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Encyclopaedia londinensis, or, Universal dictionary of arts, sciences, and literature
London :Printed for the proprietor, by J. Adlard ..., sold at the Encyclopaedia Office ... by J. White ... and Champante and Whitrow ...,1810-1829.
A Child's Hebrew Dictionary
Illustrated by Ita Meshi
(c) 1985
I believe the original version, without the English translation of each word, was published in 1970.
Image from the Brockhaus and Efron Encyclopedic Dictionary, published in Russia,1890-1907.
Most images best viewed in the original (largest) size.
The book copyright has expired, so these images are in the public domain.
recall | rɪˈkɔːl |
verb [with object]
Bring (a fact, event, or situation) back into one's mind; remember: I can still vaguely recall being given Mrs Peek’s puddings, Annie recalled being an air raid warden during the war, he recalled how he felt at the time.
Small format Spanish dictionary, held open on a white background, having it's brownish pages flipped up into the air describing an almost semicircular area. The words and their respective translations are distributed on two columns.
According to the Urban Dictionary:
A diva is a bitchy woman that must have her way exactly, or no way at all. Often rude and belittles people, believes that everyone is beneath her and thinks that she is so much more loved than what she really is. Selfish, spoiled, and overly dramatic.
I am wearing:
IKON Triumph Eyes - Fjord - Epiphany
Astralia - Blueberry lovers nails polish (Lipstick)
/Wasabi Pills/ Blossom Mesh Hair - Style 1 - Epiphany
Dead Dollz - Natural Diva Bra - Red - Epiphany
Dead Dollz Natural Diva - DressV - Epiphany
MG - Necklace - Raisa - ALL - SILVER
Catwa head
Maitreya body, Bento hands and feet
Pseudo- White Lounge Scene - Epiphany
-Lalochezia- Somewhere 1
85/365
Perhaps, perhaps not.
Either way, I don't mind.
I like to read Webster's Dictionary in the middle of the woods in the winter time. So what.
----
So, I had ten minutes to dash through the forest, set-up, strip down, shoot, pack-up and get back before having to leave for an appointment.
Here is the result.
I'm okay with it.
----
p.s. I think my day-numbers are off/back by one. Agh.
i had these two pix along time ago ,, but couldn't make the idea the way i wanted ...
but with a friend's help ,, everything went the way i wanted ..
"thank u " :)
El casco antiguo de Graz fue declarado Patrimonio de la Humanidad por la Unesco en 1999.
A orillas del río Mur se encuentra una colina llamada Schlossberg, que tiene una altura de 475 metros.
Hace más de 1.000 años se construyó un castillo que dio el nombre a la ciudad (que se deriva de la palabra eslovena gradec, que significa "pequeño castillo"). Desde el año 1125 la colina albergó una impresionante fortaleza. En 1809 Napoleón ordenó destruirla. En dicha colina se edificó en 1560 la Torre del reloj, uno de los símbolos de la ciudad. Entre las diferentes calles que forman parte del distrito Innere Stadt destaca la calle Sporgasse. La calle es más antigua que la ciudad ya que fueron los romanos, los primeros que trazaron una vía que iba desde el valle del río Mur hasta la ciudad romana de Savaria (actual Szombately, en Hungría). Los artesanos que trabajaban en esta calle son los que dieron el nombre a la calle. En la actualidad, la Sporgasse es una calle dedicada al comercio.
es.wikipedia.org/wiki/Casco_histórico_de_Graz
Innere Stadt (German pronunciation: [ˈɪnəʀə ʃtat]) is the 1st district of the Austrian city of Graz, capital of the federal state of Styria. It is the part of the Old Town (in German: Altstadt) containing the Schloßberg and the city park (Stadtpark). The district borders are formed by the Mur river between Radetzkybrücke and Keplerbrücke, the Wickenburggasse, the Glacis, Jakominiplatz and the Radetzkystraße. The district covers an area of 1.16 km² and -as of 2011- has a population of 3,545.
In 1999, the Old Town was declared a UNESCO World Heritage Site.
en.wikipedia.org/wiki/Innere_Stadt_(Graz)
Graz [ˈɡʁaːt͡s] es una ciudad austríaca, capital del estado federado de Estiria (en alemán, Steiermark). Con una población de 269.997 habitantes (1-1-2014) es la segunda ciudad más grande del país. Ciudad universitaria por excelencia, fue nombrada Capital Europea de la Cultura en el año 2003.
Graz está situada a orillas del río Mura al sureste de Austria. Se encuentra a 189 kilómetros de Viena, la capital de país.
La primera mención de la ciudad apareció en un documento escrito por el margrave de Estiria Leopoldo I. En la actualidad no se dispone del original aunque existe una copia del siglo XV.
El último representante de la dinastía Otakar fue Otakar IV de Estiria, margrave de Estiria y duque desde 1180. Otakar no tenía descendencia y había contraído la lepra. En el año 1186 Otakar se reunió con el duque Leopoldo V, de la Casa de Babenberg, en la localidad de Enns donde firmaron el Pacto de Georgenberger mediante el cual Otokar designaba a los Babenberg como sucesores.
En 1379 Graz se convierte en la residencia de los Habsburgo al ser nombrada capital de la Austria interna (en alemán Innerösterreich), territorio que comprendía Estiria, Carintia, Carniola y algunas posesiones en Italia. La estancia de la familia imperial se prolongó hasta 1619.
El 10 de abril de 1797, las tropas francesas hicieron su entrada en Graz por primera vez. Dos días más tarde, Napoleón llegó a Graz, donde permaneció unos días hasta su marcha a Göss, cerca de Leoben. El 14 de noviembre de 1805, el ejército francés, al mando del general Marmont, invadió la ciudad por segunda vez. La ocupación finalizó el 11 de enero de 1806 con la retirada de las tropas galas. El 30 de mayo de 1809 se produjo la tercera incursión de la legión francesa, esta vez bajo las órdenes de MacDonald. El 4 de enero de 1810 los franceses abandonaron Graz definitivamente.
Durante la Segunda Guerra Mundial el 16 % de los edificios fueron destruidos y 1788 personas perdieron la vida como consecuencia de la ofensiva. El casco histórico no se vio afectado por los ataques, a excepción de la Tummelplatz. La estación central y las plantas industriales del sur y el oeste de la ciudad fueron los objetivos de los bombardeos.
En los años posteriores a la proclamación de la independencia del país en 1955, se produjeron muchos de los cambios que conformaron la imagen actual de la ciudad. En el plano cultural destaca la creación de varios festivales. En 1968 se celebró la primera edición del steirische herbst, el festival de arte contemporáneo más antiguo de Europa. En 1985 se inauguró el Styriarte, festival dedicado a la música clásica. Ambos festivales se celebran cada año y son de gran importancia para la capital de Estiria. La fisionomía de Graz va a experimentar sucesivas modificaciones y ampliaciones. Así pues, se construyeron nuevos puentes y en 1972 se abrió la primera zona peatonal. A finales de los años 80 tiene lugar un importante crecimiento de la zona sureste. En 1988, Puntigam fue considerado como distrito independiente de Straßgang, quedando establecidos los diecisiete distritos en los que se divide Graz hoy en día.
