][11][12]

The Ottoman Turks gave him the name Iskender bey, meaning "Lord Alexander", or "Leader Alexander", which has been rendered as Scanderbeg or Skanderbeg in the English versions of his biographies, and Skënderbeu (or Skënderbej) is the Albanian version.[13] Latinized in Barleti's version as Scanderbegi and translated into English as Skanderbeg, the combined appellative is assumed to have been a comparison of Skanderbeg's military skill to that of Alexander the Great.

 

George Kastrioti was born in 1405[G] in one of the two villages owned by his grandfather Pal Kastrioti.[A] Skanderbeg's father was Gjon Kastrioti, lord of Middle Albania, which included Mat, Mirditë and Dibër.[17] His mother was Voisava, originally from the Polog valley, north-western part of present-day Republic of Macedonia. There was a total of nine children, of whom George was the youngest son, his older brothers were Stanisha, Reposh and Kostandin, and his sisters were Mara, Jelena, Angjelina, Vlajka and Mamica.[3]

Gjon Kastrioti had been a vassal of the Sultan since the end of 14th century, and, as a consequence, paid tribute and provided military services to the Ottomans (like in the Battle of Ankara 1402[18]). In 1409 he sent his eldest son, Stanisha, to be the Sultan's hostage.[C] George seems to have gone to Sultan Murad II's court in 1423, when he was 18.[19] It is assumed that Skanderbeg remained Murad II's hostage for a maximum of three years.[19]

The earliest existing record of George's name is the First Act of Hilandar from 1426, when Gjon Kastrioti and his four sons donated the right to the proceeds from taxes collected from the two villages to the Monastery of Hilandar.[I][20] Afterwards, in the period between 1426 and 1431,[21] Gjon Kastrioti and his sons, with the exception of Stanisha, purchased four adelphates (rights to reside on monastic territory and receive subsidies from monastic resources) to the Saint George tower and to some property within the monastery as stated in the Second Act of Hilandar.[20][22]

In 1430, Gjon Kastrioti was defeated in a battle by the Ottoman governor of Skopje, Isa bey Evrenos and as a result, his territorial possessions were extremely reduced.[23] Later that year, Skanderbeg started fighting for Murad II in his expeditions, and gained the title of sipahi.[24] Although Skanderbeg was summoned home by his relatives when George Arianiti and Andrew Thopia along with other chiefs from the region between Vlorë and Shkodër organized a rebellion against the Ottoman Empire in the period of 1432—1436, he did nothing, remaining loyal to the sultan.[25] In 1437–1438,[26] he became a governor (Turkish: subaşi) of the Krujë subaşilik[22] before Hizir Bey was again appointed to that position in November 1438.[27] Until May 1438, Skanderbeg controlled a relatively large timar (of the vilayet of Dhimitër Jonima) composed of nine villages which previously belonged to his father Gjon (this timar was listed in Ottoman registers as Gjon's land, Turkish: Yuvan-ili).

 

It was because of Skanderbeg's display of military merit in several Ottoman campaigns, that Murad II (r. 1421–1451) had given him the title of vali. At that time, Skanderbeg was leading a cavalry unit of 5,000 men.[29]

After his brother Reposh's death on 25 July 1431[30] and the later deaths of Kostandin and Skanderbeg's father (who died in 1437), Skanderbeg and his surviving brother Stanisha maintained the relations that their father had with the Republic of Ragusa and the Republic of Venice. In 1438 and 1439, they managed to have the same privileges that their father had with those states.[26] During the 1438–1443 period, he is thought to have been fighting alongside the Ottomans in their European campaigns, mostly against the Christian forces led by Janos Hunyadi.[26] In 1440 Skanderbeg was appointed as sanjakbey of Sanjak of Dibra.[31][32] During his stay in Albania as Ottoman governor, he maintained close relations with the population in his father's former properties and also with other Albanian noble families.

 

In early November 1443, Skanderbeg saw his opportunity to rebel against Sultan Murad II during the Battle of Niš, while fighting against the crusaders of John Hunyadi.[33] Skanderbeg quit the field along with 300 other Albanians serving in the Ottoman army.[33] He immediately went to Krujë on November 28,[34] and by forging a letter from Murad II to the Governor of Krujë, he became lord of the city.[33][35] To reinforce his intention of gaining control of the former domains of Zeta, Skanderbeg proclaimed himself the heir of the Balsha family. After various attacks against Bar and Ulcinj along with Đurađ Branković, Stefan Crnojević[36] and Albanians of the area, the Venetians offered rewards for his assassination.[2] After capturing some other minor surrounding castles and eventually gaining control over more than his father Gjon Kastrioti's domains[clarification needed], Skanderbeg abjured Islam and proclaimed himself the avenger of his family and country.[37] He raised a red flag with the double-headed eagle silhouette on it: Albania uses a similar flag and symbol to this day.[38]

On March 2, 1444, Skanderbeg managed to bring together all the Albanian princes in the city of Lezhë and form the League of Lezhë.[39] Particularly strong was his alliance with Gjergj Arianiti, a member of the Arianiti family, whose daughter Donika he later married.[40][41][42] Gibbon reports that the "Albanians, a martial race, were unanimous to live and die with their hereditary prince", and that "in the assembly of the states of Epirus, Skanderbeg was elected general of the Turkish war and each of the allies engaged to furnish his respective proportion of men and money".[43] With this support, Skanderbeg built fortresses (Rodoni Castle) and organized a mobile defense army that forced the Ottomans to disperse their troops, leaving them vulnerable to the hit-and-run tactics of the Albanians.[44] Skanderbeg fought a guerrilla war against the opposing armies by using the mountainous terrain to his advantage. During the first 8–10 years, Skanderbeg commanded an army of generally 10,000-15,000 soldiers,[45] but only had absolute control over the men from his own dominions, and had to convince the other princes to follow his policies and tactics.

 

In the summer of 1444, in the Plain of Torvioll, the united Albanian armies under Skanderbeg faced the Ottomans who were under direct command of the Turkish general Ali Pasha, with an army of 25,000 men.[46] Skanderbeg had under his command 7,000 infantry and 8,000 cavalry. 3,000 cavalry were hidden behind enemy lines in a nearby forest under the command of Hamza Kastrioti. At a given signal they descended, encircled the Ottomans and gave Skanderbeg a much needed victory. About 8,000 Ottomans were killed and 2,000 were captured.[40] Skanderbeg's first victory echoed across Europe because this was one of the few times that an Ottoman army was defeated in a pitched battle on European soil. In the following two years, Skanderbeg defeated the Ottomans two more times, on October 10, 1445, when Ottoman forces from Ohrid suffered severe losses,[47] and again in the Battle of Otonetë on September 27, 1446.[48][49]

At the beginning of the Albanian insurrection, the Republic of Venice was supportive of Skanderbeg, considering his forces to be a buffer between them and the Ottoman Empire. Lezhë, where the eponymous league was established, was Venetian territory, and the assembly met with the approval of Venice. The later affirmation of Skanderbeg and his rise as a strong force on their borders, however, was seen as a menace to the interests of the Republic, leading to a worsening of relations and the dispute over the fortress of Dagnum which triggered the Albanian-Venetian War of 1447–1448. The Venetians sought by every means to overthrow Skanderbeg or bring about his death, even offering a life pension of 100 golden ducats annually for the person who would kill him.[49][50] During the conflict, Venice invited the Ottomans to attack Skanderbeg simultaneously from the east, facing the Albanians with a two-front conflict.[51]

On May 14, 1448, an Ottoman army led by Sultan Murad II and his son Mehmed laid siege to the castle of Svetigrad. The Albanian garrison in the castle resisted the frontal assaults of the Ottoman army, while Skanderbeg harassed the besieging forces with the remaining Albanian army under his personal command. On July 23, 1448, Skanderbeg won a battle near Shkodër against a Venetian army led by Andrea Venier. In late summer 1448, due to a lack of potable water,[B] the Albanian garrison eventually surrendered the castle with the condition of safe passage through the Ottoman besieging forces, a condition which was accepted and respected by Sultan Murad II.[52] Although his loss of men was minimal, Skanderbeg lost the castle of Svetigrad, which was an important stronghold that controlled the fields of Macedonia to the east.[52] At the same time, he besieged the towns of Durazzo (modern Durrës) and Lezhë which were then under Venetian rule.[53] In August 1448, Skanderbeg won a battle against Mustafa Pasha in Dibër. This forced the Venetians to offer a peace treaty to Skanderbeg.

The peace treaty, signed between Skanderbeg and Venice on 4 October 1448, envisioned that Venice would keep Dagnum and its environs, but would cede to Skanderbeg the territory of Buzëgjarpri at the mouth of the river Drin, and also that Skanderbeg would enjoy the privilege of buying, tax-free, 200 horse-loads of salt annually from Durazzo. In addition Venice would pay Skanderbeg 1,400 ducats. During the period of clashes with Venice, Skanderbeg intensified relations with Alfonso V of Aragon (r. 1416–1458), who was the main rival of Venice in the Adriatic, where his dreams for an empire were always opposed by the Venetians.

 

The Albanian army under Skanderbeg did not participate in this battle as he was prevented from linking with the Hunyadi's army by the Ottomans and their allies.[55][56]It is believed that he was delayed by Đurađ Branković, then allied with Sultan Murad II, although Brankovic's exact role is disputed.[57][58][59] As a result Skanderbeg ravaged his domains as a punishment for the desertion of Christian cause.[55][60]. He appears to have marched to join Hunyadi immediately after making peace with the Venetians, and to have been only 20 miles from Kosovo Polje when the Hungarian army finally broke. [61]

In 1448, Alfonso V suffered a rebellion caused by certain barons in the rural areas of his Kingdom of Naples. He needed reliable troops to deal with the uprising, so he called upon Skanderbeg for assistance. Skanderbeg responded to Alfonso's request for aid by sending to Italy a detachment of Albanian troops commanded by General Demetrios Reres. These Albanians were successful in quickly suppressing the rebellion. Many of these troops settled there.[62] King Alfonso rewarded Demetrios Reres for his service to Naples by appointing him governor of Calabria. One year later, in 1449, another detachment of Albanian troops was sent to garrison Sicily against a rebellion and invasion. This time the troops were led by Giorgio Reres and Basilio Reres, the sons of Demetrios.[63]

In June 1450, two years after the Ottomans had captured Svetigrad, they laid siege to Krujë with an army numbering approximately 100,000 men and led again by Sultan Murad II himself and his son, Mehmed.[64] Following a scorched earth strategy (thus denying the Ottomans the use of necessary local resources), Skanderbeg left a protective garrison of 1,500 men under one of his most trusted lieutenants, Vrana Konti, while, with the remainder of the army, which included many Slavs, Germans, Frenchmen and Italians,[65][66] he harassed the Ottoman camps around Krujë by continuously attacking Sultan Murad II's supply caravans. The garrison repelled three major direct assaults on the city walls by the Ottomans, causing great losses to the besieging forces. Ottoman attempts at finding and cutting the water sources failed, as did a sapped tunnel, which collapsed suddenly. An offer of 300,000 aspra (Turkish silver coins) and a promise of a high rank as an officer in the Ottoman army made to Vrana Konti, were both rejected by him.[67]

During the First Siege of Krujë, the Venetian merchants from Shkodër sold food to the Ottoman army and those of Durazzo supplied Skanderbeg's army.[68] An angry attack by Skanderbeg on the Venetian caravans raised tension between him and the Republic, but the case was resolved with the help of the bailo of Durazzo who stopped any Venetian merchants from furnishing any longer the Ottomans.[67] Venetians' help to the Ottomans notwithstanding, by September 1450, the Ottoman camp was in disarray, as the castle was still not taken, the morale had sunk, and disease was running rampant. Murad II acknowledged that he could not capture the castle of Krujë by force of arms, and in October 1450, he lifted the siege and made his way to Edirne, leaving behind several thousand dead soldiers.[67] A few months later, on February 3, 1451, Murad died in Edirne and was succeeded by his son Mehmed II (r. 1451–1481).

 

Although Skanderbeg had achieved success at resisting Murad II himself, harvests were unproductive and famine was widespread. Following Skanderbeg's requests, King Alfonso V helped him in this situation and the two parties signed the Treaty of Gaeta on March 26, 1451, according to which, Skanderbeg would be formally a vassal of Alfonso in exchange for military aid.[70] More explicitly, Skanderbeg recognized King Alfonso's sovereignty over his lands in exchange for the help that King Alfonso would give to him in the war against the Ottomans.[E] King Alfonso pledged to respect the old privileges of Krujë and Albanian territories and to pay Skanderbeg an annual 1,500 ducats, while Skanderbeg pledged to make his fealty to King Alfonso only after the full expulsion of the Ottomans from the country[clarification needed], a condition never reached in Skanderbeg's lifetime.[54]

A month after the treaty, on 21 April 1451 in an Eastern Orthodox Ardenica Monastery,[71][72] Skanderbeg married Donika Kastrioti, daughter of Gjergj Arianiti, one of the most influential Albanian noblemen, strengthening the ties between them.[41] Their only child was Gjon Kastrioti II.

Right after the Treaty of Gaeta, Alfonso V signed other treaties with the rest of the most important Albanian noblemen, including Golem Arianit Komneni,[73] and with the Despot of the Morea, Demetrios Palaiologos.[74] These movements of Alfonso show that he was thinking about a crusade starting from Albania and Morea, which actually never took place.[75] Following the Treaty of Gaeta, in the end of May 1451, a small detachment of 100 Catalan soldiers, headed by Bernard Vaquer, was established at the castle of Krujë. One year later, in May 1452, another Catalan nobleman, Ramon d’Ortafà, came to Krujë with the title of viceroy.[E] In 1453, Skanderbeg paid a secret visit to Naples and the Vatican, probably to discuss the new conditions after the fall of Constantinople and the planning of a new crusade which Alfonso would have presented to Pope Nicholas V in a meeting of 1453—1454.[76]

During the five years which followed the First Siege of Krujë, Albania was allowed some respite as the new sultan set out to conquer the last vestiges of the Byzantine Empire, but a battle did take place in 1452 when another Ottoman army sent to Albania was defeated again by Skanderbeg's forces. During this period, skirmishes between Skanderbeg and the Dukagjin family, which had been dragging on for years, were put to an end by a reconciliatory intervention of the Pope, and in 1454, a peace treaty between them was finally reached.

 

In November 1453, Skanderbeg informed King Alfonso that he had conquered some territories and a castle, and Alfonso replied some days later that soon Ramon d’Ortafà would return to continue the war against the Ottomans and promised more troops and supplies. In the beginning of 1454, Skanderbeg and the Venetians[78] informed King Alfonso and the Pope about a possible Ottoman invasion and asked for help. The Pope sent 3,000 ducats while Alfonso sent 500 infantry and a certain amount of money,[79] along with a message directed to Skanderbeg.[80] Meanwhile, the Venetian Senate was resenting Skanderbeg's alliance with the Kingdom of Naples, an old enemy of the Republic. Frequently they delayed their tributes to Skanderbeg and this was long a matter of dispute between the parties, with Skanderbeg threatening war on Venice at least three times during the 1448–1458 period, and Venice conceding in a conciliatory tone.[81]

In June 1454, Ramon d’Ortafà returned after a long[clarification needed]absence to Krujë, this time with the title of viceroy of Albania, Greece, and Slavonia, with a personal letter to Skanderbeg as the Captain-General of the armed forces in Albania.[82] Along with Ramon d’Ortafà, King Alfonso V also sent the clerics Fra Lorenzo da Palerino and Fra Giovanni dell’Aquila to Albania with a tabby flag[clarification needed] embroidered with a white cross as a symbol of the Crusade which was about to begin.[83][84] Even though this crusade never materialized, the Neapolitan troops were used in the Siege of Berat where they were almost entirely annihilated and were never replaced.

The Siege of Berat was the first real test between the armies of the new sultan and Skanderbeg. That siege would end up in a defeat for the League of Lezhë forces.[85] Skanderbeg besieged the town's castle for months, causing the demoralized Turkish officer in charge of the castle to promise his surrender.[85] At that point, Skanderbeg relaxed his grip, split his forces, and departed the siege, leaving behind one of his generals, Muzakë Topia, and half of his cavalry on the banks of the Osum River in order to finalize the surrender.[85] It was a costly error—the Ottomans saw this moment as an opportunity for attack and sent a large cavalry force from Anatolia[need quotation to verify], led by Isak-Beg, to reinforce the garrison.[85] The Albanian forces had become overconfident and lulled into a false sense of security.[85] The Ottomans caught the Albanian cavalry by surprise while they were resting on the banks of the Osum River, and almost all the 5,000 Albanian cavalry laying siege to Berat were killed.[85] Most of the forces belonged to Gjergj Arianiti, whose role as the greatest supporter of Skanderbeg diminished after siege of Berat ended up in defeat.[85]

The defeat of Berat somewhat affected the attitude of other Albanian noblemen. One of them, Moisi Arianit Golemi, defected to the Turks and returned to Albania in 1456 as a commander of a Turkish army of 15,000 men, but he was defeated by Skanderbeg in Battle of Oranik.[86] Later that year, he returned to Albania asking for Skanderbeg's pardon, and once pardoned, remained loyal until his death in 1464.[86]

In 1456, one of Skanderbeg's nephews (the son of his sister Jelena), Gjergj Stress Balsha, sold the fortress of Modric to the Ottomans for 30,000 silver ducats. He tried to cover up the act; however, his treason was discovered and he was sent to prison in Naples.[87]

In the beginning of 1457, another nobleman, Hamza Kastrioti, Skanderbeg's own nephew and his closest collaborator, defected to the Turks when he lost his hope of succession after the birth of Skanderbeg's son Gjon Kastriot II. In the summer of 1457, an Ottoman army numbering approximately 70,000 men[88] invaded Albania with the hope of destroying Albanian resistance once and for all. This army was led by Isak-Beg, the only commander to have ever defeated Skanderbeg's forces, and by Hamza Kastrioti, the commander who knew all about Albanian tactics and strategy. After wreaking much damage to the countryside,[88] the Ottoman army set up camp at the Ujebardha field (literally translated as "White Water"), halfway between Lezhë and Krujë. After having avoided the enemy for months, calmly giving to the Turks and his European neighbours the impression that he was defeated, on 2 September Skanderbeg attacked the Ottomans in their encampments and defeated them.[89] This was one of the most famous victories of Skanderbeg over the Ottomans, which led to a five-year peace treaty with Sultan Mehmed II. Hamza was captured[90] and sent to detention in Naples.[91]

After the victorious Battle of Ujëbardha, Skanderbeg's relations with the Papacy under Pope Calixtus III were intensified. The reason was that during this time, Skanderbeg's military undertakings involved considerable expense which the contribution of Alfonso V of Aragon was not sufficient to defray.[92] In 1457, Skanderbeg requested help from Calixtus III. Being himself in financial difficulties, the Pope could do no more than send Skanderbeg a single galley and a modest sum of money, promising more ships and larger amounts of money in the future.[92] On December 23, 1457, Calixtus III appointed Skanderbeg as Captain-General of the Curia in the war against the Turks and declared him Captain-General of the Holy See. The Pope also gave him the title Athleta Christi, or Champion of Christ.[92] Meanwhile, Ragusa bluntly refused to release the funds which had been collected in Dalmatia for the crusade and which, according to the Pope, were to have been distributed in equal parts to Hungary, Bosnia, and Albania. The Ragusans even entered into negotiations with Mehmed.[92] At the end of December 1457, Calixtus threatened Venice with an interdict and repeated the threat in February 1458. As the captain of the Curia, Skanderbeg appointed the duke of Leukas (Santa Maura), Leonardo III Tocco, formerly the prince of Arta and "despot of the Rhomaeans", a figure virtually unknown except in Southern Epirus, as a lieutenant in his native land.

 

On June 27, 1458, King Alfonso V died at Naples and Skanderbeg sent emissaries to his son and successor, King Ferdinand.[93] According to the historian C. Marinesco, the death of King Alfonso marked the end of the Aragonese dream of a Mediterranean Empire and also the hope for a new crusade in which Skanderbeg was assigned a leading role.[94] The relationship of Skanderbeg with the Kingdom of Naples continued even after Alfonso V's death, but the situation had changed; Ferdinand I was not as able as his father and now it was Skanderbeg's turn to help King Ferdinand to regain and maintain his kingdom. In 1459 Skanderbeg captured fortress of Sati from Ottoman Empire and ceded it to Venice in order to secure cordial relationship with Signoria.[95] The reconciliation reached the point where Pope Pius II suggested entrusting Skanderbeg's dominions to Venice during his Italian expedition.

In 1460, King Ferdinand had serious problems with another uprising of the Angevins and asked for help from Skanderbeg. This invitation worried King Ferdinand's opponents, and Sigismondo Pandolfo Malatesta declared that if Ferdinand of Naples received Skanderbeg, Malatesta would go to the Turks.[96] In the month of September 1460, Skanderbeg dispatched a company of 500 cavalry under his nephew, Gjok Stres Balsha.[97] Ferdinand's main rival, Giovanni Antonio Orsini, Prince of Taranto, in correspondence with Skanderbeg tried to dissuade the Albanian from this enterprise and even offered him an alliance.[97] This did not affect Skanderbeg, who answered on October 31, 1460, that he owed fealty to the Aragon family, especially in times of hardship.[F] When the situation became critical, Skanderbeg made a three-year armistice with the Ottomans on April 17, 1461, and in late August 1461, landed in Puglia with an expeditionary force of 1,000 cavalry and 2,000 infantry. At Barletta and Trani, he managed to defeat the Italian and Angevin forces of Giovanni Antonio Orsini, Prince of Taranto, secured King Ferdinand's throne, and returned to Albania.[98][99] King Ferdinand was grateful to Skanderbeg for this intervention for the rest of his life: at Skanderbeg's death, he rewarded his descendants with the castle of Trani, and the properties of Monte Sant'Angelo and San Giovanni Rotondo.

 

After securing the Neapolitan kingdom, a crucial ally in his struggle, Skanderbeg returned home after being informed of Ottoman movements within the borders of the League of Lezhë. There were three Ottoman armies approaching: the first, under the command of Sinan Pasha, was defeated at Mokra (near Debar); the second, under the command of Hussain Bey, was defeated in the Battle of Ohër, where the Turkish commander was captured; and the third was defeated in the region of Skopje.[100] This forced Sultan Mehmed II to agree to a 10-year armistice which was signed in April 1463 in Skopje.[100] Skanderbeg did not want peace, but he was outvoted in the League of Lezhë, and Tanush Thopia's willingness for peace prevailed. Tanush himself went to Tivoli to explain to the Pope why the League had opted for peace with Mehmed II. He pointed out that Skanderbeg would be ready to go back to war should the Pope ask for it.[100]

Meanwhile, the position of Venice toward Skanderbeg had changed perceptibly because the Republic had entered in their first war with the Turks (1463–1479). During this period the Republic saw Skanderbeg as an invaluable ally, and on 20 August 1463, the peace treaty of 1448 was renewed and this time other conditions were added: the right of asylum in Venice, an article stipulating that any Venetian treaty with the Turks would include a guarantee of Albanian independence, and allowing the presence of several Venetian ships in the Adriatic waters around Lezhë.

 

In November 1463, Pope Pius II tried to organize a new crusade against the Ottoman Turks, similar to what Pope Nicholas V and Pope Calixtus III had tried to do before him. Pius II invited all the Christian nobility to join, and the Venetians immediately answered the appeal.[102] So did Skanderbeg, who on 27 November 1463, declared war on the Ottomans and attacked the Turkish forces near Ohrid. Pius II's planned crusade envisioned assembling 20,000 soldiers in Taranto, while another 20,000 would be gathered by Skanderbeg. They would have been summoned in Durazzo under Skanderbeg's leadership and would have formed the central front against the Ottomans. However, Pius II died in August 1464, at the crucial moment when the crusading armies were gathering and preparing to march in Ancona, and Skanderbeg was again left alone facing the Ottomans.[102]

In April 1465, at the Battle of Vaikal, Skanderbeg fought and defeated Ballaban Badera, an Albanian Ottoman sanjakbey of the Sanjak of Ohrid.[103] However, during an ambush in the same battle, Ballaban managed to capture some important Albanian noblemen, including Moisi Arianit Golemi, a cavalry commander, Vladan Gjurica, the chief army quartermaster, Muzaka of Angelina, a nephew of Skanderbeg, and 18 other officers.[102] These men were sent immediately to Constantinople (Istanbul) where they were skinned alive for fifteen days and later cut to pieces and thrown to the dogs.[102] Skanderbeg's pleas to have these men back, by either ransom or prisoner exchange, failed.[102]

Later that same year, two other Ottoman armies appeared on the borders. The commander of one of the Ottoman armies was Ballaban Pasha, who, together with Jakup Bey, the commander of the second army, planned a double-flank envelopment. Skanderbeg, however, attacked Ballaban's forces at the Second Battle of Vajkal, where the Turks were defeated. This time, all the Turkish prisoners were slain in an act of revenge for the previous execution of Albanian captains.[104] The other Turkish army, under the command of Jakup Bey, was also defeated some days later in Kashari field near Tirana.

 

In 1466, Sultan Mehmed II personally led an army of 30,000 into Albania and laid the Second Siege of Krujë, as his father had attempted 16 years earlier.[105] The town was defended by a garrison of 4,400 men, led by Prince Tanush Thopia.[105] After several months of siege, destruction and killings all over the country, Mehmed II, like his father, saw that seizing Krujë was impossible for him to accomplish by force of arms. Subsequently, he left the siege to return to Istanbul.[105] However, he left the force of 30,000 men under Ballaban Pasha to maintain the siege by building a castle in central Albania, which he named Il-basan (modern Elbasan), in order to support the siege. Durazzo would be the next target of the sultan in order to be used as a strong base opposite the Italian coast.[105]

Skanderbeg spent the following winter of 1466—1467 in Italy, of which several weeks were spent in Rome trying to persuade Pope Paul II to give him money. At one point, he was unable to pay for his hotel bill, and he commented bitterly that he should be fighting against the Church rather than the Turks.[106] Only when Skanderbeg left for Naples did Pope Paul II give him 2,300 ducats. The court of Naples, whose policy in the Balkans hinged on Skanderbeg's resistance, was more generous with money, armaments and supplies. However, it is probably better to say that Skanderbeg financed and equipped his troops largely from local resources, richly supplemented by Turkish booty.[107] It is safe to say that the papacy was generous with praise and encouragement, but its financial subsidies were limited. It is possible that the Curia only provided to Skanderbeg 20,000 ducats in all, which could have paid the wages of 20 men over the whole period of conflict.[107]

However, on his return he allied with Lekë Dukagjini, and together on April 19, 1467, they first attacked and defeated, in the Krrabë region, the Turkish reinforcements commanded by Yonuz, Ballaban's brother. Yonuz himself and his son, Haydar were taken prisoner.[104] Four days later, on April 23, 1467, they attacked the Ottoman forces laying siege to Krujë. The Second Siege of Krujë was eventually broken, resulting in the death of Ballaban Pasha by an Albanian arquebusier[40][100] named Gjergj Aleksi.[108] After these events, Skanderbeg's forces besieged Elbasan but failed to capture it because of the lack of artillery and sufficient number of soldiers.[109]

The destruction of Ballaban Pasha's army and the siege of Elbasan forced Mehmed II to march against Skanderbeg again in the summer of 1467. Skanderbeg retreated to the mountains while Ottoman grand vizier Mahmud Pasha Angelović pursued him but failed to find him because Skanderbeg succeeded in fleeing to the coast.[110] Mehmed II energetically pursued the attacks against the Albanian strongholds while sending detachments to raid the Venetian possessions (especially Durazzo) and to keep them isolated. The Ottomans failed again, in their third Siege of Krujë, to take the city and subjugate the country, but the degree of destruction was immense.[111]

During the Ottoman incursions, the Albanians suffered a great number of casualties, especially to the civilian population, while the economy of the country was in ruins. The above problems, the loss of many Albanian noblemen, and the new alliance with Lekë Dukagjini, caused Skanderbeg to call together in January 1468 all the remaining Albanian noblemen to a conference in the Venetian stronghold of Lezhë to discuss the new war strategy and to restructure what remained from the League of Lezhë.[109] During that period, Skanderbeg fell ill with malaria and died on January 17, 1468. He was 62.

 

After Skanderbeg's death, Venice asked and obtained from his widow the permission to defend Krujë and the other fortresses with Venetian garrisons.[109] Krujë held out during its fourth siege, started in 1477 by Gedik Ahmed Pasha, until 16 June 1478, when the city was starved to death and finally surrendered to Sultan Mehmed II himself.[109] Demoralized and severely weakened by hunger and lack of supplies from the year-long siege, the defenders surrendered to Mehmed, who had promised them to leave unharmed in exchange.[112] As the Albanians were walking away with their families however, the Ottomans reneged on this promise, killing the men and enslaving the women and children.[112] In 1479, an Ottoman army, headed again by Mehmed II, besieged and captured Shkodër,[109] reducing Venice's Albanian possessions only to Durazzo, Antivari, and Dulcigno.[109]

Meanwhile, King Ferdinand of Naples' gratitude toward Skanderbeg for the help given during this Italian campaign continued even after Skanderbeg's death. In a letter dated to 24 February 1468, King Ferdinand expressively stated that "Skanderbeg was like a father to us" and "We regret this (Skanderbeg's) death not less than the death of King Alfonso", offering protection for Skanderbeg's widow and his son. It is relevant to the fact that the majority of Albanian leaders after the death of Skanderbeg found refuge in the Kingdom of Naples and this was also the case for the common people trying to escape from the Ottomans, who formed Arbëresh colonies in that area.

On April 25, 1479, the Ottoman forces captured the Venetian-controlled Shkodër, which had been besieged since May 14, 1478.[113] Shkodër was the last Albanian castle to fall to the Ottomans. The Albanian resistance to the Ottoman invasion continued after Skanderbeg's death by his son, Gjon Kastrioti II, who tried to liberate Albanian territories from Ottoman rule in 1481–1484.[114] In addition, a major revolt in 1492 occurred in southern Albania, mainly in the Labëria region, and Bayazid II was personally involved with crushing the resistance.[115] In 1501, Gjergj Kastrioti II, grandson of Skanderbeg and son of Gjon Kastrioti II, along with Progon Dukagjini and around 150–200 stratioti, went to Lezhë and organized a local uprising, but that too was unsuccessful.[116] The Venetians evacuated Durazzo in 1501.

 

Skanderbeg’s family, the Kastrioti Scanderbeg, were invested with a Neapolitan dukedom after their flight from the Ottoman conquest of Albania.[117] They obtained a feudal domain, the Duchy of San Pietro in Galatina and the County of Soleto (Province of Lecce, Italy).[118] Gjon Kastrioti II, Scanderbeg’s son, married Irene Brankovic Palaiologina, daughter of Lazar Branković, despot of Serbia and one of the last descendents of the Byzantine imperial family, the Palaiologos.[118]

Two lines of the Castriota Scanderbeg family lived from that time onwards to the present day in southern Italy, one of which has descended from Pardo Castriota Scanderbeg and the other from Achille Castriota Scanderbeg, who were both biological sons of Duke Ferrante, son of Gjon and Scanderbeg’s grandson. They are part of the Italian nobility and members of the Sovereign Military Order of Malta with the highest rank of nobility.[119]

The only legitimate daughter of Duke Ferrante, Irene Castriota Scanderbeg, born to Andreana Acquaviva d'Aragona from the Nardò dukes, inherited the paternal estate, bringing the Duchy of Galatina and County of Soleto into the Sanseverino family after her marriage with Prince Pietrantonio Sanseverino (1508–1559). They had a son, Nicolò Bernardino Sanseverino (1541–1606), but the The only legitimate daughter of Duke Ferrante, Irene Castriota Scanderbeg, born to Andreana Acquaviva d'Aragona from the Nardò dukes, inherited the paternal estate, bringing the Duchy of Galatina and County of Soleto into the Sanseverino family after her marriage with Prince Pietrantonio Sanseverino (1508–1559). They had a son, Nicolò Bernardino Sanseverino (1541–1606), but the male line of descendants was lost after Irenece Castriota. Through the famale lines his descendants include the ruling (or former ruling) families of Belgium, Luxembourg, Austria-Hungary, Prussia, Serbia, and some members of the British royal family. Other prominent modern descendants include Filippo Castriota, collaborator of Ismail Qemali, founder of modern Albania and author Giorgio Maria Castriota.

