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A descriptive manual of British land and fresh water shells, containing descriptions and figures of all the species
Darlington,H. Penney, Printer,1858.
From a descriptive text on Germany's 1950s industrial reconstruction a rather fine view of the post-war reconstruction of the Nordstern Colliery in Gelsenkirchen-Horst, that belonged to the post-war grouping of the G.B.A.G. that had been spun out of the pre-war giant Vereinigte Stahlwerke AG. The company was one of the true giants of the deep coal mining business and operated some large collieries in the Ruhr district around Essen and Gelsenkirchen, shafts being organised so as to best utilise reserves that were both relatively easy to 'win' along with ones that were of more meager output. Nordstern had a long history running roughly from 1868 to 1982 and in its it later years with was connected with the Zollverein colliery in Essen. The complex seen here was later preserved, the buildings designed by architect Fritz Schupp, now forming the wonderful Nordstern Complex.
Descriptive Title: Skeleton.
Actual Title: T. 87 [octuagesimaseptima tabula]
Artist: Lairesse, GĆ©rard de, 1640-1711
Technique: engraving/etching
Dimensions: 44 x 27 cm.
Digital ID: RBAI023-0090
Scope and Content: Skeleton, anterior view.
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
General: Figure shown in a landscape. Memento mori: Skeleton shown with a sarcophagus, holding an hourglass.
This plate is taken from the book:
Title: Anatomia humani corporis
Author: Bidloo, Govard, 1649-1713
Published: Amstelodami [Amsterdam] : Sumptibus viduƦ J. a Someren , 1685
Title: Industrial siding, Victor Gasket Co
Descriptive Information: hdl.handle.net/1813.001/20432897
Date: Ca. 1961
Photographer: Redmond, James B.
Creator: Brotherhood of Locomotive Firemen and Enginemen (BLF&E)
Image ID: 5003pb53f020
Collection: U.S. President's Railroad Commission Photographs (#5003 P)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. catherwood.library.cornell.edu/kheel
Collection Information: http://rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html
Copyright: The content in the "U.S. President's Railroad Commission Photographs Collection" (Kheel Center collection: #5003 P) is believed to be in the public domain, and is presented by Cornell University Library under the Guidelines for Using Text, Images, Audio, and Video from Cornell University Library Collections [www.library.cornell.edu/about/inside/policies/public-domain]. These images have been digitized from items in the Kheel Center for Labor-Management Documentation & Archives at Cornell University Library. More information about the physical collection can be found here: rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.
Scenes from Madison Historical Society's summer Exhibition, "Over Here Over There - Madison In World War I". Sponsored by the Madison Historical Society, the Charlotte L. Evarts Memorial Archives, Inc., and cthumanities, the exhibit opened July 30 at the Lee Academy (see madisonhistory.org/current-exhibitions/). It features many of the images and artifacts in the Albums shown at right, plus many many more along with informative research and commentary.
See other scenes from the Exhibit at flic.kr/s/aHskEaskZU
(Photo credit Bob Gundersen - www.flickr.com/photos/bobphoto51/albums)
Descriptive Title: Gangrene of the toes and foot, gangrene caused by heart disease. Actual Title: Plate II. Artist: Carswell, Robert, Sir, 1793-1857 Technique: lithography, with hand-colouring ift.tt/2g2N8cw
DISCLAIMER: This is a photoshop manipulated image used for descriptive purposes only, it is to scale though! If this was a real Ball of Light it would be very naughty!
I get asked many questions about the Ball of Light, but one of the questions I love the most is "how do you find them". I have an example from the weekend that should inspire.
When I was walking up the Wilpena Pound I look out for locations that I think might attract the Ball of Light when the sun retires for the night. I then try and remember where the spot was, mark on the ground or the like. I was thinking that a tramping GPS unit would be good. I then imagine in my minds eye how it would look there ( i have created an image above that is what my minds eye sees) then come back later when it is dark and wait, and wait.
When I return to the location, sometimes the Ball of Light just appears. This is often at simple locations. But sometimes I have to wait. Either for the moon light to be just right, or the clouds to move to the right location. Sometimes the waiting pays off, sometimes it does not.
The location you see here was particularly unusual though. Some of the locations I find are really only suitable for a very brave Ball of Light, some it doesnt really matter. I find that when the location is a bit dodgy (or downright deadly in this case) I end up waiting for ages, wondering if the Ball of Light is brave (or stupid) enough.
What I often have in mind is this, "if my wife was here, would she think the Ball of Light was just being dumb by turning up there", in this case after about half an hour of waiting I decided that she would indeed think I was a bit silly for waiting any longer.
