View allAll Photos Tagged digitaldrawing
My first real go at drawing on my new tablet. It was fun, but soooo difficult. I have a long way to go :-)
The reference photo is here: www.flickr.com/photos/25386365@N06/5251991116/
"It hasn't been incredibly awful knowing you," he said.
"And it hasn't been incredibly awful knowing you either," she said.
This next is the original drawing, which inspired me to start this collection of 20+ images. I did it at the time, just for relaxation and hobby, it was a drawing for me, however, when reviewing this image, a year later, I thought I could improve it. The end result of the digital art really pleased me a lot.
Playing with updated chalk brush for Manga Studio 5 by DAUB | Paolo Limoncelli. I like that grainy texture tons.
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort
Image created following Kyle T Webster's video on his new Fall 2021 Brushes. This was so much fun to create! For post info, check out my blog at sydspix.wordpress.com/2021/10/23/finding-a-ps-brush-in-a-...
Media: Illustrator. View additional artwork by K Fairbanks here on Flickr or on Behance here, www.behance.net/kfairbanks or on WordPress here, kfgraphics.wordpress.com/
Happy Monster / Monstruo Feliz
(Digital Drawing. By Gustavo Thomas. 2011)
All, photography and digital work over it, is made by Gustavo Thomas.
If you are interested in getting the original work (or copies if it), please, contact me by flickr mail.
If you are interested in using any of these images, please, contact Getty Images (see the link on the right side of every photo page).
If you think your case is special and you are not intended to get any money with my photograph (or you don't get paid for working with them) then, please, contact me by flickr mail.
Todo, la fotografía y el trabajo digital sobre ella, es de Gustavo Thomas.
Si existe algún interés en obtener la obra original (o copias de ella) por favor, contácteme a través del correo de flickr. Si hay interés en usar usar alguna de estas imágenes por favor, contacte primero Getty Images (ver la liga sobre el lado izquierdo de la página, donde se pide la "licencia" de la foto).
Si se piensa que es un caso especial y no se tiene la intención de comercializar con la imagen (o no se recibe un pago o salario por usarla) entonces, por favor, contactar a Gustavo Thomas a través del correo de flickr.
Composite of drawings made with the amazingly cool web-based drawing app "Scribbler Too" made by Mario Klingermann which was based off of the original "Scribbler" by Ze Frank.
Texture added with GIMP.
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort
Practice image of a bird drawn and painted following Maddy Bellwoar's video. For on this, check out my video at sydspix.wordpress.com/2021/10/23/finding-a-ps-brush-in-a-...
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Day 4 of my 31 prompts from 31 lists Drawtober challenge!
Today's prompt is "Mask" from twitter user ERGiancetti.
I chose the eponymous heroine of Sable, from Shedworks games. It's a beautiful game that's going to stick with me a long time.
para el día 19 de Inktober hoy toca a rechoncho
y para esta ocasión decidí dibujar al moshlings parecido a un murciélago algo gordito twaddle .
๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑๋࣭ ⭑
for day 19 of Inktober today it's plumb
and for this occasion I decided to draw the moshlings similar to a somewhat chubby bat twaddle ..
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort