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My first color film with my Wirgin Edixa-Mat Reflex Mod D-L year 1965, June 11-12, 2014, Lyon, France.
The film was a Silberra Color 50 given for free by "Ateliers de Marinette", my main analog film provider. After processing, the four first frames and the last 7 ones were found not useable due to uncontrolled light exposure/leaks likely during the film preparation or its loading in the 135 cartridge.
The Edixa-Xenar lens equipped with a coated Hoya HMC Skylight (1B) screw-on 49mm protective filter plus a generic cylindrical metal shade hood. Expositions were determined for 50 ISO using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas.
The weather was cloudy June 11 and sunny on June 12. I used exposition times of 1/1000s to 1/30s were used from the full aperture aperture to f/9.
June 11, 2024
69004 Lyon
France
After exposure, the film was processed using the Kodak C-41 protocol by a local lab service leading a very dense negative views with high contrasts on a brownish base mask.
The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. For this series, I used the CineStill light source CS-lite a 9200 K temperature color. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures. All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivo Y76 color pictures.
About the camera and the lens :
The German Edixa SLR’s are captivating camera’s constructed by Wirgin Kamerawerke, Wiesbaden, from 1954 to 1968 in various versions. Edixa Reflex was designed by Heinz Waaske (1924 – 1995) a German camera designer who also invented other famous camera’s as the Edixa 16 and the Rollei 35.
My Edixa-Mat Reflex Mod D-L is a late model 1965. The model D-L was the top of the line of Edixa-mat equipped with different advanced functions that look like some of my Ihagee Exakta Varex, in particular a special horology mechanism giving self-shutter release tunable from 9 to 2s that could be converted also for long-exposures. Similarly to the Exakta Varex,the shutter has two exposition time registers from 1/30 to 1/1000s for the regular times and a switchable second register giving 1/8 to 1s. The Wirgin Edixa-mat Reflex has as well an interchangeable finders with a waist-level finder with loup and the prism finder. This Edixa series has the automatic mirror flip-back after release. It of course fully mechanical without built-in light metering system.
The camera body has the common M42 lens screw mount and operates the M42 lenses with automatic preselection diaphragm (or manual lenses too). I got the camera with likely its original normal lens conceived for the Edixa by Schneider-Kreuznach in Götingen, Germany, called Edixa-Xenar 1:2.8 f=50mm. The Xenar lens series are derived from the Zeiss Tessar formula with 4 lenses in 3 groups. Its serial number indicates that the lens was manufactured after September 1964 or current year 1965. The lens has a special depth-of-field visual indicator under a transparent ring varying according the aperture value.
I also got both the waist-level finder and the prism finder as well, two shutter-release adaptors for the use of standard cable release, and two accessories or flash shoes adaptation to the prism finder. The lot also included a Ihagee set of extension rings for Exakta's that joined my Varex IIa set.
From back of photo: "Our last Christmas with Mother, 1952. Front row: Dolly, Mother, Florence. Second row: Norman Heritage, Emma, Florence G. (Ted), Linda, Jim, Barbara. Back row: Ernest, Kitty, Lydia, Ted W."
Ernestine (Dolly) DeHart Renaud, 1935-2024
Lydia P. Eastlack Gleeson, 1872-1953
Florence L. DeHart Burns, 1934-
Norman R. Heritage, 1930-1992
Emma Campbell Gleeson DeHart, 1904-1995
Florence (Ted) Budd Gleeson, 1901-1980
Linda K. Gleeson Abel, 1948-
James H. Gleeson, 1912-1986
Barbara Gleeson, 1951-
Ernest R. DeHart, 1903-1991
Mary Kathryn (Kitty) Pryor Gleeson, 1927-2015
Lydia Gleeson Warrington, 1899-1988
Theodore (Ted) B. Warrington, 1898-1990
From back of photo: "Grammie Eastlack. Clifford, No. 270 South Second Street, Above Spruce Street, Philadelphia."
187--I001
Mathilda Budd Eastlack, 1850-1928
From back of photo: "Ted Warrington, Lydia Gleeson Warrington, Ralph Nonamaker, Emma Gleeson DeHart, Ernest R. DeHart. Home. DeHart Home. Church St., Thorofare."
Theodore (Ted) B. Warrington, 1898-1990
Lydia Gleeson Warrington, 1899-1988
Ralph L. Nonamaker, 1895-1971
Emma Campbell Gleeson DeHart, 1904-1995
Ernest R. DeHart, 1903-1991
From back of photo: "Emma, Ted, Mother, Lydia. 1948."
Emma Campbell Gleeson DeHart, 1904-1995
Florence (Ted) Budd Gleeson, 1901-1980
Lydia P. Eastlack Gleeson, 1872-1953
Lydia Gleeson Warrington, 1899-1988
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ADB Vice President Bambang Susantono on 11 October 2019 in Manila delivered the keynote speech at the 2019 Financial Executives of the Philippines (FINEX) Conference. In his address he stressed the need to balance risks and opportunities and highlighted how digitization and innovation can deliver benefits across multiple sectors, and how ADB is encouraging digital technology projects for developing Asia.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
86685029 :Piction ID--Convair employee portrait---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
Slides my mom had which I have cheater-digitized; I shot the slides with my dslr while they were on the slide viewer. I don't know where this was taken, and the year is probably about 1965, 67 or 68.