But damn it would have made for a killer Ball of Light image! I am planning on going back with her some day, maybe then she can make that decision for herself!
I think I made the right decision.
Descriptive Title: Dissection of the thorax and abdomen.
Actual Title: Pl. I.
Artist: Maclise, Joseph
Technique: chromolithography
Dimensions: 42 x 29 cm.
Digital ID: RBAI078-0002
Scope and Content: Dissection of the thorax and abdomen, shown in situ, in 3 numbered illustrations. 1 illustration of head and torso, rib cage partially divided and removed (leaving manubrium and xiphoid bone) to show lungs, intercostal muscles. Heart partly visible. Anterior abdominal wall, stomach and intestines removed to show diaphragm, aorta, kidneys, adrenal glands, and ureter. Partial dissection of the shoulder to show axillary artery, brachial plexus. Male cadaver, anterior view. 2 inset diagrams showing the relative position of the thorax and pleura to the abdomen and peritoneum. Superior views.
General: Plate signed with the artist's monogram JM [Joseph Maclise]; printed by M. & N. Hanhart.
Artist: M. & N. Hanhart (Firm)
This plate is taken from the book:
Title: Surgical anatomy
Author: Maclise, Joseph
Published: London : J. Churchill, 1856
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
Descriptive catalogue of new and beautiful roses :.
[Philadelphia] :M'Calla & Stavely, prs., 237-9 Dock St.,[1875].
this might be a little gross and descriptive and very long so read at your own will : )
bottom line ingrown toe-nails are a bitch! i woke up the other morning and my toe was killinggg me. now, my toe nails naturally sorta just grow down off to the side, so they look like they're ingrown all the time but they're really not. but this time it hurt really bad, so i figured it was an actual ingrown toenail.
so me and my mom go to the doctor and she's like no problem we can take care of it. next thing i know i get this huge sharp long ass needle shoved into my toe, TWICE! hurt like a mother. (you can even see blood dripping down in the pic haha ewww)
so after the shots my toe got as big as a balloon! it was crazy, not to mention disgusting.
i didn't watch the actual procedure and i couldn't feel t but i could definitely HEAR it, and that was enough for me.
on a good note though, the doctor wrote me a note so i'm allowed to wear flip flops all this week.
WHOO HOO! :D
OH!~ i almost forgot.
so at school today people asked what happened and i didn't really wanna be like oh i had an ingrown toe nail to everyone and totally gross 'em out but i told melissa, katelyn, nichole, and stevie (my best friends i'm always with) cause idc what they think haha, and melissa goes "you should just tell everyone you got bit by a duck, i bet they'd believe you"
so last hour kristin asked me what happened
me : oh, i got bit by a duck
*stevie eyeballs me, and i eyeball her to tell her to play along*
kristin: omg really?!
stevie : yeah, it was really disgusting
kristin : where were you?
me : at a lake, duh. that's where ducks are
stevie : yeah she was trying to feed it
me : yep, i was just tryin to feed the duck and it just decided to chomp down on the wrong thing *making chomping motions*
then the whole class joins in and everyone's like omgg melanie you got bit by a duck?!? an by now me and stevie are about tofall out of our seats from laughing because everyone believes us and we're just nodding our heads still going with it.
allllll that to say, my whole class thinks a "godzilla giant" duck bit my toe
haha good times<333
currently listening: seasons of love - rent soundtrack
Descriptive catalogue of flowering, ornamental trees, shrubs, bulbs, herbs, climbers, fruit trees, &c., &c., &c. /.
Yokohama, Japan :Yokohama Nursery Co..
Descriptive Title: Fetus, uterus.
Actual Title: Tab. VI
Artist: Rymsdyk, Jan van, fl. 1750-1788
Technique: engraving/etching
Dimensions: 58 x 43 cm.
Digital ID: RBAI047-0007
Scope and Content: Fetus in utero with umbilical cord, shown in situ. Abdomen and amputated legs shown only, antero-inferior view.
General: Plate signed by the artist: J.V. Rymsdyk; and by the engraver: R. Strange. Dated Nov. 15 1774.
Artist: Strange, Robert, Sir, 1721-1792
This plate is taken from the book:
Title: Anatomia uteri humani gravidi
Author: Hunter, William, 1718-1783
Published: Birmingham : Printed by J. Baskerville, sold in London by S. Baker and G. Leigh [etc.], 1774
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
Descriptive Title: Muscles of the body.
Actual Title: Tab. XXXI
Artist: Pini, Pietro Matteo, b. ca. 1540
Technique: engraving/etching
Dimensions: 29 x 20 cm.