En 1993 la ciudad recibió un premio de la organización ecologista Greenpeace. Ese mismo año organizó el Mes de la cultura europeo por encargo de la Unión Europea.
El casco antiguo de Graz fue declarado Patrimonio de la Humanidad por la Unesco en 1999.
Graz cuenta con 4 universidades que reúnen a cerca de 40 000 estudiantes. Es la segunda ciudad universitaria más importante de Austria después de Viena. Uno de cada 7 habitantes de Graz estudia.
Graz (/ɡrɑːts/ GRAHTS, German: [ɡʁaːts]) is the capital of the Austrian province Styria and the second-largest city in Austria after Vienna. On 1 January 2019, it had a population of 328,276 (292,269 of whom had principal residence status). In 2015, the population of the Graz larger urban zone who had principal residence status stood at 633,168. Graz has a long tradition as seat of universities: its six universities have almost 60,000 students. Its historic centre is one of the best-preserved city centres in Central Europe.[5]
For centuries, Graz was more important to Slovenes and Croats, both politically and culturally, than the capitals of Ljubljana, Slovenia and Zagreb, Croatia; it remains influential to this day.[6] In 1999, Graz's historic centre was added to the UNESCO list of World Heritage Sites and in 2010, the site was extended with Eggenberg Palace (German: Schloss Eggenberg). Graz was the Cultural Capital of Europe in 2003 and became a City of Culinary Delights in 2008.
The name of the city, Graz, formerly spelled Gratz, most likely stems from the Slavic gradec, "small castle". Some archaeological finds point to the erection of a small castle by Alpine Slavic people, which over time became a heavily defended fortification. In literary Slovene and Croatian, gradec still means "small castle". The German name 'Graz' first appears in records in 1128.
Graz is situated on the Mur river in southeast Austria. It is about 200 km (120 mi) southwest of Vienna. The nearest larger urban centre is Maribor in Slovenia which is about 50 km (31 mi) away. Graz is the capital and largest city in Styria, a green and heavily forested area.
The oldest settlement on the ground of the modern city of Graz dates back to the Copper Age. However, no historical continuity exists of a settlement before the Middle Ages. During the 12th century, dukes under Babenberg rule made the town into an important commercial center. Later, Graz came under the rule of the Habsburgs and, in 1281, gained special privileges from King Rudolph I.
In the 14th century, Graz became the city of residence of the Inner Austrian line of the Habsburgs. The royalty lived in the Schlossberg castle and from there ruled Styria, Carinthia, most of today's Slovenia, and parts of Italy (Carniola, Gorizia and Gradisca, Trieste).
In the 16th century, the city's design and planning were primarily controlled by Italian Renaissance architects and artists. One of the most famous buildings built in this style is the Landhaus, designed by Domenico dell'Allio, and used by the local rulers as a governmental headquarters.
Karl-Franzens-Universität, also called the University of Graz, is the city's oldest university, founded in 1585 by Archduke Karl II. For most of its existence, it was controlled by the Catholic church, and was closed in 1782 by Joseph II in an attempt to gain state control over educational institutions. Joseph II transformed it into a lyceum where civil servants and medical personnel were trained. In 1827 it was re-instituted as a university by Emperor Franz I, thus gaining the name 'Karl-Franzens Universität,' meaning 'Charles-Francis University.' Over 30,000 students currently study at this university.
The astronomer Johannes Kepler lived in Graz for a short period. There, he worked as a math teacher and was a professor of mathematics at the University of Graz, but still found time to study astronomy. He left Graz to go to Prague when Lutherans were banned from the city.
Ludwig Boltzmann was Professor for Mathematical Physics from 1869 to 1890. During that time, Nikola Tesla studied electrical engineering at the Polytechnic in 1875. Nobel Laureate Otto Loewi taught at the University of Graz from 1909 until 1938. Ivo Andric, the 1961 Nobel Prize for Literature Laureate obtained his doctorate at the University of Graz. Erwin Schrödinger was briefly chancellor of the University of Graz in 1936.
Graz lies in Styria, or Steiermark in German. Mark is an old German word indicating a large area of land used as a defensive border, in which the peasantry is taught how to organize and fight in the case of an invasion. With a strategic location at the head of the open and fertile Mur valley, Graz was often assaulted (unsuccessfully), e.g. by the Hungarians under Matthias Corvinus in 1481, and by the Ottoman Turks in 1529 and 1532. Apart from the Riegersburg Castle, the Schlossberg was the only fortification in the region that never fell to the Ottoman Turks. Graz is home to the region's provincial armory, which is the world's largest historical collection of late medieval and Renaissance weaponry. It has been preserved since 1551, and displays over 30,000 items.
From the earlier part of the 15th century, Graz was the residence of the younger branch of the Habsburgs, which succeeded to the imperial throne in 1619 in the person of Emperor Ferdinand II, who moved the capital to Vienna. New fortifications were built on the Schlossberg at the end of the 16th century. Napoleon's army occupied Graz in 1797. In 1809, the city withstood another assault by the French army. During this attack, the commanding officer in the fortress was ordered to defend it with about 900 men against Napoleon's army of about 3,000. He successfully defended the Schlossberg against eight attacks, but they were forced to give up after the Grande Armée occupied Vienna and the Emperor ordered to surrender. Following the defeat of Austria by Napoleonic forces at the Battle of Wagram in 1809, the fortifications were demolished using explosives, as stipulated in the Peace of Schönbrunn of the same year. The belltower and the civic clock tower, often used as the symbol of Graz, were spared after the people of Graz paid a ransom for their preservation.
Archduke Karl II of Inner Austria had 20,000 Protestant books burned in the square of what is now a mental hospital, and succeeded in returning Styria to the authority of the Holy See. Archduke Franz Ferdinand was born in Graz, in what is now the Stadtmuseum (city museum).
The more recent population figures do not give the whole picture as only people with principal residence status are counted and people with secondary residence status are not. Most of the people with secondary residence status in Graz are students. At the end of 2016 there were 33,473 people with secondary residence status in Graz.
Oceanic climate is the type found in the city, but due to the 0 °C isotherm, the same occurs in a humid continental climate with based in Köppen system (Cfb/Dfb borderline). Wladimir Köppen himself was in town and conducted studies to see how the climate of the past influenced the Continental Drift theory. Due to its position southeast of the Alps, Graz is shielded from the prevailing westerly winds that bring weather fronts in from the North Atlantic to northwestern and central Europe. The weather in Graz is thus influenced by the Mediterranean, and it has more hours of sunshine per year than Vienna or Salzburg and also less wind or rain. Graz lies in a basin that is only open to the south, causing the climate to be warmer than would be expected at that latitude. Plants are found in Graz that normally grow much further south.