 

Skanderbeg's struggle against the Ottomans became highly significant to the Albanian people. It strengthened their solidarity, made them more conscious of their identity, and was a source of inspiration in their struggle for national unity, freedom, and independence.[126]

Probably one of the most important legacies of Skanderbeg lies with his military mastery. The trouble that he caused to the Ottoman Empire military forces was such that when the Ottomans found the grave of Skanderbeg in Saint Nicholas, a church in Lezhë, they opened it and made amulets of his bones, believing that these would confer bravery on the wearer.[127] Indeed the damage inflicted to the Ottoman Army was such that Skanderbeg is said to have slain three thousand Turks with his own hand during his campaigns. Among stories told about him was that he never slept more than five hours at night and could cut two men asunder with a single stroke of his scimitar, cut through iron helmets, kill a wild boar with a single stroke, and cleave the head off a buffalo with another.[128] James Wolfe, commander of the British forces at Quebec, spoke of Skanderbeg as a commander who "excels all the officers, ancient and modern, in the conduct of a small defensive army".[129] On October 27, 2005, the United States Congress issued a resolution "honoring the 600th anniversary of the birth of Gjergj Kastrioti (Scanderbeg), statesman, diplomat, and military genius, for his role in saving Western Europe from Ottoman occupation."[130] Fully understanding the importance of the hero to the Albanians, Nazi Germany formed in February 1944, the 21st SS Division Skanderbeg, with 6,491 Kosovo Albanians.[131]

Skanderbeg is also remembered as a statesman. During his reign as part of his internal policy programs, Skanderbeg issued many edicts, such as those on carrying out a census of the population and on tax collection, based on Roman and Byzantine law.

 

There are two known works of literature written about Skanderbeg which were produced in 15th century. The first was written at the beginning of 1480 by Serbian writer Martin Segon who was the Catholic Bishop of Ulcinj and one of the most notable 15th-century humanists.[132][133] A part of the text he wrote under title Martino Segono di Novo Brdo, vescovo di Dulcigno. Un umanista serbo-dalmata del tardo Quattrocento is short but very important biographical sketch on Skanderbeg (Italian: Narrazioni di Giorgio Castriotto, da i Turchi nella lingua loro chiamato Scander beg, cioe Alesandro Magno).[134][135] Another 15th century literature work with Skanderbeg as one of the main characters was Memoirs of a janissary (Serbian: Успомене јаничара) written in period 1490—1497 by Konstantin Mihailović, a Serb who was a janissary in Ottoman Army.[136][137]

Skanderbeg gathered quite a posthumous reputation in Western Europe. In the 16th and 17th centuries, most of the Balkans were under the suzerainty of the Ottomans who were at the gates of Vienna in 1683 and narrative of the heroic Christian's resistance to the "Moslem hordes" captivated readers' attention in the West.[123] Books on the Albanian prince began to appear in Western Europe in the early 16th century. One of the earliest was the Historia de vita et gestis Scanderbegi, Epirotarum Principis (Rome, 1508), published a mere four decades after Skanderbeg's death. This History of the life and deeds of Scanderbeg, Prince of the Epirotes was written by the Albanian historian Marinus Barletius Scodrensis, known in Albanian as Marin Barleti, who, after experiencing the Ottoman capture of his native Shkodër firsthand, settled in Padua where he became rector of the parish church of St. Stephan. Barleti dedicated his work to Don Ferrante Kastrioti, Skanderbeg's grandchild, and to posterity. The book was first published in Latin.[138] Barleti is sometimes inaccurate in favour of his hero, for example, according to Gibbon, Barleti claims that the Sultan was killed by disease under the walls of Krujë.[139] Barleti's inaccuracies had also been noticed prior to Gibbon by Laonikos Chalkokondyles.[140] He made up spurious correspondence between Vladislav II of Wallachia and Skanderbeg wrongly assigning it to the year 1443 instead to the year of 1444.[141] Barleti also invented correspondence between Skanderbeg and Sultan Mehmed II to match his interpretations of events.[142]

In the 16th and 17th centuries, Barleti's book was translated into a number of foreign language versions. All these books, written in the panegyric style that would often characterize medieval historians who regarded history mostly as a branch of rhetoric, inspired a wide range of literary and art works.

Franciscus Blancus, a Catholic bishop born in Albania, also wrote Kastrioti's biography. His book "Georgius Castriotus, Epirensis vulgo Scanderbegh, Epirotarum Princeps Fortissimus" was published in Latin in 1636.[143] French philosopher, Voltaire, in his works, held in very high consideration the Albanian hero. Sir William Temple considered Skanderbeg to be one of the seven greatest chiefs without a crown, along with Belisarius, Flavius Aetius, John Hunyadi, Gonzalo Fernández de Córdoba, Alexander Farnese, and William the Silent.[144] Ludvig Holberg, a Danish writer and philosopher, claimed that Skanderbeg was one of the greatest generals in history.[145]

The Italian baroque composer Antonio Vivaldi composed an opera entitled Scanderbeg (first performed 1718), libretto written by Antonio Salvi. Another opera, entitled Scanderbeg, was composed by 18th century French composer François Francœur (first performed 1763).[146] In the 20th century, Albanian composer Prenkë Jakova composed a third opera, entitled Gjergj Kastrioti Skënderbeu, which premiered in 1968 for the 500th anniversary of the hero's death.[147]

Skanderbeg is the protagonist of three 18th-century British tragedies: William Havard's Scanderbeg, A Tragedy (1733), George Lillo's The Christian Hero (1735), and Thomas Whincop's Scanderbeg, Or, Love and Liberty (1747).[148] A number of poets and composers have also drawn inspiration from his military career. The French 16th-century poet Ronsard wrote a poem about him, as did the 19th-century American poet, Henry Wadsworth Longfellow.[149] Gibbon, the 18th-century historian, held Skanderbeg in high regard with panegyric expressions.

Giammaria Biemmi, an Italian priest, published a work on Skanderbeg titled Istoria di Giorgio Castrioto Scanderbeg-Begh in Brescia, Italy in 1742.[150] He claimed that he had found a work published in Venice in 1480 and written by an Albanian humanist from Bar, in modern-day Montenegro[150] whose brother was a warrior in Skanderbeg's personal guard. According to Biemmi, the work had lost pages dealing with Skanderbeg's youth, the events from 1443–1449, the Siege of Krujë (1467), and Skanderbeg's death. Biemmi referred to the author of the work as Antivarino, meaning the man from Bar.[151] The "Anonymous of Antivari" was Biemmi's invention that some historians (Fan S. Noli and Athanase Gegaj) had not discovered and used his forgery as source in their works.[152]

Skanderbeg is also mentioned by Prince of Montenegro, Petar II Petrović-Njegoš, one of the greatest poets of Serbian literature in his poem The Mountain Wreath (1847),[153] and in False Tsar Stephen the Little (1851).[154] In 1855, Camille Paganel wrote Histoire de Scanderbeg, inspired by the Crimean War,[155] whereas in the lengthy poetic tale Childe Harold's Pilgrimage (1812–1819), Byron wrote with admiration about Skanderbeg and his warrior nation.

The Great Warrior Skanderbeg (Albanian: Skënderbeu, Russian: Великий воин Албании Скандербег), a 1953 Albanian-Soviet biographical film, earned an International Prize at the 1954 Cannes Film Festival.[156]

Skanderbeg's memory has been engraved in many museums, such as the Skanderbeg Museum next to Krujë Castle. Many monuments are dedicated to his memory in the Albanian cities of Tirana (in Skanderbeg Square by Odhise Paskali), Krujë, and Peshkopi. A palace in Rome in which Skanderbeg resided during his 1466–67 visits to the Vatican is still called Palazzo Skanderbeg and currently houses the Italian museum of pasta:[157] the palace is located between the Fontana di Trevi and the Quirinal Palace. Also in Rome, a statue is dedicated to the Albanian hero in Piazza Albania. Monuments or statues of Skanderbeg have also been erected in the cities of Skopje and Debar, in the Republic of Macedonia; Pristina, in Kosovo; Geneva, in Switzerland; Brussels, in Belgium; and other settlements in southern Italy where there is an Arbëreshë community. In 2006, a statue of Skanderbeg was unveiled on the grounds of St. Paul's Albanian Catholic Community in Rochester Hills, Michigan. It is the first statue of Skanderbeg to erected in the United States.

 

South Beach Orlando Luxury Suites was a small hotel complex located along Kissimmee's US HWY 192 several miles east of Disney World, a heavy tourist corridor. It featured a picturesque Florida lakefront, a colorful palette, and incredibly poor and scandalous business practices. The hotel closed down several years ago and the site has sat in various states of disarray ever since. Shown here several years after its closure, the buildings have are devoid of internal components but their colorful exteriors still shine through years of overgrowth.

CP 8876 is passing through Muscatine, IA on train 261. The Vancouver Olympic Unit has seen better days with its full scheme but now, the emblem was marked out and the unit has fallen into “disarray” of sorts.

Inspiration:

My inspiration has two parts: first one is the traditional inspiration I got from the Tang Dinasty clothing which was most open to foreign influence and also influenced by many other nations, and the inspiration I got from imperial chinese clothing which was an affirmation of power; the second one was the modern inspiration I took from the chinese fashion week, from Zhan Zhifeng S/S 2015. I loved the use of colours like red, orange, emerald, pink, blue, among others and I decided for the red because it symbolizes good luck and in China it is also used to celebrate important events in life, in my case, this fabulous challenge. Other elements were used to symbolize the Chinese empire, like, the elaborate embroidery and floral motifs.

  

Styling card:

Top part/Dress: Thrones's Game by Peqe

Sleeves: Vera sleeve (edited) part of Vera by AZUL

Jewelry: Oriental Airen earrings and necklace by Alien Bear

Hair: Ava (edited) by KMADD hair

Headpiece: mask part of Geisha AKANE (edited and recoloured) by Boudoir

Skirt 1: flexi skirt part (edited and recoloured) of Miss Bliss Couture Beauty Gown by Bliss Couture

Skirt 2: skirt part of Nura Gown (skirt under) by Bliss Couture

Back side piece: Hair bow (edited) part of B wants B by Eshi Otawara

Shoes: Sexy Massacre by CX (cerberusxing)

Nails: Pastel/Gold Glitter Ombre Lilac by Alaskametro

Brows: Deco eyebrows by Glam Affair

Face base makeup: NEri-Oshiroi base with Liner and red eye shadown by Lovely Disarray

Eye makeup 1: Cat walk Eyemakeup red by no. 7

Lipstick 1: brightness 4 - lips 2 (recoloured) part of Shirin skin by DeeTaleZ

Lipstick 2: marie antoinette lipstick black by la petite morte

Frederic is a village in Polk County, Wisconsin, United States. The population was 1,137 at the 2010 census. It was established as a village in 1901.

 

Frederic is located at 45°39′32″N 92°28′1″W (45.658797, -92.466921).

 

According to the United States Census Bureau, the village has a total area of 1.79 square miles (4.64 km2), of which, 1.72 square miles (4.45 km2) of it is land and 0.07 square miles (0.18 km2) is water.

 

Frederic is along Wisconsin Highways 35 and 48, and Polk County Road W.

 

The Frederic School District consists of Frederic Elementary School and Frederic 6-12 School, which contains Frederic Middle School and Frederic High School.

 

Notable people

Robert M. Dueholm, Wisconsin politician, was born in Frederic.

Rodney Erickson, former president of Pennsylvania State University

Nathan Heffernan, member of the Wisconsin Supreme Court, was born in Frederic.

Erick H. Johnson, Wisconsin politician, lived in Frederic.

Rita Lee, Playboy's Playmate for the Month of November 1977, was born in Frederic.

Carol Merrill, a model for the original television game show Let's Make A Deal, was born in Frederic.

Erin Gloria Ryan, writer and podcaster, was born in Frederic.

Harvey Stower, Wisconsin politician, was born in Frederic.

 

Polk County is a county in the U.S. state of Wisconsin. As of the 2020 census, the population was 44,977. Its county seat is Balsam Lake. The county was created in 1853 and named for United States President James K. Polk.

 

Wisconsin is a state in the Upper Midwestern region of the United States. It borders Minnesota to the west, Iowa to the southwest, Illinois to the south, Lake Michigan to the east, Michigan to the northeast, and Lake Superior to the north. Wisconsin is the 25th-largest state by land area and the 20th-most populous.

 

The bulk of Wisconsin's population live in areas situated along the shores of Lake Michigan. The largest city, Milwaukee, anchors its largest metropolitan area, followed by Green Bay and Kenosha, the third- and fourth-most-populated Wisconsin cities, respectively. The state capital, Madison, is currently the second-most-populated and fastest-growing city in the state. Wisconsin is divided into 72 counties and as of the 2020 census had a population of nearly 5.9 million.

 

Wisconsin's geography is diverse, having been greatly impacted by glaciers during the Ice Age with the exception of the Driftless Area. The Northern Highland and Western Upland along with a part of the Central Plain occupy the western part of the state, with lowlands stretching to the shore of Lake Michigan. Wisconsin is third to Ontario and Michigan in the length of its Great Lakes coastline. The northern portion of the state is home to the Chequamegon-Nicolet National Forest. At the time of European contact, the area was inhabited by Algonquian and Siouan nations, and today it is home to eleven federally recognized tribes. During the 19th and early 20th centuries, many European settlers entered the state, most of whom emigrated from Germany and Scandinavia. Wisconsin remains a center of German American and Scandinavian American culture, particularly in respect to its cuisine, with foods such as bratwurst and kringle. Wisconsin is home to one UNESCO World Heritage Site, comprising two of the most significant buildings designed by Wisconsin-born architect Frank Lloyd Wright: his studio at Taliesin near Spring Green and his Jacobs I House in Madison.

 

The Republican Party was founded in Wisconsin in 1854. In more recent years, Wisconsin has been a battleground state in presidential elections, notably in 2016 and 2020.

 

Wisconsin is one of the nation's leading dairy producers and is known as "America's Dairyland"; it is particularly famous for its cheese. The state is also famous for its beer, particularly and historically in Milwaukee, most notably as the headquarters of the Miller Brewing Company. Wisconsin has some of the most permissive alcohol laws in the country and is well known for its drinking culture. Its economy is dominated by manufacturing, healthcare, information technology, and agriculture—specifically dairy, cranberries, and ginseng. Tourism is also a major contributor to the state's economy. The gross domestic product in 2020 was $348 billion.

 

The history of Wisconsin encompasses the story not only of the people who have lived in Wisconsin since it became a state of the U.S., but also that of the Native American tribes who made their homeland in Wisconsin, the French and British colonists who were the first Europeans to live there, and the American settlers who lived in Wisconsin when it was a territory.

 

Since its admission to the Union on May 29, 1848, as the 30th state, Wisconsin has been ethnically heterogeneous, with Yankees being among the first to arrive from New York and New England. They dominated the state's heavy industry, finance, politics and education. Large numbers of European immigrants followed them, including German Americans, mostly between 1850 and 1900, Scandinavians (the largest group being Norwegian Americans) and smaller groups of Belgian Americans, Dutch Americans, Swiss Americans, Finnish Americans, Irish Americans and others; in the 20th century, large numbers of Polish Americans and African Americans came, settling mainly in Milwaukee.

 

Politically the state was predominantly Republican until recent years, when it became more evenly balanced. The state took a national leadership role in the Progressive Movement, under the aegis of Robert M. "Fighting Bob" La Follette and his family, who fought the old guard bitterly at the state and national levels. The "Wisconsin Idea" called for the use of the higher learning in modernizing government, and the state is notable for its strong network of state universities.

 

The first known inhabitants of what is now Wisconsin were Paleo-Indians, who first arrived in the region in about 10,000 BC at the end of the Ice Age. The retreating glaciers left behind a tundra in Wisconsin inhabited by large animals, such as mammoths, mastodons, bison, giant beaver, and muskox. The Boaz mastodon and the Clovis artifacts discovered in Boaz, Wisconsin show that the Paleo-Indians hunted these large animals. They also gathered plants as conifer forests grew in the glaciers' wake. With the decline and extinction of many large mammals in the Americas, the Paleo-Indian diet shifted toward smaller mammals like deer and bison.

 

During the Archaic Period, from 6000 to 1000 BC, mixed conifer-hardwood forests as well as mixed prairie-forests replaced Wisconsin's conifer forests. People continued to depend on hunting and gathering. Around 4000 BC they developed spear-throwers and copper tools such as axes, adzes, projectile points, knives, perforators, fishhooks and harpoons. Copper ornaments like beaded necklaces also appeared around 1500 BC. These people gathered copper ore at quarries on the Keweenaw Peninsula in Michigan and on Isle Royale in Lake Superior. They may have crafted copper artifacts by hammering and folding the metal and also by heating it to increase its malleability. However it is not certain if these people reached the level of copper smelting. Regardless, the Copper Culture of the Great Lakes region reached a level of sophistication unprecedented in North America. The Late Archaic Period also saw the emergence of cemeteries and ritual burials, such as the one in Oconto.

 

The Early Woodland Period began in 1000 BC as plants became an increasingly important part of the people's diet. Small scale agriculture and pottery arrived in southern Wisconsin at this time. The primary crops were maize, beans and squash. Agriculture, however, could not sufficiently support these people, who also had to hunt and gather. Agriculture at this time was more akin to gardening than to farming. Villages emerged along rivers, streams and lakes, and the earliest earthen burial mounds were constructed. The Havana Hopewell culture arrived in Wisconsin in the Middle Woodland Period, settling along the Mississippi River. The Hopewell people connected Wisconsin to their trade practices, which stretched from Ohio to Yellowstone and from Wisconsin to the Gulf of Mexico. They constructed elaborate mounds, made elaborately decorated pottery and brought a wide range of traded minerals to the area. The Hopewell people may have influenced the other inhabitants of Wisconsin, rather than displacing them. The Late Woodland Period began in about 400 AD, following the disappearance of the Hopewell culture from the area. The people of Wisconsin first used the bow and arrow in the final centuries of the Woodland Period, and agriculture continued to be practiced in the southern part of the state. The effigy mound culture dominated Southern Wisconsin during this time, building earthen burial mounds in the shapes of animals. Examples of effigy mounds still exist at High Cliff State Park and at Lizard Mound County Park. In northern Wisconsin people continued to survive on hunting and gathering, and constructed conical mounds.

 

People of the Mississippian culture expanded into Wisconsin around 1050 AD and established a settlement at Aztalan along the Crawfish River. While begun by the Caddoan people, other cultures began to borrow & adapt the Mississippian cultural structure. This elaborately planned site may have been the northernmost outpost of Cahokia, although it is also now known that some Siouan peoples along the Mississippi River may have taken part in the culture as well. Regardless, the Mississippian site traded with and was clearly influenced in its civic and defensive planning, as well as culturally, by its much larger southern neighbor. A rectangular wood-and-clay stockade surrounded the twenty acre site, which contained two large earthen mounds and a central plaza. One mound may have been used for food storage, as a residence for high-ranking officials, or as a temple, and the other may have been used as a mortuary. The Mississippian culture cultivated maize intensively, and their fields probably stretched far beyond the stockade at Aztalan, although modern agriculture has erased any traces of Mississippian practices in the area. Some rumors also speculate that the people of Aztalan may have experimented slightly with stone architecture in the making of a man-made, stone-line pond, at the very least. While the first settler on the land of what is now the city supposedly reported this, he filled it in and it has yet to be rediscovered.

 

Both Woodland and Mississippian peoples inhabited Aztalan, which was connected to the extensive Mississippian trade network. Shells from the Gulf of Mexico, copper from Lake Superior and Mill Creek chert have been found at the site. Aztalan was abandoned around 1200 AD. The Oneota people later built agriculturally based villages, similar to those of the Mississippians but without the extensive trade networks, in the state.

 

By the time the first Europeans arrived in Wisconsin, the Oneota had disappeared. The historically documented inhabitants, as of the first European incursions, were the Siouan speaking Dakota Oyate to the northwest, the Chiwere speaking Ho-Chunk (Winnebago) and the Algonquian Menominee to the northeast, with their lands beginning approximately north of Green Bay. The Chiwere lands were south of Green Bay and followed rivers to the southwest. Over time, other tribes moved to Wisconsin, including the Ojibwe, the Illinois, the Fauk, the Sauk and the Mahican. The Mahican were one of the last groups to arrived, coming from New York after the U.S. congress passed the Indian Removal Act of 1830.

 

The first European known to have landed in Wisconsin was Jean Nicolet. In 1634, Samuel de Champlain, governor of New France, sent Nicolet to contact the Ho-Chunk people, make peace between them and the Huron and expand the fur trade, and possibly to also find a water route to Asia. Accompanied by seven Huron guides, Nicolet left New France and canoed through Lake Huron and Lake Superior, and then became the first European known to have entered Lake Michigan. Nicolet proceeded into Green Bay, which he named La Baie des Puants (literally "The Stinking Bay"), and probably came ashore near the Red Banks. He made contact with the Ho-Chunk and Menominee living in the area and established peaceful relations. Nicolet remained with the Ho-Chunk the winter before he returned to Quebec.

 

The Beaver Wars fought between the Iroquois and the French prevented French explorers from returning to Wisconsin until 1652–1654, when Pierre Radisson and Médard des Groseilliers arrived at La Baie des Puants to trade furs. They returned to Wisconsin in 1659–1660, this time at Chequamegon Bay on Lake Superior. On their second voyage they found that the Ojibwe had expanded into northern Wisconsin, as they continued to prosper in the fur trade. They also were the first Europeans to contact the Santee Dakota. They built a trading post and wintered near Ashland, before returning to Montreal.

 

In 1665 Claude-Jean Allouez, a Jesuit missionary, built a mission on Lake Superior. Five years later he abandoned the mission, and journeyed to La Baie des Puants. Two years later he built St. Francis Xavier Mission near present-day De Pere. In his journeys through Wisconsin, he encountered groups of Native Americans who had been displaced by Iroquois in the Beaver Wars. He evangelized the Algonquin-speaking Potawatomi, who had settled on the Door Peninsula after fleeing Iroquois attacks in Michigan. He also encountered the Algonquin-speaking Sauk, who had been forced into Michigan by the Iroquois, and then had been forced into central Wisconsin by the Ojibwe and the Huron.

 

The next major expedition into Wisconsin was that of Father Jacques Marquette and Louis Jolliet in 1673. After hearing rumors from Indians telling of the existence of the Mississippi River, Marquette and Joliet set out from St. Ignace, in what is now Michigan, and entered the Fox River at Green Bay. They canoed up the Fox until they reached the river's westernmost point, and then portaged, or carried their boats, to the nearby Wisconsin River, where they resumed canoeing downstream to the Mississippi River. Marquette and Joliet reached the Mississippi near what is now Prairie du Chien, Wisconsin in June, 1673.

 

Nicolas Perrot, French commander of the west, established Fort St. Nicholas at Prairie du Chien, Wisconsin in May, 1685, near the southwest end of the Fox-Wisconsin Waterway. Perrot also built a fort on the shores of Lake Pepin called Fort St. Antoine in 1686, and a second fort, called Fort Perrot, on an island on Lake Peppin shortly after. In 1727, Fort Beauharnois was constructed on what is now the Minnesota side of Lake Pepin to replace the two previous forts. A fort and a Jesuit mission were also built on the shores of Lake Superior at La Pointe, in present-day Wisconsin, in 1693 and operated until 1698. A second fort was built on the same site in 1718 and operated until 1759. These were not military posts, but rather small storehouses for furs.

 

During the French colonial period, the first black people came to Wisconsin. The first record of a black person comes from 1725, when a black slave was killed along with four Frenchmen in a Native American raid on Green Bay. Other French fur traders and military personnel brought slaves with them to Wisconsin later in 1700s.

 

None of the French posts had permanent settlers; fur traders and missionaries simply visited them from time to time to conduct business.

 

In the 1720s, the anti-French Fox tribe, led by war chief Kiala, raided French settlements on the Mississippi River and disrupted French trade on Lake Michigan. From 1728 to 1733, the Fox fought against the French-supported Potawatomi, Ojibwa, Huron and Ottawa tribes. In 1733, Kiala was captured and sold into slavery in the West Indies along with other captured Fox.

 

Before the war, the Fox tribe numbered 1500, but by 1733, only 500 Fox were left. As a result, the Fox joined the Sauk people.

 

The details are unclear, but this war appears to have been part of the conflict that expelled the Dakota & Illinois peoples out onto the Great Plains, causing further displacement of other Chiwere, Caddoan & Algonquian peoples there—including the ancestors of the Ioway, Osage, Pawnee, Arikara, A'ani, Arapaho, Hidatsa, Cheyenne & Blackfoot.

 

The British gradually took over Wisconsin during the French and Indian War, taking control of Green Bay in 1761, gaining control of all of Wisconsin in 1763, and annexing the area to the Province of Quebec in 1774. Like the French, the British were interested in little but the fur trade. One notable event in the fur trading industry in Wisconsin occurred in 1791, when two free African Americans set up a fur trading post among the Menominee at present day Marinette. The first permanent settlers, mostly French Canadians, some Anglo-New Englanders and a few African American freedmen, arrived in Wisconsin while it was under British control. Charles Michel de Langlade is generally recognized as the first settler, establishing a trading post at Green Bay in 1745, and moving there permanently in 1764. In 1766 the Royal Governor of the new territory, Robert Rogers, engaged Jonathan Carver to explore and map the newly acquired territories for the Crown, and to search for a possible Northwest Passage. Carver left Fort Michilimackinac that spring and spent the next three years exploring and mapping what is now Wisconsin and parts of Minnesota.

 

Settlement began at Prairie du Chien around 1781. The French residents at the trading post in what is now Green Bay, referred to the town as "La Bey", however British fur traders referred to it as "Green Bay", because the water and the shore assumed green tints in early spring. The old French title was gradually dropped, and the British name of "Green Bay" eventually stuck. The region coming under British rule had virtually no adverse effect on the French residents as the British needed the cooperation of the French fur traders and the French fur traders needed the goodwill of the British. During the French occupation of the region licenses for fur trading had been issued scarcely and only to select groups of traders, whereas the British, in an effort to make as much money as possible from the region, issued licenses for fur trading freely, both to British and French residents. The fur trade in what is now Wisconsin reached its height under British rule, and the first self-sustaining farms in the state were established at this time as well. From 1763 to 1780, Green Bay was a prosperous community which produced its own foodstuff, built graceful cottages and held dances and festivities.

 

The United States acquired Wisconsin in the Treaty of Paris (1783). Massachusetts claimed the territory east of the Mississippi River between the present-day Wisconsin-Illinois border and present-day La Crosse, Wisconsin. Virginia claimed the territory north of La Crosse to Lake Superior and all of present-day Minnesota east of the Mississippi River. Shortly afterward, in 1787, the Americans made Wisconsin part of the new Northwest Territory. Later, in 1800, Wisconsin became part of Indiana Territory. Despite the fact that Wisconsin belonged to the United States at this time, the British continued to control the local fur trade and maintain military alliances with Wisconsin Indians in an effort to stall American expansion westward by creating a pro-British Indian barrier state.

 

The United States did not firmly exercise control over Wisconsin until the War of 1812. In 1814, the Americans built Fort Shelby at Prairie du Chien. During the war, the Americans and British fought one battle in Wisconsin, the July, 1814 Siege of Prairie du Chien, which ended as a British victory. The British captured Fort Shelby and renamed it Fort McKay, after Major William McKay, the British commander who led the forces that won the Battle of Prairie du Chien. However, the 1815 Treaty of Ghent reaffirmed American jurisdiction over Wisconsin, which was by then a part of Illinois Territory. Following the treaty, British troops burned Fort McKay, rather than giving it back to the Americans, and departed Wisconsin. To protect Prairie du Chien from future attacks, the United States Army constructed Fort Crawford in 1816, on the same site as Fort Shelby. Fort Howard was also built in 1816 in Green Bay.

 

Significant American settlement in Wisconsin, a part of Michigan Territory beginning in 1818, was delayed by two Indian wars, the minor Winnebago War of 1827 and the larger Black Hawk War of 1832.

 

The Winnebago War started when, in 1826, two Winnebago men were detained at Fort Crawford on charges of murder and then transferred to Fort Snelling in present-day Minnesota. The Winnebago in the area believed that both men had been executed. On June 27, 1827, a Winnebago war band led by Chief Red Bird and the prophet White Cloud (Wabokieshiek) attacked a family of settlers outside of Prairie du Chien, killing two. They then went on to attack two keel-boats on the Mississippi River that were heading toward Fort Snelling, killing two settlers and injuring four more. Seven Winnebago warriors were killed in those attacks. The war band also attacked settlers on the lower Wisconsin River and the lead mines at Galena, Illinois. The war band surrendered at Portage, Wisconsin, rather than fighting the United States Army that was pursuing them.

 

In the Black Hawk War, Sac, Fox, and Kickapoo Native Americans, otherwise known as the British Band, led by Chief Black Hawk, who had been relocated from Illinois to Iowa, attempted to resettle in their Illinois homeland on April 5, 1832, in violation of Treaty. On May 10 Chief Black Hawk decided to go back to Iowa. On May 14, Black Hawk's forces met with a group of militiamen led by Isaiah Stillman. All three members of Black Hawk's parley were shot and one was killed. The Battle of Stillman's Run ensued, leaving twelve militiamen and three to five Sac and Fox warriors dead. Of the fifteen battles of the war, six took place in Wisconsin. The other nine as well as several smaller skirmishes took place in Illinois. The first confrontation to take place in Wisconsin was the first attack on Fort Blue Mounds on June 6, in which one member of the local militia was killed outside of the fort. There was also the Spafford Farm Massacre on June 14, the Battle of Horseshoe Bend on June 16, which was a United States victory, the second attack on Fort Blue Mounds on June 20, and the Sinsinawa Mound raid on June 29. The Native Americans were defeated at the Battle of Wisconsin Heights on July 21, with forty to seventy killed and only one killed on the United States side. The Ho Chunk Nation fought on the side of the United States. The Black Hawk War ended with the Battle of Bad Axe on August 1–2, with over 150 of the British Band dead and 75 captured and only five killed in the United States forces. Those crossing the Mississippi were killed by Lakota, American and Ho Chunk Forces. Many of the British Band survivors were handed over to the United States on August 20 by the Lakota Tribe, with the exception of Black Hawk, who had retreated into Vernon County, Wisconsin and White Cloud, who surrendered on August 27, 1832. Black Hawk was captured by Decorah south of Bangor, Wisconsin, south of the headwaters of the La Crosse River. He was then sold to the U.S. military at Prairie du Chien, accepted by future Confederate president, Stephen Davis, who was a soldier at the time. Black Hawk's tribe had killed his daughter. Black Hawk moved back to Iowa in 1833, after being held prisoner by the United States government.

 

The Francois Vertefeuille House in Prairie du Chien was built in the 1810s by fur traders. A rare example of the pièce-sur-pièce à coulisse technique once common in French-Canadian architecture, it is one of the oldest buildings in the state and is listed on the National Register of Historic Places.

 

The Cornish immigrants who worked in Wisconsin's lead mines build simple stone cabins from limestone. Six cabins are preserved at the Pendarvis Historic Site in Mineral Point.