Digital ID: RBAI036-0058
Scope and Content: Muscles of the body, superficial dissection. Male figure, in vivo, postero-lateral view.
General: Rendered illustration accompanied by key plate #0057.
This plate is taken from the book:
Title: Explicatio tabularum anatomicarum
Author: Eustachi, Bartolomeo, d. 1574
Published: LeidƦ Batavorum [Leiden] : Apud J.A. Langerak et J. & H. Verbeek, 1744
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Cactus illustrations from Iconographie Descriptive des CactĆ©es by Charles Antoine Lemaire (1800ā1871), French botanist and botanical author. Lemaire developed his botanical interest and published numerous papers on cacti and succulents. We have digitally enhanced illustrations from his notable cactus book into high resolution quality. They are free to download and use for either personal or commercial purpose under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1269930/cactus-illustrations-charles-antoine-lemaire-free-public-domain-artworks?sort=curated&mode=shop&page=1
Descriptive catalogue of new and beautiful roses :.
[Philadelphia] :M'Calla & Stavely, prs., 237-9 Dock St.,[1875].
Descriptive Title: Heart and lungs.
Actual Title: Fig I Fol 9
Technique: engraving/etching
Dimensions: 15 x 17 cm.
Digital ID: RBAI093-0004
Scope and Content: Heart and lungs, shown in isolation with trachea and esophagus. Superior vena cava, aorta, pulmonary arteries and veins also shown. Illustration includes 'pop-up' or layered flaps over the heart; 2nd layer shows interior of right and left ventricles. Probes show all 4 heart valves. Anterior view.
This plate is taken from the book:
Title: De homine
Author: Descartes, RenƩ, 1596-1650
Published: Lugduni Batavorum [Leiden] : Apud Franciscum Moyardum & Petrum Leffen, 1662
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
A sixpenny descriptive sheet published by P. Whittle, Friargate. August 1824
To ENLARGE - either
1. Right-click the image then choose Original or...
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Extract from A Handbook and Guide to Preston by William Pollard 1882:
Turning out of Fishergate, on the north side into Lune Street, the visitor will notice, near the bottom of that street, the Corn Exchange buildings. The Corn Exchange was completed and opened in 1824, and, with the several rooms connected with it, has for many years past been utilised for public meetings and entertainments. The building has just been entirely reconstructed internally the external walls only remaining, whilst the height has been very considerably increased, and westward the structure has been extended by the erection of an entirely new block, containing a range of several apartments in connexion with the general purposes to which it is in future to be applied. The structure is now 230 feet in length and 95 feet in width, and covers a ground area of about 22,000 superficial feet. The principal entrance to the interior of the building is on the east side, leading into a vestibule, 12 feet in width, with pay offices on each side. Through the vestibule a spacious entrance hall, 34 feet by 28 feet, is reached, having on each side several retiring rooms and lavatories. From this entrance hall the large hall on the ground floor is approached. It is 147 feet in length, by 63 feet in width, having a promenade on the north and south sides, 16 feet in width each, which can be either added to or partitioned off from the main body of the hall, at any time, by means of revolving shutters. The full width of the hall and promenades will thus be 95 feet. When used for meetings, concerts, or other similar purposes, it is estimated to seat an audience of 1,500 persons, for whom seven exits are provided. At the west end of the hall is an orchestra, 44 feet in width, by 36 feet in depth, designed with special regard to orchestral performances, and having accommodation for 300 performers. At the rear of the orchestra is a spacious organ chamber, for which a powerful organ has been erected by Mr. Wilkinson, of Kendal, at the cost of 3,000 pounds. The organ is the munificient gift of Mr. John Dewhurst, coal merchant, of Preston. The front of the organ chamber is an important feature in the work, having ornamental pilasters, with elaborate capitals and spandrils, and enriched plaster work, modelled from special designs of the architect. In the new portion of the building, at the west end, behind the orchestra, there are ladies' and gentlemen's retiring and waiting rooms, on the ground and first floors, with kitchens, heating apparatus, and storage rooms in the basement. The entrance for the band and principals, on musical occasions, is from the waiting rooms on the ground floor; whilst the entrance for the chorus is on each side of the organ chamber, from the waiting room on the first floor. Above the promenades, galleries are carried along the north and south sides, and also at the east end opposite the orchestra, the last named gallery being circular on plan. Behind this gallery there is a balcony or promenade, eight feet in width. The galleries and balcony are estimated to hold an audience of 1,500 persons, and have four separate entrances and exits. The front of the gallery has a. handsome brass railing, with wrought iron scroll work. The iron columns are 14 feet apart, with ornamental enriched capitals, from which spring circular arches. Above these runs an enriched pilaster frieze and cornice, surmounted by a cove to the under side of the ceiling, the latter being perforated by a series of circular lights. The hall is heated by hot water pipes, and lighted by three sun burners in the ceiling, each having a large extracting shaft, for carrying off the vitiated air. The first floor over the principal entrance, at the east end, contains a spacious assembly room, 102 feet in length, and 45 feet in width. The architect is Mr. Sykes (of thefirm of Messrs. Garlick, Park, and Sykes), of Preston, and the contractor Mr. Robert Saul, also of Preston. The estimated cost of the reconstructed building, exclusive of the organ and fittings, is about 12,000 pounds