Politically, culturally, scientifically and religiously, Graz was an important centre for all Slovenes, especially from the establishment of the University of Graz in 1586 until the establishment of University of Ljubljana in 1919. In 1574, the first Slovene Catholic book [sl] was published in Graz, and in 1592, Hieronymus Megiser published in Graz the book Dictionarium quatuor linguarum, the first multilingual dictionary of Slovene.
The Styrian Slovenes did not consider Graz a German city, but their own, a place to study while living at their relatives' homes and to fulfill one's career ambitions. The student associations in Graz were a crucible of the Slovene identity, and the Slovene students in Graz were more nationally aware than some others. This led to fierce anti-Slovene efforts of German nationalists in Graz before and during World War II.
Many Slovenian Styrians study there. Slovenes are among the professors at the Institute for Jazz in Graz. Numerous Slovenes have found employment there, while being formerly unemployed in Slovenia. For the Slovene culture, Graz remains permanently important due to its university and the Universalmuseum Joanneum archives containing numerous documents from the Slovenian Styria.
A symposium on the relation of Graz and the Slovenes was held in Graz in 2010, at the occasion of the 200th anniversary of the establishment of the first and oldest chair of Slovene. It was established at the Lyzeum of Graz in July 1811 on the initiative of Janez Nepomuk Primic [sl]. A collection of lectures on the topic was published. The Slovenian Post commemorated the anniversary with a stamp.
For the year that Graz was Cultural Capital of Europe, new structures were erected. The Graz Museum of Contemporary Art (German: Kunsthaus) was designed by Peter Cook and Colin Fournier and is situated next to the Mur river. The Island in the Mur is a floating platform made of steel. It was designed by American architect Vito Acconci and contains a café, an open-air theatre and a playground.
The historic centre was added to the UNESCO World Heritage List in 1999 due to the harmonious co-existence of typical buildings from different epochs and in different architectural styles. Situated in a cultural borderland between Central Europe, Italy and the Balkan States, Graz absorbed various influences from the neighbouring regions and thus received its exceptional townscape. Today the old town consists of over 1000 buildings, their age ranging from Gothic to contemporary.
The most important sights in the historic centre are:
Town Hall (Rathaus). The Schlossberg hill, a hill dominating the historic centre (475 m (1,558.40 ft) high), site of a demolished fortress, with views over Graz. The Clock Tower (Uhrturm) is a symbol of Graz, at the top of the Schlossberg hill. The New Gallery (Neue Galerie), a museum of art. The Schlossberg hill funicular (Schlossbergbahn), a funicular railway up the Schlossberg hill. The seat of Styria's provincial parliament (Landhaus), a palace in Lombardic style. It is one of the most important examples of Renaissance architecture in Austria and was built by Italian architect Domenico dell'Allio between 1557 and 1565.
The Armoury (Landeszeughaus) is the largest of its kind in the world.
The Graz Opera House (Opernhaus), the principal venue for opera, ballet, and operetta performances. It is the 2nd largest opera house in Austria.
The Graz Theatre (Schauspielhaus), Graz's principal theatre for productions of plays.
The Cathedral (Dom), a rare monument of Gothic architecture. Once, there were many frescos on the outer walls; today, only a few remain, like the Landplagenbild ("picture of plagues") painted in 1485, presumably by Thomas von Villach. The three plagues it depicts are locusts, pestilence and the invasion of the Turks, all of them striking the town in 1480. It features the oldest painted view of Graz.
The mausoleum of Emperor Ferdinand II next to the cathedral, the most important building of Mannerism in Graz. It includes both the grave where Ferdinand II and his wife are buried, and a church dedicated to St Catherine of Alexandria.
The Castle (Burg), with Gothic double staircase, built between 1438 and 1453 by Emperor Frederick III, because the old castle on the Schlossberg hill was too small and uncomfortable. The castle remained the residence of the Inner Austrian Court until 1619. Today, it serves as residence for the Styrian government.
The Painted House (Gemaltes Haus) in Herrengasse 3. It is completely covered with frescos (painted in 1742 by Johann Mayer).
The Museum of Contemporary Art Graz (Kunsthaus)
The Island in the Mur (Murinsel), an artificial island in the Mur river.
Buildings, inner courtyards (e. g. Early Renaissance courtyard of the Former House of Teutonic Knights in Sporgasse 22) and roofscape of the old town.
The Old Town and the adjacent districts are characterized by the historic residential buildings and churches found there. In the outer districts buildings are predominantly of the architectural styles from the second half of the 20th century.
In 1965 the Grazer Schule (School of Graz) was founded. Several buildings around the universities are of this style, for example the green houses by Volker Giencke and the RESOWI center by Günther Domenig.
Before Graz became the European Capital of Culture in 2003, several new projects were realized, such as the Stadthalle, the Kindermuseum (museum for children), the Helmut-List-Halle, the Kunsthaus and the Murinsel.
miniture English Italian travellers dictionary with Ikea pencil to show how small it is. Falling apart with overuse, about 1960
I think this is a silly antidote to the stress of moving!
Totally addictive - and other people do stuff that's way more interesting than this!!
During exploration of Dictionary Hill, I encountered a fast manouverable radio-controled glider being flown in the updrafts on the west side. I was shooting video of the glider when the crow appeared. The glider was much faster than the crow, especially in the wind at the time, and soon they were far apart.
One of my most favourite little flowers, the grape hyacinth. I think I will do a little series for the Dictionary pool, I was so inspired while visiting it.
"The Book of Genesis" redirects here. For the comics, see The Book of Genesis (comics).
The Creation of Man by Ephraim Moses Lilien, 1903.
Jacob flees Laban by Charles Foster, 1897.
Joshua 1:1 as recorded in the Aleppo Codex
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The Book of Genesis,[a] the first book of the Hebrew Bible and the Old Testament,[1] is Judaism's account of the creation of the world and the origins of the Jewish people.[2]
It is divisible into two parts, the primeval history (chapters 1–11) and the ancestral history (chapters 12–50).[3] The primeval history sets out the author's (or authors') concepts of the nature of the deity and of humankind's relationship with its maker: God creates a world which is good and fit for mankind, but when man corrupts it with sin God decides to destroy his creation, saving only the righteous Noah to reestablish the relationship between man and God.[4] The ancestral history (chapters 12–50) tells of the prehistory of Israel, God's chosen people.[5] At God's command Noah's descendant Abraham journeys from his home into the God-given land of Canaan, where he dwells as a sojourner, as does his son Isaac and his grandson Jacob. Jacob's name is changed to Israel, and through the agency of his son Joseph, the children of Israel descend into Egypt, 70 people in all with their households, and God promises them a future of greatness. Genesis ends with Israel in Egypt, ready for the coming of Moses and the Exodus. The narrative is punctuated by a series of covenants with God, successively narrowing in scope from all mankind (the covenant with Noah) to a special relationship with one people alone (Abraham and his descendants through Isaac and Jacob).[6]
In Judaism, the theological importance of Genesis centers on the covenants linking God to his chosen people and the people to the Promised Land. Christianity has interpreted Genesis as the prefiguration of certain cardinal Christian beliefs, primarily the need for salvation (the hope or assurance of all Christians) and the redemptive act of Christ on the Cross as the fulfillment of covenant promises as the Son of God.