The resolution of these Indian conflicts opened the way for Wisconsin's settlement. Many of the region's first settlers were drawn by the prospect of lead mining in southwest Wisconsin. This area had traditionally been mined by Native Americans. However, after a series of treaties removed the Indians, the lead mining region was opened to white miners. Thousands rushed in from across the country to dig for the "gray gold". By 1829, 4,253 miners and 52 licensed smelting works were in the region. Expert miners from Cornwall in Britain informed a large part of the wave of immigrants. Boom towns like Mineral Point, Platteville, Shullsburg, Belmont, and New Diggings sprang up around mines. The first two federal land offices in Wisconsin were opened in 1834 at Green Bay and at Mineral Point. By the 1840s, southwest Wisconsin mines were producing more than half of the nation's lead, which was no small amount, as the United States was producing annually some 31 million pounds of lead. Wisconsin was dubbed the "Badger State" because of the lead miners who first settled there in the 1820s and 1830s. Without shelter in the winter, they had to "live like badgers" in tunnels burrowed into hillsides.

 

Although the lead mining area drew the first major wave of settlers, its population would soon be eclipsed by growth in Milwaukee. Milwaukee, along with Sheboygan, Manitowoc, and Kewaunee, can be traced back to a series of trading posts established by the French trader Jacques Vieau in 1795. Vieau's post at the mouth of the Milwaukee River was purchased in 1820 by Solomon Juneau, who had visited the area as early as 1818. Juneau moved to what is now Milwaukee and took over the trading post's operation in 1825.

 

When the fur trade began to decline, Juneau focused on developing the land around his trading post. In the 1830s, he formed a partnership with Green Bay lawyer Morgan Martin, and the two men bought 160 acres (0.6 km2) of land between Lake Michigan and the Milwaukee River. There they founded the settlement of Juneautown. Meanwhile, an Ohio businessman named Byron Kilbourn began to invest in the land west of the Milwaukee River, forming the settlement of Kilbourntown. South of these two settlements, George H. Walker founded the town of Walker's Point in 1835. Each of these three settlements engaged in a fierce competition to attract the most residents and become the largest of the three towns. In 1840, the Wisconsin State Legislature ordered the construction of a bridge over the Milwaukee River to replace the inadequate ferry system. In 1845, Byron Kilbourn, who had been trying to isolate Juneautown to make it more dependent on Kilbourntown, destroyed a portion of the bridge, which started the Milwaukee Bridge War. For several weeks, skirmishes broke out between the residents of both towns. No one was killed but several people were injured, some seriously. On January 31, 1846, the settlements of Juneautown, Kilbourntown, and Walker's Point merged into the incorporated city of Milwaukee. Solomon Juneau was elected mayor. The new city had a population of about 10,000 people, making it the largest city in the territory. Milwaukee remains the largest city in Wisconsin to this day.

 

Wisconsin Territory was created by an act of the United States Congress on April 20, 1836. By fall of that year, the best prairie groves of the counties surrounding Milwaukee were occupied by New England farmers. The new territory initially included all of the present day states of Wisconsin, Minnesota, and Iowa, as well as parts of North and South Dakota. At the time the Congress called it the "Wiskonsin Territory".

 

The first territorial governor of Wisconsin was Henry Dodge. He and other territorial lawmakers were initially busied by organizing the territory's government and selecting a capital city. The selection of a location to build a capitol caused a heated debate among the territorial politicians. At first, Governor Dodge selected Belmont, located in the heavily populated lead mining district, to be capital. Shortly after the new legislature convened there, however, it became obvious that Wisconsin's first capitol was inadequate. Numerous other suggestions for the location of the capital were given representing nearly every city that existed in the territory at the time, and Governor Dodge left the decision up to the other lawmakers. The legislature accepted a proposal by James Duane Doty to build a new city named Madison on an isthmus between lakes Mendota and Monona and put the territory's permanent capital there. In 1837, while Madison was being built, the capitol was temporarily moved to Burlington. This city was transferred to Iowa Territory in 1838, along with all the lands of Wisconsin Territory west of the Mississippi River.

 

Wyman calls Wisconsin a "palimpsest" of layer upon layer of peoples and forces, each imprinting permanent influences. He identified these layers as multiple "frontiers" over three centuries: Native American frontier, French frontier, English frontier, fur-trade frontier, mining frontier, and the logging frontier. Finally the coming of the railroad brought the end of the frontier.

 

The historian of the frontier, Frederick Jackson Turner, grew up in Wisconsin during its last frontier stage, and in his travels around the state he could see the layers of social and political development. One of Turner's last students, Merle Curti used in-depth analysis of local history in Trempealeau County to test Turner's thesis about democracy. Turner's view was that American democracy, "involved widespread participation in the making of decisions affecting the common life, the development of initiative and self-reliance, and equality of economic and cultural opportunity. It thus also involved Americanization of immigrant." Curti found that from 1840 to 1860 in Wisconsin the poorest groups gained rapidly in land ownership, and often rose to political leadership at the local level. He found that even landless young farm workers were soon able to obtain their own farms. Free land on the frontier therefore created opportunity and democracy, for both European immigrants as well as old stock Yankees.

 

By the mid-1840s, the population of Wisconsin Territory had exceeded 150,000, more than twice the number of people required for Wisconsin to become a state. In 1846, the territorial legislature voted to apply for statehood. That fall, 124 delegates debated the state constitution. The document produced by this convention was considered extremely progressive for its time. It banned commercial banking, granted married women the right to own property, and left the question of African-American suffrage to a popular vote. Most Wisconsinites considered the first constitution to be too radical, however, and voted it down in an April 1847 referendum.

 

In December 1847, a second constitutional convention was called. This convention resulted in a new, more moderate state constitution that Wisconsinites approved in a March 1848 referendum, enabling Wisconsin to become the 30th state on May 29, 1848. Wisconsin was the last state entirely east of the Mississippi River (and by extension the last state formed entirely from territory assigned to the U.S. in the 1783 Treaty of Paris) to be admitted to the Union.

 

With statehood, came the creation of the University of Wisconsin–Madison, which is the state's oldest public university. The creation of this university was set aside in the state charter.

 

In 1847, the Mineral Point Tribune reported that the town's furnaces were producing 43,800 pounds (19,900 kg) of lead each day. Lead mining in southwest Wisconsin began to decline after 1848 and 1849 when the combination of less easily accessible lead ore and the California Gold Rush made miners leave the area. The lead mining industry in mining communities such as Mineral Point managed to survive into the 1860s, but the industry was never as prosperous as it was before the decline.

 

By 1850 Wisconsin's population was 305,000. Roughly a third (103,000) were Yankees from New England and western New York state. The second largest group were the Germans, numbering roughly 38,000, followed by 28,000 British immigrants from England, Scotland and Wales. There were roughly 63,000 Wisconsin-born residents of the state. The Yankee migrants would be the dominant political class in Wisconsin for many years.

 

A railroad frenzy swept Wisconsin shortly after it achieved statehood. The first railroad line in the state was opened between Milwaukee and Waukesha in 1851 by the Chicago, Milwaukee, St. Paul and Pacific Railroad. The railroad pushed on, reaching Milton, Wisconsin in 1852, Stoughton, Wisconsin in 1853, and the capital city of Madison in 1854. The company reached its goal of completing a rail line across the state from Lake Michigan to the Mississippi River when the line to Prairie du Chien was completed in 1857. Shortly after this, other railroad companies completed their own tracks, reaching La Crosse in the west and Superior in the north, spurring development in those cities. By the end of the 1850s, railroads crisscrossed the state, enabling the growth of other industries that could now easily ship products to markets across the country.

 

Nelson Dewey, the first governor of Wisconsin, was a Democrat. Born in Lebanon, Connecticut, Dewey's father's family had lived in New England since 1633, when their ancestor, Thomas Due, had come to America from Kent County, England. Dewey oversaw the transition from the territorial to the new state government. He encouraged the development of the state's infrastructure, particularly the construction of new roads, railroads, canals, and harbors, as well as the improvement of the Fox and Wisconsin Rivers. During his administration, the State Board of Public Works was organized. Dewey was an abolitionist and the first of many Wisconsin governors to advocate against the spread of slavery into new states and territories. The home Dewey built near Cassville is now a state park.

 

Between 1848 and 1862, Wisconsin had three Democratic governors, all of whom were in office prior to 1856, four Republican governors, all of whom were in office after 1856, and one Whig governor, Leonard J. Farwell, who served from 1852 to 1854. Under Farwell's governorship, Wisconsin became the second state to abolish capital punishment.

 

In the presidential elections of 1848 and 1852, the Democratic Party won Wisconsin. In the elections of 1856, 1860, and 1864, the Republican Party won the state.

 

Between the 1840s and 1860s, settlers from New England, New York and Germany arrived in Wisconsin. Some of them brought radical political ideas to the state. In the 1850s, stop-overs on the underground railroad were set up in the state and abolitionist groups were formed. Some abolitionist and free-soil activists left the Whig and Democratic parties, running and in some cases being elected as candidates of the Liberty Party and Free Soil Party. The most successful such group was the Republican Party. On March 20, 1854, the first county meeting of the Republican Party of the United States, consisting of about thirty people, was held in the Little White Schoolhouse in Ripon, Wisconsin. Ripon claims to be the birthplace of the Republican Party, as does Jackson, Michigan, where the first statewide convention was held. The new party absorbed most of the former Free Soil and Liberty Party members.

 

A notable instance of abolitionism in Wisconsin was the rescue of Joshua Glover, an escaped slave from St. Louis who sought refuge in Racine, Wisconsin in 1852. He was caught in 1854 by federal marshals and put in a jail at Cathedral Square in Milwaukee, where he waited to be returned to his owner. A mob of 5,000 people led by Milwaukee abolitionist Sherman Booth, himself a "Yankee" transplant from rural New York, sprung Glover from jail and helped him escape to Canada via the underground railroad.

 

In the 1850s, two-thirds of immigrants to Wisconsin came from the eastern United States, the other one-third being foreign-born. The majority of the foreign born were German immigrants. Many Irish and Norwegian immigrants also came to Wisconsin in the 1850s. Northern Europeans, many of whom were persecuted in their home countries because of their support for the failed bourgeois Revolutions of 1848, often chose Wisconsin because of the liberal constitution of human rights such as the state's unusual recognition of immigrants' right to vote and rights to citizenship.

 

Yankee settlers from New England started arriving in Wisconsin in the 1830s spread throughout the southern half of the territory. They dominated early politics. Most of them started as farmers, but the larger proportion moved to towns and cities as entrepreneurs, businessmen and professionals.

 

Historian John Bunker has examined the worldview of the Yankee settlers in the Wisconsin:

 

Because they arrived first and had a strong sense of community and mission, Yankees were able to transplant New England institutions, values, and mores, altered only by the conditions of frontier life. They established a public culture that emphasized the work ethic, the sanctity of private property, individual responsibility, faith in residential and social mobility, practicality, piety, public order and decorum, reverence for public education, activists, honest, and frugal government, town meeting democracy, and he believed that there was a public interest that transcends particular and stick ambitions. Regarding themselves as the elect and just in a world rife with sin, air, and corruption, they felt a strong moral obligation to define and enforce standards of community and personal behavior....This pietistic worldview was substantially shared by British, Scandinavian, Swiss, English-Canadian and Dutch Reformed immigrants, as well as by German Protestants and many of the "Forty-Niners."

 

The color guard of the Wisconsin 8th Infantry with Old Abe

Wisconsin enrolled 91,379 soldiers in the Union Army during the American Civil War. 272 of enlisted Wisconsin troops were African American, with the rest being white. Of these, 3,794 were killed in action or mortally wounded, 8,022 died of disease, and 400 were killed in accidents. The total mortality was 12,216 men, about 13.4 percent of total enlistments. Many soldiers trained at Camp Randall currently the site of the University of Wisconsin's athletic stadium.

 

The draft implemented by President Lincoln in 1862 was unpopular in some Wisconsin communities, particularly among German and Luxembourgish immigrants. In November 1862, draft riots broke out in Milwaukee, Port Washington, and West Bend, which were quelled by deploying U.S. troops in the cities.

 

Most Wisconsin troops served in the western theater, although several Wisconsin regiments fought in the east, such as the 2nd Wisconsin Volunteer Infantry Regiment, 6th Wisconsin Volunteer Infantry Regiment, and 7th Wisconsin Volunteer Infantry Regiment, which formed part of the Iron Brigade. These three regiments fought in the Northern Virginia Campaign, the Maryland Campaign, the Battle of Fredericksburg, the Battle of Chancellorsville, the Gettysburg Campaign, the Battle of Mine Run, the Overland Campaign, the Siege of Petersburg, and the Appomattox Campaign.

 

The 8th Wisconsin Volunteer Infantry Regiment, which fought in the western theater of war, is also worthy of mention, having fought at the Battle of Iuka, the Siege of Vicksburg, the Red River Campaign, and the Battle of Nashville. The 8th Wisconsin is also known for its mascot, Old Abe.

 

Agriculture was a major component of the Wisconsin economy during the 19th century. Wheat was a primary crop on early Wisconsin farms. In fact, during the mid 19th century, Wisconsin produced about one sixth of the wheat grown in the United States. However, wheat rapidly depleted nutrients in the soil, especially nitrogen, and was vulnerable to insects, bad weather, and wheat leaf rust. In the 1860s, chinch bugs arrived in Wisconsin and damaged wheat across the state. As the soil lost its quality and prices dropped, the practice of wheat farming moved west into Iowa and Minnesota. Some Wisconsin farmers responded by experimenting with crop rotation and other methods to restore the soil's fertility, but a larger number turned to alternatives to wheat.

 

In parts of northern Wisconsin, farmers cultivated cranberries and in a few counties in south central Wisconsin, farmers had success growing tobacco, but the most popular replacement for wheat was dairy farming. As wheat fell out of favor, many Wisconsin farmers started raising dairy cattle and growing feed crops, which were better suited to Wisconsin's climate and soil. One reason for the popularity of dairy farming was that many of Wisconsin's farmers had come to the state from New York, the leading producer of dairy products at the time. In addition, many immigrants from Europe brought an extensive knowledge of cheese making. Dairying was also promoted by the University of Wisconsin–Madison's school of agriculture, which offered education to dairy farmers and researched ways to produce better dairy products. The first test of butterfat content in milk was developed at the university, which allowed for consistency in the quality of butter and cheese. By 1899, over ninety percent of Wisconsin farms raised dairy cows and by 1915, Wisconsin had become the leading producer of dairy products in the United States, a position it held until the 1990s. The term America's Dairyland appeared in newspapers as early as 1913 when the state's butterfat production became first in the nation. In 1939 the state legislature enacted a bill to add the slogan to the state's automobile license plates. It continues to be the nation's largest producer of cheese, no longer focusing on the raw material (milk) but rather the value-added products. Because of this, Wisconsin continues to promote itself as "America's Dairyland", Wisconsinites are referred to as cheeseheads in some parts of the country, including Wisconsin, and foam cheesehead hats are associated with Wisconsin and its NFL team, the Green Bay Packers.

 

The first brewery in Wisconsin was opened in 1835 in Mineral Point by brewer John Phillips. A year later, he opened a second brewery in Elk Grove. In 1840, the first brewery in Milwaukee was opened by Richard G. Owens, William Pawlett, and John Davis, all Welsh immigrants. By 1860, nearly 200 breweries operated in Wisconsin, more than 40 of them in Milwaukee. The huge growth in the brewing industry can be accredited, in part, to the influx of German immigrants to Wisconsin in the 1840s and 1850s. Milwaukee breweries also grew in volume due to the destruction of Chicago's breweries during the great Chicago fire. In the second half of the 19th century, four of the largest breweries in the United States opened in Milwaukee: Miller Brewing Company, Pabst Brewing Company, Valentin Blatz Brewing Company, and Joseph Schlitz Brewing Company. In the 20th century Pabst absorbed Blatz and Schlitz, and moved its brewery and corporate headquarters to California. Miller continues to operate in Milwaukee. The Jacob Leinenkugel Brewing Company opened in Chippewa Falls, Wisconsin in 1867 and continues to operate there to this day.

 

Agriculture was not viable in the densely forested northern and central parts of Wisconsin. Settlers came to this region for logging. The timber industry first set up along the Wisconsin River. Rivers were used to transport lumber from where the wood was being cut, to the sawmills. Sawmills in cities like Wausau and Stevens Point sawed the lumber into boards that were used for construction. The Wolf River also saw considerable logging by industrious Menominee. The Black and Chippewa Rivers formed a third major logging region. That area was dominated by one company owned by Frederick Weyerhaeuser. The construction of railroads allowed loggers to log year round, after rivers froze, and go deeper into the forests to cut down previously unshippable wood supplies. Wood products from Wisconsin's forests such as doors, furniture, beams, shipping boxes, and ships were made in industrial cities with connects to the Wisconsin lumber industry such as Chicago, Milwaukee, Sheboygan, and Manitowoc. Milwaukee and Manitowoc were centers for commercial ship building in Wisconsin. Many cargo ships built in these communities were used to transport lumber from logging ports to major industrial cities. Later a growing paper industry in the Fox River Valley made use of wood pulp from the state's lumber industry.

 

Logging was a dangerous trade, with high accident rates. On October 8, 1871, the Peshtigo Fire burned 1,875 square miles (4,850 km2) of forest land around the timber industry town of Peshtigo, Wisconsin, killing between 1,200 and 2,500 people. It was the deadliest fire in United States history.

 

From the 1870s to the 1890s, much of the logging in Wisconsin was done by immigrants from Scandinavia.

 

By the beginning of the twentieth century, logging in Wisconsin had gone into decline. Many forests had been cleared and never replanted and large corporations in the Pacific Northwest took business away from the Wisconsin industry. The logging companies sold their land to immigrants and out of work lumberjacks who hoped to turn the acres of pine stumps into farms, but few met with success.

 

Wisconsin is known in the 18th century to have discovered gold deposits in western Wisconsin. Such discoveries occurred around the town of St. Croix Falls where a settler stumbled across a gold nugget valued to be worth lots at the time. It's no surprise Wisconsin's western region was once the site of volcanic eruptions so it makes sense that minerals that weren't commonly found in other parts of the state would be present here.

 

Wisconsin was a regional and national model for innovation and organization in the Progressive Era in the early 20th century. The direct primary law of 1904 made it possible to mobilize voters against the previously dominant political machines. The first factors involved the La Follette family going back and forth between trying control of the Republican Party and third-party activity. Secondly the Wisconsin idea, of intellectuals and planners based at the University of Wisconsin shaping government policy. LaFollette started as a traditional Republican in the 1890s, where he fought against populism and other radical movements. He broke decisively with the state Republican leadership, and took control of the party by 1900, all the time quarrelling endlessly with ex-allies.

 

Wisconsin at this time was a de facto one party state, as the Democratic Party was then a minor conservative group in the state. Serious opposition more often than not came from the Socialist Party, with a strong German and union constituency in Milwaukee. The socialists often collaborated with the progressive Republicans in statewide politics. Senator Robert M. La Follette tried to use his national reputation to challenge President Taft for the Republican nomination in 1912. However, as soon as Roosevelt declared his candidacy, most of La Follette's supporters switched to the former president. During the Wilson administration he supported many of Wilson's domestic programs in Congress, however he strongly opposed Wilson's foreign policy, and mobilized the large German and Scandinavian populations in Wisconsin to demand neutrality during World War I. During the final years of his career, he split with the Republican Party and ran an independent campaign for president in 1924. In his bid for the presidency he won 1/6 of the national popular vote, but was only able to win his home state.

 

Following his death, his two sons assumed control of the Wisconsin Republican Party after a brief period of intraparty factional disputes. Following in their father's footsteps they helped form the Wisconsin Progressive Party, in many ways a spiritual successor to the party La Follette had founded in 1924. The party surged to popularity during the mid-1930s off of the inaction of the moderately conservative Schmedeman administration, and were able to gain the support of then president Franklin D. Roosevelt. Much of the new party's support could be owed to the personalities leading it, and the support of Roosevelt and progressive Democrats. The party saw success across Wisconsin's elected offices in the state and congress. Despite its popularity the party eventually declined as Philip, engulfed in scandal and accusations of authoritarianism and fiscal responsibility, lost re-election for the final time in 1938. Following this defeat Philip left electoral politics and joined World War II in the Pacific Theater. Due to joining the war, the National Progressives of America, an organization the La Follettes had hoped would precede a national realignment, faltered. Both organizations began to tear themselves apart as La Follette's absence led to vicious intraparty fighting which ultimately led to a vote to dissolve itself, which Philip was told to stay away from.

 

The Wisconsin Idea was the commitment of the University of Wisconsin under President Charles R. Van Hise, with LaFollette support, to use the university's powerful intellectual resources to develop practical progressive reforms for the state and indeed for the nation.

 

Between 1901 and 1911, Progressive Republicans in Wisconsin created the nation's first comprehensive statewide primary election system, the first effective workplace injury compensation law, and the first state income tax, making taxation proportional to actual earnings. The key leaders were Robert M. La Follette and (in 1910) Governor Francis E. McGovern. However, in 1912 McGovern supported Roosevelt for president and LaFollette was outraged. He made sure the next legislature defeated the governor's programs, and that McGovern was defeated in his bid for the Senate in 1914. The Progressive movement split into hostile factions. Some was based on personalities—especially La Follette's style of violent personal attacks against other Progressives, and some was based on who should pay, with the division between farmers (who paid property taxes) and the urban element (which paid income taxes). This disarray enabled the conservatives (called "Stalwarts") to elect Emanuel Philipp as governor in 1914. The Stalwart counterattack said the Progressives were too haughty, too beholden to experts, too eager to regulate, and too expensive. Economy and budget cutting was their formula.

 

During World War I, due to the neutrality of Wisconsin and many Wisconsin Republicans, progressives, and German immigrants which made up 30 to 40 percent of the state population, Wisconsin would gain the nickname "Traitor State" which was used by many "hyper patriots".

 

As the war raged on in Europe, Robert M. La Follette, leader of the anti-war movement in Wisconsin, led a group of progressive senators in blocking a bill by president Woodrow Wilson which would have armed merchant ships with guns. Many Wisconsin politicians such as Governor Phillipp and senator Irvine Lernroot were accused of having divided loyalties. Even with outspoken opponents to the war, at the onset of the war many Wisconsinites would abandon neutrality. Businesses, labor and farms all enjoyed prosperity from the war. With over 118,000 going into military service, Wisconsin was the first state to report for four national drafts conducted by the U.S. military.

 

The progressive Wisconsin Idea promoted the use of the University of Wisconsin faculty as intellectual resources for state government, and as guides for local government. It promoted expansion of the university through the UW-Extension system to reach all the state's farming communities. University economics professors John R. Commons and Harold Groves enabled Wisconsin to create the first unemployment compensation program in the United States in 1932. Other Wisconsin Idea scholars at the university generated the plan that became the New Deal's Social Security Act of 1935, with Wisconsin expert Arthur J. Altmeyer playing the key role. The Stalwarts counterattacked by arguing if the university became embedded in the state, then its internal affairs became fair game, especially the faculty preference for advanced research over undergraduate teaching. The Stalwarts controlled the Regents, and their interference in academic freedom outraged the faculty. Historian Frederick Jackson Turner, the most famous professor, quit and went to Harvard.

 

Wisconsin took part in several political extremes in the mid to late 20th century, ranging from the anti-communist crusades of Senator Joseph McCarthy in the 1950s to the radical antiwar protests at UW-Madison that culminated in the Sterling Hall bombing in August 1970. The state became a leader in welfare reform under Republican Governor Tommy Thompson during the 1990s. The state's economy also underwent further transformations towards the close of the 20th century, as heavy industry and manufacturing declined in favor of a service economy based on medicine, education, agribusiness, and tourism.

 

In 2011, Wisconsin became the focus of some controversy when newly elected governor Scott Walker proposed and then successfully passed and enacted 2011 Wisconsin Act 10, which made large changes in the areas of collective bargaining, compensation, retirement, health insurance, and sick leave of public sector employees, among other changes. A series of major protests by union supporters took place that year in protest to the changes, and Walker survived a recall election held the next year, becoming the first governor in United States history to do so. Walker enacted other bills promoting conservative governance, such as a right-to-work law, abortion restrictions, and legislation removing certain gun controls. Walker's administration also made critical changes to Wisconsin's election process, enacting one of the most aggressive legislative gerrymanders in the country and replacing Wisconsin's nonpartisan state elections board with a commission of political appointees. When Walker lost re-election in 2018, he collaborated with the gerrymandered Republican legislature to strip powers from the incoming Governor and Attorney General. Since 2011, Wisconsin has seen increasing governmental dysfunction and paralysis, as the durable gerrymander insulated the legislature from electoral consequences.

 

Following the election of Tony Evers as governor in 2018, Wisconsin has seen a string of liberal victories at every level of government which have slowly chipped away at the conservative dominance within the state. This eventually led to the Wisconsin supreme court overturning the Walker-era legislative gerrymander in Clarke v. Wisconsin Elections Commission.

Hi guys I'm StrongerStrange and welcome back to Destiny The Taken King and The Blighted Chalice, a brand new Taken/ Hive Strike mission set on the Moon that came with the April update, or the Taken Spring as some people are calling it. (Yay!) The Pretender to the Throne is a Story Mission in Destiny. It takes place on The Dreadnaught, and is the final mission in the questline At the Gates. After the defeat of Oryx, the Hive and Taken are in disarray. Powerful members of these beings are trying to gain control of the crown. In the past, this would have resulted in imprisonment and torture by being sent to the Founts as Alak-Hul was, but because Oryx is not present, no one competing for the throne has to fear his wrath. One of these trying to take Oryx's crown is Malok, a powerful Taken being. Destiny Playthrough Playlist Link: www.youtube.com/playlist?list=PLRE7HMbyx7ms5GdYEa9JPWDcju... Random Video: www.youtube.com/watch?v=_WVEo4yXpho Who's feeling Social? Twitch (Some Extra Content) - ift.tt/1P2XaTD Twitter - twitter.com/StrongerStrange Tumblr - ift.tt/1vuLiE5 Facebook - ift.tt/1vuLiE7 SubReddit discussion/suggestions/things - ift.tt/1HpIxE1 Destiny is an online-only first-person shooter video game developed by Bungie and published by Activision. It was released worldwide on September 9, 2014, for the PlayStation 3, PlayStation 4, Xbox 360, and Xbox One consoles. Destiny Game Guide: bungiestore.com/ Destiny Store Link: ift.tt/1RUuazg Bungie, Inc. is an American video game developer located in Bellevue, Washington, United States. The company was established in May 1991 as Bungie Software Products Corporation by University of Chicago undergraduate student Alex Seropian, who later brought in programmer Jason Jones after publishing Jones' game Minotaur: The Labyrinths of Crete. Originally based in Chicago, Illinois, the company concentrated primarily on Macintosh games during its early years and created two very successful video game franchises called Marathon and Myth. A West Coast offshoot produced the PC and console title Oni. Microsoft acquired Bungie in 2000; the project it was working on was repurposed into a launch title for Microsoft's Xbox console, called Halo: Combat Evolved. Halo became the Xbox's "killer application", selling millions of copies and spawning a billion dollar franchise. On October 5, 2007, Bungie announced that it had split from Microsoft and become a privately held independent company, Bungie LLC (Microsoft retained ownership of the Halo franchise IP). Among Bungie's side projects are Bungie.net, the company's official website, which includes company information, forums, and statistics-tracking and integration with many of its games. Bungie.net also serves as the platform from which Bungie sells company-related merchandise out of the Bungie Store and runs other projects, including Bungie Aerospace, its charitable organization, the Bungie Foundation, a podcast, and online publications about game topics. The company is known for its informal and dedicated workplace culture, and recently signed a ten-year publishing deal with Activision. Their first project together was the 2014 first-person shooter, Destiny. Thank you all for watching! Please Feel free to make a suggestion. All the Playthroughs, Walkthrough and Gameplay Videos I make are for fun, but I'd like to make videos in a wider range and slowly become more professional, or unprofessional which ever is better. Destiny The Taken King Playthrough - PART 57 - Blighted Chalice

Do you want the extremism in the world right now to stop?

Do you want the insanity of environmental degradation to stop?

Do you want equality between men and women to be a reality?

Do you want the wild places to be given real value and perpetuity protection?

 

Do you want all animals to be given real value and protection from cruelty and exploitation?

Do you want children to have equal opportunity to education, shelter, clean water, food and care worldwide?

Do you want peace to be the norm instead of war and violence?

Do you want spirituality to have equal values with scientific values?

 

Do you want indigenous peoples given equal opportunities and their voices valued?

Whatever injustice we see in the world right now can all be changed.

 

Whatever false dichotomy we are presently seeing acted out around our daily lives and throughout the world can be transformed?

 

All of this disunity, extremism, inequalities can be healed within through a simply switch of vision.

How, I hear you roar? How can a simple, single soul sitting in all sorts of disarray, all sorts of dis-empowered relationships change something so large and so over baring so very powerful that it is about to engulf each and every one of us in the entire planet?

 

Go within. Stephen Covey shared years ago about the circle of influence in his book “7 Habits of Highly Effective People”.

FACT…Our circle of influence shrinks when we work outside of our circle of influence BUT when we work within our circle of influence our circle grows bigger and bigger. Our efforts have much greater positive consequences for us and all around us when we work within our circle of influence so imagine if we first of all take that circle of influence within side of our own selves?

And if we all do this inner work overnight the world’s extreme outer problems would slowly fade away.

 

Let’s explore going within! Our inside selves have less known about them than the accumulated knowledge of the surface of the moon and mars! Our collective outside selves are searching the entire universe looking to understand the human race but who is turning within to explore these uncharted terrains…who is pioneering within to truly understand what is going on in there?

 

Yes, I hear you say the scientists are; with great modern research but the inside self is not just a physical place it is also the realm of the spiritual us. A demarcation point lies within all of us where everything within the entire universe meets at a juncture point where if we stay divided, separated, living in false dichotomies, thinking in black and white, constantly living in confusion, pulled between good or bad, stretched between choices of right or wrong or following our hearts over our heads the entire world will continue to be engulfed in war after war and degradation will reach heights never seen before or even imagined within the known history of humanity.

 

Looking into the physical world we will see everything; yes every single thing has an opposite. While we continue to believe our only choice is to live in a state of opposite our life will exist permanently on a painful sharp edge or falling over and plunging deeply into one extreme or another.

 

Life is so very hard living in that place of opposites. It is not a coincidence that throughout all developing societies within the world right now, 2016, substance abuse, addictions of every imaginable kind, depression, suicide, violence are increasing at alarming rates at every socioeconomic level and in every age, race and gender groupings.

 

Our internal demarcation point; where each and every one of us on the planet right now holds in our own hands the power to end this spinning out of control divisive force and choose to live without a belief of dichotomy. Living in a state of Grace, living in the present moment and living in unity of self is our only circle of true influence.

 

WITHIN: WE have a left brain that thinks logically, can focus very deeply into the smallest detail like exploring quarks AND AT THE EXACT SAME TIME we have a right brain that can imagine, intuit the largest concepts the size of a “supervoid” universe. WE have a left ear that hears, connects us to the left side of the brain which understands with logic, articulation and facts AND AT THE EXACT SAME TIME we have a right ear that hears, connects us to the right side of the brain which feels, imagines, applies emotions. WE have a left side of our body that is feminine, welcomes in new ideas, receptive to new experiences AND AT THE EXACT SAME TIME we have a right side of the body that is masculine, has the power of letting go, giving outwardly, action doer. WE have a spiritual self that feels understands concepts, metaphors, symbols, capacity of imagination, thinking, comprehension, memory AND AT THE EXACT SAME TIME we have a physical self that uses its 5 outside senses of taste, smell, hearing, seeing, touching to experience the physical realms. WE have a heart that feels, intuits, prays, loves cares for, houses our God concept AND AT THE EXACT SAME TIME we have a physical brain that can rationalise, calculate, build, construct entire cities from the largest buildings right down to the tiniest machines embedded with human beings to keep them alive and functioning.

 

At present the majority of human beings believe, to live a happy life we have to choose between all these inner dualities and ignore or even worse put down, oppress the opposite state of each one which in turn puts down our own self constantly. All this is doing is creating inner diseases physically, emotionally, socially and spiritually and as a direct result of all that inner division and inner warfare diseases get reflected out onto others around us such as our families and into the collective physical, emotional, social and spiritual world communities that surround us all.

