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This is a digital installation that I've been wanting to do. In it's ideal form, the piece would be comprised of 287 Digital Prints and would be around 16' H x 18.25' W. I've been mulling over titles including Prismatic Field Array (which I think sounds a little too much like Keith Tyson's "Large Field Array" and Prismaticon (which I like, but is a little over the top -- though the kids seem to like over the top so maybe Prismaticon it is!). I'm going to keep thinking it over. Let me know if you have any thoughts! Maybe it can be something ironic™ like "Into the Void" or "Space is Deep" or "My Little Ponies Revenge" or "Rainbow Bright is Dead!" or "Rainbowtron" or "Orgasm of Chromatic Phenomena" or "Phenomenology of Logic -- In Color!". Okay, enough! Only serious suggestions please!
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort
I am learning how to use my new Genius drawing pad. Ok.... Not very good, but I will certainly improve. ===== And it is certainly easier to draw with the pen than with the mouse! hehehehe...
Learn more about this video on my blog here - avene.org/avene-yoop-it-everyday-2
You can also download the music here - nimbitmusic.com/avene/#avenemay2015everydayproject
a memoriam portrait for my friend's friend's dog, walter. 365amydrawings.tumblr.com/post/9898980469/walter
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort
large-scale Immersive Art in Second Life based on hand-drawn images created with Corel Painter and a Wacom tablet. The installation is constructed with prims, sculpties, scripts, particles, and sounds.
Dividni Shostakovich, curator of Split Screen Installation Space, will open Alizarin Goldflake's "Acquarella: After the Apocalypse (Chapters 1 & 2)" and Blue Tsuki's "Adagio" to the public on Sunday, April 1, 12 am PDT, at Split Screen. All are cordially invited to drop in anytime. The Reception Party will be Sunday, April 8, 1 - 2 pm PDT .
Alizarin & Blue: slurl.com/secondlife/Beleza/37/219/1501
Artist-in-Residence Sarah Comfort appreciates this specific, familiar graphic quality of digital imagery. “If you look at my lines, you can see that they’re pixelated,” she says. “It’s normal for a digital image to try to fool the eye into thinking it’s something else, something real. But I’m not trying to hide that these were created on a computer.” Read more about Sarah on our blog: bit.ly/sarah-comfort
As the title says, I drew this back in May... and promptly forgot to upload it anywhere but Twitter. Well, here's a merman sketch for Mermay in the beginning of Inktober.