Tradition credits Moses as the author of Genesis, as well as the books of Exodus, Leviticus, Numbers and most of Deuteronomy, but modern scholars increasingly see them as a product of the 6th and 5th centuries BC.[7][8]
Contents
1Structure
2Summary
3Composition
3.1Title and textual witnesses
3.2Origins
3.3Genre
4Themes
4.1Promises to the ancestors
4.2God's chosen people
5Judaism's weekly Torah portions
6See also
7Notes
8References
9Bibliography
9.1Commentaries on Genesis
9.2General
10External links
Structure[edit]
Genesis appears to be structured around the recurring phrase elleh toledot, meaning "these are the generations," with the first use of the phrase referring to the "generations of heaven and earth" and the remainder marking individuals—Noah, the "sons of Noah", Shem, etc., down to Jacob.[9] It is not clear, however, what this meant to the original authors, and most modern commentators divide it into two parts based on subject matter, a "primeval history" (chapters 1–11) and a "patriarchal history" (chapters 12–50).[10][b] While the first is far shorter than the second, it sets out the basic themes and provides an interpretive key for understanding the entire book.[11] The "primeval history" has a symmetrical structure hinging on chapters 6–9, the flood story, with the events before the flood mirrored by the events after;[12] the "ancestral history" is structured around the three patriarchs Abraham, Jacob and Joseph.[13] (The stories of Isaac do not make up a coherent cycle of stories and function as a bridge between the cycles of Abraham and Jacob.)[14]
Summary[edit]
See also: Primeval history and Patriarchal age
The Creation of Adam by Michelangelo, 1512.
God creates the world in six days and consecrates the seventh as a day of rest. God creates the first humans Adam and Eve and all the animals in the Garden of Eden but instructs them not to eat the fruit of the tree of knowledge of good and evil. A talking serpent portrayed as a deceptive creature or trickster, entices Eve into eating it against God's wishes, and she entices Adam, whereupon God throws them out and curses them—Adam to getting what he needs only by sweat and work, and Eve to giving birth in pain. This is interpreted by Christians as the fall of humanity. Eve bears two sons, Cain and Abel. Cain kills Abel after God accepts Abel's offering but not Cain's. God then curses Cain. Eve bears another son, Seth, to take Abel's place.
After many generations of Adam have passed from the lines of Cain and Seth, the world becomes corrupted by human sin and Nephilim, and God determines to wipe out humanity. First, he instructs the righteous Noah and his family to build an ark and put examples of all the animals on it, seven pairs of every clean animal and one pair of every unclean. Then God sends a great flood to wipe out the rest of the world. When the waters recede, God promises he will never destroy the world with water again, using the rainbow as a symbol of his promise. God sees mankind cooperating to build a great tower city, the Tower of Babel, and divides humanity with many languages and sets them apart with confusion.
God instructs Abram to travel from his home in Mesopotamia to the land of Canaan. There, God makes a covenant with Abram, promising that his descendants shall be as numerous as the stars, but that people will suffer oppression in a foreign land for four hundred years, after which they will inherit the land "from the river of Egypt to the great river, the river Euphrates". Abram's name is changed to Abraham and that of his wife Sarai to Sarah, and circumcision of all males is instituted as the sign of the covenant. Due to her old age, Sarah tells Abraham to take her Egyptian handmaiden, Hagar, as a second wife. Through Hagar, Abraham fathers Ishmael.
God resolves to destroy the cities of Sodom and Gomorrah for the sins of their people. Abraham protests and gets God to agree not to destroy the cities for the sake of ten righteous men. Angels save Abraham's nephew Lot and his family, but his wife looks back on the destruction against their command and turns into a pillar of salt. Lot's daughters, concerned that they are fugitives who will never find husbands, get him drunk to become pregnant by him, and give birth to the ancestors of the Moabites and Ammonites.
Abraham and Sarah go to the Philistine town of Gerar, pretending to be brother and sister (they are half-siblings). The King of Gerar takes Sarah for his wife, but God warns him to return her, and he obeys. God sends Sarah a son whom she will name Isaac; through him will be the establishment of the covenant. Sarah drives Ishmael and his mother Hagar out into the wilderness, but God saves them and promises to make Ishmael a great nation.
The Angel Hinders the Offering of Isaac (Rembrandt, 1635)
God tests Abraham by demanding that he sacrifice Isaac. As Abraham is about to lay the knife upon his son, God restrains him, promising him numberless descendants. On the death of Sarah, Abraham purchases Machpelah (believed to be modern Hebron) for a family tomb and sends his servant to Mesopotamia to find among his relations a wife for Isaac; after proving herself, Rebekah becomes Isaac's betrothed. Keturah, Abraham's other wife, births more children, among whose descendants are the Midianites. Abraham dies at a prosperous old age and his family lays him to rest in Hebron.
Isaac's wife Rebecca gives birth to the twins Esau, father of the Edomites, and Jacob. Through deception, Jacob becomes the heir instead of Esau and gains his father's blessing. He flees to his uncle where he prospers and earns his two wives, Rachel and Leah. Jacob's name is changed to Israel, and by his wives and their handmaidens he has twelve sons, the ancestors of the twelve tribes of the Children of Israel, and a daughter, Dinah.
Joseph, Jacob's favorite son, makes his brothers jealous and they sell him into slavery in Egypt. Joseph prospers, after hardship, with God's guidance of interpreting Pharaoh's dream of upcoming famine. He is then reunited with his father and brothers, who fail to recognize him, and plead for food. After much manipulation, he reveals himself and lets them and their households into Egypt, where Pharaoh assigns to them the land of Goshen. Jacob calls his sons to his bedside and reveals their future before he dies. Joseph lives to an old age and exhorts his brethren, if God should lead them out of the country, to take his bones with them.