 

All outer hatreds, all levels engaging in any form of war, imposing oppressive violence onto others, environments, animals are only reflections from within human beings own inner duality waring selves.

 

Will the lower or higher nature win this war? Every time we hear people attack the role of the ego they are engaging in inner warfare, inner violence against their own selves.

What I am trying to say is every time we just listen with our right ear and feel with our right brain and ignore the left ear and the left logical side of the brain to have equal input we are disunified and oppressing half of our own self. This is what is happening to 99% of the human race right now, from small children right through to the oldest members of our human race and it is this inner divisive process that has to be changed urgently if we want these outer catastrophes, increasing on a daily bases to change and be healed once and for all.

 

Go within and find that point, that demarcation line, that common faculty that can travel from the outer and inner realms and begin to let go of our own inner dichotomy battles. Let drop our own inner oppressor of our own small child self. Release our imprisoned and isolated higher self from solitary confinement.

 

Listen equally with both the right ear and left ear. Think and feel equally from both sides of our brains. Allow both the masculine and famine sides of our own selves the opportunities to act equally and united in every situation. Way up the big picture with the small acts which are both needed for a unified choice of action. Engage both heart and mind in every thought or action you are undertaking. Declare peace between the higher self and the lower self. Build inner trust and ownership of each quality to work together for the betterment of the self and then the entire human race. Interweave inwardly the truths of the past with the realities of today and grow out and above all that felt and shaken off pain to allow healing and maturity to spread worldwide from our own circle of inner influence.

By balancing all our inner duality states we as human beings will gestalt up towards our collective destiny and release ourselves from the shackles and chains of the past, create a clean slate that will show us how we can grow and move forward united as one human family and united as one human race.

 

Being present and in the now is a point of balance and working at that inner demarcation point. Spinning out of control in past thoughts filled with guilt, shame or desires OR spinning out of control in future thoughts filled with imagined idol fancies and vain imaginings cripples and paralyses us in each moment’s actions with the lock and key of fear.

 

It is overdue for us all to pull the veil of duality and separation from our own individual inner eyes and start to see clearly a new balanced unified vision inwardly so we then can reflect this outwards onto others and all our actions as we observe the world filling gently with harmony, love and peaceful actions towards all of creation regardless if human, plant or animal.

Services across all lines were suspended just before 8am due to a communications fault at the Old Trafford control. An intermittent service was resumed on all lines around an hour later.

At around 1545 after another problem in the Cornbrook area and services in total disarray the decision was taken to suspend all lines.

Bound for Etihad Campus, 3021 crosses into St.Peters Square.

 

Vladimir Ilyich Ulyanov[b] (22 April [O.S. 10 April] 1870 – 21 January 1924), better known as Vladimir Lenin, was a Russian revolutionary, politician, and political theorist. He served as the first and founding head of government of Soviet Russia from 1917 until his death in 1924, and of the Soviet Union from 1922 to 1924. Under his administration, Russia, and later the Soviet Union, became a one-party socialist state governed by the Communist Party. Ideologically a Marxist, his developments to the ideology are called Leninism.

 

Born to a schoolteacher's family in Simbirsk, Lenin embraced revolutionary socialist politics following his brother's 1887 execution. Expelled from Kazan Imperial University for participating in protests against the Tsarist government, he devoted the following years to a law degree. He relocated to Saint Petersburg in 1893 where he became a senior Marxist activist. In 1897, he was arrested for sedition and exiled to Shushenskoye in Siberia for three years, where he married Nadezhda Krupskaya. After his exile, he moved to Western Europe, where he became a prominent theorist in the Marxist Russian Social Democratic Labour Party (RSDLP). In 1903, he took a key role in the RSDLP ideological split, leading the Bolshevik faction against Julius Martov's Mensheviks. Following Russia's failed Revolution of 1905, he initially campaigned for the First World War to be transformed into a Europe-wide proletarian revolution, which, as a Marxist, he believed would cause the overthrow of capitalism and the rise of socialism. After the 1917 February Revolution ousted the Tsar and established a Provisional Government, he returned to Russia and played a leading role in the October Revolution, in which the Bolsheviks overthrew the new government.

 

Lenin's Bolshevik government initially shared power with the Left Socialist Revolutionaries, elected soviets, and a multi-party Constituent Assembly, although by 1918 it had centralised power in the new Communist Party. Lenin's administration redistributed land among the peasantry and nationalised banks and large-scale industry. It withdrew from the First World War by signing a treaty conceding territory to the Central Powers, and promoted world revolution through the Communist International. Opponents were suppressed in the Red Terror, a violent campaign administered by the state security services; tens of thousands were killed or interned in concentration camps. His administration defeated right and left-wing anti-Bolshevik armies in the Russian Civil War from 1917 to 1922 and oversaw the Polish–Soviet War of 1919–1921. Responding to wartime devastation, famine, and popular uprisings, in 1921 Lenin encouraged economic growth through the New Economic Policy. Several non-Russian nations had secured independence from Russia after 1917, but five were forcibly re-united into the new Soviet Union in 1922, while others repelled Soviet invasions. His health failing, Lenin died in Gorki, with Joseph Stalin succeeding him as the pre-eminent figure in the Soviet government.

 

Widely considered one of the most significant and influential figures of the 20th century, Lenin was the posthumous subject of a pervasive personality cult within the Soviet Union until its dissolution in 1991. He became an ideological figurehead behind Marxism–Leninism and a prominent influence over the international communist movement. A controversial and highly divisive historical figure, Lenin is viewed by his supporters as a champion of socialism, communism, anti-imperialism and the working class, while his critics accuse him of establishing a totalitarian dictatorship that oversaw mass killings and political repression of dissidents.

 

University and political radicalisation: 1887–1893

Upon entering Kazan University in August 1887, Lenin moved into a nearby flat. There, he joined a zemlyachestvo, a form of university society that represented the men of a particular region. This group elected him as its representative to the university's zemlyachestvo council, and he took part in a December demonstration against government restrictions that banned student societies. The police arrested Lenin and accused him of being a ringleader in the demonstration; he was expelled from the university, and the Ministry of Internal Affairs exiled him to his family's Kokushkino estate. There, he read voraciously, becoming enamoured with Nikolay Chernyshevsky's 1863 pro-revolutionary novel What Is to Be Done?

 

Lenin's mother was concerned by her son's radicalisation, and was instrumental in convincing the Interior Ministry to allow him to return to the city of Kazan, but not the university. On his return, he joined Nikolai Fedoseev's revolutionary circle, through which he discovered Karl Marx's 1867 book Capital. This sparked his interest in Marxism, a socio-political theory that argued that society developed in stages, that this development resulted from class struggle, and that capitalist society would ultimately give way to socialist society and then communist society. Wary of his political views, Lenin's mother bought a country estate in Alakaevka village, Samara Oblast, in the hope that her son would turn his attention to agriculture. He had little interest in farm management, and his mother soon sold the land, keeping the house as a summer home.

 

In September 1889, the Ulyanov family moved to the city of Samara, where Lenin joined Alexei Sklyarenko's socialist discussion circle. There, Lenin fully embraced Marxism and produced a Russian language translation of Marx and Friedrich Engels's 1848 political pamphlet, The Communist Manifesto. He began to read the works of the Russian Marxist Georgi Plekhanov, agreeing with Plekhanov's argument that Russia was moving from feudalism to capitalism and so socialism would be implemented by the proletariat, or urban working class, rather than the peasantry. This Marxist perspective contrasted with the view of the agrarian-socialist Narodnik movement, which held that the peasantry could establish socialism in Russia by forming peasant communes, thereby bypassing capitalism. This Narodnik view developed in the 1860s with the People's Freedom Party and was then dominant within the Russian revolutionary movement. Lenin rejected the premise of the agrarian-socialist argument but was influenced by agrarian-socialists like Pyotr Tkachev and Sergei Nechaev and befriended several Narodniks.

 

In May 1890, Maria, who retained societal influence as the widow of a nobleman, persuaded the authorities to allow Lenin to take his exams externally at the University of St Petersburg, where he obtained the equivalent of a first-class degree with honours. The graduation celebrations were marred when his sister Olga died of typhoid. Lenin remained in Samara for several years, working first as a legal assistant for a regional court and then for a local lawyer. He devoted much time to radical politics, remaining active in Sklyarenko's group and formulating ideas about how Marxism applied to Russia. Inspired by Plekhanov's work, Lenin collected data on Russian society, using it to support a Marxist interpretation of societal development and counter the claims of the Narodniks. He wrote a paper on peasant economics; it was rejected by the liberal journal Russian Thought.

 

Revolutionary activity

Early activism and imprisonment: 1893–1900

In late 1893, Lenin moved to Saint Petersburg. There, he worked as a barrister's assistant and rose to a senior position in a Marxist revolutionary cell that called itself the Social-Democrats after the Marxist Social Democratic Party of Germany. Championing Marxism within the socialist movement, he encouraged the founding of revolutionary cells in Russia's industrial centres. By late 1894, he was leading a Marxist workers' circle, and meticulously covered his tracks to evade police spies. He began a romantic relationship with Nadezhda "Nadya" Krupskaya, a Marxist schoolteacher. He also authored a political tract criticising the Narodnik agrarian-socialists, What the "Friends of the People" Are and How They Fight the Social-Democrats; around 200 copies were illegally printed in 1894.

 

Hoping to cement connections between his Social-Democrats and Emancipation of Labour, a group of Russian Marxists based in Switzerland, Lenin visited the country to meet group members Plekhanov and Pavel Axelrod. He proceeded to Paris to meet Marx's son-in-law Paul Lafargue and to research the Paris Commune of 1871, which he considered an early prototype for a proletarian government. Financed by his mother, he stayed in a Swiss health spa before travelling to Berlin, where he studied for six weeks at the Staatsbibliothek and met the Marxist Wilhelm Liebknecht. Returning to Russia with a stash of illegal revolutionary publications, he travelled to various cities distributing literature to striking workers. While involved in producing a news sheet, Rabochee delo (Workers' Cause), he was among 40 activists arrested in St. Petersburg and charged with sedition.

 

Refused legal representation or bail, Lenin denied all charges against him but remained imprisoned for a year before sentencing. He spent this time theorising and writing. In this work he noted that the rise of industrial capitalism in Russia had caused large numbers of peasants to move to the cities, where they formed a proletariat. From his Marxist perspective, Lenin argued that this Russian proletariat would develop class consciousness, which would in turn lead them to violently overthrow tsarism, the aristocracy, and the bourgeoisie and to establish a proletariat state that would move toward socialism.

 

In February 1897, Lenin was sentenced without trial to three years' exile in eastern Siberia. He was granted a few days in Saint Petersburg to put his affairs in order and used this time to meet with the Social-Democrats, who had renamed themselves the League of Struggle for the Emancipation of the Working Class. His journey to eastern Siberia took 11 weeks, for much of which he was accompanied by his mother and sisters. Deemed only a minor threat to the government, he was exiled to Shushenskoye, Minusinsky District, where he was kept under police surveillance; he was nevertheless able to correspond with other revolutionaries, many of whom visited him, and permitted to go on trips to swim in the Yenisei River and to hunt duck and snipe.

 

In May 1898, Nadya joined him in exile, having been arrested in August 1896 for organising a strike. She was initially posted to Ufa, but persuaded the authorities to move her to Shushenskoye, where she and Lenin married on 10 July 1898. Settling into a family life with Nadya's mother Elizaveta Vasilyevna, in Shushenskoye the couple translated English socialist literature into Russian. There, Lenin wrote A Protest by Russian Social-Democrats to criticise German Marxist revisionists like Eduard Bernstein who advocated a peaceful, electoral path to socialism. He also finished The Development of Capitalism in Russia (1899), his longest book to date, which criticised the agrarian-socialists and promoted a Marxist analysis of Russian economic development. Published under the pseudonym of Vladimir Ilin, upon publication it received predominantly poor reviews.

 

Munich, London, and Geneva: 1900–1905

After his exile, Lenin settled in Pskov in early 1900. There, he began raising funds for a newspaper, Iskra (Spark), a new organ of the Russian Marxist party, now calling itself the Russian Social Democratic Labour Party (RSDLP). In July 1900, Lenin left Russia for Western Europe; in Switzerland he met other Russian Marxists, and at a Corsier conference they agreed to launch the paper from Munich, where Lenin relocated in September. Containing contributions from prominent European Marxists, Iskra was smuggled into Russia, becoming the country's most successful underground publication for 50 years. He first adopted the pseudonym Lenin in December 1901, possibly based on the Siberian River Lena; he often used the fuller pseudonym of N. Lenin, and while the N did not stand for anything, a popular misconception later arose that it represented Nikolai. Under this pseudonym, in 1902 he published his most influential publication to date, the pamphlet What Is to Be Done?, which outlined his thoughts on the need for a vanguard party to lead the proletariat to revolution.

 

Nadya joined Lenin in Munich and became his secretary. They continued their political agitation, as Lenin wrote for Iskra and drafted the RSDLP programme, attacking ideological dissenters and external critics, particularly the Socialist Revolutionary Party (SR),[ a Narodnik agrarian-socialist group founded in 1901. Despite remaining a Marxist, he accepted the Narodnik view on the revolutionary power of the Russian peasantry, accordingly, penning the 1903 pamphlet To the Village Poor. To evade Bavarian police, Lenin moved to London with Iskra in April 1902, where he befriended fellow Russian-Ukrainian Marxist Leon Trotsky. Lenin fell ill with erysipelas and was unable to take such a leading role on the Iskra editorial board; in his absence, the board moved its base of operations to Geneva.

 

The second RSDLP Congress was held in London in July 1903. At the conference, a schism emerged between Lenin's supporters and those of Julius Martov. Martov argued that party members should be able to express themselves independently of the party leadership; Lenin disagreed, emphasising the need for a strong leadership with complete control over the party. Lenin's supporters were in the majority, and he termed them the "majoritarians" (bol'sheviki in Russian; Bolsheviks); in response, Martov termed his followers the "minoritarians" (men'sheviki in Russian; Mensheviks). Arguments between Bolsheviks and Mensheviks continued after the conference; the Bolsheviks accused their rivals of being opportunists and reformists who lacked discipline, while the Mensheviks accused Lenin of being a despot and autocrat. Enraged at the Mensheviks, Lenin resigned from the Iskra editorial board and in May 1904 published the anti-Menshevik tract One Step Forward, Two Steps Back. The stress made Lenin ill, and to recuperate he holidayed in Switzerland. The Bolshevik faction grew in strength; by spring 1905, the whole RSDLP Central Committee was Bolshevik, and in December they founded the newspaper Vperyod (Forward).

 

Revolution of 1905 and its aftermath: 1905–1914

In January 1905, the Bloody Sunday massacre of protesters in St. Petersburg sparked a spate of civil unrest in the Russian Empire known as the Revolution of 1905. Lenin urged Bolsheviks to take a greater role in the events, encouraging violent insurrection. In doing so, he adopted SR slogans regarding "armed insurrection", "mass terror", and "the expropriation of gentry land", resulting in Menshevik accusations that he had deviated from orthodox Marxism. In turn, he insisted that the Bolsheviks split completely with the Mensheviks; many Bolsheviks refused, and both groups attended the Third RSDLP Congress, held in London in April 1905. Lenin presented many of his ideas in the pamphlet Two Tactics of Social Democracy in the Democratic Revolution, published in August 1905. Here, he predicted that Russia's liberal bourgeoisie would be sated by a transition to constitutional monarchy and thus betray the revolution; instead, he argued that the proletariat would have to build an alliance with the peasantry to overthrow the Tsarist regime and establish the "provisional revolutionary democratic dictatorship of the proletariat and the peasantry."

 

The uprising has begun. Force against Force. Street fighting is raging, barricades are being thrown up, rifles are cracking, guns are booming. Rivers of blood are flowing, the civil war for freedom is blazing up. Moscow and the South, the Caucasus and Poland are ready to join the proletariat of St. Petersburg. The slogan of the workers has become: Death or Freedom!

 

In response to the revolution of 1905, which had failed to overthrow the government, Tsar Nicholas II accepted a series of liberal reforms in his October Manifesto. In this climate, Lenin felt it safe to return to St. Petersburg. Joining the editorial board of Novaya Zhizn (New Life), a radical legal newspaper run by Maria Andreyeva, he used it to discuss issues facing the RSDLP. He encouraged the party to seek out a much wider membership, and advocated the continual escalation of violent confrontation, believing both to be necessary for a successful revolution. Recognising that membership fees and donations from a few wealthy sympathisers were insufficient to finance the Bolsheviks' activities, Lenin endorsed the idea of robbing post offices, railway stations, trains, and banks. Under the lead of Leonid Krasin, a group of Bolsheviks began carrying out such criminal actions, the best-known taking place in June 1907, when a group of Bolsheviks acting under the leadership of Joseph Stalin committed an armed robbery of the State Bank in Tiflis, Georgia.

 

Although he briefly supported the idea of reconciliation between Bolsheviks and Mensheviks, Lenin's advocacy of violence and robbery was condemned by the Mensheviks at the Fourth RSDLP Congress, held in Stockholm in April 1906. Lenin was involved in setting up a Bolshevik Centre in Kuokkala, Grand Duchy of Finland, which was at the time an autonomous state within the Russian Empire, before the Bolsheviks regained dominance of the RSDLP at its Fifth Congress, held in London in May 1907. As the Tsarist government cracked down on opposition, both by disbanding Russia's legislative assembly, the Second Duma, and by ordering its secret police, the Okhrana, to arrest revolutionaries, Lenin fled Finland for Switzerland. There, he tried to exchange those banknotes stolen in Tiflis that had identifiable serial numbers on them.

 

Alexander Bogdanov and other prominent Bolsheviks decided to relocate the Bolshevik Centre to Paris; although Lenin disagreed, he moved to the city in December 1908. Lenin disliked Paris, lambasting it as "a foul hole", and while there he sued a motorist who knocked him off his bike. Lenin became very critical of Bogdanov's view that Russia's proletariat had to develop a socialist culture in order to become a successful revolutionary vehicle. Instead, Lenin favoured a vanguard of socialist intelligentsia who would lead the working-classes in revolution. Furthermore, Bogdanov, influenced by Ernest Mach, believed that all concepts of the world were relative, whereas Lenin stuck to the orthodox Marxist view that there was an objective reality independent of human observation. Bogdanov and Lenin holidayed together at Maxim Gorky's villa in Capri in April 1908 on returning to Paris, Lenin encouraged a split within the Bolshevik faction between his and Bogdanov's followers, accusing the latter of deviating from Marxism.

 

In May 1908, Lenin lived briefly in London, where he used the British Museum Reading Room to write Materialism and Empirio-criticism, an attack on what he described as the "bourgeois-reactionary falsehood" of Bogdanov's relativism. Lenin's factionalism began to alienate increasing numbers of Bolsheviks, including his former close supporters Alexei Rykov and Lev Kamenev. The Okhrana exploited his factionalist attitude by sending a spy, Roman Malinovsky, to act as a vocal Lenin supporter within the party. Various Bolsheviks expressed their suspicions about Malinovsky to Lenin, although it is unclear if the latter was aware of the spy's duplicity; it is possible that he used Malinovsky to feed false information to the Okhrana.

 

In August 1910, Lenin attended the Eighth Congress of the Second International, an international meeting of socialists, in Copenhagen as the RSDLP's representative, following this with a holiday in Stockholm with his mother. With his wife and sisters, he then moved to France, settling first in Bombon and then Paris. Here, he became a close friend to the French Bolshevik Inessa Armand; some biographers suggest that they had an extra-marital affair from 1910 to 1912. Meanwhile, at a Paris meeting in June 1911, the RSDLP Central Committee decided to move their focus of operations back to Russia, ordering the closure of the Bolshevik Centre and its newspaper, Proletari. Seeking to rebuild his influence in the party, Lenin arranged for a party conference to be held in Prague in January 1912, and although 16 of the 18 attendants were Bolsheviks, he was heavily criticised for his factionalist tendencies and failed to boost his status within the party.

 

Moving to Kraków in the Kingdom of Galicia and Lodomeria, a culturally Polish part of the Austro-Hungarian Empire, he used Jagiellonian University's library to conduct research. He stayed in close contact with the RSDLP, which was operating in the Russian Empire, convincing the Duma's Bolshevik members to split from their parliamentary alliance with the Mensheviks. In January 1913, Stalin, whom Lenin referred to as the "wonderful Georgian", visited him, and they discussed the future of non-Russian ethnic groups in the Empire. Due to the ailing health of both Lenin and his wife, they moved to the rural town of Biały Dunajec, before heading to Bern for Nadya to have surgery on her goitre.

 

First World War: 1914–1917

The [First World] war is being waged for the division of colonies and the robbery of foreign territory; thieves have fallen out–and to refer to the defeats at a given moment of one of the thieves in order to identify the interests of all thieves with the interests of the nation or the fatherland is an unconscionable bourgeois lie.

 

Lenin was in Galicia when the First World War broke out. The war pitted the Russian Empire against the Austro-Hungarian Empire, and due to his Russian citizenship, Lenin was arrested and briefly imprisoned until his anti-Tsarist credentials were explained. Lenin and his wife returned to Bern, before relocating to Zürich in February 1916. Lenin was angry that the German Social-Democratic Party was supporting the German war effort, which was a direct contravention of the Second International's Stuttgart resolution that socialist parties would oppose the conflict and saw the Second International as defunct. He attended the Zimmerwald Conference in September 1915 and the Kienthal Conference in April 1916, urging socialists across the continent to convert the "imperialist war" into a continent-wide "civil war" with the proletariat pitted against the bourgeoisie and aristocracy. In July 1916, Lenin's mother died, but he was unable to attend her funeral. Her death deeply affected him, and he became depressed, fearing that he too would die before seeing the proletarian revolution.

 

In September 1917, Lenin published Imperialism, the Highest Stage of Capitalism, which argued that imperialism was a product of monopoly capitalism, as capitalists sought to increase their profits by extending into new territories where wages were lower and raw materials cheaper. He believed that competition and conflict would increase and that war between the imperialist powers would continue until they were overthrown by proletariat revolution and socialism established. He spent much of this time reading the works of Georg Wilhelm Friedrich Hegel, Ludwig Feuerbach, and Aristotle, all of whom had been key influences on Marx. This changed Lenin's interpretation of Marxism; whereas he once believed that policies could be developed based on predetermined scientific principles, he concluded that the only test of whether a policy was correct was its practice. He still perceived himself as an orthodox Marxist, but he began to diverge from some of Marx's predictions about societal development; whereas Marx had believed that a "bourgeoisie-democratic revolution" of the middle-classes had to take place before a "socialist revolution" of the proletariat, Lenin believed that in Russia the proletariat could overthrow the Tsarist regime without an intermediate revolution.

 

February Revolution and the July Days: 1917

In February 1917, the February Revolution broke out in St. Petersburg, renamed Petrograd at the beginning of the First World War, as industrial workers went on strike over food shortages and deteriorating factory conditions. The unrest spread to other parts of Russia, and fearing that he would be violently overthrown, Tsar Nicholas II abdicated. The State Duma took over control of the country, establishing the Russian Provisional Government and converting the Empire into a new Russian Republic. When Lenin learned of this from his base in Switzerland, he celebrated with other dissidents. He decided to return to Russia to take charge of the Bolsheviks but found that most passages into the country were blocked due to the ongoing conflict. He organised a plan with other dissidents to negotiate a passage for them through Germany, with which Russia was then at war. Recognising that these dissidents could cause problems for their Russian enemies, the German government agreed to permit 32 Russian citizens to travel by train through their territory, among them Lenin and his wife. For political reasons, Lenin and the Germans agreed to a cover story that Lenin had travelled by sealed train carriage through German territory, but in fact the train was not truly sealed, and the passengers were allowed to disembark to, for example, spend the night in Frankfurt. The group travelled by train from Zürich to Sassnitz, proceeding by ferry to Trelleborg, Sweden, and from there to the Haparanda–Tornio border crossing and then to Helsinki before taking the final train to Petrograd in disguise.

 

Arriving at Petrograd's Finland Station in April, Lenin gave a speech to Bolshevik supporters condemning the Provisional Government and again calling for a continent-wide European proletarian revolution. Over the following days, he spoke at Bolshevik meetings, lambasting those who wanted reconciliation with the Mensheviks and revealing his "April Theses", an outline of his plans for the Bolsheviks, which he had written on the journey from Switzerland. He publicly condemned both the Mensheviks and the Social Revolutionaries, who dominated the influential Petrograd Soviet, for supporting the Provisional Government, denouncing them as traitors to socialism. Considering the government to be just as imperialist as the Tsarist regime, he advocated immediate peace with Germany and Austria-Hungary, rule by soviets, the nationalisation of industry and banks, and the state expropriation of land, all with the intention of establishing a proletariat government and pushing toward a socialist society. By contrast, the Mensheviks believed that Russia was insufficiently developed to transition to socialism and accused Lenin of trying to plunge the new Republic into civil war. Over the coming months Lenin campaigned for his policies, attending the meetings of the Bolshevik Central Committee, prolifically writing for the Bolshevik newspaper Pravda, and giving public speeches in Petrograd aimed at converting workers, soldiers, sailors, and peasants to his cause.

 

Sensing growing frustration among Bolshevik supporters, Lenin suggested an armed political demonstration in Petrograd to test the government's response. Amid deteriorating health, he left the city to recuperate in the Finnish village of Neivola. The Bolsheviks' armed demonstration, the July Days, took place while Lenin was away, but upon learning that demonstrators had violently clashed with government forces, he returned to Petrograd and called for calm. Responding to the violence, the government ordered the arrest of Lenin and other prominent Bolsheviks, raiding their offices, and publicly alleging that he was a German agent provocateur. Evading arrest, Lenin hid in a series of Petrograd safe houses. Fearing that he would be killed, Lenin and fellow senior Bolshevik Grigory Zinoviev escaped Petrograd in disguise, relocating to Razliv. There, Lenin began work on the book that became The State and Revolution, an exposition on how he believed the socialist state would develop after the proletariat revolution, and how from then on the state would gradually wither away, leaving a pure communist society. He began arguing for a Bolshevik-led armed insurrection to topple the government, but at a clandestine meeting of the party's central committee this idea was rejected. Lenin then headed by train and by foot to Finland, arriving at Helsinki on 10 August, where he hid away in safe houses belonging to Bolshevik sympathisers.

 

October Revolution: 1917

In August 1917, while Lenin was in Finland, General Lavr Kornilov, the Commander-in-Chief of the Russian Army, sent troops to Petrograd in what appeared to be a military coup attempt against the Provisional Government. Premier Alexander Kerensky turned to the Petrograd Soviet, including its Bolshevik members, for help, allowing the revolutionaries to organise workers as Red Guards to defend the city. The coup petered out before it reached Petrograd, but the events had allowed the Bolsheviks to return to the open political arena. Fearing a counter-revolution from right-wing forces hostile to socialism, the Mensheviks and Socialist-Revolutionaries who dominated the Petrograd Soviet had been instrumental in pressuring the government to normalise relations with the Bolsheviks. Both the Mensheviks and Socialist-Revolutionaries had lost much popular support because of their affiliation with the Provisional Government and its unpopular continuation of the war. The Bolsheviks capitalised on this, and soon the pro-Bolshevik Marxist Trotsky was elected leader of the Petrograd Soviet. In September, the Bolsheviks gained a majority in the workers' sections of both the Moscow and Petrograd Soviets.

 

Recognising that the situation was safer for him, Lenin returned to Petrograd. There he attended a meeting of the Bolshevik Central Committee on 10 October, where he again argued that the party should lead an armed insurrection to topple the Provisional Government. This time the argument won with ten votes against two. Critics of the plan, Zinoviev and Kamenev, argued that Russian workers would not support a violent coup against the regime and that there was no clear evidence for Lenin's assertion that all of Europe was on the verge of proletarian revolution. The party began plans to organise the offensive, holding a final meeting at the Smolny Institute on 24 October. This was the base of the Military Revolutionary Committee (MRC), an armed militia largely loyal to the Bolsheviks that had been established by the Petrograd Soviet during Kornilov's alleged coup.

 

In October, the MRC was ordered to take control of Petrograd's key transport, communication, printing and utilities hubs, and did so without bloodshed. Bolsheviks besieged the government in the Winter Palace and overcame it and arrested its ministers after the cruiser Aurora, controlled by Bolshevik seamen, fired a blank shot to signal the start of the revolution. During the insurrection, Lenin gave a speech to the Petrograd Soviet announcing that the Provisional Government had been overthrown. The Bolsheviks declared the formation of a new government, the Council of People's Commissars, or Sovnarkom. Lenin initially turned down the leading position of Chairman, suggesting Trotsky for the job, but other Bolsheviks insisted and ultimately Lenin relented. Lenin and other Bolsheviks then attended the Second Congress of Soviets on 26 and 27 October and announced the creation of the new government. Menshevik attendees condemned the illegitimate seizure of power and the risk of civil war. In these early days of the new regime, Lenin avoided talking in Marxist and socialist terms so as not to alienate Russia's population, and instead spoke about having a country controlled by the workers. Lenin and many other Bolsheviks expected proletariat revolution to sweep across Europe in days or months.

 

Lenin's government

Organising the Soviet government: 1917–1918

The Provisional Government had planned for a Constituent Assembly to be elected in November 1917; against Lenin's objections, Sovnarkom agreed for the vote to take place as scheduled. In the constitutional election, the Bolsheviks gained approximately a quarter of the vote, being defeated by the agrarian-focused Socialist-Revolutionaries. Lenin argued that the election was not a fair reflection of the people's will, that the electorate had not had time to learn the Bolsheviks' political programme, and that the candidacy lists had been drawn up before the Left Socialist-Revolutionaries split from the Socialist-Revolutionaries. Nevertheless, the newly elected Russian Constituent Assembly convened in Petrograd in January 1918. Sovnarkom argued that it was counter-revolutionary because it sought to remove power from the soviets, but the Socialist-Revolutionaries and Mensheviks denied this. The Bolsheviks presented the Assembly with a motion that would strip it of most of its legal powers; when the Assembly rejected the motion, Sovnarkom declared this as evidence of its counter-revolutionary nature and forcibly disbanded it.

 

Lenin rejected repeated calls, including from some Bolsheviks, to establish a coalition government with other socialist parties. Although refusing a coalition with the Mensheviks or Socialist-Revolutionaries, Sovnarkom partially relented; they allowed the Left Socialist-Revolutionaries five posts in the cabinet in December 1917. This coalition only lasted four months until March 1918, when the Left Socialist-Revolutionaries pulled out of the government over a disagreement about the Bolsheviks' approach to ending the First World War. At their 7th Congress in March 1918, the Bolsheviks changed their official name from the Russian Social Democratic Labour Party to the Russian Communist Party, as Lenin wanted to both distance his group from the increasingly reformist German Social Democratic Party and to emphasise its ultimate goal, that of a communist society.

 

Although ultimate power officially rested with the country's government in the form of Sovnarkom and the Executive Committee (VTSIK) elected by the All-Russian Congress of Soviets (ARCS), the Communist Party was de facto in control in Russia, as acknowledged by its members at the time. By 1918, Sovnarkom began acting unilaterally, claiming a need for expediency, with the ARCS and VTSIK becoming increasingly marginalised, so the soviets no longer had a role in governing Russia. During 1918 and 1919, the government expelled Mensheviks and Socialist-Revolutionaries from the soviets. Russia had become a one-party state.

 

Within the party was established a Political Bureau (Politburo) and Organisation Bureau (Orgburo) to accompany the existing Central Committee; the decisions of these party bodies had to be adopted by Sovnarkom and the Council of Labour and Defence. Lenin was the most significant figure in this governance structure as well as being the Chairman of Sovnarkom and sitting on the Council of Labour and Defence, and on the Central Committee and Politburo of the Communist Party. The only individual to have anywhere near this influence was Lenin's right-hand man, Yakov Sverdlov, who died in March 1919 during a flu pandemic. In November 1917, Lenin and his wife took a two-room flat within the Smolny Institute; the following month they left for a brief holiday in Halila, Finland. In January 1918, he survived an assassination attempt in Petrograd; Fritz Platten, who was with Lenin at the time, shielded him and was injured by a bullet.

