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My sixth year with a machinima/ video art selection at Supernova Digital Animation Festival, with two works in one festival for the first time.
The second of these is showing from 15-17 September in the Directors Choice category: denverdigerati.org/supernova-directors-choice. 'The Blue and the Jubilant' echoes together 21st century virtual world of Second Life, 20th century filmmaking as envisaged by Derek Jarman, and 19th century shades of watercolour blue made my Winsor & Newton. vimeo.com/tizzycanucci/blueandjubilant
Opening sequence of Repeat Hikari selected in the competition section of the Supernova Digital Animation Festival in Denver on Saturday 21 September.
vimeo.com/tizzycanucci/repeathikari
My blog: tizzycanucci.com/
One of my favourite stills from Repeat Hikari, showing at Supernova Digital Animation Festival in Denver on Saturday 21 September.
vimeo.com/tizzycanucci/repeathikari
My blog: tizzycanucci.com/
Me on my seat at the Supernova digital animation festival in Denver watching me on my seat in Second Life as my avatar. Repeat Hikari selected for competition section on Saturday 21 September.
vimeo.com/tizzycanucci/repeathikari
My blog: tizzycanucci.com/
Crossings, 2010
The OpenEnded Group - New York City, USA
Video Installation, Digital Animation
The night-time crowds drawn to Scotiabank Nuit Blanche will find their foot traffic oddly echoed by virtual figures projected onto the canted walls of the Royal Ontario Museum's Crystal façade. The contours and planes of the architecture, activated by the animation, will set the boundaries and surfaces by which the clambering figures must find their way. Sometimes the figures will wrap around the bends in the faceted façade or suddenly find themselves mirrored, magnified, or transformed on a nearby or distant facet. At other times the figures will seem to have penetrated the architecture and will be seen, x-ray-like, inside it. Occasionally a figure or two will ascend to the top, as if climbing into the sky.
Crossings is a site-specific work that will be precisely aligned to the architecture of the Crystal by means of Field, the OpenEnded Group's software environment that underpins all of their creations and that is available for use by others as open source.
The OpenEnded Group comprises three digital artists — Marc Downie, Shelley Eshkar, and Paul Kaiser — whose public artworks include Pedestrian (Rockefeller Center and other sites, 2002); Enlightenment and Breath (Lincoln Center, 2006 and 2007), and Recovered Light (York Minster, UK, 2007). For dance-related works for both stage performance and gallery installation, their collaborators include Merce Cunningham, Bill T. Jones, and Trisha Brown. In 2010 they created two works for 3D projection: Upending and After Ghostcatching.
openendedgroup.com/
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- Anything in? I’m starving.
- Just tea for me, thanks.
- For God’s sake, you need to eat.
- No, you need to eat. I need to think. The brain’s what counts. Everything else is transport.
- Biscuits?
- It’s not really my area.
- You’re a drama queen!
- Okay! I think we’re done now, John.
- You wanna remember, Sherlock, I was a soldier. I killed people.
- You were a doctor!
- No, an Army doctor, which means I could break every bone in your body, while naming them.
Set for Eine Kleine Baker Street fan video: www.youtube.com/watch?v=Jpf6faHngg4
More at Digital Sherlock blog.
Photo taken at OpenSim virtual world.
En esta pieza trabajé en la animación del personaje, el modelo y la composición con after effects lo realizaron en TOTUMA comunicaciones.
In this piece I work on the character animation, the model belongs to TOTUMA communications, motion graphics studio.
Exhibit design for the launch of the Fuego outdoor modular kitchen modern grill products at the Kitchen and Bath show in Chicago Illinois. The structure was designed to reflect the modern design esthetic of the product designs. Materials used were Eco Cem concrete panels, Maple wood slats, recycled rubber floor. The entire structure was rotated 15 degrees on its axis to stand out from the rigid grid of other structure within the space. Above it was suspended a cluster of screens where a digital animation of clouds drifted. An internally lit Fuego logo was suspended over the structure.