Composition[edit]
Abram's Journey from Ur to Canaan (József Molnár, 1850)
Title and textual witnesses[edit]
Genesis takes its Hebrew title from the first word of the first sentence, Bereshit, meaning "In [the] beginning [of]"; in the Greek Septuagint it was called Genesis, from the phrase "the generations of heaven and earth".[15] There are four major textual witnesses to the book: the Masoretic Text, the Samaritan Pentateuch, the Septuagint, and fragments of Genesis found at Qumran. The Qumran group provides the oldest manuscripts but covers only a small proportion of the book; in general, the Masoretic Text is well preserved and reliable, but there are many individual instances where the other versions preserve a superior reading.[16]
Origins[edit]
Main article: Composition of the Torah
For much of the 20th century most scholars agreed that the five books of the Pentateuch—Genesis, Exodus, Leviticus, Numbers and Deuteronomy—came from four sources, the Yahwist, the Elohist, the Deuteronomist and the Priestly source, each telling the same basic story, and joined together by various editors.[17] Since the 1970s there has been a revolution leading scholars to view the Elohist source as no more than a variation on the Yahwist, and the Priestly source as a body of revisions and expansions to the Yahwist (or "non-Priestly") material. (The Deuteronomistic source does not appear in Genesis.)[18]
Scholars use examples of repeated and duplicate stories to identify the separate sources. In Genesis these include three different accounts of a Patriarch claiming that his wife was his sister, the two creation stories, and the two versions of Abraham sending Hagar and Ishmael into the desert.[19]
This leaves the question of when these works were created. Scholars in the first half of the 20th century came to the conclusion that the Yahwist is a product of the monarchic period, specifically at the court of Solomon, 10th century BC, and the Priestly work in the middle of the 5th century BC (with claims that the author is Ezra), but more recent thinking is that the Yahwist is from either just before or during the Babylonian exile of the 6th century BC, and the Priestly final edition was made late in the Exilic period or soon after.[8]
As for why the book was created, a theory which has gained considerable interest, although still controversial is "Persian imperial authorisation". This proposes that the Persians of the Achaemenid Empire, after their conquest of Babylon in 539 BC, agreed to grant Jerusalem a large measure of local autonomy within the empire, but required the local authorities to produce a single law code accepted by the entire community. The two powerful groups making up the community—the priestly families who controlled the Temple and who traced their origin to Moses and the wilderness wanderings, and the major landowning families who made up the "elders" and who traced their own origins to Abraham, who had "given" them the land—were in conflict over many issues, and each had its own "history of origins", but the Persian promise of greatly increased local autonomy for all provided a powerful incentive to cooperate in producing a single text.[20]
Genre[edit]
Genesis is perhaps best seen as an example of a creation myth, a type of literature telling of the first appearance of humans, the stories of ancestors and heroes, and the origins of culture, cities and so forth.[21] The most notable examples are found in the work of Greek historians of the 6th century BC: their intention was to connect notable families of their own day to a distant and heroic past, and in doing so they did not distinguish between myth, legend, and facts.[22] Professor Jean-Louis Ska of the Pontifical Biblical Institute calls the basic rule of the antiquarian historian the "law of conservation": everything old is valuable, nothing is eliminated.[23] Ska also points out the purpose behind such antiquarian histories: antiquity is needed to prove the worth of Israel's traditions to the nations (the neighbours of the Jews in early Persian Palestine), and to reconcile and unite the various factions within Israel itself.[23]
Themes[edit]
Joseph Recognized by His Brothers (Léon Pierre Urban Bourgeois, 1863)
Promises to the ancestors[edit]
In 1978 David Clines published his influential The Theme of the Pentateuch – influential because he was one of the first to take up the question of the theme of the entire five books. Clines' conclusion was that the overall theme is "the partial fulfillment – which implies also the partial nonfulfillment – of the promise to or blessing of the Patriarchs". (By calling the fulfillment "partial" Clines was drawing attention to the fact that at the end of Deuteronomy the people are still outside Canaan).[24]
The patriarchs, or ancestors, are Abraham, Isaac and Jacob, with their wives (Joseph is normally excluded).[25] Since the name YHWH had not been revealed to them, they worshipped El in his various manifestations.[26] (It is, however, worth noting that in the Jahwist source the patriarchs refer to deity by the name YHWH, for example in Genesis 15.) Through the patriarchs God announces the election of Israel, meaning that he has chosen Israel to be his special people and committed himself to their future.[27] God tells the patriarchs that he will be faithful to their descendants (i.e. to Israel), and Israel is expected to have faith in God and his promise. ("Faith" in the context of Genesis and the Hebrew Bible means agreement to the promissory relationship, not a body of belief).[28]
The promise itself has three parts: offspring, blessings, and land.[29] The fulfilment of the promise to each patriarch depends on having a male heir, and the story is constantly complicated by the fact that each prospective mother – Sarah, Rebekah and Rachel – is barren. The ancestors, however, retain their faith in God and God in each case gives a son – in Jacob's case, twelve sons, the foundation of the chosen Israelites. Each succeeding generation of the three promises attains a more rich fulfillment, until through Joseph "all the world" attains salvation from famine,[30] and by bringing the children of Israel down to Egypt he becomes the means through which the promise can be fulfilled.[25]
God's chosen people[edit]
Scholars generally agree that the theme of divine promise unites the patriarchal cycles, but many would dispute the efficacy of trying to examine Genesis' theology by pursuing a single overarching theme, instead citing as more productive the analysis of the Abraham cycle, the Jacob cycle, and the Joseph cycle, and the Yahwist and Priestly sources.[31] The problem lies in finding a way to unite the patriarchal theme of divine promise to the stories of Genesis 1–11 (the primeval history) with their theme of God's forgiveness in the face of man's evil nature.[32][33] One solution is to see the patriarchal stories as resulting from God's decision not to remain alienated from mankind:[33] God creates the world and mankind, mankind rebels, and God "elects" (chooses) Abraham.[6]
To this basic plot (which comes from the Yahwist) the Priestly source has added a series of covenants dividing history into stages, each with its own distinctive "sign". The first covenant is between God and all living creatures, and is marked by the sign of the rainbow; the second is with the descendants of Abraham (Ishmaelites and others as well as Israelites), and its sign is circumcision; and the last, which does not appear until the book of Exodus, is with Israel alone, and its sign is Sabbath. A great leader mediates each covenant (Noah, Abraham, Moses), and at each stage God progressively reveals himself by his name (Elohim with Noah, El Shaddai with Abraham, Yahweh with Moses).[6]
Judaism's weekly Torah portions[edit]
Main article: Weekly Torah portion
First Day of Creation (from the 1493 Nuremberg Chronicle)
Bereshit, on Genesis 1–6: Creation, Eden, Adam and Eve, Cain and Abel, Lamech, wickedness
Noach, on Genesis 6–11: Noah's Ark, the Flood, Noah's drunkenness, the Tower of Babel
Lech-Lecha, on Genesis 12–17: Abraham, Sarah, Lot, covenant, Hagar and Ishmael, circumcision
Vayeira, on Genesis 18–22: Abraham's visitors, Sodomites, Lot's visitors and flight, Hagar expelled, binding of Isaac
Chayei Sarah, on Genesis 23–25: Sarah buried, Rebekah for Isaac
Toledot, on Genesis 25–28: Esau and Jacob, Esau's birthright, Isaac's blessing
Vayetze, on Genesis 28–32: Jacob flees, Rachel, Leah, Laban, Jacob's children and departure
Vayishlach, on Genesis 32–36: Jacob's reunion with Esau, the rape of Dinah
Vayeshev, on Genesis 37–40: Joseph's dreams, coat, and slavery, Judah with Tamar, Joseph and Potiphar
Miketz, on Genesis 41–44: Pharaoh's dream, Joseph in government, Joseph's brothers visit Egypt
Vayigash, on Genesis 44–47: Joseph reveals himself, Jacob moves to Egypt
Vaychi, on Genesis 47–50: Jacob's blessings, death of Jacob and of Joseph
See also[edit]
Bible portal
Dating the Bible
Enûma Eliš
Genesis creation narrative
Genesis 1:1
Historicity of the Bible
Mosaic authorship
Paradise Lost
Protevangelium
Wife–sister narratives in the Book of Genesis
Notes[edit]
^ The name "Genesis" is from the Latin Vulgate, in turn borrowed or transliterated from Greek "γένεσις", meaning "Origin"; Hebrew: בְּרֵאשִׁית, "Bərēšīṯ", "In [the] beginning"
^ The Weekly Torah portions, Parashot, divide the book into 12 readings.