 

Concerned that the German Army posed a threat to Petrograd, in March 1918 Sovnarkom relocated to Moscow, initially as a temporary measure. There, Lenin, Trotsky, and other Bolshevik leaders moved into the Kremlin, where Lenin lived with his wife and sister Maria in a first-floor apartment adjacent to the room in which the Sovnarkom meetings were held. Lenin disliked Moscow, but rarely left the city centre during the rest of his life. He survived a second assassination attempt, in Moscow in August 1918; he was shot following a public speech and injured badly. A Socialist-Revolutionary, Fanny Kaplan, was arrested and executed. The attack was widely covered in the Russian press, generating much sympathy for Lenin and boosting his popularity. As a respite, he was driven in September 1918 to the luxurious Gorki estate, just outside Moscow, recently nationalized for him by the government.

 

Social, legal, and economic reform: 1917–1918

To All Workers, Soldiers and Peasants. The Soviet authority will at once propose a democratic peace to all nations and an immediate armistice on all fronts. It will safeguard the transfer without compensation of all land—landlord, imperial, and monastery—to the peasants' committees; it will defend the soldiers' rights, introducing a complete democratisation of the army; it will establish workers' control over industry; it will ensure the convocation of the Constituent Assembly on the date set; it will supply the cities with bread and the villages with articles of first necessity; and it will secure to all nationalities inhabiting Russia the right of self-determination ... Long live the revolution!

 

Upon taking power, Lenin's regime issued a series of decrees. The first was a Decree on Land, which declared that the landed estates of the aristocracy and the Orthodox Church should be nationalised and redistributed to peasants by local governments. This contrasted with Lenin's desire for agricultural collectivisation but provided governmental recognition of the widespread peasant land seizures that had already occurred. In November 1917, the government issued the Decree on the Press that closed many opposition media outlets deemed counter revolutionary. They claimed the measure would be temporary; the decree was widely criticised, including by many Bolsheviks, for compromising freedom of the press.

 

In November 1917, Lenin issued the Declaration of the Rights of the Peoples of Russia, which stated that non-Russian ethnic groups living inside the Republic had the right to secede from Russian authority and establish their own independent nation-states. Many nations declared independence (Finland and Lithuania in December 1917, Latvia and Ukraine in January 1918, Estonia in February 1918, Transcaucasia in April 1918, and Poland in November 1918). Soon, the Bolsheviks actively promoted communist parties in these independent nation-states, while at the Fifth All-Russian Congress of the Soviets in July 1918 a constitution was approved that reformed the Russian Republic into the Russian Soviet Federative Socialist Republic. Seeking to modernise the country, the government officially converted Russia from the Julian calendar to the Gregorian calendar used in Europe.

 

In November 1917, Sovnarkom issued a decree abolishing Russia's legal system, calling on the use of "revolutionary conscience" to replace the abolished laws. The courts were replaced by a two-tier system, namely the Revolutionary Tribunals to deal with counter-revolutionary crimes, and the People's Courts to deal with civil and other criminal offences. They were instructed to ignore pre-existing laws and base their rulings on the Sovnarkom decrees and a "socialist sense of justice." November also saw an overhaul of the armed forces; Sovnarkom implemented egalitarian measures, abolished previous ranks, titles, and medals, and called on soldiers to establish committees to elect their commanders.

 

Earth of Filth".

In October 1917, Lenin issued a decree limiting work for everyone in Russia to eight hours per day. He also issued the Decree on Popular Education that stipulated that the government would guarantee free, secular education for all children in Russia, and a decree establishing a system of state orphanages. To combat mass illiteracy, a literacy campaign was initiated; an estimated 5 million people enrolled in crash courses of basic literacy from 1920 to 1926. Embracing the equality of the sexes, laws were introduced that helped to emancipate women, by giving them economic autonomy from their husbands and removing restrictions on divorce. Zhenotdel, a Bolshevik women's organisation, was established to further these aims. Under Lenin, Russia became the first country to legalize abortion on demand in the first trimester. Militantly atheist, Lenin and the Communist Party wanted to demolish organised religion. In January 1918, the government decreed the separation of church and state, and prohibited religious instruction in schools.

 

In November 1917, Lenin issued the Decree on Workers' Control, which called on the workers of each enterprise to establish an elected committee to monitor their enterprise's management. That month they also issued an order requisitioning the country's gold, and nationalised the banks, which Lenin saw as a major step toward socialism. In December, Sovnarkom established a Supreme Council of the National Economy (VSNKh), which had authority over industry, banking, agriculture, and trade. The factory committees were subordinate to the trade unions, which were subordinate to VSNKh; the state's centralised economic plan was prioritised over the workers' local economic interests. In early 1918, Sovnarkom cancelled all foreign debts and refused to pay interest owed on them. In April 1918, it nationalised foreign trade, establishing a state monopoly on imports and exports. In June 1918, it decreed nationalisation of public utilities, railways, engineering, textiles, metallurgy, and mining, although often these were state-owned in name only. Full-scale nationalisation did not take place until November 1920, when small-scale industrial enterprises were brought under state control.

 

A faction of the Bolsheviks known as the "Left Communists" criticised Sovnarkom's economic policy as too moderate; they wanted nationalisation of all industry, agriculture, trade, finance, transport, and communication. Lenin believed that this was impractical at that stage and that the government should only nationalise Russia's large-scale capitalist enterprises, such as the banks, railways, larger landed estates, and larger factories and mines, allowing smaller businesses to operate privately until they grew large enough to be successfully nationalised. Lenin also disagreed with the Left Communists about the economic organisation; in June 1918, he argued that centralised economic control of industry was needed, whereas Left Communists wanted each factory to be controlled by its workers, a syndicalist approach that Lenin considered detrimental to the cause of socialism.

 

Adopting a left-libertarian perspective, both the Left Communists and other factions in the Communist Party critiqued the decline of democratic institutions in Russia. Internationally, many socialists decried Lenin's regime and denied that he was establishing socialism; in particular, they highlighted the lack of widespread political participation, popular consultation, and industrial democracy. In late 1918, the Czech-Austrian Marxist Karl Kautsky authored an anti-Leninist pamphlet condemning the anti-democratic nature of Soviet Russia, to which Lenin published a vociferous reply, The Proletarian Revolution and the Renegade Kautsky. German Marxist Rosa Luxemburg echoed Kautsky's views, while Russian anarchist Peter Kropotkin described the Bolshevik seizure of power as "the burial of the Russian Revolution."

 

Treaty of Brest-Litovsk: 1917–1918

[By prolonging the war] we unusually strengthen German imperialism, and the peace will have to be concluded anyway, but then the peace will be worse because it will be concluded by someone other than ourselves. No doubt the peace which we are now being forced to conclude is an indecent peace, but if war commences our government will be swept away and the peace will be concluded by another government.

 

Upon taking power, Lenin believed that a key policy of his government must be to withdraw from the First World War by establishing an armistice with the Central Powers of Germany and Austria-Hungary. He believed that ongoing war would create resentment among war-weary Russian troops, to whom he had promised peace, and that these troops and the advancing German Army threatened both his own government and the cause of international socialism. By contrast, other Bolsheviks, in particular Nikolai Bukharin and the Left Communists, believed that peace with the Central Powers would be a betrayal of international socialism and that Russia should instead wage "a war of revolutionary defence" that would provoke an uprising of the German proletariat against their own government.

 

Lenin proposed a three-month armistice in his Decree on Peace of November 1917, which was approved by the Second Congress of Soviets and presented to the German and Austro-Hungarian governments. The Germans responded positively, viewing this as an opportunity to focus on the Western Front and stave off looming defeat. In November, armistice talks began at Brest-Litovsk, the headquarters of the German high command on the Eastern Front, with the Russian delegation being led by Trotsky and Adolph Joffe. Meanwhile, a ceasefire until January was agreed. During negotiations, the Germans insisted on keeping their wartime conquests, which included Poland, Lithuania, and Courland, whereas the Russians countered that this was a violation of these nations' rights to self-determination. Some Bolsheviks had expressed hopes of dragging out negotiations until proletarian revolution broke out throughout Europe. On 7 January 1918, Trotsky returned from Brest-Litovsk to St. Petersburg with an ultimatum from the Central Powers: either Russia accept Germany's territorial demands or the war would resume.

 

In January and again in February, Lenin urged the Bolsheviks to accept Germany's proposals. He argued that the territorial losses were acceptable if it ensured the survival of the Bolshevik-led government. The majority of Bolsheviks rejected his position, hoping to prolong the armistice and call Germany's bluff. On 18 February, the German Army launched Operation Faustschlag, advancing further into Russian-controlled territory and conquering Dvinsk within a day. At this point, Lenin finally convinced a small majority of the Bolshevik Central Committee to accept the Central Powers' demands. On 23 February, the Central Powers issued a new ultimatum: Russia had to recognise German control not only of Poland and the Baltic states but also of Ukraine or face a full-scale invasion.

 

On 3 March, the Treaty of Brest-Litovsk was signed. It resulted in massive territorial losses for Russia, with 26% of the former Empire's population, 37% of its agricultural harvest area, 28% of its industry, 26% of its railway tracks, and three-quarters of its coal and iron deposits being transferred to German control. Accordingly, the Treaty was deeply unpopular across Russia's political spectrum, and several Bolsheviks and Left Socialist-Revolutionaries resigned from Sovnarkom in protest. After the Treaty, Sovnarkom focused on trying to foment proletarian revolution in Germany, issuing an array of anti-war and anti-government publications in the country; the German government retaliated by expelling Russia's diplomats. The Treaty nevertheless failed to stop the Central Powers' defeat; in November 1918, the German Emperor Wilhelm II abdicated and the country's new administration signed the Armistice with the Allies. As a result, Sovnarkom proclaimed the Treaty of Brest-Litovsk void.

 

Anti-Kulak campaigns, Cheka, and Red Terror: 1918–1922

[The bourgeoisie] practised terror against the workers, soldiers and peasants in the interests of a small group of landowners and bankers, whereas the Soviet regime applies decisive measures against landowners, plunderers and their accomplices in the interests of the workers, soldiers and peasants.

 

By early 1918, many cities in western Russia faced famine as a result of chronic food shortages. Lenin blamed this on the kulaks, or wealthier peasants, who allegedly hoarded the grain that they had produced to increase its financial value. In May 1918, he issued a requisitioning order that established armed detachments to confiscate grain from kulaks for distribution in the cities, and in June called for the formation of Committees of Poor Peasants to aid in requisitioning. This policy resulted in vast social disorder and violence, as armed detachments often clashed with peasant groups, helping to set the stage for the civil war. A prominent example of Lenin's views was his August 1918 telegram to the Bolsheviks of Penza, which called upon them to suppress a peasant insurrection by publicly hanging at least 100 "known kulaks, rich men, [and] bloodsuckers."

 

The requisitions disincentivised peasants from producing more grain than they could personally consume, and thus production slumped. A booming black market supplemented the official state-sanctioned economy, and Lenin called on speculators, black marketeers and looters to be shot. Both the Socialist-Revolutionaries and Left Socialist-Revolutionaries condemned the armed appropriations of grain at the Fifth All-Russian Congress of Soviets in July 1918. Realising that the Committees of the Poor Peasants were also persecuting peasants who were not kulaks and thus contributing to anti-government feeling among the peasantry, in December 1918 Lenin abolished them.

 

Lenin repeatedly emphasised the need for terror and violence in overthrowing the old order and ensuring the success of the revolution. Speaking to the All-Russian Central Executive Committee of the Soviets in November 1917, he declared that "the state is an institution built up for the sake of exercising violence. Previously, this violence was exercised by a handful of moneybags over the entire people; now we want [...] to organise violence in the interests of the people." He strongly opposed suggestions to abolish capital punishment. Fearing anti-Bolshevik forces would overthrow his administration, in December 1917 Lenin ordered the establishment of the Emergency Commission for Combating Counter-Revolution and Sabotage, or Cheka, a political police force led by Felix Dzerzhinsky.

 

In September 1918, Sovnarkom passed a decree that inaugurated the Red Terror, a system of repression orchestrated by the Cheka secret police.[261] Although sometimes described as an attempt to eliminate the entire bourgeoisie, Lenin did not want to exterminate all members of this class, merely those who sought to reinstate their rule. The majority of the Terror's victims were well-to-do citizens or former members of the Tsarist administration; others were non-bourgeois anti-Bolsheviks and perceived social undesirables such as prostitutes. The Cheka claimed the right to both sentence and execute anyone whom it deemed to be an enemy of the government, without recourse to the Revolutionary Tribunals. Accordingly, throughout Soviet Russia the Cheka carried out killings, often in large numbers. For example, the Petrograd Cheka executed 512 people in a few days. There are no surviving records to provide an accurate figure of how many perished in the Red Terror; later estimates of historians have ranged between 10,000 and 15,000, and 50,000 to 140,000.

 

Lenin never witnessed this violence or participated in it first-hand, and publicly distanced himself from it. His published articles and speeches rarely called for executions, but he regularly did so in his coded telegrams and confidential notes. Many Bolsheviks expressed disapproval of the Cheka's mass executions and feared the organisation's apparent unaccountability. The Communist Party tried to restrain its activities in February 1919, stripping it of its powers of tribunal and execution in those areas not under official martial law, but the Cheka continued as before in swathes of the country. By 1920, the Cheka had become the most powerful institution in Soviet Russia, exerting influence over all other state apparatus.

 

A decree in April 1919 resulted in the establishment of concentration camps, which were entrusted to the Cheka, later administered by a new government agency, Gulag. By the end of 1920, 84 camps had been established across Soviet Russia, holding about 50,000 prisoners; by October 1923, this had grown to 315 camps and about 70,000 inmates. Those interned in the camps were used as slave labour. From July 1922, intellectuals deemed to be opposing the Bolshevik government were exiled to inhospitable regions or deported from Russia altogether; Lenin personally scrutinised the lists of those to be dealt with in this manner. In May 1922, Lenin issued a decree calling for the execution of anti-Bolshevik priests, causing between 14,000 and 20,000 deaths. The Russian Orthodox Church was worst affected; the government's anti-religious policies also harmed Roman Catholic and Protestant churches, Jewish synagogues, and Islamic mosques.

 

Civil War and the Polish–Soviet War: 1918–1920

The existence of the Soviet Republic alongside the imperialist states over the long run is unthinkable. In the end, either the one or the other will triumph. And until that end will have arrived, a series of the most terrible conflicts between the Soviet Republic and the bourgeois governments is unavoidable. This means that the ruling class, the proletariat, if it only wishes to rule and is to rule, must demonstrate this also with its military organization.

 

Lenin expected Russia's aristocracy and bourgeoisie to oppose his government, but he believed that the numerical superiority of the lower classes, coupled with the Bolsheviks' ability to effectively organise them, guaranteed a swift victory in any conflict. In this, he failed to anticipate the intensity of the violent opposition to Bolshevik rule in Russia. A long and bloody Civil War ensued between the Bolshevik Reds and the anti-Bolshevik Whites, starting in 1917 and ending in 1923 with the Reds' victory. It also encompassed ethnic conflicts on Russia's borders, and anti-Bolshevik peasant and left-wing uprisings throughout the former Empire. Accordingly, various historians have seen the civil war as representing two distinct conflicts: one between the revolutionaries and the counterrevolutionaries, and the other between different revolutionary factions.

 

The White armies were established by former Tsarist military officers, and included Anton Denikin's Volunteer Army in South Russia, Alexander Kolchak's forces in Siberia, and Nikolai Yudenich's troops in the newly independent Baltic states. The Whites were bolstered when 35,000 members of the Czech Legion, who were prisoners of war from the conflict with the Central Powers, turned against Sovnarkom and allied with the Committee of Members of the Constituent Assembly (Komuch), an anti-Bolshevik government established in Samara. The Whites were also backed by Western governments who perceived the Treaty of Brest-Litovsk as a betrayal of the Allied war effort and feared the Bolsheviks' calls for world revolution. In 1918, Great Britain, France, United States, Canada, Italy, and Serbia landed 10,000 troops in Murmansk, seizing Kandalaksha, while later that year British, American, and Japanese forces landed in Vladivostok. Western troops soon pulled out of the civil war, instead only supporting the Whites with officers, technicians and armaments, but Japan remained because they saw the conflict as an opportunity for territorial expansion.

 

Lenin tasked Trotsky with establishing a Workers' and Peasants' Red Army, and with his support, Trotsky organised a Revolutionary Military Council in September 1918, remaining its chairman until 1925. Recognising their valuable military experience, Lenin agreed that officers from the old Tsarist army could serve in the Red Army, although Trotsky established military councils to monitor their activities. The Reds held control of Russia's two largest cities, Moscow and Petrograd, as well as most of Great Russia, while the Whites were located largely on the former Empire's peripheries. The latter were therefore hindered by being both fragmented and geographically scattered, and because their ethnic Russian supremacism alienated the region's national minorities. Anti-Bolshevik armies carried out the White Terror, a campaign of violence against perceived Bolshevik supporters which was typically more spontaneous than the state-sanctioned Red Terror. Both White and Red Armies were responsible for attacks against Jewish communities, prompting Lenin to issue a condemnation of antisemitism, blaming prejudice against Jews on capitalist propaganda.

 

In July 1918, Sverdlov informed Sovnarkom that the Ural Regional Soviet had overseen the murder of the former Tsar and his immediate family in Yekaterinburg to prevent them from being rescued by advancing White troops. Although lacking proof, biographers and historians like Richard Pipes and Dmitri Volkogonov have expressed the view that the killing was probably sanctioned by Lenin; conversely, historian James Ryan cautioned that there was "no reason" to believe this. Whether Lenin sanctioned it or not, he still regarded it as necessary, highlighting the precedent set by the execution of Louis XVI in the French Revolution.

 

After the Brest-Litovsk Treaty, the Left Socialist-Revolutionaries had abandoned the coalition and increasingly viewed the Bolsheviks as traitors to the revolution. In July 1918, the Left Socialist-Revolutionary Yakov Blumkin assassinated the German ambassador to Russia, Wilhelm von Mirbach, hoping that the ensuing diplomatic incident would lead to a relaunched revolutionary war against Germany. The Left Socialist-Revolutionaries then launched a coup in Moscow, shelling the Kremlin and seizing the city's central post office before being stopped by Trotsky's forces. The party's leaders and many members were arrested and imprisoned but were treated more leniently than other opponents of the Bolsheviks.

 

By 1919, the White armies were in retreat and by the start of 1920 were defeated on all three fronts. Although Sovnarkom were victorious, the territorial extent of the Russian state had been reduced, for many non-Russian ethnic groups had used the disarray to push for national independence. In March 1921, during a related war against Poland, the Peace of Riga was signed, splitting disputed territories in Belarus and Ukraine between the Republic of Poland and Soviet Russia. Soviet Russia sought to re-conquer all newly independent nations of the former Empire, although their success was limited. Estonia, Finland, Latvia, and Lithuania all repelled Soviet invasions, while Ukraine, Belarus (as a result of the Polish–Soviet War), Armenia, Azerbaijan and Georgia were occupied by the Red Army. By 1921, Soviet Russia had defeated the Ukrainian national movements and occupied the Caucasus, although anti-Bolshevik uprisings in Central Asia lasted until the late 1920s.

 

After the German Ober Ost garrisons were withdrawn from the Eastern Front following the Armistice, both Soviet Russian armies and Polish ones moved in to fill the vacuum. The newly independent Polish state and the Soviet government each sought territorial expansion in the region. Polish and Russian troops first clashed in February 1919, with the conflict developing into the Polish–Soviet War. Unlike the Soviets' previous conflicts, this had greater implications for the export of revolution and the future of Europe. Polish forces pushed into Ukraine and by May 1920 had taken Kiev from the Soviets. After forcing the Polish Army back, Lenin urged the Red Army to invade Poland itself, believing that the Polish proletariat would rise up to support the Russian troops and thus spark European revolution. Trotsky and other Bolsheviks were sceptical, but agreed to the invasion. The Polish proletariat did not rise, and the Red Army was defeated at the Battle of Warsaw. The Polish armies pushed the Red Army back into Russia, forcing Sovnarkom to sue for peace; the war culminated in the Peace of Riga, in which Russia ceded territory to Poland.

 

Death and funeral: 1923–1924

Lenin's funeral, as painted by Isaac Brodsky, 1925

In March 1923, Lenin had a third stroke and lost his ability to speak; that month, he experienced partial paralysis on his right side and began exhibiting sensory aphasia. By May, he appeared to be making a slow recovery, regaining some of his mobility, speech, and writing skills. In October, he made a final visit to the Kremlin. In his final weeks, Lenin was visited by Zinoviev, Kamenev, and Bukharin; the latter visited him at his Gorki mansion on the day of his death. On 21 January 1924, Lenin fell into a coma and died later that day at age 53. His official cause of death was recorded as an incurable disease of the blood vessels. "Good dog", are said to have been Lenin's last words, upon his dog having brought him a dead bird.

 

The Soviet government publicly announced Lenin's death the following day. On 23 January, mourners from the Communist Party, trade unions, and Soviets visited his Gorki home to inspect the body, which was carried aloft in a red coffin by leading Bolsheviks. Transported by train to Moscow, the coffin was taken to the House of Trade Unions, where the body lay in state. Over the next three days, around a million mourners came to see the body, many queuing for hours in the freezing conditions. On 26 January, the eleventh All-Union Congress of Soviets met to pay respects, with speeches by Kalinin, Zinoviev, and Stalin. Notably, Trotsky was absent; he had been convalescing in the Caucasus, and he later claimed that Stalin sent him a telegram with the incorrect date of the planned funeral, making it impossible for him to arrive in time. Lenin's funeral took place the following day, when his body was carried to Red Square, accompanied by martial music, where assembled crowds listened to a series of speeches before the corpse was placed into the vault of a specially erected mausoleum. Despite the freezing temperatures, tens of thousands attended.

 

Against Krupskaya's protestations, Lenin's body was embalmed to preserve it for long-term public display in the Red Square mausoleum. During this process, Lenin's brain was removed; in 1925 an institute was established to dissect it, revealing that Lenin had had severe sclerosis. In July 1929, the Politburo agreed to replace the temporary mausoleum with a permanent one in granite, which was finished in 1933. His sarcophagus was replaced in 1940 and again in 1970. For safety amid the Second World War, from 1941 to 1945 the body was temporarily moved to Tyumen. As of 2023, his body remains on public display in Lenin's Mausoleum on Red Square.

South Beach Orlando Luxury Suites was a small hotel complex located along Kissimmee's US HWY 192 several miles east of Disney World, a heavy tourist corridor. It featured a picturesque Florida lakefront, a colorful palette, and incredibly poor and scandalous business practices. The hotel closed down several years ago and the site has sat in various states of disarray ever since. Shown here several years after its closure, the buildings have are devoid of internal components but their colorful exteriors still shine through years of overgrowth.

I was in Seattle earlier this month for a class and found this at Pike Place Market one afternoon.

 

I want to make a big Seattle post on my blog but I still have two rolls of 35 from my K1000 to scan, but the current state of disarray that my house is in due to remodeling is taking precedence. Maybe next week?

 

Edit: A post about my first day in town over here.

In the far reaches of northern Scotland, within a village where time meanders at its own tranquil pace, a series of images unfolds, painting a tableau of life's relentless march amidst the shadows of climate's dismay and the distant rumbles of war that threaten to engulf Europe. It is a Wednesday evening, draped in the quietude of rainfall, a scene reminiscent of an Edward Hopper collection—imbued with solitude, emptiness, yet a profound continuance.

 

A Poem:

 

In this hamlet 'neath Scottish skies so wide,

Where the rains whisper and the winds confide,

Looms the spectre of a world in disarray,

Yet within these bounds, life finds its way.

 

Upon the cusp of night, shadows merge and dance,

In the pub's warm glow, eyes steal a glance.

The hearth's soft crackle, a comforting song,

In this northern retreat, where hearts belong.

 

The world outside may churn and roar,

With climates wracked and the drums of war.

Yet here we stand, in this time-suspended place,

Where tomorrow's worries are but a trace.

 

The local pub, our living room, our sphere,

A sanctuary from doubt, from dread, from fear.

We'll return come dusk, as sure as the tide,

In the rhythm of the ordinary, we take pride.

 

For what are we, but passengers in time,

Through days mundane, through nights sublime?

The question lingers, in the air, it floats,

Is this all there is? In whispers, it denotes.

 

Yet, as we stand 'neath the gentle pour,

We find beauty in the repeat, in the encore.

For in these moments, life's essence we distill,

In the quiet of the village, in the peace, so still.

 

A Haiku:

 

Rain veils the night's face,

Quiet pub bids farewell—

Life's quiet march on.

Jacques Louis David

French, 1748-1825

Oil on canvas

 

At the fall of the French revolutionist Robespierre (1758-1794) and his party in 1794, David, a follower, barely escaped with his life. He was tried and imprisoned, and after his release in 1795 he worked hard to resurrect his career.

 

When Napoleon Bonaparte (1769-1821), who ascended to power due to the revolutionary disarray, approached David and offered him the position of "First Painter of the Empire," David seized the opportunity. One of the major paintings David produced for Napoleon was the "The Coronation.

 

modeatoutprix.blogspot.fr/2013/12/505-foxy-et-moi.html

Oil on canvas; 130 x 162 cm.

 

Jean-Baptiste Greuze was a French genre and portrait painter who initiated a mid-18th-century vogue for sentimental and moralizing anecdotes in paintings.

 

Greuze studied first at Lyon and afterward at the Royal Academy in Paris. He first exhibited at the Salon of 1755 and won an immediate success with his moralizing genre painting of Father Reading the Bible to His Children (1755). Although Greuze’s attention at this time was fixed on a less-pretentious type of genre painting in which the influence of 17th-century Dutch masters is apparent, the favorable attention he received turned his head and established the lines of his future career.

 

In 1755 Greuze left for Italy but remained impervious to the influence of Italian painting. In 1759 he became acquainted with Denis Diderot, who encouraged his inclination toward melodramatic genre, and throughout the 1760s Greuze reached new heights of popular acclaim with such works as The Village Betrothal (1761) and The Father’s Curse and The Prodigal Son (both c. 1765).

 

Greuze submitted to the Salon in 1769 a large, rather dreary historical painting, Septimius Severus Reproaching Caracalla, which he hoped would gain him admission to the academy as a history painter. But the academy would admit him to membership only as a genre painter, and so the resentful artist exhibited his works to the public only in his own studio for the next 30 years. In addition to moralizing genre, he painted young girls in poses of feigned innocence and calculated disarray.

 

Throughout the 1770s Greuze was kept busy painting moralizing pictures, but by the 1780s his work had gone out of fashion and his income was precarious. By 1785 his once-considerable talent was exhausted. The reaction against his sentimental genre paintings resulted in critical neglect of his drawings and portraits, in which Greuze’s superb technical gifts are displayed with great integrity.

Peter Paul Rubens (1577-1640), The Defeat of Sennacherib, 1616-18, oil on panel, 98 x 123 cm.

Die Niederlage Sanheribs.

Canon 7D

 

As king of Assyria from 705 BC to 681 BC, Sennacherib was especially known for his campaigns against Babylon and Judah, both states being subject to Assyria and paying an annual tribute to the empire. After the death of his father, Hezekiah became king of Judah and when he refused to pay tribute, Sennacherib in response attacked Judah. However, while besieging fortified Jerusalem he suffered a humiliating defeat and was forced to retreat for an unknown reason, possibly the outbreak of cholera or some other disease.

 

Rubens depicts the defeat of the army of Sennacherib as the result of a sudden appearance of angels, so following the description in the Old Testament, saying that at night an angel brought death and complete disarray to the Assyrian troops.

Taken with Zenza Bronica SQ-A with Zenzanon-S 50mm f3.5 on Velvia 50

~

 

Nothing straight, here...

 

The St. Georg Protestant Church is located in the historic city center of Hattingen, Germany. Of all buildings in Hattingen, it is surely the one most noticed from afar.

 

The church was built in 1200 from local Ruhr sandstone. Remains of a Roman pillar base and two column bases from the period after 820 were discovered in 1972 during excavations inside the church.

 

Since the building anchors the town center, there are many good approaches for a photo, but I think this angle shows it best. The rough cobblestone street and the crooked medieval buildings give a sense of disarray to the scene, so although I straightened up a few lines here and there, it is difficult to find a good point of reference for vertical and horizontal lines. I thought it was better to have a sense of crazy angles in the scene.

 

Lest you think I went too far with Photoshop's puppet warp feature, the church's steeple is truly tilted to one side. Evidently this is one of about 90 listed (and listing) church steeples with this attribute. Some theories suggest that it was built this way deliberately, so that if a storm took down the steeple, it wouldn't fall on the nave. Others suggest that it's due to the revenge of an underpaid carpenter. The way I see it, if you put all that slate on a skinny little structure, it's going to start leaning at some point.

  

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I want to thank Nadia for lending me two of her thieves to use in this Picture.

If you like my stories, your gonna love heres…

flic.kr/p/2psMRgo

flic.kr/p/GaUzLu

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The Jack of Diamonds Churlish Burglars

 

Prologue

 

Sebastian

 

Tyn Dwr Hall Ballroom, Llangollen Wales

 

Sebastian casually left the reception in the ballroom around nine that night.

 

Though the lavish party was showing no signs of slowing, he had enough fun for the evening.

 

From an inner pocket of his grey pin-stripped tux coat, he pulled out a cigar case. Stopping to look back up at the large hall with its many strung outdoor lights, he smiled to himself, it so far had been a most pleasant and productive evening.

 

He walked through the gardens before reaching his sports car located in the car park on the other side of a strip of woods.

 

Hopping in, he started up the engine, settled back, and let out a puff of smoke, before letting out the clutch and drove slowly out of the car park until he reached the speedway.

 

Then, he shifted the sports car out of gear, allowing the powerful engine to surge forth.

 

He drove off for some 29 miles before slowing down and turning off down a road leading into some woods.

 

There to his right was another, deserted looking, car park.

 

He pulled in, getting out of the car he looked around, letting the smoke from his half-finished cigar swirl around as he wrote down some notes on a pad.

 

After a few minutes heard a twig deliberately being snapped somewhere close in the woods, but didn’t look up until he had finished writing.

 

Two females emerged from the shadows, clothed in black leather, one also wearing a black leather jacket, the other in a long black leather coat.

 

Even though it was past twilight, both were wearing sunglasses. Also, they had unlit cigarettes dangling from their mouths.

 

They came up to the now-watching Sebastian, who pulled out an ebony lighter from a trouser pocket and elegantly flamed it up, lighting the lady’s cigarettes.

 

One of the ladies, after letting out a puff of cigarette smoke, asked.

“You left early? How did the party go?”

 

Sebastian smiled oozing self-confidence as he looked into their inquisitive faces.

“Well enough…Yes then, I have information on two wealthy families that may be of interest.”

 

He tore off the sheet of paper he had been writing on and dangled it.

 

The talking lady took the paper.

 

“It’s all there, addresses, times, names, and schedules.”

 

A folded wad of notes is then passed back to him as thieves raise their sunglasses and look over the information

 

He clears his throat.

 

They both look up at him and see that he is holding another bit of paper in his hand.

 

I have time-sensitive info if you’re interested. If not I was thinking of sourcing it out myself.

 

The girl who had been speaking nods her head…

“We’re listening.”

 

Sebastian smiled happily as he told them

“See, there were these two preteen females, dressed up surprisingly well in taffeta, and wearing what looked like real jewels.”

 

The two women looked at him over the tops of their sunglasses, smoke curling out from the lit cigarettes in their mouths.

