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Nicht die richtige Zeit. Um eine Prinzessin auf der Erbse zu sein.
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A complex time. Many levels and layers. A lot is changing right now, willingness to compromise and flexibility are the order of the day – and not complaining so much if you are rather well (I try anyway). With today's topic I came across this cardboard in search of suitable material for layering. Cardboard is also used by many homeless people to protect themselves from the cold. This time is incredibly serious for the poorest in the world – and I don't know if a good fairy really helps ...
Anyway, I wish you all the best, take care of yourself and keep an eye on your loved ones!
Oh, and yes – I still have a lot of peas in the freezer ;-)
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Eine vielschichtige Zeit. Viele Ebenen und Schichten. Vieles ändert sich gerade, Kompromissbereitschaft und Flexibilität sind angesagt – und nicht so viel jammern, wenn es einem einigermaßen gut geht (Ich versuche es jedenfalls). Bei dem Thema heute kam ich auf der Suche nach geeignetem Material zum Schichten auf diese Pappe. Pappe verwenden auch viele Obdachlose, um sich vor der Kälte zu schützen. Diese Zeit ist für die Ärmsten auf dieser Welt unglaublich ernst – und ich weiß nicht, ob eine gute Fee da wirklich hilft ...
Ich wünsche Euch jedenfalls allen alles Gute, passt auf Euch auf und habt ein Auge auf Eure Liebsten!
Ach, und ja – Erbsen habe ich noch ganz viele im Tiefkühlschrank ;-)
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Ingredients: corrugated cardboard (royal golden surface), toy figure (Tinkerbell), pea (frozen food which grimaces), light blue cardboard (background), daylight, bicycle light as an additional "spotlight"
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Zutaten: Wellpappe (Oberfläche königlich golden), Spielzeugfigur (Tinkerbell), Erbse ( Tiefkühlkost, die das Gesicht verzieht), hellblauer Karton (Hintergrund), Tageslicht, Fahrradleuchte als zusätzliches "Scheinwerferlicht"
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Nikon Micro-Nikkor-P / 1:3.5 / 55 mm / added Nikkor M2 1:1
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Macro Mondays Second: flic.kr/p/2iKBA3t
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#MacroMondays 2020 / March 30 / #Layers / HMM to everyone!
For the Macro Mondays theme "Pareidolia"- the tendency to interpret a vague stimulus as something known to the observer, such as seeing faces in inanimate objects ...
"Bust of the Soul of one Damned" (Massimiliano Soldani-Benzi 1702 , after Bernini) from the collection of His Highness Prince Hans-Adam II of Liechtenstein, and recently on display with many other fine bronzes in the Liechtenstein Garden Palace in Vienna's 9th District.
It was a wonderful exhibition with a major fault - the lighting. Hard lighting directly from overhead, casting heavy shadows and creating harsh highlights. On my first visit I didn't try to take a single picture. I went back the next day with the Pentax K-1 and two fine Takumar lenses, knowing what I would be dealing with, and determined to make the best of it. Luckily I was able to get some material, but it all requires extensive processing.
For Sliders Sunday I've done this heavily manipulated version using the processing facilities provided in the Pentax K-1, with some slight adjustments afterwards in SilkyPix Developer Studio Pro 9.
HSS!
S-M-C Takumar 85mm f:1.8
PENTAX K-1
The novel 6th edition of 'The Scream', works of art by Edvard Munch, was found in the kitchen bastions at Aarhus Friskole, Stautrup in Denmark.
KITCHEN HUMOR AT ITS BEST!
SKRIGET
SKRIK
SKRIET
THE SCREAM
DER SCHREI
EL GRITO
LE CRI
L'URLO (IL GRIDO)
On the picture three of Edvard Munch’s most famous paintings are displayed: The Scream/Skrik (1910?), Anxiety/Angst (1894) and Despair/Fortvilelse (1894). A further image of The Scream in the comment field.
Edvard Munch (1863–1944) is probably Norway's most famous painter. The Scream is Munch's most famous work and one of the most recognizable paintings in all art.
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Ich habe in www.flickr.com/groups/flickr-photowalk_berlin einen Photowalk vorgeschlagen. Feedback ist willkommen.
Son Cri
C'est mon Cri
Perdu
Dans Ta Nuit
Ton Cri
C'est ma Nuit...
C.H
tient ben on le met dans l'EXPLORE!!!!
Irgendwie erinnert mich diese Wucherung an einem Baum im Idsteiner Wald an die Gemälde "Der Schrei" von Edvard Munch.
Der erste deutsche Titel, den Munch dem Werk gab, war "Schrei der Natur"; auf eine graphische Fassung schrieb Munch auf Deutsch: „Ich fühlte das große Geschrei durch die Natur.“
Somehow this growth on a tree in the Idstein forest reminds me to the painting "The Scream" by Edvard Munch.
"Der Schrei der Natur" (The Scream of Nature) is the title Munch gave to these works, all of which show a figure with an agonized expression against a landscape with a tumultuous orange sky. Arthur Lubow has described The Scream as "an icon of modern art, a Mona Lisa for our time."