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From back of photo: "Parents of Pauline and Patsy. Charles and Irene Gleeson. Brother of Emma DeHart."
Charles C. Gleeson, Jr., 1897-1950
Irene Wimberly Gleeson, 1895-1980
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
From back of photo: "Aug. 1933. At home (Mother's). 120 West Center St. Woodbury. Emma Gleeson DeHart."
Emma Campbell Gleeson DeHart, 1904-1995
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From back of photo: "Emma Gleeson DeHart, Jim Gleeson, Florence (Ted) Gleeson. 1934."
Emma Campbell Gleeson DeHart, 1904-1995
James H. Gleeson, 1912-1986
Florence (Ted) Budd Gleeson, 1901-1980
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Here's what the capture software looks like as it is scanning. This software comes bundled with the Plustek Opticbook Pro. I really hated it initially, because it is not as adjustable as the Epson software but now I am used to working with it and any inconsistencies can be adjusted in post-production (generally Photoshop).
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
A new photowalk to the confluence Rhône-Saône on August 10, 2024, Lyon, France, with my FOCA Universel RC camera, a rare, ultimate, and last evolution 1962 of the French range-finder 35mm FOCA Universel camera's (1948-1963) .
For this tour, I equipped the FOCA with the Oplarex lens 1:1.9 f=5cm. The lens had a FOCA 42mm push-on yellow filter (x2.5) from view 1 to 30 where I dropped accidentally the filter with the additional shade hood. The aluminum filter mount distorted and could not be mounted to the lens anymore. It needed to be re-adjusted at home using a small pliers to straighten the filter mount to the right shape. I then finished the film with a FOCA DYMA filter (x3.5) I had in my photo bag.
In the afternoon the outdoor temperature reached 33°C with a very bright and clear sunny weather.
I used an Adox CHS II 100 36-exposure film (100 ISO). Expositions were determined taking into account the filters light absorption, using an Autometer III Minolta light meter fitted with a 10° finder privileging the shadow areas.
Aux Ponts de Perrache sur la Saône, August 10, 2024
69002 Lyon
France
After full exposure, the film was revealed using Adox Adonal developper at dilution 1+50 at 20°C for 13 min The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera :
Only a bit more than 2000 FOCA URC were only produced in the O.P.L. (« Optique et precision de Levallois » S.A.) in Châteaudun, Eure, France, in 1962 and 1963 before stopping definitively the manufacturing of the curtain-shutter camera’s. The FOCA Universel RC is considered as the most beautiful and sophitisacted FOCA ever produced in France. A small series of FOCA Universel RC were delivered to the French Navy "Marine Nationale" and "Armée de l'Air".
The evolution of the FOCA Universel to the « RC » version included a complete new system of wide viewfinder at 1:1 ratio with collimation in orange color and coupled full parallax compensation. I got the camera on September 9, 2023 at the photo fair of the Photography Museum of Saint-Bonnet-de-Mure, France. It took about 3 months of reflexion and discussion with a retailer to take the decision. The camera was provided with the normal 5-lens OPLAR optics 1:2.8 f=5cm of the same period (model-6 version-10, 1961) with front cap and FOCA AUV 42mm push-on filter, the specific URC ever-ready leather bag in perfect condition, and the original edition of the user manual.
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From back of photo: "Dolly (1 yr.), Florence (2 yrs.). N.Y. Emma DeHart & Blanche Gleeson"
193--I016
Emma Campbell Gleeson DeHart, 1904-1995
Blanche R. Haines Gleeson, 1904-1969
Ernestine (Dolly) DeHart Renaud, 1935-2024
Florence L. DeHart Burns, 1934-
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50
From back of photo: "Frank Eastlack. Uncle Frank. Brother of Lydia Eastlack Gleeson. Uncle of Emma G. DeHart. Piper and Marcus Studio. Formerly Clifford's. 270 S. Second Street, Philadelphia."
188--I006
Franklin T. Eastlack, Sr. 1882-
Digitized with Negative Lab Pro v2.1.0
Pentax K1000 | Ilford HP5 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Iford DDX
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Nikon FM2, 50mm 1:1.4, ADOX CHS 100, processed on a JOBO ATL 800, digitized on a Epson F-3200, © Rui Delgado Alves, 2013
Digitized with Negative Lab Pro v2.1.2
Olympus Pen EE2
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.2
From back of photo: "Fort Liverpool, New York. Mother (Lydia P. Gleeson) and granddaughter Florence Lydia DeHart (Burns). 1941."
Florence L. DeHart Burns, 1934-
Lydia P. Eastlack Gleeson, 1872-1953
Check out embroidery digitizing samples of the work done by our experienced embroidery digitizers for customers worldwide.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Check out embroidery digitizing samples of the work done by our experienced embroidery digitizers for customers worldwide.
I'll be doing a half-day digitization workshop at Computers in Libraries on April 6, from 1:30 - 4:30 p.m. The workshop will cover four specific areas:
* Scope
* Selection
* “Scanning” (Conversion)
* Sustainability
For more information, go to www.infotoday.com/cil2008/
From back of photo: "Our last Christmas with Mother, 1952. Front row: Dolly, Mother, Florence. Second row: Norman Heritage, Emma, Florence G. (Ted), Linda, Jim, Barbara. Back row: Ernest, Kitty, Lydia, Ted W."
Ernestine (Dolly) DeHart Renaud, 1935-2024
Lydia P. Eastlack Gleeson, 1872-1953
Florence L. DeHart Burns, 1934-
Norman R. Heritage, 1930-1992
Emma Campbell Gleeson DeHart, 1904-1995
Florence (Ted) Budd Gleeson, 1901-1980
Linda K. Gleeson Abel, 1948-
James H. Gleeson, 1912-1986
Barbara Gleeson, 1951-
Ernest R. DeHart, 1903-1991
Mary Kathryn (Kitty) Pryor Gleeson, 1927-2015
Lydia Gleeson Warrington, 1899-1988
Theodore (Ted) B. Warrington, 1898-1990