From back of photo: "Emma, 1938. At Atlantic City."
1938-I007
Emma Campbell Gleeson DeHart, 1904-1995
From back of photo: "Taken at Mother's in Woodbury, N.J. James Gleeson. Aug. 1933."
James H. Gleeson, 1912-1986
From back of photo: "Florence DeHart, Austelle Faulk, June, Dolly DeHart, Jimmie Gleeson, Gorden. Taken in Georgia."
Florence L. DeHart Burns, 1934-
Austelle Frank
June
Ernestine (Dolly) DeHart Renaud, 1935-2024
James C. Gleeson, 1939-2012
Gorden
86682513 :Piction ID--Tomahawk missile section closeup---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
From back of photo: "Florence, Emma, Dolly. March 1946. Clearwater, Fla. (Backyard) 1015 N. Osceola Ave.
Florence L. DeHart Burns, 1934-
Emma Campbell Gleeson DeHart, 1904-1995
Ernestine (Dolly) DeHart Renaud, 1935-2024
From back of photo: "Clearwater Florida, 1946. Dolly DeHart, Emma, Florence."
Florence L. DeHart Burns, 1934-
Emma Campbell Gleeson DeHart
Ernestine (Dolly) DeHart Renaud, 1935-2024
Manual digitizing in the IKARUS format (applying vintage, but still relatively powerful hardware [the used computer is *very* inexpensive nowadays] and software) of the drawings for the Rosart-revival.
From back of photo: "Thorofare School. Emma Gleeson, grade five. My picture has "X" on it. Second row, third from right-hand side. Large ribbon on hair. Miss Cattell teacher fifth grade.
191--I007
Emma Campbell Gleeson DeHart, 1904-1995
possibly Anna Virginia Cattell, 1878-1972
From back of photo: "Howard Gleeson, Dolly and Florence DeHart."
193--I012
Howard W. Gleeson, 1904-1967
Florence L. DeHart Burns, 1934-
Ernestine (Dolly) DeHart Renaud, 1935-2024
A second film with my Semflex Standard 3.5, a French TLR camera year 1959, in Lyon, France, May 30, 2024.
The camera was equipped with the Semflex yellow x2 filter and the Semflex squared shade hood. The camera was loaded with a 12-exposire 120 format Rollei Retro 80S (former Agfa Aviphot 80 used in aerial photography) sensitized in the red to 760nm in the near-IR band. Rollei 80S is coated on a maskless PET support with anti-halation layers that were removed by two presoaking bathes before the developer.
Expositions were determined for 100 ISO (50 ISO to compensate the light absorption of the yellow filter x2) using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas.
Typically I used the 1/100s with aperture ranging from f/11 to the full aperture f/3.5. One view was found blank for an unknown reason (did the shutter fired?)
Parc de la Tête d'Or, May 30, 2024
69006 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 14min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite. The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame including the whole image appearing on the film, of the full size JPEG. Some documentary smartphone color picture are also included in the dedicated album.
About the camera and lenses :
New in my camera collection this French Semflex TLR year 1959-1960 equipped with f=75mm SOM Berthiot lenses.
The SEM company ("Société des Etablissements Modernes de Mécanique") was founded in France by Paul Royet in 1946, in the small city of Aurec near Saint-Etienne (Loire). The SEM camera's was known essentially for the TLR Semflex that were a great commercial success in France until the 70's. The camera's are constructed around an injected aluminum alloy chassis, very resistant and rigid permitting precise optical alignments. The focusing mechanism is made of a cam system like the Rolleiflex giving an accurate and smooth focusing. SEM constructed their own shutters called Orec with 5 leaves capable of the 1/400s to 1s with B.
Semflex received in majority French optics Berthiot with 3 or 4 lenses (Tessar type). Some camera's were also mounted with Angénieux lenses.
Semflex were trusted TLR camera's used by amateurs and for professional purposes. From 1949 to 1976, 171.000 Semflex were produced in many different types and versions.
My Semflex in a middle grade version Standard 3.5 type-10 (1959-1960). It was the last version mounted with the 3-lens SOM Berthiot 1:3.5 f=75mm. I got the camera with set of accessories and several documents including the user manual of the Semflex Standard 4.5 versions. The accessories include a leather SEM ever-ready bag, a Semflex push-on shade hood, a Semflex push-on yellow filter x2 in its original box, and close-focusing lenses. The 1D one is constructed with a prism for the finder lens that compensates the parallax in the zone 1m to 0.5m.
The decorative ring around each lenses can also receive push-on accessories in 36mm diameter as the FOCA or Leitz 36mm filter series. I adapted two protective lens caps from Kodak film canister snapped covers.