View allAll Photos Tagged disarray
⋰⋱ ★ ⋰⋱ ★ i could eat sandwiches of you... you could eat sandwiches of me
rho thanks: haus of darcy | glam affair | lovely disarray | mandala | aliza karu | vrsion | kalopsia | fdd | toax | the mesh project
I started my last week in Philly crossing the Schuykill river as always, finding the gifts of fall, rain, and the rails waiting just on the other side
-
Olympus E-M5
Olympus 12-40/2.8 weather proof lens
Nik (de-noise, pre-sharpen)
Topaz Impressions
-
I love having a camera and lens in my kit that don't have to hide when the rain arrives :)
..."Only of the night and it's darkness am I calling
Only of the night
My relief in it's falling
Breathe on me, eclipse my mind
It's in some kind of disarray
Killing time, I cradle far
Chameleon days
Chameleon day"...
Chameleon Day
- Talk Talk
feat.
Slink//Physique:1.3
Plastik//Varyne Skin:Male
Ghost'Ink//Ares War Paint:Green
Mina//Yann
Ink//Hairbase:Buzz-cut:Sideburn:Bold
Lovely Disarray//Devotion Eye Shadows: Dark Red
Random Matter//Face Contour:Full
Angelica//Chopped Lips:#2
No.7//Designer Eye:Rockstar
Clemmm//Death's Door:Transparent
Sabotage//Gem Flannel:MacBeth
Seul Garcon//Vintage Ripped Denim:Black Wash
Minimal//Quan Glasses:Bronze
7 Mad Ravens//Punk Collar
Nomad//Slimstick:Brass 02
shape: self made
location: home sim (private)
model: Psyche Scribe
One of those quick captures as I was driving down the road up against the mountains in the southern end of the Sumas Prairie in Abbotsford.
This bird has a white X above it's beak extending to the top of it's head, somewhat odd. Now it is possible the feathers had been disarrayed by the wind.
♫ écoutez Jeunesse Lève-toi... Damien Saez.
Merci de vos visites, com's et autres fav's... Bon W.E...
Thank you for your visits, com's and other fav's ... Good W.E...
Merci Léonie... je sais que cette photo ne rends pas justice à ton sourire, mais ce regard illustre à mon sens le désarroi d'une partie de la jeunesse...
Leonie thank you ... I know that this picture did not give justice to your smile, but this look in my opinion illustrates the disarray of part of youth ...
EVERY WHICH WAY
I recently came across the term "pure" to describe an image captured using a particular set of parameters as applied to a type of photographic technique, Intentional Camera Movement (ICM). The inference was that this particular set of "pure" parameters is the One, True Right Way to capture and process ICM images for them to be designated as "pure" ICM.
I reject this sort of description. I have no problem with delineating styles, such as 'this image was captured with one exposure without major post-processing', but calling it "pure" is like calling any type of photography after Joseph Nicéphore Niépce "impure".
The term "pure" suggests that anything less or more is unreal, sullied, false, unchaste, corrupt. What I find interesting is that these sorts of censures and invectives were also unleashed on the Impressionists whose artistic styles those practicing ICM attempt to portray.
I feel that there are enough divisions in our world of disarray and that finding merit in each other's attempts at creating beauty should be embraced whether it fits into a concocted construct or frees those bounds and asks "what if?"
This is a double exposure of when we went to the zoo. There is so much going in this photo, I'm sorry if it confuses you, it confuses me too.
Pentax ME Super 50mm f/1.4
Upon reaching the end of the Camborne Track (The previous Image), we paused for a few minutes at a picnic table and enjoyed the view from the western shores of the Pauatahanui Inlet.
After a while, we couldn't help but notice what looked like a very disgruntled White-Faced Heron standing in the shallows.
It's normally immaculate feathers were in disarray, and it didn't appear to be having much luck catching afternoon tea...
I suspect the bird was having one of those days where it should simply have stayed in bed...!
(Left click the Mouse to view Large; click again to return to normal).
took it on the same day with "foibles", so you can see some sort of similar mood here.
that was a pretty hot day. i was sweating,so hair could be sticked easily.