 

Sebastian continued on…

“Well, their gems were very real to the tune of £12,000 each. So I naturally put them on my radar. I saw they were being minded over by what looked like a well-dressed maid. She had been drinking, calling herself a governess, not a maid. I was talking her up as she watched over her family’s younger female siblings. Found out there is a third girl in the family, much older. Appears the governess didn’t much care for this particular charge. Her name is Ginny, jealousy I suspect. For a few quid the Maid…er…The governess was a spilling font of information.”

 

He took a last puff of his cigar, then dropped it, crushing it under his expensive leather loafers, before continuing…

 

“Learned this Ginny girl is going home with a girlfriend and spending the night at the friend’s mansion. It appears that the parents of that place are out of town. Just the two 17-year-old females and a 17-year-old lad will be home, totally alone this evening!”

  

The lady wearing the black leather jacket grins…

“Sounds delicious.”

“How’s thier jewelry luv.”

 

“Got a look at both, a dance even with one, the friend found out where her jewelry will be spending their time at home this evening. The pair are both loaded down, wearing over £175,000 in ice combined, plus what’s lying about at the friend’s home.

It’ll all be Ripe for the taking tonight. “

 

The other lady spoke for the first time.

“The governess was jealous you say.”

 

Sebastian nodded.

“Yes, mum. Once she had pocketed my money, could not wait to point her out. Tell me how expensive her gown was, how real her jewels were. But there was spite in her tone, like she was saying it hoping the girl would be punished for showing off. But as I watched the girl, I saw the governess was spot on about her jewels, but I also sensed Ginny was a lively sport not warranting the ill feelings of others.“

 

An eyebrow was arched in interest as another thicke wad of notes was produced.

“Sounds promising. You’ve been spot-on with your info in the past. Okay, we will buy In.”

 

Looking at the cash being offered, a picture of the valuably brilliant diamond studded owl pendant that Ginny was wearing suddenly flashed sparkling across Sebastian’s mind.

 

With a poker face, Sebastian looked at the two hard-postured women.

“This isn’t for cash, say 15% of the take?”

 

The boss thief shakes her head in disagreement.

“10%, no more.”

 

Sebastian, not afraid of dealing with the likes of these two, now shakes his head no…

“I could source it for 20%. But I like how your gang works, it’s guaranteed the job will be done right. Let’s make it 12% then.”

 

Greedily, They both nod in agreement, a wad of folded notes is re-pocketed in a leather jacket, as the detailed information is handed over.

 

The female thieves, flickering away their cigarettes, then tip their fingers in salute, turning to leave.

 

He watched them disappear into the wood line, fingering happily another long cigar.

How much he did love doing this line of work, easy money earned for some insider information easily gleaned.

 

A car starts up, and just inside the woods, a pair of headlights flicker on.

 

Sebastian then lights the cigar and places hands comfortably in his pocket feeling the healthy wad of notes, as he watches the two thieves pull out from the shadows and drive off.

 

He then went to his sports car, hopped back into his car seat, and drove the way he had. came, heading back to Tyn Dwr Hall ballroom.

 

For these two weren’t his only thievery-minded contacts he was working for this evening.

 

Another thief, a pickpocket among other things, was hoping to be working the venue towards the end of the party this evening, and was waiting for his(paid) tips before starting.

 

Then there was the money-hungry Maid/Governess he had been chatting up.

 

Sebastian had learned she wasn’t overly loyal to any of her wealthy charges, including the expensive jewel and taffeta gown-clad 10 and 12-year-old females under her care this evening.

 

It was hinted that for a cut of the profit, she was more than willing to be persuaded to turn back to her very targetable wealthy family charges for a bit of time (wink).

 

And for an added price Sebastian was willing to acte as a connecting link between the two wickedly devious parties.

 

Ah yes, how he loved his line of work.

 

^^^^^^^^^^^^^^^^^^

 

The Jack of Diamonds Churlish

 

“As a jewel thief, you go for the challenge. It's dangerous, it's glamorous, there's an adrenalin rush."

MK

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Churlish

 

“Churlish has its origins in late Old English, but its modern-day meaning of “deliberately rude” developed in the 14th century.

 

Thus It’s a fitting adjective to describe this tale.

 

^^^^^^^^^^^^^^^^^^

 

A burglar who respects his art always takes his time before taking anything else.

O. Henry

 

^^^^^^^^^^^^^^^^^^

  

Craig

 

It was mid-October when my 17-year-old twin sister was invited to attend a very posh formal evening affair being held at Tyn Dwr Hall, accompanying her classmate( and neighbor) Ginny and Ginny’s wealthy politically ambitious parents.

 

My sister got herself all dolled up, slipping into her really beautiful ultra soft high-necked silk gown of deep violet: A shiny sheer bodice with long cuffed sleeves, ending in sweeping teasing fashion with a pleated skirt that danced playfully with becoming gracefulness down around her ankles.

 

She had winningly worn out the gown only a fortnight ago at our aunt's black tie-only wedding held at the fashionable Ischoyd Park House and Grounds.

 

As she had at the wedding, with her silk gown, my sister added on her good diamonds: wildly sparkly wide fringe (or tassel ) style necklace with a double attached row of diamonds, from which were hanging chains of diamonds, her matching long swaying diamond chain earrings, her 7 strand diamond bracelet and 4 glimmering rings from her large collection.

 

Her hair was held by a pair of our mum’s fancy diamond-encrusted clips. They looked very regally pretty, allowing her long natural ginger hair to fall curling down behind her back.

 

Though there had been no worries over my sister wearing expensive diamond jewellery to our aunt's wedding, there was some argument over her wearing them out this evening at a function where she was off on her own.

 

My sister somehow won that argument over our parental unit's apprehension.

 

To complete the elegant ensemble she was wearing silver satin pumps and carried a black satin clutch purse.

 

She looked smashing and I told her so as she was heading out, and as hoped, receiving a warm bear hug for my words, her gown chinchilla soft in my arms.

 

My parents were also out for one of their long weekends, so I spent that first evening alone watching movies on the Telly.

 

^^^^^^^^^^^

 

I got comfortable in my black silk long-sleeved pjs and green velour shawl collard robe, then settled down with a bottle of wine purloined from the basement, on our great room’s couch to watch a movie.

 

The movie that night was Italian. With English subtitles.

 

Titled “Perras Callejetas” it concerned a group of lady thieves.

 

It was a fun watch for the most part.

 

It got really intense when the all-female gang at one point in the movie infiltrated a

very upper-class restaurant and began robbing the wealthy patrons of their wallets and some well-dressed up females of their rather expensive jewels.

 

I found it a bit unsettling, knowing my sister was all dressed up, out and about, wearing dripping jewels similar to those that the ladies in the restaurant were being robbed of.

 

I also found myself imagining that if they raided the party my sister was at, they would have made a bloody killing. In my mind, I was using the guests at our aunt's wedding for the victims.

 

It was as those creepy vibes were tingling over me that I heard a floorboard creaking from behind me.

 

Thinking it was my sister coming in early, I turned to scold her for sneaking up on a bloke like that.

 

^^^^^^^^^^^^^^^

 

I suddenly went ice cold with disbelief

 

Standing in the doorway were two figures dressed in black spandex, wearing black gloves and ski masks. One was holding a wickedly small pistol, both carried small black leather satchels.

 

They were both females, the taller one snarling:

“Right my lad, you freeze right there.”

 

They came over to me and the same female thief again snarled:

“Oui lad. You’ll do as I say. Stand with your arms behind your back.

 

I did so and felt my robe pulled off from behind. Then my arms were pinned to my back.

 

The taller thief, who I suspected was the boss, then said:

Okay, luv let’s take some of the fight out of you.”

 

She reached down and grasping my John Thomas began rubbing the material of my silk pjs along its length.

 

Rather quickly the already under-pressure dragon grew even larger and released, fire spits out with an overwhelming surge, then died out, leaving me weak and feeling deflated and defeated.

 

A knife was put to my chin

“Ok, lad you’re going upstairs with us and help us with the rooms.”

 

This was really happening! The movie was out of my head, my thoughts now went to hoping they would be through doing their wicked business before my sister returned

 

^^^^^^^^^^^^^^^^^

Leaving the living room I was forced upstairs.

 

Directly in front were two of the three-bedroom doors on that floor. The third door was set a few feet off the west wing, facing our side, on the east side was the staircase leading up to additional rooms upstairs.

 

The lady thief in charge asked me whose rooms these were as she pointed toward each door.

Guest room and den were facing us. The west wing door led to the master bedroom.

 

With a silent nod from her boss, the other thief went to each door and opened them, looking back she confirmed what I had said.

 

We turned and went to the door leading to the master bedroom.

 

The door was opened and I was forced inside.

 

They then closed the door and I was made to stand against it and watch as the two female thieves quickly pinpointed Mum’s jewellery armoire and were upon it like a couple of magpies. They soon looted it clean of the drawer's valuably sparkling contents.

 

Then they quickly checked drawers, closets, and behind the numerous pictures on the walls. Even the four-poster bed in the centre of the room had its satin-covered pillows and mattress given a toss.

 

Several items that I couldn’t determine were placed in the satchel from the drawers. From Mum's closet, a fur and several gowns were pulled out, admired, and then piled upon the bed's satin sheets.

 

“Finished here,” the tall thief said to her partner, who nodded in agreement.

 

They came to me and pulled me roughly from the door. Opening it I was matched out.

 

We passed the other two doors and went directly to, then up the 3rd-floor staircase.

 

The taller thief nodded towards the 3 doors on that floor.

 

I told them where they led…

“The end room is for guests The middle two are mine … “

 

The taller thief looked at me her eyes narrowing malevolently.

 

I admitted where the one middle door led.

“… that one belongs to my sister.”

 

Surprisingly they didn’t ask me where she was.

 

The shorter, silent thief opened my sister’s bedroom door.

 

I was pushed inside and the door closed, I was again made to stand against the closed door.

 

As I watched the two thieves, with the same eagerness they had with the master bedroom, went over her room with a fine toothcomb.

They quickly found her jewel case and emptied its sparking contents into a leather satchel

 

One stopped to look at a group of photos of my sister on her dresser. She lifted one with her wearing a white satin debutant gown and pearls. Then put it inside her satchel.

 

Then they did a quick Look in closets wardrobes and dark nooks. Pulling out a few selected gowns, a leather jacket, and a fur. As they had in the master bedroom, these were piled upon the black satin sheets of my sister’s canopy-covered four-poster beds.

 

Anything small that looked as if it may have value was also quickly examined and mostly taken.

 

A jeweled half-masque, her rhinestone belt. A satin clutch purse, and her small collection of silver spoons, all disappeared inside a thief’s leather satchel.

 

They were surprisingly quick and efficient, and unfortunately effective, in their endeavor.

 

When they had finished they ditched me into the hall while one of the burglars looked inside the remaining rooms.

 

She darted into my room but came out after only a minute. I felt a little insulated, truth be told.

 

I was then marched downstairs back to the second floor and we all entered the den.

 

Again I was told to stand against the now closed door, forced to watch as the pair expertly examined the walls, pictures, and the desk. I knew what they were looking for.

 

Unfortunately, they did not find it, coming to me and threatening me with the knife.

 

Knowing my sister would be home soon, and wanting these two out of the house before that, I sighed and walking over to a certain bookshelf, I moved a book, which caused a small door to open from a wall panel

 

Exposing a floor safe.

 

I was pushed into one of the chairs surrounding Father’s poker table.

 

The boss thief eagerly bent down, licking her lips, and began working the safe open.

 

Her companion meanwhile worked over the rest of the room.

 

From inside the safe, she pulled out several cases of various lengths and colours. Opening each the glittering “evening out” class jewels they contained were exposed. Those then were emptied inside the burglar’s satchel and the cases discarded.

 

A few other small items were extracted and looked over, several of them joining the leather satchel contents.

 

With one final look around, I was approached and forced past the door, once it was opened, I was then pushed out into the corridor.

 

All I could think about was now that they were finished, they would leave before my sister got home.

 

Then I realized that was not going to be happening.

 

The boss thief told me:

“Wait here. I’ll be downstairs. Give no warning to your sister, talk to them like nothing's wrong until I come out.”

 

She nodded to her companion who had remained mute the whole time. She stood off In the den. Facing my back.

 

I realized then that they weren’t planning on leaving, they knew about my sister coming home and were laying a trap. But what did the thief mean by them?

 

^^^^^^^^^^

 

The 40 minutes that I stood at the top of the stairs felt like an eternity… my knees weakened with the thoughts of what my prettily attired twin sister was walking into.

 

Then finally I heard the key turn the lock as the grandfather clock chimed down midnight.

 

Sis came swishing(and glittering) into the room.

 

She directly spotted me up on the landing.

 

Our friend Ginny was right behind her, shimmering up a storm from the jewels she was wearing

 

I cringed, this is what “them” meant.

 

My sister and Ginny both giggled when she saw the look in my eyes

 

“Cat got your tongue, eh? Guess I forgot to tell you Ginny is spending the night did I?”

 

Forlornly I looked down upon the beaming Ginny.

 

The same Ginny from the manor house down the road that I had a major crush on.

 

And considering we had recently made out in the old cemetery behind our house, I would say she felt about the same.

 

Unfortunately tonight, Ginny was absolutely a knockout, wearing a long slithery gown of midnight black dyed thin satin with glittering rhinestones set in the gown's waistline and around her gowns’s high neckline.

 

A slit in the right side of the gown traveled up her slender leg to about mid-thigh.

 

Ginny’s jewellery was also adorably cute, and just as adorably expensive.

Her parents had been at the party so she had been allowed to wear her best jewellery, which immediately came to mind that this was the reason my sister had been so adamant about wearing her diamonds instead of her pearls as our mum had wanted.

 

Ginny’s jewels consisted of a pair of 7 7-centimeter gold earrings set with yellow diamonds, a 15-centimeter wide gold bracelet set with yellow diamonds wrapped around her left wrist, and a gold ruby and yellow diamond ring on her left ring finger. Her red hair was held back in a long plait, with three glittering chains of diamonds woven in.

 

But the star of the show was shimmering just a tad over her snugly gown-covered breasts. A long diamond set gold chain with a pendant in the shape of a gold owl with ruby eyes, a yellow diamond-filled body, and folding wings, perched with ruby-tipped claws on a white diamond embedded solid gold branch.

 

I’ve seen Ginny wear that pendant out a lot, which was no surprise, as it put on a mesmerizing show when fast dancing, and appeared to earn her free drinks at the pubs.

 

As I soaked all this in, I realized Ginny was talking to me.

 

“We’ve decided on a sleepover in the basement room. Looks like you’re already dressed for it. But it’s girls only luv.

 

My sister nodded her head, diamond clips flashing up a storm in the subdued light.

 

Then, with her whole silken-clad figure quivering, she gushed :

 

“Lad, I was dancing with the most charming man.”

 

Ginny giggled poking my sister

 

“I let him, also he liked me better luv.”

 

The two girls began to playfully tease the other.

 

That is until they both stopped cold as the burglar came out of the side sunroom holding that wicked little pistol of hers at the girl's shiny silken waists.

 

^^^^^^^^^^

 

“Hello, ladies. He(indicating me) may not have known a guest was coming tonight. But we did. And Ginny thanks to your sourpuss governess, we knew exactly where you ….

 

She walked up and lifted Ginny’s dazzling diamond owl-shaped pendant

 

… and your jewels were spending the

night.

 

Calmly the thief took off her gloves, placing them on a chair. Then she ran her fingers along the ultra-soft gowns the girls were now very limply wearing.

“You looked very lovely tonight my princesses don’t look surprised, we had eyes on on the pair of you this evening..”

 

She again lifted Ginny’s owl-shaped pendant, letting it slip from her fingers. It sparkled as it fell back against the shiny backdrop of Ginny’s black satin gown.

 

Did you two pretties think you could be out on your own wearing what you are and not attract notice?”

 

The lady thief then lifted my sister's diamond necklace, fingering the sparkling chains of diamonds that dangled from it as she licked her lips and gave an answer to an unasked question:

 

“No, my pretty one. This is not random, but something we were planning out all evening.”

 

The thief dropped the necklace, letting it slide from her fingers.

 

Then she pulled the girl's clutch purses from their hands.

 

The lady thief then looked at the girls and waving her pistol towards the stairs snarled:

“Ok, hunnies! Go upstairs,. Quick as a couple of bunnies. or we may be forced into hurting the lad!”

 

I cringed, not liking the sound of that A’toll.

 

My sister and Ginny throwing disbelieving looks at each other, swished wretchedly over to the stairway, their jewels glittering up a pinpricking storm of light.

 

They came up the stairs, puppy sad eyes on me, closely followed by the pistol-holding female thief.

 

Reaching the landing all three of us were forced into the den and made to take seats around Father’s poker table.

 

My hands were pulled back and tied together, then bound securely to the chair.

 

When they had finished the boss thief told the girls.

“Ok, my pretty ones. Let’s have you remove all those delicious jewels of yours and place them onto the table.

 

My sister hesitated.

 

The thief slammed her hand on the table, causing all of us to jump. Then she grabbed my sister by the chin, I could see her breasts were beating fast as as my sister’s were…

“One thing to get straight hunny, do as I say when I say it. Some girls learn this later in life, that there is sometimes a price a rich lady pays when she goes out dressed as you were tonight, without taking proper precautions. Now we will be out of here all the quicker if you stop your whining and balking when I tell you to do something. Capiche ?”

 

The wicked little black pistol was pointed at each girl’s heaving shiny silk-covered chests.

The girls both sadly nodded,

 

Then the pistol was pointed at me as the tall thief looked back at the distraught girls.

 

Then in a scene of Deja Vu, looking remarkably reminiscent of the movie I had been watching, the two girls with a whimper, began lifting their hands and removing their jewels one by one, dropping them on the green velvet-covered poker table.

 

They were almost in sync, both first lifting off their beautifully glimmering diamond necklaces from the sleekly slick gowns they had adorned. Laying than gently onto the table. Then each pulled out their glittering earrings, plopping them onto the necklaces, which lay there looking like flickering curled snakes.

 

The two thieves, licking their lips, while keeping their eyes on their victims, went to father’s bourbon decanter and the silent female thief poured two glasses. Which they toasted and drank watching the pile of jewellery growing in front of each of my girls.

 

The fact we were around a poker table made it appear that some sort of freakish card-less betting game was going on.

 

Albeit, a rather sexily stimulating betting game to those of us watching (or at least to me). I felt my sore John Thomas now rising back up into yearning life as it had while watching the eerily similar scene of silky-clad ladies being robbed of jewels that had been played out in the movie I had watched earlier.

 

^^^^^^^^

 

After she had tugged off her rings, my twin sister reached down and pulled off her diamond set chain ankle bracelet, then sat back first looking miserably at the shiny pile her jewellery had made on the tabletop.

 

The thief, using the glass of bourbon she was holding, pointed to my twin’s hair.

“Don’t forget the clips.

 

My sister stiffened

“They were borrowed.”

 

The thief just stood there.

 

My sister with a heartfelt sigh, reached up and pulled out the diamond hair clips. Her hair fell into her face.

 

The thief looked at her partner, who nodded. She went over and lifting the glittering pile in front of my sister, stuffed them inside her satchel.

 

Then looked up at my quivering sister, mockingly saying to her:

“Thank you very much, my pretty girl”

 

Ginny meanwhile was lastly struggling off with her tight ring.

 

They waited until she had it off and added it to her pile.

 

The lady thief then lifted Ginny’s jewelry, placing it all inside her satchel.

 

Then she looked back over at her partner, who nodded.

 

The taller thief came over and taking my sister by her wrists raised her hands above her head and held them there.

 

I was forced to watch as the shorter female thief began thoroughly patting down each flinching girl in turn.

 

Probing, prodding, and searching every silken-covered curve bump, hidden under the slick gown-covered nook and crevice until she was satisfied neither squirming girl was holding anything out.

 

Once finished they did the same to poor Ginny.

 

Once finished they stepped back around, poured fresh drinks, and sipped as both looked inside the leather satchel, then up at the wretched girls, the thief's eyes gleaming, licking their red lips.

 

The boss female burglar then nodded.

“Brilliant! One last thing though…”

 

She reached inside her satchel pulled out my sister’s framed debutante photo, and laid it in front of my twin.

 

She went back and taking her knife from its sheath on her belt held its point prickling into my neck.

 

“Ok, darling. Where are the pearls hiding that you’re wearing in the picture?”

 

I was nodding my head “no” as my sister looked up from the photo and said with a tongue-thicke cracking voice.

“Pull out the middle drawer of my vanity. There is a hidden section behind it.

 

The boss female moved like a cat to the door and disappeared. A few minutes later she came back and opening her fist dumped out the gleaming collection of pearls, a diamond broach, and a gold hair comb set with rubies.

 

The other female thief gawked at the pile, before snatching them all up and placing them inside her satchel.

 

“Very nice princess.”

 

She nodded to her mute underling…

 

Then as I watched, the second female thief pulled out cords of rope and quickly, with an expert's ease, bound both girls' ankles, wrists, and silken waists to their chairs.

  

^^^^^^^^^^

 

When the thief had finished binding up the girls the older thief handed her the pistol, then left the room.

 

After a few very long minutes, she came back jn, holding our school backpacks filled to bursting.

 

They then rechecked our bindings while giving the girls one last final look over.

 

A closed folding knife was laid out in the centre of the poker table.

 

I recognized it as one from my room.

 

They were giving us a way to cut out of our bindings but were buying time by making it a challenge.

 

Then helping each other slide on our bulging school backpacks, we helplessly watched as they slipped out of the room and were lost to view.

 

After a few minutes, we all heard a door closing from downstairs.

 

All then grew unsettling quiet.

 

^^^^^^^^^^^^^^^^^

 

I jolted up in panic, as the grandfather clock in the corner began chiming, struggling against rope bindings that didn’t exist.

 

I was feeling the chilling waves of prickling sweaty shock sweeping over me as I realized that I was still on the couch, the telly screen nothing but static. I groggily looked over at the grandfather clock.

 

"It was bloody 3 am in the morning!"

 

I sat for a few minutes, thinking.

 

The house was deathly quiet, except for the ticking of the clock. I had not even heard my sister come home, I had been that out of it.

 

Everything appeared to be normal.

 

But it all had seemed so real, the burglary, the anguish and helplessness of it all.

 

I lifted the bottle of wine, nearly empty, I had drunk almost the whole bottle, no wonder I was having nightmares.

 

I finished off the bottle, now realizing that It had all been a vivid dream, apparently a very wet dream by the damp feeling I was noticing around my crotch.

 

Stupid movie, and the worries it put into my head over my sister out this evening wearing those expensive diamonds.

 

I rose, stretched, and then decided I should best check in on said sister.

 

I groggily went up the stairs to our third-floor connecting bedrooms.

 

Her door was ajar. I peeked inside. She was not there, no indication she had been since leaving.

 

Her bed has not been slept in, but her room is oddly in disarrays.

 

Father’s den then popped into my mind.

 

I had passed it when coming up here. I couldn’t remember if I had looked at it.

 

I had a feeling that she may be inside, probably raiding Father’s bourbon.

 

I decided to see them and join in with a drink, to have a good laugh as I told her about my nightmare.

 

I went downstairs to the second floor. I noticed the den light was on, so I was right, I had walked right past without a look.

 

I opened the door inward.

 

Directly ahead I noticed with curiosity that the door of Father’s small Safe was open …

It was as I tried to wrap my head around it that I heard these odd noises coming from the other side of the room, my view being blocked by the open door.

 

I peered around the door and another round of fresh shock jolted through me again.

 

For there, looking incredibly wretched, sat my sister and our friend Ginny.

 

The pair were struggling on two of the chairs at the corner poker table, where the girls had been fully tied up, mouths gagged, and it looked like they had both been stripped down of everything they had been valuably out flaunting around in this evening.

 

I knew what my sister was missing, which was quite literally everything, I could only imagine about Ginny. Though it came back to me that in my dream she had been wearing black satin, with that flashy diamond owl-shaped pendant I loved to see her wearing out.

 

A loud muffled squeal snapped me back to reality, and I quickly went over to rescue them.

 

In doing so I notice that a framed picture is laying out on the table in front of Sis.

 

It’s the one of her looking absolutely smashing with her curly red hair down, wearing that lovely shoulder-less white satin debutant gown along with her fine collection of gleaming white pearls.

 

Fini

^^^^^^^^^^^^^^^^^^^^^^

  

Minolta XK - Rokkor MD 50mm f/1.4 - Ilford HP5 (possibly slightly expired) - processed and scanned by a local camera shop

 

After years of asking, my dad finally let me have the camera I started with that he loaned me for class in high school years ago -- a Minolta XK. These are from the first roll. A few mistakes, a few camera issues, and a little to get back up to speed with film after years of digital.

 

I haven't posted lately due to a move, and my office/workstation is still in disarray but haven't stopped shooting and now have over 7,500 digital images to sort through. Since I haven't posted I figured I'd post these straight from the photo lab.

Kmart #3744 (120,389 square feet)

1901 N Croatan Highway, Kill Devil Hills, NC

Opened November 16th, 1992

 

Finally! I’ve been wanting to document this Kmart for the longest time. I don’t think I’ve ever made a trip to the Outer Banks without making a visit to this store, which I always regarded as one of their nicest locations around since they’re catering to beach goers. Sadly, things seem to be taking a turn for the worst now: the pharmacy and snack bar are gone and some of their merchandise is in disarray. Still, for the most part the store looks much better than a good chunk of these other Kmarts I've seen across the US (online, that is haha). It helps that they renovated this store sometime in the mid 2000s so they've got those red/yellow/blue walls, and the store itself isn't that old, having been built during the Super Kmart era, so nothing here looks horribly outdated (and I don't believe this one ever had the Big Kmart branding). As I finish writing this in December 2019 the store has managed to avoid being listed on at least two closure announcements made after I took these photos; this'll probably be one of the last locations to survive before they all inevitably shutter in a few years. And when that day does come I'll be back here one more time!

Siren is a village in, and the county seat of, Burnett County in the U.S. state of Wisconsin. The population was 806 at the 2010 census. The village is surrounded by the Town of Siren.

 

The Ojibwe and the French fur traders were the principal inhabitants of the region in the early 1800s.

 

Swedish immigrants began settling in the area around what is now Siren in the 1880s. Many of them were members of the Evangelical Covenant Church. The first post office was built in 1895 about a mile west of its present location. The first postmaster was Charles F. Segerstrom, who had the post office in his home. His home was surrounded by lilacs, which are quite abundant in the area. Segerstrom applied with the postal department for a name for the place, choosing "Syren", Swedish for "lilac." Presumably the postal department thought this was a misspelling, for on the granted application they put down the spelling as "Siren." In 1912, the town center was moved nearer to the Soo Line Railroad tracks, which had been extended north through the area to Superior, Wisconsin and Duluth, Minnesota. The tracks were later removed but the trail was left behind for recreational purposes. It is now known as the Gandy Dancer State Trail and is a popular route for hikers, bicyclists, and snowmobilers.

 

On June 18, 2001, an F3 tornado passed through Siren, inflicting severe damage. Three people died; 175 buildings were destroyed and many more damaged. Since then much of the town has been rebuilt with its architecture reflecting Siren's history.

 

Siren is located at 45°47′1″N 92°22′48″W (45.783633, -92.380161).

 

According to the United States Census Bureau, the village has an area of 1.28 square miles (3.32 km2), of which 1.24 square miles (3.21 km2) is land and 0.04 square miles (0.10 km2) is water.

 

Siren is surrounded by several lakes including Big Doctor Lake, Clam Lake, Crooked Lake, Fish Lake, and Long Lake.

 

As of the 2010 census, Siren had a population of 806 people. The population density was 631.2 people per square mile (243.7/km2). The racial makeup of Siren was 725 (90.0%) white, 2 (0.2%) African-American, 33 (4.1%) American Indian or Alaska native, 3 (0.4%) Asian, 0 (0.0%) native Hawaiian or Pacific Islander, and 4 (0.5%) from another race; 39 (4.8%) of the residents were from two or more races. 19 people (2.4%) were Hispanic or Latino of any race.

 

The population was distributed by age with 57 residents (7.1%) under the age of 5, 42 (5.2%) aged 5 to 9, 55 (6.8%) aged 10 to 14, 48 (6.0%) aged 15 to 19, 28 (3.5%) aged 20 to 24, 47 (5.8%) aged 25 to 29, 42 (5.2%) aged 30 to 34, 49 (6.1%) aged 35 to 39, 53 (6.6%) aged 40 to 44, 54 (6.7%) aged 45 to 49, 53 (6.6%) aged 50 to 54, 52 (6.5%) aged 55 to 59, 41 (5.1%) aged 60 to 64, 51 (6.3%) aged 65 to 69, 35 (4.3%) aged 70 to 74, 38 (4.7%) aged 75 to 79, 32 (4.0%) aged 80 to 84, and 29 (3.6%) aged 85 and over.

 

Siren had 376 households, of which 212 (56.4%) were families, 96 (25.5%) had children under 18 years of age, 141 (37.5%) were opposite-sex couples, 48 (12.8%) were families with a female householder and no husband, and 23 (6.1%) were families with a male householder and no wife. 164 households (43.6%) were not families, with 148 (20.0%) consisting of a single householder and 73 (19.4%) consisting of a single householder 65 years or older. The average household size was 2.12 people, and the average family size was 2.76 people. 798 people lived in households, 0 were institutionalized, and 8 lived in noninstitutional group quarters.

 

Siren had 490 housing units, of which 376 were occupied; there were 383.7 housing units per square mile of land (148.1/km2). 223 (59.3%) housing units were owner-occupied, while 153 (40.7%) were occupied by renters. 511 people lived in owner-occupied housing units, while 287 lived in renter-occupied housing units. The homeowner vacancy rate was 4.7%, and the rental vacancy rate was 10.9%.

 

As of the census of 2000, there were 988 people, 413 households, and 230 families residing in the village. The population density was 895.1 people per square mile (346.8/km2). There were 499 housing units at an average density of 452.1 per square mile (175.1/km2). The racial makeup of the village was 95.85% White, 0.10% Black or African American, 2.02% Native American, 0.30% Asian, 0.10% Pacific Islander, 0.10% from other races, and 1.52% from two or more races. 0.10% of the population were Hispanic or Latino of any race.

 

There were 413 households, out of which 26.9% had children under the age of 18 living with them, 40.7% were married couples living together, 10.9% had a female householder with no husband present, and 44.3% were non-families. 39.2% of all households were made up of individuals, and 18.4% had someone living alone who was 65 years of age or older. The average household size was 2.15 and the average family size was 2.85.

 

In the village, the population was spread out, with 22.2% under the age of 18, 6.7% from 18 to 24, 24.6% from 25 to 44, 19.6% from 45 to 64, and 26.9% who were 65 years of age or older. The median age was 42 years. For every 100 females, there were 90.0 males. For every 100 females age 18 and over, there were 90.3 males.

 

The median income for a household in the village was $24,342, and the median income for a family was $31,797. Males had a median income of $27,250 versus $21,635 for females. The per capita income for the village was $14,792. About 12.0% of families and 18.3% of the population were below the poverty line, including 22.6% of those under age 18 and 18.9% of those age 65 or over.

 

Burnett County is a county located in the U.S. state of Wisconsin. As of the 2020 census, the population was 16,526. Its county seat is Siren, with the majority of county governmental services located at the Burnett County Government Center. The county was created in 1856 and organized in 1865. The St. Croix Chippewa Indians of Wisconsin have reservation lands in Burnett County and are the county's largest employer.

 

Wisconsin is a state in the Upper Midwestern region of the United States. It borders Minnesota to the west, Iowa to the southwest, Illinois to the south, Lake Michigan to the east, Michigan to the northeast, and Lake Superior to the north. Wisconsin is the 25th-largest state by land area and the 20th-most populous.

 

The bulk of Wisconsin's population live in areas situated along the shores of Lake Michigan. The largest city, Milwaukee, anchors its largest metropolitan area, followed by Green Bay and Kenosha, the third- and fourth-most-populated Wisconsin cities, respectively. The state capital, Madison, is currently the second-most-populated and fastest-growing city in the state. Wisconsin is divided into 72 counties and as of the 2020 census had a population of nearly 5.9 million.