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
What a delightful little booklet issued by the Chester based wine merchants and hoteliers, Quellyn Roberts and describing their small chain of hotels in what was then, and still is, a hugely popular tourist area. There's no date on this but the artwork and style of language makes one suspect a pre-First World War publication and so c1910 seems a good bet. The pages that detail the three Dolgellau (Dolgelley) properties, the George at Penmaenpool, the Catel at Harlech, the Queens at Llandudno and the Westminster at Rhyl certainly show that the chain catered for a high-class clientele. For the two coastal towns this was possobly their heyday, Llandudno being very fashionable and, thanks to the railways, very accessible as the timetables in the booklet show. What a shame no artist is given on this very 'art nouveau' style cover, the booklet itself is from the Hudson & Kearnes Southwark Press in London - an interesting company given their association with the development of mass media magazines in the UK and their part ownership of "Country Life' magazine, exactly the sort of periodical Quellyn Roberts would have advertised in. The booklet also described the Chester wine stores in the Old Crypt and the West Kirby shop.
The idea behind using the mobius strip is that, because it's technically a one-sided object, the Gaussian curvature at any single point is positive AND negative at the same time. Does this defy the laws of Euclidean geometry? Maybe so.
[clarification: the grid shown on the model in the first step is just made up of isocurves along the surface, so the squares you see are non-developable hyperbolic paraboloids. the idea is that {step 6} the panels are all completely flat]
Descriptive catalogue of the lepidopterous insects contained in the Museum of the Honourable East-India Company :.
London :Parbury, Allen,1828-1829..
Descriptive Title: Dissection of the thorax and abdomen.
Actual Title: Pl. I
Artist: Gautier d'Agoty, Jacques, 1717-1785
Technique: mezzotint, colour-printed
Dimensions: 31 x 22 cm.
Digital ID: RBAI083-0002
Scope and Content: Dissection of the thorax and abdomen, shown in situ, in 2 numbered illustrations. Anterior thoracic and abdominal wall divided and reflected to show heart, arteries and veins throughout the thorax and abdomen, kidneys, ureters, bladder, penis and testis. Lungs, liver and intestines removed; blood vessels of the lungs and liver shown in isolation. Right kidney and testis dissected to show blood vessels. Skin and muscles removed from head to show arteries and skull. Arm dissected to show elbow joint, arteries and veins. Groin and hip dissected to show hip joint, iliac and femoral arteries and veins. 1 inset illustration of arm showing arteries and veins. Anterior views.
General: Plate signed with the artist's initials, G.D.P. Dated 1771.
This plate is taken from the book:
Title: Anatomie des parties de la gƩnƩration
Author: Gautier d'Agoty, Jacques, 1717-1785
Published: A Paris : Chez J.B. Brunet, & Demonville, 1773
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
Title: Crew Switching Over Crossing and Around Curve
Descriptive Information: hdl.handle.net/1813.001/20864957
Date: Ca. 1961
Photographer: Strommen, Arnold
Creator: Brotherhood of Locomotive Firemen and Enginemen (BLF&E)
Image ID: 5003pb61f054
Collection: U.S. President's Railroad Commission Photographs (#5003 P)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. catherwood.library.cornell.edu/kheel
Collection Information: http://rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html
Copyright: The content in the "U.S. President's Railroad Commission Photographs Collection" (Kheel Center collection: #5003 P) is believed to be in the public domain, and is presented by Cornell University Library under the Guidelines for Using Text, Images, Audio, and Video from Cornell University Library Collections [www.library.cornell.edu/about/inside/policies/public-domain]. These images have been digitized from items in the Kheel Center for Labor-Management Documentation & Archives at Cornell University Library. More information about the physical collection can be found here: rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.
Descriptive catalogue of the nests & eggs of birds found breeding in Australia and Tasmania /
Sydney :F.W. White, general printer,1889.
Title: Manhattan Brewery
Descriptive Information: hdl.handle.net/1813.001/20434085
Date: Ca. 1961
Photographer: Anderson, Donald H.