Sony A7R : 28mm Sigma Mini-Wide f/2.8
Another grey morning, with light misty rain. I had intended to spend the day in the garden but my plans are now in disarray. At least the salad greens look pretty in the rain.
Strathcona has extensive community gardens, growing all kinds of incredible things. But what caught my eye most was this plot of wildflowers - just a gorgeous disarray of colour and light!
*
Nutmeg. Orchard Harvest Grapes
Nutmeg. Disarray Round Wooden Table
Nutmeg. Orchard Harvest Fallen Fruits
*
dust bunny & tenshi . pumpkin pile
dust bunny & tenshi . pumpkin crate
dust bunny & tenshi . pumpkin carving
dust bunny & tenshi . pumpkin wagon
*
what next Vermont Hot Chocolate Tray (Pumpkin Everything)
what next Box of Cookies
*
NOMAD // Autumn Leaves Pile E
NOMAD // Autumn Leaves Pile C
NOMAD // Rake and Basket
*
[Con.] Boneyard Patio Heater - Offwhite
13 - 8f8 - Green Grocers - Awning
*
| Blog | FB | instagram @Puddlechurch Heath
It seems that bird photography has morphed from an art form based on captivating one of nature's most delicate yet ubiquitous animal forms, immersed it element, to one that searches to isolate the animal so distinctly as to make it almost unnatural. Frankly, the beauty of most birds is the factor that makes it possible to sequester the animal from the rest of nature's elegance and still create an attractive photo. I find, however, that although I have created both types of photographs, I much prefer to maintain a bit more of the world's ambience than just the bird alone. Are my photographs too busy? For some individuals I imaging that is so. Personally I don't find myself distracted by nature's surroundings in a photo anymore than I do when I am there myself. That doesn't mean that I won't process a photo in a way to drive the eye to the subject, but simply that I prefer not to erase the ambient nature. The Black and White Warbler in this photo is at home on the rough bark and tangled branches of the forest's wood. So much so, that they are rarely, if ever, seen separated. It wouldn't seem proper to isolate this bird from the disarray of branches anymore than it would to separate the clouds from the sky. Like most forms of art, bird photography is more about one's preferences than it is about purity. In short, it's shades of gray rather than black and white. #BlackandWhiteWarbler
This grand stair has seen the elevation and diminishment of strong climbers on the direct ascent that may become less steady and not so sure footed on their somewhat dizzying descent depending on their sociable reception of reverence, revelry and their aptitude for rambunctiousness. All that is sheer supposition of the progression of historical heights achieved and also of the downward floundering disarray of degradation in regression. All of this was swimming around my unsure head as my hips, knees and ankles offered to give way. The four broken toes were not to be considered as I tried to do this stair and the well within and without some justice in my pictures.
This stair is in Auchinleck House in East Ayrshire, Scotland. It will have seen and supported Dr. Samuel Johnson and James Boswell whilst about their ways to publishing, “A Journey to the Western Islands of Scotland,” also, “The Journal of a Tour to the Hebrides.” Dr. Samuel Johnson having risen to fame as The Man Of Letters of his age with critical acclaim and his outstanding lexicography work that would assure him a place in the Black Adder Pantheon of historical characters of true merit in the absolute finest of humours, “A Dictionary of the English Language. 1755, 1773.”
Blackadder, Ink and Incapability, Dr. Johnson being played perplexed over Sausage by Robbie Coltrane, Episode aired Sep 24, 1987, written by Richard Curtis, Ben Elton.
I happen to believe that I have failed in both pictures here produced together,
A staircase, no a challenge accepted and an achievement attempted
A stairwell staring back and questioning, “How you can picture it?”
I need to return and with crushed toes try much harder to achieve a result worthy of the Stair and of the Well both Inner and Outer.
© PHH Sykes 2025
phhsykes@gmail.com
The National Museum of Cambodia in Phnom Penh is Cambodia's largest museum of cultural history and is the country's leading historical and archaeological museum.