 

Wisconsin's geography is diverse, having been greatly impacted by glaciers during the Ice Age with the exception of the Driftless Area. The Northern Highland and Western Upland along with a part of the Central Plain occupy the western part of the state, with lowlands stretching to the shore of Lake Michigan. Wisconsin is third to Ontario and Michigan in the length of its Great Lakes coastline. The northern portion of the state is home to the Chequamegon-Nicolet National Forest. At the time of European contact, the area was inhabited by Algonquian and Siouan nations, and today it is home to eleven federally recognized tribes. During the 19th and early 20th centuries, many European settlers entered the state, most of whom emigrated from Germany and Scandinavia. Wisconsin remains a center of German American and Scandinavian American culture, particularly in respect to its cuisine, with foods such as bratwurst and kringle. Wisconsin is home to one UNESCO World Heritage Site, comprising two of the most significant buildings designed by Wisconsin-born architect Frank Lloyd Wright: his studio at Taliesin near Spring Green and his Jacobs I House in Madison.

 

The Republican Party was founded in Wisconsin in 1854. In more recent years, Wisconsin has been a battleground state in presidential elections, notably in 2016 and 2020.

 

Wisconsin is one of the nation's leading dairy producers and is known as "America's Dairyland"; it is particularly famous for its cheese. The state is also famous for its beer, particularly and historically in Milwaukee, most notably as the headquarters of the Miller Brewing Company. Wisconsin has some of the most permissive alcohol laws in the country and is well known for its drinking culture. Its economy is dominated by manufacturing, healthcare, information technology, and agriculture—specifically dairy, cranberries, and ginseng. Tourism is also a major contributor to the state's economy. The gross domestic product in 2020 was $348 billion.

 

The history of Wisconsin encompasses the story not only of the people who have lived in Wisconsin since it became a state of the U.S., but also that of the Native American tribes who made their homeland in Wisconsin, the French and British colonists who were the first Europeans to live there, and the American settlers who lived in Wisconsin when it was a territory.

 

Since its admission to the Union on May 29, 1848, as the 30th state, Wisconsin has been ethnically heterogeneous, with Yankees being among the first to arrive from New York and New England. They dominated the state's heavy industry, finance, politics and education. Large numbers of European immigrants followed them, including German Americans, mostly between 1850 and 1900, Scandinavians (the largest group being Norwegian Americans) and smaller groups of Belgian Americans, Dutch Americans, Swiss Americans, Finnish Americans, Irish Americans and others; in the 20th century, large numbers of Polish Americans and African Americans came, settling mainly in Milwaukee.

 

Politically the state was predominantly Republican until recent years, when it became more evenly balanced. The state took a national leadership role in the Progressive Movement, under the aegis of Robert M. "Fighting Bob" La Follette and his family, who fought the old guard bitterly at the state and national levels. The "Wisconsin Idea" called for the use of the higher learning in modernizing government, and the state is notable for its strong network of state universities.

 

The first known inhabitants of what is now Wisconsin were Paleo-Indians, who first arrived in the region in about 10,000 BC at the end of the Ice Age. The retreating glaciers left behind a tundra in Wisconsin inhabited by large animals, such as mammoths, mastodons, bison, giant beaver, and muskox. The Boaz mastodon and the Clovis artifacts discovered in Boaz, Wisconsin show that the Paleo-Indians hunted these large animals. They also gathered plants as conifer forests grew in the glaciers' wake. With the decline and extinction of many large mammals in the Americas, the Paleo-Indian diet shifted toward smaller mammals like deer and bison.

 

During the Archaic Period, from 6000 to 1000 BC, mixed conifer-hardwood forests as well as mixed prairie-forests replaced Wisconsin's conifer forests. People continued to depend on hunting and gathering. Around 4000 BC they developed spear-throwers and copper tools such as axes, adzes, projectile points, knives, perforators, fishhooks and harpoons. Copper ornaments like beaded necklaces also appeared around 1500 BC. These people gathered copper ore at quarries on the Keweenaw Peninsula in Michigan and on Isle Royale in Lake Superior. They may have crafted copper artifacts by hammering and folding the metal and also by heating it to increase its malleability. However it is not certain if these people reached the level of copper smelting. Regardless, the Copper Culture of the Great Lakes region reached a level of sophistication unprecedented in North America. The Late Archaic Period also saw the emergence of cemeteries and ritual burials, such as the one in Oconto.

 

The Early Woodland Period began in 1000 BC as plants became an increasingly important part of the people's diet. Small scale agriculture and pottery arrived in southern Wisconsin at this time. The primary crops were maize, beans and squash. Agriculture, however, could not sufficiently support these people, who also had to hunt and gather. Agriculture at this time was more akin to gardening than to farming. Villages emerged along rivers, streams and lakes, and the earliest earthen burial mounds were constructed. The Havana Hopewell culture arrived in Wisconsin in the Middle Woodland Period, settling along the Mississippi River. The Hopewell people connected Wisconsin to their trade practices, which stretched from Ohio to Yellowstone and from Wisconsin to the Gulf of Mexico. They constructed elaborate mounds, made elaborately decorated pottery and brought a wide range of traded minerals to the area. The Hopewell people may have influenced the other inhabitants of Wisconsin, rather than displacing them. The Late Woodland Period began in about 400 AD, following the disappearance of the Hopewell culture from the area. The people of Wisconsin first used the bow and arrow in the final centuries of the Woodland Period, and agriculture continued to be practiced in the southern part of the state. The effigy mound culture dominated Southern Wisconsin during this time, building earthen burial mounds in the shapes of animals. Examples of effigy mounds still exist at High Cliff State Park and at Lizard Mound County Park. In northern Wisconsin people continued to survive on hunting and gathering, and constructed conical mounds.

 

People of the Mississippian culture expanded into Wisconsin around 1050 AD and established a settlement at Aztalan along the Crawfish River. While begun by the Caddoan people, other cultures began to borrow & adapt the Mississippian cultural structure. This elaborately planned site may have been the northernmost outpost of Cahokia, although it is also now known that some Siouan peoples along the Mississippi River may have taken part in the culture as well. Regardless, the Mississippian site traded with and was clearly influenced in its civic and defensive planning, as well as culturally, by its much larger southern neighbor. A rectangular wood-and-clay stockade surrounded the twenty acre site, which contained two large earthen mounds and a central plaza. One mound may have been used for food storage, as a residence for high-ranking officials, or as a temple, and the other may have been used as a mortuary. The Mississippian culture cultivated maize intensively, and their fields probably stretched far beyond the stockade at Aztalan, although modern agriculture has erased any traces of Mississippian practices in the area. Some rumors also speculate that the people of Aztalan may have experimented slightly with stone architecture in the making of a man-made, stone-line pond, at the very least. While the first settler on the land of what is now the city supposedly reported this, he filled it in and it has yet to be rediscovered.

 

Both Woodland and Mississippian peoples inhabited Aztalan, which was connected to the extensive Mississippian trade network. Shells from the Gulf of Mexico, copper from Lake Superior and Mill Creek chert have been found at the site. Aztalan was abandoned around 1200 AD. The Oneota people later built agriculturally based villages, similar to those of the Mississippians but without the extensive trade networks, in the state.

 

By the time the first Europeans arrived in Wisconsin, the Oneota had disappeared. The historically documented inhabitants, as of the first European incursions, were the Siouan speaking Dakota Oyate to the northwest, the Chiwere speaking Ho-Chunk (Winnebago) and the Algonquian Menominee to the northeast, with their lands beginning approximately north of Green Bay. The Chiwere lands were south of Green Bay and followed rivers to the southwest. Over time, other tribes moved to Wisconsin, including the Ojibwe, the Illinois, the Fauk, the Sauk and the Mahican. The Mahican were one of the last groups to arrived, coming from New York after the U.S. congress passed the Indian Removal Act of 1830.

 

The first European known to have landed in Wisconsin was Jean Nicolet. In 1634, Samuel de Champlain, governor of New France, sent Nicolet to contact the Ho-Chunk people, make peace between them and the Huron and expand the fur trade, and possibly to also find a water route to Asia. Accompanied by seven Huron guides, Nicolet left New France and canoed through Lake Huron and Lake Superior, and then became the first European known to have entered Lake Michigan. Nicolet proceeded into Green Bay, which he named La Baie des Puants (literally "The Stinking Bay"), and probably came ashore near the Red Banks. He made contact with the Ho-Chunk and Menominee living in the area and established peaceful relations. Nicolet remained with the Ho-Chunk the winter before he returned to Quebec.

 

The Beaver Wars fought between the Iroquois and the French prevented French explorers from returning to Wisconsin until 1652–1654, when Pierre Radisson and Médard des Groseilliers arrived at La Baie des Puants to trade furs. They returned to Wisconsin in 1659–1660, this time at Chequamegon Bay on Lake Superior. On their second voyage they found that the Ojibwe had expanded into northern Wisconsin, as they continued to prosper in the fur trade. They also were the first Europeans to contact the Santee Dakota. They built a trading post and wintered near Ashland, before returning to Montreal.

 

In 1665 Claude-Jean Allouez, a Jesuit missionary, built a mission on Lake Superior. Five years later he abandoned the mission, and journeyed to La Baie des Puants. Two years later he built St. Francis Xavier Mission near present-day De Pere. In his journeys through Wisconsin, he encountered groups of Native Americans who had been displaced by Iroquois in the Beaver Wars. He evangelized the Algonquin-speaking Potawatomi, who had settled on the Door Peninsula after fleeing Iroquois attacks in Michigan. He also encountered the Algonquin-speaking Sauk, who had been forced into Michigan by the Iroquois, and then had been forced into central Wisconsin by the Ojibwe and the Huron.

 

The next major expedition into Wisconsin was that of Father Jacques Marquette and Louis Jolliet in 1673. After hearing rumors from Indians telling of the existence of the Mississippi River, Marquette and Joliet set out from St. Ignace, in what is now Michigan, and entered the Fox River at Green Bay. They canoed up the Fox until they reached the river's westernmost point, and then portaged, or carried their boats, to the nearby Wisconsin River, where they resumed canoeing downstream to the Mississippi River. Marquette and Joliet reached the Mississippi near what is now Prairie du Chien, Wisconsin in June, 1673.

 

Nicolas Perrot, French commander of the west, established Fort St. Nicholas at Prairie du Chien, Wisconsin in May, 1685, near the southwest end of the Fox-Wisconsin Waterway. Perrot also built a fort on the shores of Lake Pepin called Fort St. Antoine in 1686, and a second fort, called Fort Perrot, on an island on Lake Peppin shortly after. In 1727, Fort Beauharnois was constructed on what is now the Minnesota side of Lake Pepin to replace the two previous forts. A fort and a Jesuit mission were also built on the shores of Lake Superior at La Pointe, in present-day Wisconsin, in 1693 and operated until 1698. A second fort was built on the same site in 1718 and operated until 1759. These were not military posts, but rather small storehouses for furs.

 

During the French colonial period, the first black people came to Wisconsin. The first record of a black person comes from 1725, when a black slave was killed along with four Frenchmen in a Native American raid on Green Bay. Other French fur traders and military personnel brought slaves with them to Wisconsin later in 1700s.

 

None of the French posts had permanent settlers; fur traders and missionaries simply visited them from time to time to conduct business.

 

In the 1720s, the anti-French Fox tribe, led by war chief Kiala, raided French settlements on the Mississippi River and disrupted French trade on Lake Michigan. From 1728 to 1733, the Fox fought against the French-supported Potawatomi, Ojibwa, Huron and Ottawa tribes. In 1733, Kiala was captured and sold into slavery in the West Indies along with other captured Fox.

 

Before the war, the Fox tribe numbered 1500, but by 1733, only 500 Fox were left. As a result, the Fox joined the Sauk people.

 

The details are unclear, but this war appears to have been part of the conflict that expelled the Dakota & Illinois peoples out onto the Great Plains, causing further displacement of other Chiwere, Caddoan & Algonquian peoples there—including the ancestors of the Ioway, Osage, Pawnee, Arikara, A'ani, Arapaho, Hidatsa, Cheyenne & Blackfoot.

 

The British gradually took over Wisconsin during the French and Indian War, taking control of Green Bay in 1761, gaining control of all of Wisconsin in 1763, and annexing the area to the Province of Quebec in 1774. Like the French, the British were interested in little but the fur trade. One notable event in the fur trading industry in Wisconsin occurred in 1791, when two free African Americans set up a fur trading post among the Menominee at present day Marinette. The first permanent settlers, mostly French Canadians, some Anglo-New Englanders and a few African American freedmen, arrived in Wisconsin while it was under British control. Charles Michel de Langlade is generally recognized as the first settler, establishing a trading post at Green Bay in 1745, and moving there permanently in 1764. In 1766 the Royal Governor of the new territory, Robert Rogers, engaged Jonathan Carver to explore and map the newly acquired territories for the Crown, and to search for a possible Northwest Passage. Carver left Fort Michilimackinac that spring and spent the next three years exploring and mapping what is now Wisconsin and parts of Minnesota.

 

Settlement began at Prairie du Chien around 1781. The French residents at the trading post in what is now Green Bay, referred to the town as "La Bey", however British fur traders referred to it as "Green Bay", because the water and the shore assumed green tints in early spring. The old French title was gradually dropped, and the British name of "Green Bay" eventually stuck. The region coming under British rule had virtually no adverse effect on the French residents as the British needed the cooperation of the French fur traders and the French fur traders needed the goodwill of the British. During the French occupation of the region licenses for fur trading had been issued scarcely and only to select groups of traders, whereas the British, in an effort to make as much money as possible from the region, issued licenses for fur trading freely, both to British and French residents. The fur trade in what is now Wisconsin reached its height under British rule, and the first self-sustaining farms in the state were established at this time as well. From 1763 to 1780, Green Bay was a prosperous community which produced its own foodstuff, built graceful cottages and held dances and festivities.

 

The United States acquired Wisconsin in the Treaty of Paris (1783). Massachusetts claimed the territory east of the Mississippi River between the present-day Wisconsin-Illinois border and present-day La Crosse, Wisconsin. Virginia claimed the territory north of La Crosse to Lake Superior and all of present-day Minnesota east of the Mississippi River. Shortly afterward, in 1787, the Americans made Wisconsin part of the new Northwest Territory. Later, in 1800, Wisconsin became part of Indiana Territory. Despite the fact that Wisconsin belonged to the United States at this time, the British continued to control the local fur trade and maintain military alliances with Wisconsin Indians in an effort to stall American expansion westward by creating a pro-British Indian barrier state.

 

The United States did not firmly exercise control over Wisconsin until the War of 1812. In 1814, the Americans built Fort Shelby at Prairie du Chien. During the war, the Americans and British fought one battle in Wisconsin, the July, 1814 Siege of Prairie du Chien, which ended as a British victory. The British captured Fort Shelby and renamed it Fort McKay, after Major William McKay, the British commander who led the forces that won the Battle of Prairie du Chien. However, the 1815 Treaty of Ghent reaffirmed American jurisdiction over Wisconsin, which was by then a part of Illinois Territory. Following the treaty, British troops burned Fort McKay, rather than giving it back to the Americans, and departed Wisconsin. To protect Prairie du Chien from future attacks, the United States Army constructed Fort Crawford in 1816, on the same site as Fort Shelby. Fort Howard was also built in 1816 in Green Bay.

 

Significant American settlement in Wisconsin, a part of Michigan Territory beginning in 1818, was delayed by two Indian wars, the minor Winnebago War of 1827 and the larger Black Hawk War of 1832.

 

The Winnebago War started when, in 1826, two Winnebago men were detained at Fort Crawford on charges of murder and then transferred to Fort Snelling in present-day Minnesota. The Winnebago in the area believed that both men had been executed. On June 27, 1827, a Winnebago war band led by Chief Red Bird and the prophet White Cloud (Wabokieshiek) attacked a family of settlers outside of Prairie du Chien, killing two. They then went on to attack two keel-boats on the Mississippi River that were heading toward Fort Snelling, killing two settlers and injuring four more. Seven Winnebago warriors were killed in those attacks. The war band also attacked settlers on the lower Wisconsin River and the lead mines at Galena, Illinois. The war band surrendered at Portage, Wisconsin, rather than fighting the United States Army that was pursuing them.

 

In the Black Hawk War, Sac, Fox, and Kickapoo Native Americans, otherwise known as the British Band, led by Chief Black Hawk, who had been relocated from Illinois to Iowa, attempted to resettle in their Illinois homeland on April 5, 1832, in violation of Treaty. On May 10 Chief Black Hawk decided to go back to Iowa. On May 14, Black Hawk's forces met with a group of militiamen led by Isaiah Stillman. All three members of Black Hawk's parley were shot and one was killed. The Battle of Stillman's Run ensued, leaving twelve militiamen and three to five Sac and Fox warriors dead. Of the fifteen battles of the war, six took place in Wisconsin. The other nine as well as several smaller skirmishes took place in Illinois. The first confrontation to take place in Wisconsin was the first attack on Fort Blue Mounds on June 6, in which one member of the local militia was killed outside of the fort. There was also the Spafford Farm Massacre on June 14, the Battle of Horseshoe Bend on June 16, which was a United States victory, the second attack on Fort Blue Mounds on June 20, and the Sinsinawa Mound raid on June 29. The Native Americans were defeated at the Battle of Wisconsin Heights on July 21, with forty to seventy killed and only one killed on the United States side. The Ho Chunk Nation fought on the side of the United States. The Black Hawk War ended with the Battle of Bad Axe on August 1–2, with over 150 of the British Band dead and 75 captured and only five killed in the United States forces. Those crossing the Mississippi were killed by Lakota, American and Ho Chunk Forces. Many of the British Band survivors were handed over to the United States on August 20 by the Lakota Tribe, with the exception of Black Hawk, who had retreated into Vernon County, Wisconsin and White Cloud, who surrendered on August 27, 1832. Black Hawk was captured by Decorah south of Bangor, Wisconsin, south of the headwaters of the La Crosse River. He was then sold to the U.S. military at Prairie du Chien, accepted by future Confederate president, Stephen Davis, who was a soldier at the time. Black Hawk's tribe had killed his daughter. Black Hawk moved back to Iowa in 1833, after being held prisoner by the United States government.

 

The Francois Vertefeuille House in Prairie du Chien was built in the 1810s by fur traders. A rare example of the pièce-sur-pièce à coulisse technique once common in French-Canadian architecture, it is one of the oldest buildings in the state and is listed on the National Register of Historic Places.

 

The Cornish immigrants who worked in Wisconsin's lead mines build simple stone cabins from limestone. Six cabins are preserved at the Pendarvis Historic Site in Mineral Point.

The resolution of these Indian conflicts opened the way for Wisconsin's settlement. Many of the region's first settlers were drawn by the prospect of lead mining in southwest Wisconsin. This area had traditionally been mined by Native Americans. However, after a series of treaties removed the Indians, the lead mining region was opened to white miners. Thousands rushed in from across the country to dig for the "gray gold". By 1829, 4,253 miners and 52 licensed smelting works were in the region. Expert miners from Cornwall in Britain informed a large part of the wave of immigrants. Boom towns like Mineral Point, Platteville, Shullsburg, Belmont, and New Diggings sprang up around mines. The first two federal land offices in Wisconsin were opened in 1834 at Green Bay and at Mineral Point. By the 1840s, southwest Wisconsin mines were producing more than half of the nation's lead, which was no small amount, as the United States was producing annually some 31 million pounds of lead. Wisconsin was dubbed the "Badger State" because of the lead miners who first settled there in the 1820s and 1830s. Without shelter in the winter, they had to "live like badgers" in tunnels burrowed into hillsides.

 

Although the lead mining area drew the first major wave of settlers, its population would soon be eclipsed by growth in Milwaukee. Milwaukee, along with Sheboygan, Manitowoc, and Kewaunee, can be traced back to a series of trading posts established by the French trader Jacques Vieau in 1795. Vieau's post at the mouth of the Milwaukee River was purchased in 1820 by Solomon Juneau, who had visited the area as early as 1818. Juneau moved to what is now Milwaukee and took over the trading post's operation in 1825.

 

When the fur trade began to decline, Juneau focused on developing the land around his trading post. In the 1830s, he formed a partnership with Green Bay lawyer Morgan Martin, and the two men bought 160 acres (0.6 km2) of land between Lake Michigan and the Milwaukee River. There they founded the settlement of Juneautown. Meanwhile, an Ohio businessman named Byron Kilbourn began to invest in the land west of the Milwaukee River, forming the settlement of Kilbourntown. South of these two settlements, George H. Walker founded the town of Walker's Point in 1835. Each of these three settlements engaged in a fierce competition to attract the most residents and become the largest of the three towns. In 1840, the Wisconsin State Legislature ordered the construction of a bridge over the Milwaukee River to replace the inadequate ferry system. In 1845, Byron Kilbourn, who had been trying to isolate Juneautown to make it more dependent on Kilbourntown, destroyed a portion of the bridge, which started the Milwaukee Bridge War. For several weeks, skirmishes broke out between the residents of both towns. No one was killed but several people were injured, some seriously. On January 31, 1846, the settlements of Juneautown, Kilbourntown, and Walker's Point merged into the incorporated city of Milwaukee. Solomon Juneau was elected mayor. The new city had a population of about 10,000 people, making it the largest city in the territory. Milwaukee remains the largest city in Wisconsin to this day.

 

Wisconsin Territory was created by an act of the United States Congress on April 20, 1836. By fall of that year, the best prairie groves of the counties surrounding Milwaukee were occupied by New England farmers. The new territory initially included all of the present day states of Wisconsin, Minnesota, and Iowa, as well as parts of North and South Dakota. At the time the Congress called it the "Wiskonsin Territory".

 

The first territorial governor of Wisconsin was Henry Dodge. He and other territorial lawmakers were initially busied by organizing the territory's government and selecting a capital city. The selection of a location to build a capitol caused a heated debate among the territorial politicians. At first, Governor Dodge selected Belmont, located in the heavily populated lead mining district, to be capital. Shortly after the new legislature convened there, however, it became obvious that Wisconsin's first capitol was inadequate. Numerous other suggestions for the location of the capital were given representing nearly every city that existed in the territory at the time, and Governor Dodge left the decision up to the other lawmakers. The legislature accepted a proposal by James Duane Doty to build a new city named Madison on an isthmus between lakes Mendota and Monona and put the territory's permanent capital there. In 1837, while Madison was being built, the capitol was temporarily moved to Burlington. This city was transferred to Iowa Territory in 1838, along with all the lands of Wisconsin Territory west of the Mississippi River.

 

Wyman calls Wisconsin a "palimpsest" of layer upon layer of peoples and forces, each imprinting permanent influences. He identified these layers as multiple "frontiers" over three centuries: Native American frontier, French frontier, English frontier, fur-trade frontier, mining frontier, and the logging frontier. Finally the coming of the railroad brought the end of the frontier.

 

The historian of the frontier, Frederick Jackson Turner, grew up in Wisconsin during its last frontier stage, and in his travels around the state he could see the layers of social and political development. One of Turner's last students, Merle Curti used in-depth analysis of local history in Trempealeau County to test Turner's thesis about democracy. Turner's view was that American democracy, "involved widespread participation in the making of decisions affecting the common life, the development of initiative and self-reliance, and equality of economic and cultural opportunity. It thus also involved Americanization of immigrant." Curti found that from 1840 to 1860 in Wisconsin the poorest groups gained rapidly in land ownership, and often rose to political leadership at the local level. He found that even landless young farm workers were soon able to obtain their own farms. Free land on the frontier therefore created opportunity and democracy, for both European immigrants as well as old stock Yankees.

 

By the mid-1840s, the population of Wisconsin Territory had exceeded 150,000, more than twice the number of people required for Wisconsin to become a state. In 1846, the territorial legislature voted to apply for statehood. That fall, 124 delegates debated the state constitution. The document produced by this convention was considered extremely progressive for its time. It banned commercial banking, granted married women the right to own property, and left the question of African-American suffrage to a popular vote. Most Wisconsinites considered the first constitution to be too radical, however, and voted it down in an April 1847 referendum.

 

In December 1847, a second constitutional convention was called. This convention resulted in a new, more moderate state constitution that Wisconsinites approved in a March 1848 referendum, enabling Wisconsin to become the 30th state on May 29, 1848. Wisconsin was the last state entirely east of the Mississippi River (and by extension the last state formed entirely from territory assigned to the U.S. in the 1783 Treaty of Paris) to be admitted to the Union.

 

With statehood, came the creation of the University of Wisconsin–Madison, which is the state's oldest public university. The creation of this university was set aside in the state charter.

 

In 1847, the Mineral Point Tribune reported that the town's furnaces were producing 43,800 pounds (19,900 kg) of lead each day. Lead mining in southwest Wisconsin began to decline after 1848 and 1849 when the combination of less easily accessible lead ore and the California Gold Rush made miners leave the area. The lead mining industry in mining communities such as Mineral Point managed to survive into the 1860s, but the industry was never as prosperous as it was before the decline.

 

By 1850 Wisconsin's population was 305,000. Roughly a third (103,000) were Yankees from New England and western New York state. The second largest group were the Germans, numbering roughly 38,000, followed by 28,000 British immigrants from England, Scotland and Wales. There were roughly 63,000 Wisconsin-born residents of the state. The Yankee migrants would be the dominant political class in Wisconsin for many years.

 

A railroad frenzy swept Wisconsin shortly after it achieved statehood. The first railroad line in the state was opened between Milwaukee and Waukesha in 1851 by the Chicago, Milwaukee, St. Paul and Pacific Railroad. The railroad pushed on, reaching Milton, Wisconsin in 1852, Stoughton, Wisconsin in 1853, and the capital city of Madison in 1854. The company reached its goal of completing a rail line across the state from Lake Michigan to the Mississippi River when the line to Prairie du Chien was completed in 1857. Shortly after this, other railroad companies completed their own tracks, reaching La Crosse in the west and Superior in the north, spurring development in those cities. By the end of the 1850s, railroads crisscrossed the state, enabling the growth of other industries that could now easily ship products to markets across the country.

 

Nelson Dewey, the first governor of Wisconsin, was a Democrat. Born in Lebanon, Connecticut, Dewey's father's family had lived in New England since 1633, when their ancestor, Thomas Due, had come to America from Kent County, England. Dewey oversaw the transition from the territorial to the new state government. He encouraged the development of the state's infrastructure, particularly the construction of new roads, railroads, canals, and harbors, as well as the improvement of the Fox and Wisconsin Rivers. During his administration, the State Board of Public Works was organized. Dewey was an abolitionist and the first of many Wisconsin governors to advocate against the spread of slavery into new states and territories. The home Dewey built near Cassville is now a state park.

 

Between 1848 and 1862, Wisconsin had three Democratic governors, all of whom were in office prior to 1856, four Republican governors, all of whom were in office after 1856, and one Whig governor, Leonard J. Farwell, who served from 1852 to 1854. Under Farwell's governorship, Wisconsin became the second state to abolish capital punishment.

 

In the presidential elections of 1848 and 1852, the Democratic Party won Wisconsin. In the elections of 1856, 1860, and 1864, the Republican Party won the state.

 

Between the 1840s and 1860s, settlers from New England, New York and Germany arrived in Wisconsin. Some of them brought radical political ideas to the state. In the 1850s, stop-overs on the underground railroad were set up in the state and abolitionist groups were formed. Some abolitionist and free-soil activists left the Whig and Democratic parties, running and in some cases being elected as candidates of the Liberty Party and Free Soil Party. The most successful such group was the Republican Party. On March 20, 1854, the first county meeting of the Republican Party of the United States, consisting of about thirty people, was held in the Little White Schoolhouse in Ripon, Wisconsin. Ripon claims to be the birthplace of the Republican Party, as does Jackson, Michigan, where the first statewide convention was held. The new party absorbed most of the former Free Soil and Liberty Party members.

 

A notable instance of abolitionism in Wisconsin was the rescue of Joshua Glover, an escaped slave from St. Louis who sought refuge in Racine, Wisconsin in 1852. He was caught in 1854 by federal marshals and put in a jail at Cathedral Square in Milwaukee, where he waited to be returned to his owner. A mob of 5,000 people led by Milwaukee abolitionist Sherman Booth, himself a "Yankee" transplant from rural New York, sprung Glover from jail and helped him escape to Canada via the underground railroad.

 

In the 1850s, two-thirds of immigrants to Wisconsin came from the eastern United States, the other one-third being foreign-born. The majority of the foreign born were German immigrants. Many Irish and Norwegian immigrants also came to Wisconsin in the 1850s. Northern Europeans, many of whom were persecuted in their home countries because of their support for the failed bourgeois Revolutions of 1848, often chose Wisconsin because of the liberal constitution of human rights such as the state's unusual recognition of immigrants' right to vote and rights to citizenship.

 

Yankee settlers from New England started arriving in Wisconsin in the 1830s spread throughout the southern half of the territory. They dominated early politics. Most of them started as farmers, but the larger proportion moved to towns and cities as entrepreneurs, businessmen and professionals.

 

Historian John Bunker has examined the worldview of the Yankee settlers in the Wisconsin:

 

Because they arrived first and had a strong sense of community and mission, Yankees were able to transplant New England institutions, values, and mores, altered only by the conditions of frontier life. They established a public culture that emphasized the work ethic, the sanctity of private property, individual responsibility, faith in residential and social mobility, practicality, piety, public order and decorum, reverence for public education, activists, honest, and frugal government, town meeting democracy, and he believed that there was a public interest that transcends particular and stick ambitions. Regarding themselves as the elect and just in a world rife with sin, air, and corruption, they felt a strong moral obligation to define and enforce standards of community and personal behavior....This pietistic worldview was substantially shared by British, Scandinavian, Swiss, English-Canadian and Dutch Reformed immigrants, as well as by German Protestants and many of the "Forty-Niners."

 

The color guard of the Wisconsin 8th Infantry with Old Abe

Wisconsin enrolled 91,379 soldiers in the Union Army during the American Civil War. 272 of enlisted Wisconsin troops were African American, with the rest being white. Of these, 3,794 were killed in action or mortally wounded, 8,022 died of disease, and 400 were killed in accidents. The total mortality was 12,216 men, about 13.4 percent of total enlistments. Many soldiers trained at Camp Randall currently the site of the University of Wisconsin's athletic stadium.

 

The draft implemented by President Lincoln in 1862 was unpopular in some Wisconsin communities, particularly among German and Luxembourgish immigrants. In November 1862, draft riots broke out in Milwaukee, Port Washington, and West Bend, which were quelled by deploying U.S. troops in the cities.

 

Most Wisconsin troops served in the western theater, although several Wisconsin regiments fought in the east, such as the 2nd Wisconsin Volunteer Infantry Regiment, 6th Wisconsin Volunteer Infantry Regiment, and 7th Wisconsin Volunteer Infantry Regiment, which formed part of the Iron Brigade. These three regiments fought in the Northern Virginia Campaign, the Maryland Campaign, the Battle of Fredericksburg, the Battle of Chancellorsville, the Gettysburg Campaign, the Battle of Mine Run, the Overland Campaign, the Siege of Petersburg, and the Appomattox Campaign.

 

The 8th Wisconsin Volunteer Infantry Regiment, which fought in the western theater of war, is also worthy of mention, having fought at the Battle of Iuka, the Siege of Vicksburg, the Red River Campaign, and the Battle of Nashville. The 8th Wisconsin is also known for its mascot, Old Abe.

 

Agriculture was a major component of the Wisconsin economy during the 19th century. Wheat was a primary crop on early Wisconsin farms. In fact, during the mid 19th century, Wisconsin produced about one sixth of the wheat grown in the United States. However, wheat rapidly depleted nutrients in the soil, especially nitrogen, and was vulnerable to insects, bad weather, and wheat leaf rust. In the 1860s, chinch bugs arrived in Wisconsin and damaged wheat across the state. As the soil lost its quality and prices dropped, the practice of wheat farming moved west into Iowa and Minnesota. Some Wisconsin farmers responded by experimenting with crop rotation and other methods to restore the soil's fertility, but a larger number turned to alternatives to wheat.