Creator: Brotherhood of Locomotive Firemen and Enginemen (BLF&E)
Image ID: 5003pb56f159
Collection: U.S. President's Railroad Commission Photographs (#5003 P)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. catherwood.library.cornell.edu/kheel
Collection Information: http://rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html
Copyright: The content in the "U.S. President's Railroad Commission Photographs Collection" (Kheel Center collection: #5003 P) is believed to be in the public domain, and is presented by Cornell University Library under the Guidelines for Using Text, Images, Audio, and Video from Cornell University Library Collections [www.library.cornell.edu/about/inside/policies/public-domain]. These images have been digitized from items in the Kheel Center for Labor-Management Documentation & Archives at Cornell University Library. More information about the physical collection can be found here: rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.
astle is an utterly enchanting and captivating property. The tower (1430s) and the farmhouse (early 1800s) are linked by doors allowing guests to wander freely between two periods of history.
A mixture of simplicity and rustic charm, Clomantagh also features a Sheela-na-gig - a symbolic pagan nude carved on one of the stones.
Clonmantagh Castle is of outstanding importance because of the collection of buildings spanning the period from the 12th - 18th Century, the complex at Clomantagh includes a 12th Century parish church, an early 15th Century tower house, an almost intact boundary or bawn wall with a medieval dovecote, and a 19th Century farmhouse.
High on the tower house, above the roof of the farmhouse, there is evidence on an external wall, of an earlier attached structure. This is most likely the banqueting hall, which we know from contemporary descriptive accounts of Irish life was used for entertaining, the lord and his family only returning to the safety of the stone castle to sleep.
On the site of this banqueting hall stands the Victorian farmhouse, which is a fine example of this building type retaining most of its original features, apart from the roofing material which was changed from thatch to slate c.1850.
Descriptive Title: Muscles.
Actual Title: Secunda musculorum tabula
Artist: Calcar, Jan Stephen van, 1499-1546?
Technique: woodcut
Dimensions: 35 x 21 cm.
Digital ID: RBAI035-0009
Scope and Content: Muscles, superficial. Male figure, in vivo, lateral view.
General: Figure shown in a landscape.
This plate is taken from the book:
Title: De humani corporis fabrica
Author: Vesalius, Andreas, 1514-1564
Published: BasileƦ [Basel] : Ex officina I. Oporini, 1543
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
Maker:
Born: UK
Active: UK
Medium: book
Size: 6 3/4 in x 10 1/4 in
Location:
Object No. 2021.213
Shelf: ART-1876
Publication: A Descriptive Catalogue of the Bronzes of European Origin at the South Kensington Museum, 1876
Other Collections:
Provenance: Besleys Books
Rank: 54
Notes: The South Kensington Museum was founded in 1857. The photographs were possibly taken by Isabel Agnes Cowper who took on the role of official museum photographer in 1868 upon the death of her brother, Charles Thurston Thompson, who was the first official museum photographer of the museum, which was renamed The Victoria and Albert Museum in 1899. The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied and decorative arts and design, as well as sculpture, housing a permanent collection of over 2.27 million objects.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Descriptive Title: Dissection of the brain.
Actual Title: Plate LVII
Artist: Lizars, W. H. (William Home), 1788-1859
Technique: engraving/etching in relief, with hand-coloured highlighting
Dimensions: 28 x 17 cm.
Digital ID: RBAI069-0060
Scope and Content: Dissection of the brain, in situ. Skull cap removed, dura mater shown in place on 1 hemisphere, removed from the other hemisphere to show brain, cranial sinus. Superior view.
This plate is taken from the book:
Title: System of anatomical plates
Author: Lizars, John, 1787?-1860
Published: Edinburgh : Published by W.H. Lizars, London, and W, Curry junr., Dublin, [1825?]
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm
Descriptive Title: Abdominal muscles, testis.
Actual Title: Muscles: Pl. IX
Artist: Bell, John, 1763-1820
Technique: engraving/etching
Dimensions: 24 x 17 cm.
Digital ID: RBAI059-0026
Scope and Content: Abdominal muscles, testis, superficial dissection, in situ. Male cadaver dissected to show rectus abdominis, testis dissected free from the scrotum. Anterior view.
References: Male figure shown in an interior landscape.
This plate is taken from the book:
Title: Engravings, explaining the anatomy of the bones
Author: Bell, John, 1763-1820
Published: Edinburgh : Printed by John Paterson; for Bell and Bradfute, and T. Duncan; and J. Johnson, and G.G.G. and J. Robinsons, London, 1794
Part of the digital collection Anatomia 1522-1867 located at link.library.utoronto.ca/anatomia/application/index.cfm