The museum houses one of the world's largest collections of Khmer art, including sculptural, ceramics, bronzes, and ethnographic objects. Its collection includes over 14,000 items, from prehistoric times to periods before, during and after the Khmer Empire, which at its height stretched from Thailand, across present-day Cambodia, to southern Vietnam.
The National Museum of Cambodia is located on Street 13 in central Phnom Penh, to the north of the Royal Palace and on the west side of Veal Preah Man square. The visitors' entrance to the compound is at the corner of Streets 13 and 178. The Royal University of Fine Arts is located on the west side of the museum. The museum is under the authority of the Cambodian Ministry of Culture and Fine Arts. The museum buildings, inspired by Khmer temple architecture, were constructed between 1917 and 1924, the museum was officially inaugurated in 1920, and it was renovated in 1968.
George Groslier (1887–1945), historian, curator and author was the motivating force behind much of the revival of interest in traditional Cambodian arts and crafts, and it was he who designed this building that is today ‘traditional Khmer’ architecture. It is perhaps better described as a building enlarged from Cambodian temple prototypes seen on ancient bas-reliefs and reinterpreted through colonial eyes to meet the museum-size requirements.
The foundation stone for the new museum was laid on 15 August 1917. Some two-and-a-half years later, the completed museum was inaugurated during Khmer New Year on 13 April 1920 in the presence of H.M King Sisowath, François-Marius Baudoin, Résident-supérieur, and M. Groslier, director of Cambodian Arts, and Conservator of the museum.
The original design of the building was slightly altered in 1924 with extensions that added wings at either end of the eastern façade that made the building even more imposing.
Control of the National Museum and Arts Administration was ceded by the French to the Cambodians on 9 August 1951 and following Independence in 1953, the then Musée National de Phnom Penh was the subject of bilateral accords. In 1966 Chea Thay Seng was the first Cambodian Director of the Museum and Dean of the newly created Department of Archaeology at the Royal University of Fine Arts. This university that form its foundation as the Ecole des Arts Cambodgiens in 1920 was intimately linked with students, artisans and teachers who worked to preserve Cambodian cultural traditions, can still be found to the rear of the museum.
During Khmer Rouge regime of 1975-79—devastated all aspects of Cambodian life including the cultural realm. The Museum, along with the rest of Phnom Penh, was evacuated and abandoned. The Museum, closed between 1975 and 1979, and was found in disrepair, its roof rotten and home to a vast colony of bats, the garden overgrown, and the collection in disarray, many objects damaged or stolen. The Museum was quickly tidied up and reopened to the public on April 13, 1979. However, many of the Museum's employees had lost their lives during the Khmer Rouge regime.
Incident at the Marin Civic Center -- the throng gathers as Duck Food descends from the hands of a little girl.
rho thanks: haus of darcy | lovely disarray | lovely mi | mandala | alegria | miamai | ni.ju | the mesh project
I'm always in too many places at once.
~
Bah. I love this and I hate this. How does that work, you ask?
Easy. I'm complicated.
Frames prt. trois.
I stubbed my toe whilst doing this. I'm not sure it was worth it.
hmmmmm.
I'm also posting this as my pic for The Battle Station.
Ugh. I got nothin. So this'll do.
That said - Crazy arse day at work again. I'm so ready for a vacation.....haha.
Happy Tuesday peeps. xo
Random Fact de jour: I sold my first print via Imagekind.com. Not sure if I should be tootin my own horn, it may be the only one ever that I sell....so who knows. ;-)
I'm simple minded though.
May Contest Winner 2011 on PLANET EARTH OUR HOME
www.flickr.com/groups/744944@N20/
Expô com curadoria de eyes of disarray: "Black & White"
www.flickr.com/photos/officegeek/galleries/72157624787850651
An elegant octagonal church rises among the pointed and beveled rocks of a gorge between the mountains: it is the Temple of Valadier, in Genga, Marche.
The visual contrast is outstanding: the neoclassic architecture in travertine designed by Giuseppe Valadier (Rome, 1762-1839) – with the luminous symmetry of its eight sides symbolizing the Resurrection of Jesus, which occurred “on the eighth day” – stands against the rough disarray of nature, near the magnificent Frasassi Caves dug in limestone by the Sentino river.