References[edit]
^ Hamilton 1990, p. 1.
^ Sweeney 2012, p. 657.
^ Bergant 2013, p. xii.
^ Bandstra 2008, p. 35.
^ Bandstra 2008, p. 78.
^ Jump up to: a b c Bandstra (2004), pp. 28–29
^ Van Seters (1998), p. 5
^ Jump up to: a b Davies (1998), p. 37
^ Hamilton (1990), p. 2
^ Whybray (1997), p. 41
^ McKeown (2008), p. 2
^ Walsh (2001), p. 112
^ Bergant 2013, p. 45.
^ Bergant 2013, p. 103.
^ Carr 2000, p. 491.
^ Hendel, R. S. (1992). "Genesis, Book of". In D. N. Freedman (Ed.), The Anchor Yale Bible Dictionary (Vol. 2, p. 933). New York: Doubleday
^ Gooder (2000), pp. 12–14
^ Van Seters (2004), pp. 30–86
^ Lawrence Boadt; Richard J. Clifford; Daniel J. Harrington (2012). Reading the Old Testament: An Introduction. Paulist Press.
^ Ska (2006), pp. 169, 217–18
^ Van Seters (2004) pp. 113–14
^ Whybray (2001), p. 39
^ Jump up to: a b Ska (2006), p. 169
^ Clines (1997), p. 30
^ Jump up to: a b Hamilton (1990), p. 50
^ John J Collins (2007), A Short Introduction to the Hebrew Bible, Fortress Press, p. 47
^ Brueggemann (2002), p. 61
^ Brueggemann (2002), p. 78
^ McKeown (2008), p. 4
^ Wenham (2003), p. 34
^ Hamilton (1990), pp. 38–39
^ Hendel, R. S. (1992). "Genesis, Book of". In D. N. Freedman (Ed.), The Anchor Yale Bible Dictionary (Vol. 2, p. 935). New York: Doubleday
^ Jump up to: a b Kugler, Hartin (2009), p.9
Bibliography[edit]
Commentaries on Genesis[edit]
Sweeney, Marvin (2012). "Genesis in the Context of Jewish Thought". In Evans, Craig A.; Lohr, Joel N. (eds.). The Book of Genesis: Composition, Reception, and Interpretation. BRILL. ISBN 978-9004226531.
Bandstra, Barry L. (2008). Reading the Old Testament. Cengage Learning. ISBN 978-0495391050.
Bergant, Dianne (2013). Genesis: In the Beginning. Liturgical Press. ISBN 9780814682753.
Blenkinsopp, Joseph (2011). Creation, Un-creation, Re-creation: A Discursive Commentary on Genesis 1–11. Continuum International Publishing Group. ISBN 9780567372871.
Brueggemann, Walter (1986). Genesis. Interpretation: A Bible Commentary for Teaching and Preaching. Atlanta: John Knox Press. ISBN 0-8042-3101-X.
Carr, David M. (2000). "Genesis, Book of". In Freedman, David Noel; Myers, Allen C. (eds.). Eerdmans Dictionary of the Bible. Amsterdam University Press. ISBN 9780567372871.
Cotter, David W (2003). Genesis. Liturgical Press. ISBN 9780814650400.
De La Torre, Miguel (2011). Genesis. Belief: A Theological Commentary on the Bible. Westminster John Knox Press.
Fretheim, Terence E. "The Book of Genesis." In The New Interpreter's Bible. Edited by Leander E. Keck, vol. 1, pp. 319–674. Nashville: Abingdon Press, 1994. ISBN 0-687-27814-7.
Hamilton, Victor P (1990). The Book of Genesis: chapters 1–17. Eerdmans. ISBN 9780802825216.
Hamilton, Victor P (1995). The Book of Genesis: chapters 18–50. Eerdmans. ISBN 9780802823090.
Hirsch, Samson Raphael. The Pentateuch: Genesis. Translated by Isaac Levy. Judaica Press, 2nd edition 1999. ISBN 0-910818-12-6. Originally published as Der Pentateuch uebersetzt und erklaert Frankfurt, 1867–1878.
Kass, Leon R. The Beginning of Wisdom: Reading Genesis. New York: Free Press, 2003. ISBN 0-7432-4299-8.
Kessler, Martin; Deurloo, Karel Adriaan (2004). A Commentary on Genesis: The Book of Beginnings. Paulist Press. ISBN 9780809142057.
McKeown, James (2008). Genesis. Eerdmans. ISBN 9780802827050.
Plaut, Gunther. The Torah: A Modern Commentary (1981), ISBN 0-8074-0055-6
Rogerson, John William (1991). Genesis 1–11. T&T Clark. ISBN 9780567083388.
Sacks, Robert D (1990). A Commentary on the Book of Genesis. Edwin Mellen.
Sarna, Nahum M. The JPS Torah Commentary: Genesis: The Traditional Hebrew Text with the New JPS Translation. Philadelphia: Jewish Publication Society, 1989. ISBN 0-8276-0326-6.
Speiser, E.A. Genesis: Introduction, Translation, and Notes. New York: Anchor Bible, 1964. ISBN 0-385-00854-6.
Towner, Wayne Sibley (2001). Genesis. Westminster John Knox Press. ISBN 9780664252564.
Turner, Laurence (2009). Genesis, Second Edition. Sheffield Phoenix Press. ISBN 9781906055653.
Von Rad, Gerhard (1972). Genesis: A Commentary. Westminster John Knox Press. ISBN 9780664227456.
Wenham, Gordon (2003). "Genesis". In James D. G. Dunn, John William Rogerson (ed.). Eerdmans Bible Commentary. Eerdmans. ISBN 9780802837110.
Whybray, R.N (2001). "Genesis". In John Barton (ed.). Oxford Bible Commentary. Oxford University Press. ISBN 9780198755005.
General[edit]
Bandstra, Barry L (2004). Reading the Old Testament: An Introduction to the Hebrew Bible. Wadsworth. ISBN 9780495391050.
Blenkinsopp, Joseph (2004). Treasures old and new: Essays in the Theology of the Pentateuch. Eerdmans. ISBN 9780802826794.
Brueggemann, Walter (2002). Reverberations of faith: A Theological Handbook of Old Testament themes. Westminster John Knox. ISBN 9780664222314.
Campbell, Antony F; O'Brien, Mark A (1993). Sources of the Pentateuch: Texts, Introductions, Annotations. Fortress Press. ISBN 9781451413670.