 

In parts of northern Wisconsin, farmers cultivated cranberries and in a few counties in south central Wisconsin, farmers had success growing tobacco, but the most popular replacement for wheat was dairy farming. As wheat fell out of favor, many Wisconsin farmers started raising dairy cattle and growing feed crops, which were better suited to Wisconsin's climate and soil. One reason for the popularity of dairy farming was that many of Wisconsin's farmers had come to the state from New York, the leading producer of dairy products at the time. In addition, many immigrants from Europe brought an extensive knowledge of cheese making. Dairying was also promoted by the University of Wisconsin–Madison's school of agriculture, which offered education to dairy farmers and researched ways to produce better dairy products. The first test of butterfat content in milk was developed at the university, which allowed for consistency in the quality of butter and cheese. By 1899, over ninety percent of Wisconsin farms raised dairy cows and by 1915, Wisconsin had become the leading producer of dairy products in the United States, a position it held until the 1990s. The term America's Dairyland appeared in newspapers as early as 1913 when the state's butterfat production became first in the nation. In 1939 the state legislature enacted a bill to add the slogan to the state's automobile license plates. It continues to be the nation's largest producer of cheese, no longer focusing on the raw material (milk) but rather the value-added products. Because of this, Wisconsin continues to promote itself as "America's Dairyland", Wisconsinites are referred to as cheeseheads in some parts of the country, including Wisconsin, and foam cheesehead hats are associated with Wisconsin and its NFL team, the Green Bay Packers.

 

The first brewery in Wisconsin was opened in 1835 in Mineral Point by brewer John Phillips. A year later, he opened a second brewery in Elk Grove. In 1840, the first brewery in Milwaukee was opened by Richard G. Owens, William Pawlett, and John Davis, all Welsh immigrants. By 1860, nearly 200 breweries operated in Wisconsin, more than 40 of them in Milwaukee. The huge growth in the brewing industry can be accredited, in part, to the influx of German immigrants to Wisconsin in the 1840s and 1850s. Milwaukee breweries also grew in volume due to the destruction of Chicago's breweries during the great Chicago fire. In the second half of the 19th century, four of the largest breweries in the United States opened in Milwaukee: Miller Brewing Company, Pabst Brewing Company, Valentin Blatz Brewing Company, and Joseph Schlitz Brewing Company. In the 20th century Pabst absorbed Blatz and Schlitz, and moved its brewery and corporate headquarters to California. Miller continues to operate in Milwaukee. The Jacob Leinenkugel Brewing Company opened in Chippewa Falls, Wisconsin in 1867 and continues to operate there to this day.

 

Agriculture was not viable in the densely forested northern and central parts of Wisconsin. Settlers came to this region for logging. The timber industry first set up along the Wisconsin River. Rivers were used to transport lumber from where the wood was being cut, to the sawmills. Sawmills in cities like Wausau and Stevens Point sawed the lumber into boards that were used for construction. The Wolf River also saw considerable logging by industrious Menominee. The Black and Chippewa Rivers formed a third major logging region. That area was dominated by one company owned by Frederick Weyerhaeuser. The construction of railroads allowed loggers to log year round, after rivers froze, and go deeper into the forests to cut down previously unshippable wood supplies. Wood products from Wisconsin's forests such as doors, furniture, beams, shipping boxes, and ships were made in industrial cities with connects to the Wisconsin lumber industry such as Chicago, Milwaukee, Sheboygan, and Manitowoc. Milwaukee and Manitowoc were centers for commercial ship building in Wisconsin. Many cargo ships built in these communities were used to transport lumber from logging ports to major industrial cities. Later a growing paper industry in the Fox River Valley made use of wood pulp from the state's lumber industry.

 

Logging was a dangerous trade, with high accident rates. On October 8, 1871, the Peshtigo Fire burned 1,875 square miles (4,850 km2) of forest land around the timber industry town of Peshtigo, Wisconsin, killing between 1,200 and 2,500 people. It was the deadliest fire in United States history.

 

From the 1870s to the 1890s, much of the logging in Wisconsin was done by immigrants from Scandinavia.

 

By the beginning of the twentieth century, logging in Wisconsin had gone into decline. Many forests had been cleared and never replanted and large corporations in the Pacific Northwest took business away from the Wisconsin industry. The logging companies sold their land to immigrants and out of work lumberjacks who hoped to turn the acres of pine stumps into farms, but few met with success.

 

Wisconsin is known in the 18th century to have discovered gold deposits in western Wisconsin. Such discoveries occurred around the town of St. Croix Falls where a settler stumbled across a gold nugget valued to be worth lots at the time. It's no surprise Wisconsin's western region was once the site of volcanic eruptions so it makes sense that minerals that weren't commonly found in other parts of the state would be present here.

 

Wisconsin was a regional and national model for innovation and organization in the Progressive Era in the early 20th century. The direct primary law of 1904 made it possible to mobilize voters against the previously dominant political machines. The first factors involved the La Follette family going back and forth between trying control of the Republican Party and third-party activity. Secondly the Wisconsin idea, of intellectuals and planners based at the University of Wisconsin shaping government policy. LaFollette started as a traditional Republican in the 1890s, where he fought against populism and other radical movements. He broke decisively with the state Republican leadership, and took control of the party by 1900, all the time quarrelling endlessly with ex-allies.

 

Wisconsin at this time was a de facto one party state, as the Democratic Party was then a minor conservative group in the state. Serious opposition more often than not came from the Socialist Party, with a strong German and union constituency in Milwaukee. The socialists often collaborated with the progressive Republicans in statewide politics. Senator Robert M. La Follette tried to use his national reputation to challenge President Taft for the Republican nomination in 1912. However, as soon as Roosevelt declared his candidacy, most of La Follette's supporters switched to the former president. During the Wilson administration he supported many of Wilson's domestic programs in Congress, however he strongly opposed Wilson's foreign policy, and mobilized the large German and Scandinavian populations in Wisconsin to demand neutrality during World War I. During the final years of his career, he split with the Republican Party and ran an independent campaign for president in 1924. In his bid for the presidency he won 1/6 of the national popular vote, but was only able to win his home state.

 

Following his death, his two sons assumed control of the Wisconsin Republican Party after a brief period of intraparty factional disputes. Following in their father's footsteps they helped form the Wisconsin Progressive Party, in many ways a spiritual successor to the party La Follette had founded in 1924. The party surged to popularity during the mid-1930s off of the inaction of the moderately conservative Schmedeman administration, and were able to gain the support of then president Franklin D. Roosevelt. Much of the new party's support could be owed to the personalities leading it, and the support of Roosevelt and progressive Democrats. The party saw success across Wisconsin's elected offices in the state and congress. Despite its popularity the party eventually declined as Philip, engulfed in scandal and accusations of authoritarianism and fiscal responsibility, lost re-election for the final time in 1938. Following this defeat Philip left electoral politics and joined World War II in the Pacific Theater. Due to joining the war, the National Progressives of America, an organization the La Follettes had hoped would precede a national realignment, faltered. Both organizations began to tear themselves apart as La Follette's absence led to vicious intraparty fighting which ultimately led to a vote to dissolve itself, which Philip was told to stay away from.

 

The Wisconsin Idea was the commitment of the University of Wisconsin under President Charles R. Van Hise, with LaFollette support, to use the university's powerful intellectual resources to develop practical progressive reforms for the state and indeed for the nation.

 

Between 1901 and 1911, Progressive Republicans in Wisconsin created the nation's first comprehensive statewide primary election system, the first effective workplace injury compensation law, and the first state income tax, making taxation proportional to actual earnings. The key leaders were Robert M. La Follette and (in 1910) Governor Francis E. McGovern. However, in 1912 McGovern supported Roosevelt for president and LaFollette was outraged. He made sure the next legislature defeated the governor's programs, and that McGovern was defeated in his bid for the Senate in 1914. The Progressive movement split into hostile factions. Some was based on personalities—especially La Follette's style of violent personal attacks against other Progressives, and some was based on who should pay, with the division between farmers (who paid property taxes) and the urban element (which paid income taxes). This disarray enabled the conservatives (called "Stalwarts") to elect Emanuel Philipp as governor in 1914. The Stalwart counterattack said the Progressives were too haughty, too beholden to experts, too eager to regulate, and too expensive. Economy and budget cutting was their formula.

 

During World War I, due to the neutrality of Wisconsin and many Wisconsin Republicans, progressives, and German immigrants which made up 30 to 40 percent of the state population, Wisconsin would gain the nickname "Traitor State" which was used by many "hyper patriots".

 

As the war raged on in Europe, Robert M. La Follette, leader of the anti-war movement in Wisconsin, led a group of progressive senators in blocking a bill by president Woodrow Wilson which would have armed merchant ships with guns. Many Wisconsin politicians such as Governor Phillipp and senator Irvine Lernroot were accused of having divided loyalties. Even with outspoken opponents to the war, at the onset of the war many Wisconsinites would abandon neutrality. Businesses, labor and farms all enjoyed prosperity from the war. With over 118,000 going into military service, Wisconsin was the first state to report for four national drafts conducted by the U.S. military.

 

The progressive Wisconsin Idea promoted the use of the University of Wisconsin faculty as intellectual resources for state government, and as guides for local government. It promoted expansion of the university through the UW-Extension system to reach all the state's farming communities. University economics professors John R. Commons and Harold Groves enabled Wisconsin to create the first unemployment compensation program in the United States in 1932. Other Wisconsin Idea scholars at the university generated the plan that became the New Deal's Social Security Act of 1935, with Wisconsin expert Arthur J. Altmeyer playing the key role. The Stalwarts counterattacked by arguing if the university became embedded in the state, then its internal affairs became fair game, especially the faculty preference for advanced research over undergraduate teaching. The Stalwarts controlled the Regents, and their interference in academic freedom outraged the faculty. Historian Frederick Jackson Turner, the most famous professor, quit and went to Harvard.

 

Wisconsin took part in several political extremes in the mid to late 20th century, ranging from the anti-communist crusades of Senator Joseph McCarthy in the 1950s to the radical antiwar protests at UW-Madison that culminated in the Sterling Hall bombing in August 1970. The state became a leader in welfare reform under Republican Governor Tommy Thompson during the 1990s. The state's economy also underwent further transformations towards the close of the 20th century, as heavy industry and manufacturing declined in favor of a service economy based on medicine, education, agribusiness, and tourism.

 

In 2011, Wisconsin became the focus of some controversy when newly elected governor Scott Walker proposed and then successfully passed and enacted 2011 Wisconsin Act 10, which made large changes in the areas of collective bargaining, compensation, retirement, health insurance, and sick leave of public sector employees, among other changes. A series of major protests by union supporters took place that year in protest to the changes, and Walker survived a recall election held the next year, becoming the first governor in United States history to do so. Walker enacted other bills promoting conservative governance, such as a right-to-work law, abortion restrictions, and legislation removing certain gun controls. Walker's administration also made critical changes to Wisconsin's election process, enacting one of the most aggressive legislative gerrymanders in the country and replacing Wisconsin's nonpartisan state elections board with a commission of political appointees. When Walker lost re-election in 2018, he collaborated with the gerrymandered Republican legislature to strip powers from the incoming Governor and Attorney General. Since 2011, Wisconsin has seen increasing governmental dysfunction and paralysis, as the durable gerrymander insulated the legislature from electoral consequences.

 

Following the election of Tony Evers as governor in 2018, Wisconsin has seen a string of liberal victories at every level of government which have slowly chipped away at the conservative dominance within the state. This eventually led to the Wisconsin supreme court overturning the Walker-era legislative gerrymander in Clarke v. Wisconsin Elections Commission.

Summon the Swarm

 

"Summon the Swarm and prepare to move to Korhal" The Queen of Blades ordered.

 

"The Swarm is in disarray and will not answer your call." Izsha replied.

 

This is a personal remake of the scene in StarCraft 2 when Sarah Kerrigan comes back to the Leviathan to claim her ownership of the Swarm and speaks with Izsha, the Zerg who were made to store all ideas and memories of the Queen.

 

Models:

The Queen of Blades: myself

Izsha: Zephyra Gilgandra

The life's work of Reverend Morris H. Coers, the Garden of Hope is located high on a hilltop in the Peaselburg neighborhood of Covington, Kentucky, overlooking the city and Interstate 71/75 below. Constructed between 1956 and 1958, the garden was based on a visit that Coers had made to Palestine in 1938, and was meant to give those in the region the ability to experience some of the sites that the reverend visited in the Levant. Following Coers's death in 1960, the garden fell into disarray and disrepair, with the attraction having never been as successful or popular as projected during his lifetime. Several nonprofits have come and gone over the years to look after the garden, but this has been inconsistent. However, the garden is still a charming locale to visit, and features mature landscaping, a replica of what Coers believed was christ's tomb, a small chapel modeled on old Spanish missions, and a carpenter shop based on one Coers visited in Palestine.

View Large On Black

Hong Kong is a crowded place, but never in disarray. The crowd tonight is streaming towards the temple praying for a little divine protection. It's especially crowded this year, due to the global financial crisis, people needed a little more protection for their wallet as well.

This is our fleet before the major rethink (coming soon).

4k with Nvidia DSR.

Cropped down in Photoshop

Reshade and Master Effects Reborn for tweaking.

In game PhotoMode for FOV and Hudless.

jim2point0's CE table for camera positioning.

 

I wanted to explore the idea that sometimes you just want to get in and kill an Orc then leave, disarray and anger in your wake.

  

Foto feita no workshop de iluminação com o mestre Luringa

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One of the oldest remaining public cable car lines in Chiatura, the small town along river kvirila in west Georgia. The cable car system was established in the 1930s, to serve the mining business in the area, and the first public ropeway was launched in 1953. The town, and its infrastructure fell into disarray after the dissolution of the Soviet Union in 1991. The cable cars continued working, in a harrowing state, until mid-2019, before being permanently shut down, in waiting of a new station and new lines. The impact on the daily lives of the locals, who now have to negotiate the difficult terrain on foot or on unreliable bus services, must be big..

The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.

 

The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.

  

The Lost World (20th Century Fox, 1960).

youtu.be/h1CLA-gJbmA?t=5s Trailer

Irwin Allen, the producer who would go on to make the disaster film a huge success in the seventies, brought us this Saturday afternoon fodder with giant lizards posing as dinosaurs. Starring Michael Rennie, David Hedison, Claude Rains and Jill St. John.

Intended as a grand sci-fi/fantasy epic remake of Arthur Conan Doyle's classic novel. The first film adaptation, shot in 1925, was a milestone in many ways, but movie making and special effects had come a long way in 35 years. Irwin Allen's Lost World (LW) & 20th Century Fox version was derailed on the way to greatness, but managed to still be a respectable, (if more modest) A-film. Allen's screenplay followed the book fairly well, telling of Professor Challenger's expedition to a remote plateau in the Amazon upon which dinosaurs still lived. Aside from the paleontological presumptions in the premise, there is little "science" in The Lost World. Nonetheless, dinosaur movies have traditionally been lumped into the sci-fi genre.

Synopsis

When his plane lands in London, crusty old professor George Edward Challenger is besieged by reporters questioning him about his latest expedition to the headwaters of the Amazon River. After the irascible Challenger strikes reporter Ed Malone on the head with his umbrella, Jennifer Holmes, the daughter of Ed's employer, Stuart Holmes, offers the injured reporter a ride into town. That evening, Jenny is escorted by Lord John Roxton, an adventurer and big game hunter, to Challenger's lecture at the Zoological Institute, and Ed invites them to sit with him. When Challenger claims to have seen live dinosaurs, his colleague Professor Summerlee scoffs and asks for evidence. Explaining that his photographs of the creatures were lost when his boat overturned, Challenger invites Summerlee to accompany him on a new expedition to the "lost world," and asks for volunteers. When Roxton raises his hand, Jenny insists on going with him, but she is rejected by Challenger because she is a woman. Ed is given a spot after Holmes offers to fund the expedition if the reporter is included. The four then fly to the Amazon, where they are met by Costa, their guide and Manuel Gomez, their helicopter pilot. Arriving unexpectedly, Jenny and her younger brother David insist on joining them. Unable to arrange transportation back to the United States, Challenger reluctantly agrees to take them along. The next day, they take off for the lost world and land on an isolated plateau inhabited by dinosaurs. That evening, a dinosaur stomps out of the jungle, sending them scurrying for cover. After the beast destroys the helicopter and radio, the group ventures inland. When one of the creatures bellows threateningly, they flee, and in their haste, Challenger and Ed slip and tumble down a hillside, where they encounter a native girl. The girl runs into the jungle, but Ed follows and captures her. They then all take refuge in a cave, where Roxton, who has been making disparaging remarks about Jenny's desire to marry him solely for his title, angers Ed. Ed lunges at Roxton, pushing him to the ground, where he finds a diary written by Burton White, an adventurer who hired Roxton three years earlier to lead him to the lost diamonds of Eldorado. Roxton then admits that he never met White and his party because he was delayed by a dalliance with a woman, thus abandoning them to certain death. Gomez angrily snaps that his good friend Santiago perished in the expedition. That night, Costa tries to molest the native girl, and David comes to her rescue and begins to communicate with her through sign language. After Gomez goes to investigate some movement he spotted in the vegetation, he calls for help, and when Roxton runs out of the cave, a gunshot from an unseen assailant is fired, nearly wounding Roxton and sending the girl scurrying into the jungle. Soon after, Ed and Jenny stray from camp and are pursued by a dinosaur, and after taking refuge on some cliffs, watch in horror as their stalker becomes locked in combat with another prehistoric creature and tumbles over the cliffs into the waters below. Upon returning to camp, they discover it deserted, their belongings in disarray. As David stumbles out from some rocks to report they were attacked by a tribe of natives, the cannibals return and imprison them in a cave with the others. As the drums beat relentlessly, signaling their deaths, the native girl reappears and motions for them to follow her through a secret passageway that leads to the cave in which Burton White lives, completely sightless. After confirming that all in his expedition perished, White tells them of a volcanic passageway that will lead them off the plateau, but warns that they must first pass through the cave of fire. Cautioning them that the natives plan to sacrifice them, White declares that their only chance of survival is to slip through the cave and then seal it with a boulder. After giving them directions to the cave, White asks them to take the girl along. As the earth, on the verge of a volcanic eruption, quakes, they set off through the Graveyard of the Damned, a vast cavern littered with dinosaur skeletons, the victims of the deadly sulfurous gases below. Pursued by the ferocious natives, Roxton takes the lead as they inch their way across a narrow ledge above the molten lava. After escaping the natives, they jam the cave shut with a boulder and, passing a dam of molten lava, finally reach the escape passage. At its mouth is a pile of giant diamonds and a dinosaur egg. As Costa heaps the diamonds into his hat, Challenger fondles the egg and Gomez pulls a gun and announces that Roxton must die in exchange for the death of Santiago, Gomez' brother. Acting quickly, Ed hurls the diamonds at Gomez, throwing him off balance and discharging his gun. The gunshot awakens a creature slumbering in the roiling waters below. After the beast snatches Costa and eats him alive, Ed tries to dislodge the dam, sending a few scorching rocks tumbling down onto the monster. Feeling responsible for the peril of the group, Gomez sacrifices his life by using his body as a lever to dislodge the dam, covering the creature with oozing lava. As the cave begins to crumble from the impending eruption, the group hurries to safety. Just then, the volcano explodes, destroying the lost world. After Roxton hands Ed a handful of diamonds he has saved as a wedding gift for him and Jenny, Challenger proudly displays his egg, which then hatches, revealing a baby dinosaur. The End.

The 50s had seen several examples of the dinosaur sub-genre. LW is one of the more lavish ones, owing to color by DeLuxe and CinemaScope. The A-level actors help too. Claude Rains plays the flamboyant Challenger. Michael Rennie plays Roxton, perhaps a bit too cooly. Jill St. John and Vitina Marcus do well as the customary eye candy. David Hedison as Malone and Fernando Lamas as Gomez round out the bill.

The first film version of LW was a silent movie shot in 1925: screenplay by Marion Fairfax. The film featured stop-motion animated dinosaurs by a young Willis O'Brien. Fairfax followed Doyle's text, but Fairfax added a young woman to the team, Paula White. Ostensibly trying to find her father from the first failed expedition, she provided the love triangle interest between Malone and Roxton.

Allen's screenplay tried to stick to Doyle's text as much as Hollywood would allow. It carried on Fairfax's invention of the young woman member of the group as triangle fodder. Fairfax had Doyle's ape men (ape man) but omitted the native humans. Allen had the natives, but no ape men. Allen revived the Gomez/revenge subplot, which Fairfax skipped. Doyle's story had Challenger bringing back a pterodactyl. Fairfax made it a brontosaur who rampaged through London streets (spawning a popular trope). Allen suggested the baby dinosaur traveling to London.

Willis O'Brien pitched 20th Century Fox in the late 50s, to do a quality remake of LW. He had gained much experience in the intervening 35 years, so his stop-motion dinosaurs were to be the real stars. Fox bass liked the idea, but by the time the ball started rolling, there was trouble in studioland. Fox's grand epic Cleopatra was underway, but was already 5 million dollars over budget. Cleo would nearly sink 20th Century Fox when it was finally released in 1963. To stay afloat, all other Fox films' budgets were slashed. Allen could no longer afford the grand O'Brien stop-motion.

Allen's production is often criticized for its "cheap" dinosaurs, which were live monitor lizards and alligators with fins and plates and horns glue onto them. (more on that below) These were already a bit cheesy when used in the 1940 film One Million B.C.. O'Brien is still listed on the credits as "Effects Technician," but all Allen could afford was lizards with glued on extras. Somewhat amusingly, the script still refers to them as brontosaurs and T-Rexes.

The character of Jennifer Holmes starts out promising. She's a self-assured to the edges of pushy, and is said to be able to out shoot and out ride any man. Yet, when she gets to the Amazon jungle, she's little more than Jungle Barbie, dressed in girlie clothes and screaming frequently. She even does the typical Hollywood trip-and-fall when chased by the dinosaur, so that a man must save her.

Bottom line? FW is a finer example of the not-quite-sci-fi dinosaur sub-genre. The actors are top drawer, even if some of their acting is a bit flat. Nonetheless, FW is a fair adaptation of Doyle's

classic adventure novel, given the constraints of Hollywood culture.

 

The Movie Club Annals … Review

The Lost World 1960

Introduction

There was absolutely nothing wrong with Irwin Allen's 1960 production of The Lost World. Nothing. It was perfect in every way. I therefore find myself in the unique and unfamiliar position of having to write a rave review about a Movie Club movie that was entirely devoid of flaws.

Faced with such a confounding task, I half-heartedly considered faking a bad review, then praying my obvious deceptions would go unnoticed. But the patent transparency of my scheme convinced me to abandon it posthaste. After all, leveling concocted criticisms at such an unassailable masterpiece would be a futile and tiresome exercise, the pretense of which would escape nary a semi-cognizant soul.

Thus, having retreated from my would-be descent into literary intrigue, I start this review in earnest by borrowing a quote from the legendary Shelly Winters, spoken during the 1972 filming of Irwin Allen's The Poseidon Adventure:

"I'm ready for my close up now, Mr. Allen.” Shelly Winters, 1972

Review

A bit of research into the casting choices of Irwin Allen, who wrote, produced, and directed The Lost World, begins to reveal the genius behind the virtuosity.

The first accolades go to Irwin for his casting of Vitina Marcus, the immaculately groomed Saks 5th Avenue cave girl with exquisite taste in makeup, jewelry, and cave-wear. No finer cave girl ever graced a feature film.

Vitina Marcus, as The Cave Girl

She was the picture of prehistoric glamour, gliding across the silver screen in her designer bearskin mini-pelt, her flawless coiffure showing no signs of muss from the traditional courting rituals of the day, her perfect teeth the envy of even the most prototypical Osmond. Even her nouveau-opposable thumbs retained their manicure, in spite of the oft-disagreeable duties that frequently befell her as an effete member of the tribal gentry.

By no means just another Neanderthal harlot, Vitina had a wealth of talent to augment her exterior virtues. Her virtuoso interpretation of a comely cave girl in The Lost World certainly didn't escape the attention Irwin Allen. In fact, he was so taken with her performance that he later engaged her services again, casting her as the Native Girl in episode 2.26 of his Voyage to The Bottom of The Sea TV series.

Leery of potential typecasting, Vitina went on to obtain roles with greater depth and more sophisticated dialogue. This is evidenced by the great departure she took from her previous roles when she next portrayed the part of Sarit, a female barbarian, in episode 1.24 of Irwin Allen's The Time Tunnel TV series.

Vitina, as Sarit

Vitina's efforts to avoid typecasting paid off in spades, as she was soon rewarded with the distinctive role of Girl, a female Tarzanesque she-beast character, in episode 3.14 of The Man From U.N.C.L.E. TV series.

Lured back from the U.N.C.L.E. set by Irwin Allen, Vitina was next cast in the role of Athena (a.k.a. Lorelei), the green space girl with the inverted lucite salad bowl hat, in episodes 2.2 and 2.16 of the revered Lost in Space TV series.

And with this, Vitina reached the pinnacle of her career. For her many unparalleled displays of thespian pageantry, she leaves us forever in her debt as she exits the stage.

For those who would still question the genius of Irwin Allen, I defy you to find a better casting choice for the character of Lord John Roxton than that of Michael Rennie. Mr. Rennie, who earlier starred as Klaatu in The Day the Earth Stood Still, went on to even greater heights, starring as The Keeper in episodes 1.16 and 1.17 of the revered Lost in Space TV series. Throughout his distinguished career, Mr. Rennie often played highly cerebral characters with

unique names, such as Garth A7, Tribolet, Hasani, Rama Kahn, Hertz, and Dirk. How befitting that his most prolific roles came to him through a man named Irwin, a highly cerebral character with a unique name.

The selection of David Hedison to play Ed Malone was yet another example of Irwin's uncanny foresight. Soon after casting him in The Lost World, Irwin paved Mr. Hedison's path to immortality by casting him as a lead character in his Voyage to The Bottom of The Sea TV series. Although Voyage ended in 1968, Mr. Hedison departed the show with a solid resume and a bright future.

In the decades following Voyage, Mr. Hedison has been a veritable fixture on the small screen, appearing in such socially influential programs as The Love Boat, Fantasy Island, Knight Rider, The Fall Guy and The A Team. Mr. Hedison's early collaborations with Irwin Allen have left him never wanting for a day's work in Hollywood, a boon to the legions of discerning fans who continue to savor his inspiring prime time depictions.

Irwin selected Fernando Lamas to play Manuel Gomez, the honorable and tortured soul of The Lost World who needlessly sacrificed himself at the end of the movie to save all the others. To get a feel for how important a casting decision he was to Irwin, just look at the pertinent experience Mr. Lamas brought to the table:

Irwin knew that such credentials could cause him to lose the services of Mr. Lamas to another project, and he took great pains to woo him onto the set of The Lost World. And even though Mr. Lamas never appeared in the revered Lost in Space TV series, his talent is not lost on us.

Jay Novello was selected by Irwin Allen to play Costa, the consummate Cuban coward who perpetually betrays everyone around him in the name of greed. In pursuing his craven calling, Mr. Novello went on to play Xandros, the Greek Slave in Atlantis, The Lost Continent, as well as countless other roles as a coward.

Although Mr. Novella never appeared in the revered Lost in Space TV series, his already long and distinguished career as a coward made him the obvious choice for Irwin when the need for an experienced malingerer arose.

Jill St. John was Irwin's pick to play Jennifer Holmes, the "other" glamour girl in The Lost World. Not to be upstaged by glamour-cave-girl Vitina Marcus, Jill played the trump card and broke out the pink go-go boots and skin-tight Capri pants, the perfect Amazonian summertime jungle wear.

Complete with a perfect hairdo, a killer wardrobe, a little yip-yip dog named Frosty, and all the other trappings of a wealthy and pampered prehistoric society, Jill's sensational allure rivaled even that of a certain cave girl appearing in the same film.

With the atmosphere rife for an on-set rivalry between Jill and Vitina, Irwin still managed to keep the peace, proving that he was as skilled a diplomat as he was a director.

Claude Rains, as Professor George Edward Challenger

And our cup runneth over, as Irwin cast Claude Rains to portray Professor George Edward Challenger. His eminence, Mr. Rains is an entity of such immeasurable virtue that he is not in need of monotonous praise from the likes of me.

I respectfully acknowledge the appearance of Mr. Rains because failure to do so would be an unforgivable travesty. But I say nothing more on the subject, lest I state something so obvious and uninspiring as to insult the intelligence of enlightened reader.

Irwin's casting of the cavemen mustn't be overlooked, for their infallibly realistic portrayals are unmatched within the Pleistocene Epoch genre of film. Such meticulous attention to detail is what separates Irwin Allen from lesser filmmakers, whose pale imitations of his work only further to underscore the point.

To be sure, it is possible to come away with the unfounded suspicion that the cavemen are really just a bunch of old white guys from the bar at the local Elks lodge. But Irwin was an absolute stickler for authenticity, and would never have allowed the use of such tawdry measures to taint his prehistoric magnum opus.

In truth, Irwin's on-screen cavemen were borne of many grueling years of anthropological research, so the explanation for their somewhat modern, pseudo-caucasian appearance lies obviously elsewhere. And in keeping with true Irwin Allen tradition, that explanation will not be offered here.

1964 - Voyage to the Bottom of the Sea, Season One, Episode 7 - "Turn Back the Clock", featuring Vitina Marcus as The Native Girl. Produced by Irwin Allen.

And then there was Irwin Allen's masterful handling of the reptilian facets of The Lost World, most notably his inimitable casting of the dinosaurs. His dinosaurs were so realistic, so eerily lifelike, that they almost looked like living, breathing garden variety lizards with dinosaur fins and horns glued to their backs and heads.

The less enlightened viewer might even suppose this to be true, that Irwin's dinosaurs were indeed merely live specimens of lizards, donned in Jurassic-era finery, vastly magnified, and retro-fitted into The Lost World via some penny-wise means of cinematic trickery.

But those of us in the know certainly know better than that, as we are privy to some otherwise unpublished information about The Lost World. The lifelike appearance of the Irwin's dinosaurs can be attributed to a wholly overlooked and fiendishly cunning approach to the art of delusion, which is that the dinosaurs didn't just look real, they were real.

While the world abounds with middling minds who cannot fathom such a reality, we must follow Irwin's benevolent leanings and temper our natural feelings of contempt for this unfortunate assemblage of pedestrian lowbrows. In spite of Irwin's superior intellect, he never felt disdain toward the masses that constituted his audiences. He simply capitalized on their unaffectedness, and in the process recounted the benefits of exploiting the intellectually bereft for personal gain.

The purpose of all this analysis, of course, is to place an exclamation point on the genius of Irwin Allen, the formation of his dinosaur exposé being a premier example. Note how he mindfully manipulates the expectations of his unsuspecting audience, compelling them to probe the dinosaurs for any signs of man-made chicanery. Then, at the palatial moment when the dinosaurs make their entry, he guilefully supplants the anticipated display of faux reptilia with that of the bona fide article.

Upon first witnessing the de facto dinosaurs, some in the audience think they've been had, and indeed they have. Irwin, in engineering his masterful ruse, had used reality as his medium to convey the illusion of artifice. His audience, in essence, was blinded by the truth. It was the immaculate deception, and none but Irwin Allen could have conceived it.

Indeed, the matter of where the live dinosaurs came from has been conspicuously absent from this discussion, as the Irwinian technique of fine film making strongly discourages the practice of squandering time on extraneous justifications and other such trite means of redundant apologia. For the benefit of the incessantly curious, however, just keep in mind that Irwin Allen wrote and produced The Time Tunnel TV Series, a fact that should provide some fair insight into his modis operandi.

Carl R.