The local people very likely sought refuge in these hidden grottos around the 10th century, when tribes from today’s Hungary raided the area.
The temple was built in 1828 by pope Leone XII, born Annibale Sermattei della Genga, and once housed a statue of the Madonna and Child made in Antonio Canova’s workshop.
As one of the Blessed Virgin Mary’s titles is ‘refugium peccatorum’, meaning “refuge of sinners”, this was indeed a wonderful refuge for the soul.
HASSAN SHARIF
geb. 1951, Bandar Lengeh, Iran
gest. 2016, Dubai
Slippers and Wire
2009
Hausschuhe, Kupferdraht
Hassan Sharif war ein Pionier der experimentellen Konzeptkunst sowie ein engagierter Kritiker und Gründer mehrerer Kunsteinrichtungen in den Vereinigten Arabischen Emiraten. Er beschatfgte sich in seiner Kunst seit en 1980er Jahren häufig mit der Konsumkultur. So stellte er Assemblagen, aus billigen, massenproduzierten Materialien oder aus Gegenstanden, die er auf den Märkten der Vereinigten Arabischen Emirate kaufte, her. In Slippers and Wire (»Hausschuhe und Draht«, 2009). verwandelte er das Durcheinander von Plastikpantoffeln zu einem bunten Mahnmal.
HASSAN SHARIF
b. 1951, Bandar Lengeh, Iran
d. 2016, Dubai
Slippers and Wire
2009
Slippers, copper wire
Hassan Sharif was a pioneer of conceptual art and experimental practice, as well as a prolific writer on art and a founder of several art institutions within the U.A.E. He often dealt with pertinent themes, such as time, mass production and consumer culture in society. A maximalist approach to everyday materials defines much of Sharif’s practice. In Slippers and Wire(2009), he turned a multicoloured pile of plastic slippers from disarray into an expression of formal unity through the accumulation of synthetic everyday materials.
Austellung "In the heart of another country - Erzählungen aus der Diaspora", Deichtorhallen, Hamburg
Explore 23 Mar 14
Never met a train track I didn't fall in love with!
A pit stop at Porteau Cove Provincial Park on the return trip to Vancouver BC after a day in Squamish and Brakendale.
Porteau Cove is located on the Howe Sound fjord, 38 km north of Vancouver on the Sea-to-Sky Highway, 20 km south of Squamish, 8.5 km south of Britannia Beach. Other nearby communities include Brackendale and Lions Bay.
The park is 50 hectares in size, and offers picnicing, camping, swimming, windsurfing, and a boat launch. Porteau Cove is a very popular area for scuba diving, with a series of artificial reefs including two sunken vessels. It has 44 drive-in campsites and 16 walk-in sites. 80% of the campsite may be reserved through Discover Camping, April through September. The park is maintained and operated by Sea To Sky Parks, based in Mount Seymour in North Vancouver, BC.
On July 29, 2008, a large rockslide took place at the Porteau Bluffs, just north of Porteau Cove. No one was injured, however access to Whistler was hampered.[1][dead link] The highway and the rail line run tightly together at the base of the bluffs, which is composed of slab-like chunks of granite, which formerly overhung the highway until scaling reduced some of the mass of the bluff. The slide has renewed concerns about the geotechnical safety of the route, and was a security issue during the 2010 Olympics events in Whistler. Communities north of the slide, including Whistler, are often isolated by such slides, but a "back door" paved route exists via Lillooet and the Fraser Canyon.
A ferry terminal exists at the park for emergency use. If ever a landslide or avalanche occurs between Porteau Cove and Vancouver or Porteau Cove and Squamish, the BC Government could send in a ferry to detour cars around the slide to Darrell Bay Terminal in Squamish or to Horseshoe Bay in West Vancouver. Since slides occur so rarely on the Sea-to-sky Highway, the dock is open to the public as a promenade wharf.[2] The pier is owned by BC Parks, but the ferry ramp and accessories is owned by Department of Highways.
Rail History: Vancouver to Prince George line.