Carr, David M (1996). Reading the Fractures of Genesis. Westminster John Knox Press. ISBN 9780664220716.
Clines, David A (1997). The Theme of the Pentateuch. Sheffield Academic Press. ISBN 9780567431967.
Davies, G.I (1998). "Introduction to the Pentateuch". In John Barton (ed.). Oxford Bible Commentary. Oxford University Press. ISBN 9780198755005.
Gooder, Paula (2000). The Pentateuch: A Story of Beginnings. T&T Clark. ISBN 9780567084187.
Hendel, Ronald (2012). The Book of "Genesis": A Biography (Lives of Great Religious Books). Princeton University Press. ISBN 9780691140124.
Kugler, Robert; Hartin, Patrick (2009). The Old Testament between Theology and History: A Critical Survey. Eerdmans. ISBN 9780802846365.
Levin, Christoph L (2005). The Old Testament: A Brief Introduction. Princeton University Press. ISBN 9780691113944.
Longman, Tremper (2005). How to read Genesis. InterVarsity Press. ISBN 9780830875603.
McEntire, Mark (2008). Struggling with God: An Introduction to the Pentateuch. Mercer University Press. ISBN 9780881461015.
Newman, Murray L. (1999). Genesis (PDF). Forward Movement Publications, Cincinnati, OH.
Ska, Jean-Louis (2006). Introduction to Reading the Pentateuch. Eisenbrauns. ISBN 9781575061221.
Van Seters, John (1992). Prologue to History: The Yahwist as Historian in Genesis. Westminster John Knox Press. ISBN 9780664221799.
Van Seters, John (1998). "The Pentateuch". In Steven L. McKenzie, Matt Patrick Graham (ed.). The Hebrew Bible Today: An Introduction to Critical Issues. Westminster John Knox Press. ISBN 9780664256524.
Van Seters, John (2004). The Pentateuch: A Social-science Commentary. Continuum International Publishing Group. ISBN 9780567080882.
Walsh, Jerome T (2001). Style and Structure in Biblical Hebrew Narrative. Liturgical Press. ISBN 9780814658970.
External links[edit]
Wikimedia Commons has media related to Book of Genesis.
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Wikisource has original text related to this article:
Genesis
Book of Genesis Hebrew Transliteration
Book of Genesis illustrated
Genesis Reading Room (Tyndale Seminary): online commentaries and monographs on Genesis.
Bereshit with commentary in Hebrew
בראשית Bereishit – Genesis (Hebrew – English at Mechon-Mamre.org)
Genesis at Mechon-Mamre (Jewish Publication Society translation)
01 Genesis public domain audiobook at LibriVox Various versions
Genesis (The Living Torah) Rabbi Aryeh Kaplan's translation and commentary at Ort.org
Genesis (Judaica Press) at Chabad.org
Young's Literal Translation (YLT)
New International Version (NIV)
Revised Standard Version (RSV)
Westminster-Leningrad codex
Aleppo Codex
Book of Genesis in Bible Book
Genesis in Hebrew, Aramaic, Syriac, Greek, Latin, and English – The critical text of the Book of Genesis in Hebrew with ancient versions (Masoretic, Samaritan Pentateuch, Samaritan Targum, Targum Onkelos, Peshitta, Septuagint, Vetus Latina, Vulgate, Aquila, Symmachus, and Theodotion) and English translation for each version in parallel.
en.wikipedia.org/wiki/Book_of_Genesis
"The Fall of Man" by Lucas Cranach the Elder. The Tree of Knowledge is on the right.
The tree of the knowledge of good and evil (Biblical Hebrew: עֵ֕ץ הַדַּ֖עַת ט֥וֹב וָרָֽע [ʕesˤ hadaʕaθ tˤov waraʕ]) is one of two specific trees in the story of the Garden of Eden in Genesis 2–3, along with the tree of life.
Contents
1In Genesis
1.1Narrative
1.2Meaning of good and evil
2Religious views
2.1Judaism
2.2Christianity
2.3Islam
2.4Other cultures
3See also
4References
4.1Bibliography
In Genesis[edit]
Narrative[edit]
Genesis 2 narrates that Yahweh places the first man and woman in a garden with trees of whose fruits they may eat, but forbids them to eat from "the tree of the knowledge of good and evil." When, in Genesis 3, a serpent persuades the woman to eat from its forbidden fruit and she also lets the man taste it, God expels them from the garden and thereby from eternal life.
Meaning of good and evil[edit]
The phrase in Hebrew: טוֹב וָרָע, tov wa-raʿ, literally translates as good and evil. This may be an example of the type of figure of speech known as merism, a literary device that pairs opposite terms together in order to create a general meaning, so that the phrase "good and evil" would simply imply "everything." This is seen in the Egyptian expression evil-good, which is normally employed to mean "everything."[1] In Greek literature, Homer also uses the device when he lets Telemachus say, "I [wish to] know everything, the good and the evil." (Odyssey 20:309–310)
However, if tree of the knowledge of good and evil is to be understood to mean a tree whose fruit imparts knowledge of everything, this phrase does not necessarily denote a moral concept. This view is held by several scholars.[1][2][3]
Given the context of disobedience to God, other interpretations of the implications of this phrase also demand consideration. Robert Alter emphasizes the point that when God forbids the man to eat from that particular tree, he says that if he does so, he is "doomed to die." The Hebrew behind this is in a form regularly used in the Hebrew Bible for issuing death sentences.[4]
Religious views[edit]
Judaism[edit]
In Jewish tradition, the Tree of Knowledge and the eating of its fruit represents the beginning of the mixture of good and evil together. Before that time, the two were separate, and evil had only a nebulous existence in potential. While free choice did exist before eating the fruit, evil existed as an entity separate from the human psyche, and it was not in human nature to desire it. Eating and internalizing the forbidden fruit changed this and thus was born the yetzer hara, the evil inclination.[5][6] In Rashi's notes on Genesis 3:3, the first sin came about because Eve added an additional clause to the Divine command: Neither shall you touch it. By saying this, Eve added to YHWH's command and thereby came to detract from it, as it is written: Do not add to His Words (Proverbs 30:6). However, In Legends of the Jews, it was Adam who had devoutly forbidden Eve to touch the tree even though God had only mentioned the eating of the fruit.[7]
When Adam ate from the Tree of Knowledge, all the animals ate from it, too [8]
In Kabbalah, the sin of the Tree of Knowledge (called Cheit Eitz HaDa'at) brought about the great task of beirurim, sifting through the mixture of good and evil in the world to extract and liberate the sparks of holiness trapped therein.[9] Since evil has no independent existence, it depends on holiness to draw down the Divine life-force, on whose "leftovers" it then feeds and derives existence.[10] Once evil is separated from holiness through beirurim, its source of life is cut off, causing the evil to disappear. This is accomplished through observance of the 613 commandments in the Torah, which deal primarily with physical objects wherein good and evil are mixed together.[11][12][13] Thus, the task of beirurim rectifies the sin of the Tree and draws the Shechinah back down to earth, where the sin of the Tree had caused Her to depart.[14][15]
Christianity[edit]
A marble bas relief by Lorenzo Maitani on the Orvieto Cathedral, Italy depicts Eve and the tree
In Christian tradition, consuming the fruit of the tree of knowledge of good and evil was the sin committed by Adam and Eve that led to the fall of man in Genesis 3.
