View allAll Photos Tagged diningtable
Think pink! Here we have riotous hot pinks, reds and oranges all coming together in a setting that's ripe for a party. Remember that industrial tables and benches don't doom you to a life of austere simplicity forever--just start throwing flowers and things on there!
Width 197cm, depth 92cm, height 77cm
Rarely do we get a chance to showcase a dining table like this, that combines beautiful old wood with excellent craftsmanship, yielding a show-stopping piece. This table seats 8-10 people in style.
Length 250.5cm, width 99cm, height 72.5cm
GONE--Incredible presence; incredible piece. A-frames are somewhat reminiscent of the Eiffel tower. Rugged, industrial-vintage style frames support a beautiful wood top.
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GONE - This newly-made vintage industrial style piece is a real tour-de-force. Beautiful handwork on the metal "A" pieces that form the iron trestles combine with the lightly stained shisham wood (that grows in India) to create a rugged and elegant table. Seats eight, easily, ten squeezily.
Length 192cm, depth 92cm, height 77cm.
The Velour Glass Dining Tables have been "Through the wringer" and in our opinion have come out clean on the other side. There is a pure and refreshing feeling when you look into the blue green depths of these tops. The wood and glass together create an exotic image that emanates Cool, Clean and Contemporary. This feeling translated seamlessly throughout the line.
Explore the Velour Glass Dining Tables and others at www.lyndon.com/tables.html
Lyndon Furniture
Lyndonville, VT
Outdoor movie screening was cancelled tonight because of "weather". Only in LA would an outdoor event be cancelled because it rained two days before. This was the picnic we'd planned to take. Erin, Yessi and I had our picnic at home and then went to see "The Hangover". Funniest movie ever!
***UPDATE 8/12/12. UPDATE 8/12/12*** This table got nabbed quickly by Arthi and Nik, who are passionate about the rarity and versatility of this one in their new sprawling home, which just so happens to be perfect for a family. Hmmm... Thanks guys.
Fully marked big diesel score. Anyone want an all time classic?? Contact me-- kinzco@domain900.net.Labeled-- Bruno Mathssson-Firma Karl Ma
thsson Made in Varnamo-Sweden
Orla Kiely for Heal's, an exclusive and distinctive range of furniture which reflects both the designer’s work and Heal's core values. The Rowan Dining Table and dining chairs are part of the Rowan collection and takes its inspiration from the mid 20th Century furniture design.
To see the full Orla Keily for Heal's range click here
Creator: Courier-mail (Brisbane, Qld.)
Location: Rocklea, Brisbane, Queensland.
Description: Women gathered around the piano in one of the government war workers' housing scheme homes erected at Rocklea. Left to right: Mrs. L. R. Askew, Mrs I. S. Wood, Mrs. S. Harrison. (Description supplied with photograph.) Copied and digitised from an image appearing in the Courier Mail, 26 August 1944.
View the original image at the State Library of Queensland: hdl.handle.net/10462/deriv/69979
Information about State Library of Queensland’s collection: www.slq.qld.gov.au/resources/picture-queensland
You are free to use this image without permission. Please attribute State Library of Queensland.
Walnut Base Dining Table – Glass Top
One of Rotsen's glass top dining tables made in combination with solid walnut slabs, this piece can be customized to various dimensions and uses. The same wood base design has been used to make contemporary reclaimed wood desks, or large conference room tables.
As shown, this contemporary dining table has a base made of reclaimed claro walnut, with natural edges and a 3/4" glass top.
Each furniture piece by Rotsen is unique and can be customized per client's specifications.
Rotsen Furniture designs furniture pieces integrating wood’s organic characteristics with a clean, graceful, modernist aesthetic. Our team of world class artisans and craftsmen works with rare solid woods, impressive single slab live edge lumber, and large book matched slabs, making unique and sophisticated furniture for residential and commercial projects worldwide.
Dining table in Black Sheep House, Isle of Harris. I was contacted by the owners to come up with a few high-res photos to accompany an article due for publication in 'Coast' magazine, a lifestyle monthly, featuring seaside properties around the UK.
Strobist info: YN-560 into 60cm softbox camera left, YN-560 into reflective umbrella camera right, YN-560 into ebay £4.99 flash mounted mini softbox on the floor. Phottix Strato triggers.
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Collection: A. D. White Architectural Photographs, Cornell University Library
Accession Number: 15/5/3090.00144
Title: Dining Room, Webb House, Wethersfield, Connecticut
Photograph date: ca. 1925-ca. 1950
Building Date: 1752
Location: North and Central America: United States; Connecticut, Wethersfield
Materials: gelatin silver print
Image: 7.4016 x 9.9213 in.; 18.8 x 25.2 cm
Provenance: Transfer from the College of Architecture, Art and Planning
Persistent URI: http://hdl.handle.net/1813.001/5s9d
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
We had some help with the geocoding from Web Services by Yahoo!
Custom designed and fabricated, these unique side tables for conference rooms have bases roll-formed and machined from 1/2" thick brass, in two interlocking sections. An applied patina gives them a sophisticated antiqued bronze look. The tops are custom laminated glass, with sandblasted patterning, and brown laminated interlayers. The interiors are designed by Elkus Manfredi Architects, Boston.
See more details on Behance: www.behance.net/gallery/GWK-Conference-Room-Side-Tables/6...
Design/ Production of corporate furniture + murals + exhibits + retail displays + signage + light fixtures + architectural details
philmanker@comcast.net
Boston
617-291-8584
Persistent URL: digital.lib.muohio.edu/u?/tradecards,3668
Subject (TGM): Patent medicines; Men; Women; Dining tables; Eating & drinking; Tablecloths;
For reasons I'm sure I've shared with you before, our Christmas Dinner is an evening meal enjoyed on Boxing Day. Is, was, and ever shall be. :)
It's a pretty big table, but even so, 14 was quite cosy!
Good fun though. :)
We open presents on Boxing Day as well, so a huge thank you to everyone for all my lovely cards and gifts.
Merry Christmas everyone! :)
Here is my yummy dinner that my husband had made, It has spinach, cabbage bacon, and a nice creamy sauce with salt and pepper.
"You once told me the reason that
a lot of people choke to death
is cause they get up and walk away
right when they feel their throats give way"
Choking by Hayden from the album Moving Careful
People have wondered what's on the other side of the table...we have put mis-matched industrial chairs.
Length 250cm, width 99cm, height 73cm
Thought I'd post a few images of home in and amongst my drawings. We have a steel red-bulbed lamp hanging low above our dining table and when the lights are low and the garden's full of snow beyond.... it's quite magical
We've released this photo under Creative Commons (Attribution-NonCommercial 2.0 Generic). You are welcome to use or adapt this image for non-commercial purposes, but please provide an attribution link to www.bettaliving.co.uk
Betta Living is a fitted kitchen, bedroom and bathroom specialist offering quality fittings manufactured in our very own Lancashire factory. From luxurious style to understated chic, we craft rooms for every taste.
Just bought this dining table for my sister's new house. Hopefully I can get a real photo of it soon.
This scene is from the zeitreise DDR museum in Radebeul (near Dresden) where you can learn all about the life during DDR time and the importent moments in history of the DDR. A real must go!
Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Dining Room is one. As a well proportioned and elegant space, it runs over half of the original Burnham Beeches floor plan. It features two long tables covered in a Miss Havisham like feast of a trove of found dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I personally found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Dining Room is one. The Study is the other. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.