Chartered in 1912, the railway was acquired by the provincial government in 1918 after running into financial difficulties. A railway that ran "from nowhere, to nowhere" for over 30 years, neither passing through any major city nor interchanging with any other railway, its southern terminus was at Squamish and its northern terminus at Clinton during that period. It expanded significantly between 1949 and 1984. Primarily a freight railway, it also offered passenger service, as well as some excursion services, most notably the Royal Hudson excursion train. The railway's operations only reached profitability in 1980, due to large capital and operating debts, which were intended as subsidies to develop and sustain mining and timber economies and employment in the regions it accessed, though during the 1980s it regularly posted significant profits, contributing to the public treasury significantly, and maintained a lower operating debt than any of the continent's other major railways. The railway's operations and management, as one of the province's largest crown corporations, were at the centre of public debate since its takeover. Notably, the Social Credit governments of WAC Bennett and his son Bill Bennett forgave the railways' capital debts in 1954 and 1979, respectively, with bookkeeping matters related to that bringing much criticism. The current provincial government has been accused of fabricating falsehoods about the state of its debts and viability in order to justify a deal to sell it to with CN, claiming the railway was in disarray Other participants in the bidding process withdrew their bids, saying that CN had unfair access to confidential information about their own operations, provided by the government, and at least one bidder (Canadian Pacific) privately stating in a communications that the bid was "rigged". Controversy over CN's management of the line has focused on layoffs, toxic spills and other safety concerns, and cuts in service to some regions. The line has generated profits for CN in the range of $25 million per year since its takeover of the railway's operations.
During "The Global Collapse" many countries fell into Chaos and disarray. Local gangs turned to raiding and pillaging.
This scene depicts a lone Chinese firefighter being attacked by a band of raiders in the early stages of the collapse.
----------------------------------------
So I figured you guys wold like a real upload today instead of that "Fisto" shit I posted earlier.
This is an entry to Ryan's Multithemed battle contest.
For this particular scene I really wanted to capture a sense of action......And I believe I failed miserably. To be honest I don't think this worthy to be on my photostream. I'm just fed up with this build so here ya go.
TL;DR: This scene is meh...
The landscape around Mt. St. Helens shows the promise of growth, as you can see from the trees and ground covering that's appeared in the 41 years since the volcano's eruption. There are, however, still remnants of the incredible devastation wreaked upon the area on that day back in May 1980. Those bare tree trunks you see in disarray in the middle of the image are one such reminder.
Copyright Rebecca L. Latson, all rights reserved.
Things don't always work out. I'm so bad at taking double exposures, like comically bad. The photos I want to double expose don't take, and I end up with things like these; lovely (arguably) disarrays of colour. I don't even know what's happening here. But I can't complain too much, unexpected results are something I love about analog photography. Pentax ME Super 50mm f1.4 35mm film
Credit Links @ pixelstyles.blogspot.com/2019/03/2104-home-bedroom.html
Nutmeg. Disarray Bed Pink @ Shiny Shabby
Nutmeg Disarray Cushions Pink @ Shiny Shabby
Nutmeg Disarray Clutter @ Shiny Shabby
Nutmeg Books & Keys v2
dust bunny . season of giving . hand knit blanket . navy *GACHA*
dust bunny .. olivia armoire . brown
Plant dust bunny .. fiddle leaf tree
[ILAYA] Marlena Chair @
Apple Fall Cushion - English Garden, Cream
Apple Fall Clifton Cast Iron Fireplace (Black)
Dutchie 3 flowers
Dutchie bathrobe pink
Fancy Decor: Spencer Painting
Cats JIAN Curious Kitties *GACHA*
junk. boho curtain.
Trompe Loeil - Bamboo Ring Lamp *GACHA*
Photo's on String *ionic* my w&b lab
[ keke ] summer tray w flowers - red
:CP: Chalky Paint Table White
Foxwood - Spa - Robe
Plant on armoire ~BAZAR~ Plant-Decor
tarte. laundry basket (light)
[DD] Louise Coffee and croissant tray
floorplan. forest print
Blinds Soy. Reed Screen [Sudare] Dark -Half rolled
(Milk Motion) seagrass rug @ Collabor88
Building Apple Fall Hetton Barn Conversion *FREE ITEM*
FA 455
.