In Catholicism, Augustine of Hippo taught that the tree should be understood both symbolically and as a real tree - similarly to Jerusalem being both a real city and a figure of Heavenly Jerusalem.[16] Augustine underlined that the fruits of that tree were not evil by themselves, because everything that God created was good (Gen 1:12). It was disobedience of Adam and Eve, who had been told by God not to eat of the tree (Gen 2:17), that caused disorder in the creation,[17] thus humanity inherited sin and guilt from Adam and Eve's sin.[18]
In Western Christian art, the fruit of the tree is commonly depicted as the apple, which originated in central Asia. This depiction may have originated as a Latin pun: by eating the mālum (apple), Eve contracted malum (evil).[19]
Islam[edit]
See also: Tree of life (Quran)
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The Quran never refers to the tree as the "Tree of the knowledge of good and evil" but rather typically refers to it as "the tree" or (in the words of Iblis) as the "tree of immortality."[20] The tree in Quran is used as an example for a concept, idea, way of life or code of life. A good concept/idea is represented as a good tree and a bad idea/concept is represented as a bad tree[21] Muslims believe that when God created Adam and Eve, he told them that they could enjoy everything in the Garden except this tree (idea, concept, way of life), and so, Satan appeared to them and told them that the only reason God forbade them to eat from that tree is that they would become Angels or they start using the idea/concept of Ownership in conjunction with inheritance generations after generations which Iblis convinced Adam to accept[22]
When they ate from this tree their nakedness appeared to them and they began to sew together, for their covering, leaves from the Garden. The Arabic word used is ورق which also means currency / notes.[23] Which means they started to use currency due to ownership. As Allah already mentioned that everything in Heaven is free(so eat from where you desire) [24] so using currency to uphold the idea of ownership became the reason for the slip. The Quran mentions the sin as being a 'slip', and after this 'slip' they were sent to the destination they were intended to be on: Earth. Consequently, they repented to God and asked for his forgiveness[25] and were forgiven.[26] It was decided that those who obey God and follow his path shall be rewarded with everlasting life in Jannah, and those who disobey God and stray away from his path shall be punished in Jahannam.
God in Quran (Al-A'raf 27) states:
"[O] Children of Adam! Let not Satan tempt you as he brought your parents out of the Garden, stripping them of their garments to show them their shameful parts. Surely he [Satan] sees you, he and his tribe, from where you see them not. We have made the Satans the friends of those who do not believe."
Other cultures[edit]
A cylinder seal, known as the Adam and Eve cylinder seal, from post-Akkadian periods in Mesopotamia (c. 23rd-22nd century BCE), has been linked to the Adam and Eve story. Assyriologist George Smith (1840-1876) describes the seal as having two facing figures (male and female) seated on each side of a tree, holding out their hands to the fruit, while between their backs is a serpent, giving evidence that the fall of man account was known in early times of Babylonia.[27] The British Museum disputes this interpretation and holds that it is a common image from the period depicting a male deity being worshipped by a woman, with no reason to connect the scene with the Book of Genesis.[28]
See also[edit]
Adam and Eve (Latter Day Saint movement)
Dream of the Rood
Enlightenment (spiritual)
Original sin
References[edit]
^ Jump up to: a b Gordon, Cyrus H.; Rendsburg, Gary A. (1997). The Bible and the ancient Near East (4th ed.). New York: W.W. Norton & Co. p. 36. ISBN 978-0-393-31689-6.
^ Harry Orlinsky's notes to the NJPS Torah.
^ Wyatt, Nicolas (2001). Space and Time in the Religious Life of the Near East. A&C Black. p. 244. ISBN 978-0-567-04942-1.
^ Alter 2004, p. 21.
^ Rashi to Genesis 2:25
^ Ramban to Genesis 3:6
^ Ginzberg, Louis, The Legends of the Jews, Vol. I: The Fall of Man, (Translated by Henrietta Szold), Johns Hopkins University Press: 1998, ISBN 0-8018-5890-9
^ Bereishit Rabbah 19: 5
^ Epistle 26, Lessons in Tanya, Igeret HaKodesh
^ ch. 22, Tanya, Likutei Amarim
^ ch. 37, Lessons in Tanya, Likutei Amarim
^ Torah Ohr 3c
^ Torat Chaim Bereishit 30a
^ Bereishit Rabbah 19:7
^ Ramban to Genesis 3:8
^ Augustine, On the Literal Meaning of Genesis (De Genesi ad litteram), VIII, 4.8; Bibliothèque Augustinniene 49, 20
^ Augustine of Hippo, On the Literal Meaning of Genesis (De Genesi ad litteram), VIII, 6.12 and 13.28, Bibliothèque Augustinniene 49,28 and 50-52; PL 34, 377; cf. idem, De Trinitate, XII, 12.17; CCL 50, 371-372 [v. 26-31;1-36]; De natura boni 34-35; CSEL 25, 872; PL 42, 551-572
^ "The City of God (Book XIII), Chapter 14". Newadvent.org. Retrieved 2014-02-07.
^ Adams, Cecil (2006-11-24). "The Straight Dope: Was the forbidden fruit in the Garden of Eden an apple?". The Straight Dope. Creative Loafing Media, Inc. Retrieved 2008-10-06.
^ Qur'an 20:120
^ Qur'an 14:24
^ Qur'an 20:120
^ "ورق".
^ Qur'an 7:19
^ Qur'an 7:23
^ Qur'an 2:37
^ Mitchell, T.C. (2004). The Bible in the British Museum : interpreting the evidence (New ed.). New York: Paulist Press. p. 24. ISBN 9780809142927.
^ The British Museum. "'Adam and Eve' cylinder seal". Google Cultural Institute. Retrieved 2017-04-06.
Bibliography[edit]
Alter, Robert. A translation with commentary (2004). The five books of Moses. New York: W.W. Norton. ISBN 0-393-33393-0.
Knight, Douglas (1990). Watson E. Mills (ed.). Mercer dictionary of the Bible (2d corr. print. ed.). Macon, GA: Mercer University Press. ISBN 0-86554-402-6.
Media related to Tree of the knowledge of good and evil at Wikimedia Commons
en.wikipedia.org/wiki/Tree_of_the_knowledge_of_good_and_evil
Finally some of the new stamps from 2011 are available on-line in France. I have waited a long time. I paired the Dictionary greetings 'friend' stamp with the floating garden stamp, using the watercolor technique. Stamped four times to create the background. I actually prefer to stamp four times than once with the big Friends definition cling! I feel I can get a sharper image. Used four different distress colors direct to the FG stamp, sprayed with water and stamped. I have no white flowers, so used an apricot color one with an antique button.