.
The Battle of Sudden Flame, also known as Dagor Bragollach, was a land engagement during the Wars of Beleriand. The battle ended the four-hundred year long Siege of Angband and led to the ruin of much of Dorthonion.
.
.
Morgoth sent rivers of fire which engulfed the plain of Ard-galen. What was once grassy and fertile became the dry desert of Anfauglith. With the fire and smoke came confusion and disarray among the defenders, mostly elves and Edain. The dragon Glaurung led Morgoth’s armies alongside numerous Balrogs and they annihilated the league of the Noldor. Though the league suffered many casualties, they would continue to fight and eventually expel Morgoth from Arda.
.
.
Quick build while on break. Have wanted to make this for quite some time and definitely plan to expand it. Was inspired by the Rings of Power intro sequence which shows the death of Finrod.
The Chase Vault located in the Barbados cemetery of the Christ Church Parish is a fairly unremarkable semi-sunken tomb save for the repeated stories of the coffins inside being thrown around around by mysterious forces.
The vault was originally built in 1724 but was purchased by the Chase family when Mary Ann Chase died at the tender age of 2. The little girl was placed in the vault in a lead coffin along with the vault’s single other occupant who was interred in a wooden coffin. Just a few short years later Mary Ann’s sister Dorcas was also buried in the tomb after starving herself to death.
Death continued to plague the Chase family when the sisters’ father Thomas died around a month after his eldest daughter. However, when the thick marble slab that sealed the entrance to the vault was removed, the burial team discovered that the three coffins inside had been violently tossed around and were standing against the walls of the tomb in seeming disarray. There was no evidence of human tampering with the sealed vault, and none of the other vaults in the cemetery had been affected in the same way, eliminating the possibility of earthquake or flood. Regardless, all of the coffins were placed back in their original places and Thomas’ was added to the orderly pile.
Years later when the vault was once again opened to add another body to the pile, they found the coffins had been tossed around once again and were lying all about the vault. This time, before resealing the seemingly watertight and impenetrable space, a layer of sand was placed on the floor to detect any footprints should the culprits return again. After a couple of years, with the story percolating among the public, the vault was reopened to check on things, and as the story goes, it was revealed in front of throngs of curious onlookers that the coffins had once again been moved around.
At this point, all of the coffins were removed from the vault and reburied elsewhere in the cemetery. The empty vault remains open to this day, filled only with ghost stories. However with no coffins to toss around, any malevolent spirit (or committed prankster) may have a hard time making themselves known.
Pennhurst Asylum was built in 1908 as a state school for the mentally and physically disabled. The Spring City, Chester County, Pennsylvania property covered 120 acres with many different buildings, many connected through a series of underground tunnels. The original name was "Pennhurst Home for the Feeble Minded and Epileptic" before it became known as the "Pennhurst State School". A 1968 report by NBC television entitled "Suffer The Little Children" brought forth evidence of abuse, neglect, and overcrowding at the institution. After many lawsuits, including the landmark May 1974 case "Halderman v. Pennhurst State School ", Pennhurst was finally forced to close its doors in 1986. Pennhurst fell into complete disarray and ruin with scrappers looting buildings for what they could sell and vandals spray painting just about every surface they could find.
There have been attempts to stabilize some of the buildings, primarily the roofs, to keep the buildings in a state of "arrested decay" so they don't become more ruined by the elements, and several of the more dangerous buildings have been demolished. There is a movement to build a museum that features the history of not only Pennhurst but also mental care in the United States, so that we never return to that state of affairs again. The property owners now offer a haunted house during the Halloween season, Paranormal tours, and Photography tours. Tour money goes towards the stabilization of the buildings and the formation of the museum.
Nikon ZF with Nikkor Z 14-30mm F4.5 lens @ 30mm. F13, ISO 100. Oben tripod with an Arca-Swiss C1 cube 3-way geared head.