View allAll Photos Tagged deep
Way Back Machine
My great uncle Joe Lance, deep sea fishing off the gulf coast of Florida. You might remember him when he was younger, pouring a cup of coffee.
The variety in the type structures in the geyser basins at Yellowstone NP is enormous. This one looked like a nice garden pool. Just a pity that he is so hot - nearly boiling - and I wouldn't be surprised if there is one or more problem with the water quality.
Anyhow, it is very impressive to be confronted with the powers of nature from so close. After all, we were walking in the caldera of the biggest supervolcano in the world. And he is 40000 years overdue for a massive eruption.
This picture is part of the photographic report of our trip through the USA. You can find the complete story here: [From Denver To Seattle]
This small beach was once locally infamous as a nudist beach, but changing times and attitudes have changed this trend.
The literal meaning of photography is painting with light. I see these slightly long exposures as painting with water as the shots are timed so that the water movement is virtually painted during the exposure. Would that make it hydrography? I know, it's not actually a word :-))
Thank you for any views, comments or favorites, they are most appreciated!
More images & higher resolution images of the project and info regarding the photographer is located at www.michaelearley.info/deeptunnel Images at that location can be printed or downloaded.
This shaft was used to construct the train tacks used in the construction of the "Deep tunnel Project" 400 feet (40 stories) underground. The 40 mile tunnel was built under the cal sag canal to relive flooding in the Chicago area. They had a really great system. There was a 40 foot cutting head that drilled the hole and as they moved forward, a track was built under the machine. Then the trailing floor rolled onto the new track. Trains would run from the main shaft carrying the rock out, there was a switching floor on the trailing floor that moved the box cars from one side to the other for the return joureny. when the train reached the main shaft, the entire car was spun round to dump the load. Really impressive system.
I had the chance to get out and take some photo's during the rain on Sunday. Its amazing what rain clouds and just the right time of day does to the sky. Really turns it deep blue at the right exposure. This shot is a bit of a blend. The sky is from the -2 exposure frame with a curves adjustment and the rest is a 5 exp HDR blend. The sky from HDR was way too ghosty so I just painted this one back in. Hope you like it!
We are having some beautiful weather lately. It's getting warmer and the snow is starting to melt away. I have tulips in the front of my house and the snow is off of them and they are starting to sprout through the soil .... spring is on it's way!
Our Daily Challenge Topic: SILHOUETTE
67/365 365: The 2013 Edition
Thank you all so much for all of your comments, faves and views, I appreciate each and every one =)
A festival of fire, art and community... in Second Life
Find out more at www.burn2.org and www.burningman.org
Burningman Burning Man BURN2 Burning Life TTITD
# 21 of 52 weeks of color ...actually it's only week 6 ... not 21 .. 21 is the number..hell I'm going on and on...I'm loopy .... lol...lol...
I guess I could have called it Rainy day blues too ... Ha !!! ... with my back still out of action all I could do was sit back in my comfy chair, set out the umbrella and take the shot ... hell I need the armrests on the chair to help me support my " Big Canon" .
But because of my commitment to Flickr and the group ... The show must go on ...lol...lol...
Thanks for all your well wishes my friends ... things are looking up ...
Be well ... 8-)
Seen in Albury NSW
Set-up: Nikon D800 fitted with a Yamasaki Congo 21cm f/4.5 (sn# 27617) large format lens (aperture range f/4.5 to f/45), held in a M54 to Nikon F adapter cone (with small tightening screw), Nikon PN-11 52.5mm spacer , Nikon-mount extension tube 20mm DG and finally the Meike N-AF 46–68mm focussing helicoid.—as part of the Antique Camera Simulator project.
© Dirk HR Spennemann 2016, All Rights Reserved
Access all my images via the Collections Page
It's a great movie, came out when I was seven.
I took this photo because of the interesting fact I'd realized in the movie: When the comet is split up in to two, one smaller half and one larger, their trajectories are interesting: The smaller half in the movie is expected to hit the Atlantic Ocean, which it does hit (this photo is the result of that, with the wave advancing on New York).
The larger half, although destroyed before it could do so, was expected to impact elsewhere. Guess where? Canada. In the movie, they determined that the larger half would impact the western prairies, particularly Saskatchewan and Alberta.
The tragic aspect aside, if it did hit, it would, in the movie, fill the entire Earth's atmosphere with dust for two years. What's so interesting is that it would mean that the entire plant and animal life would be killed off within months, all due to Canadian soil. The stuff farmers till near Regina would be responsible for blocking out the sun for the entire planet!
If that happened in real life, I could certainly not be thankful of my position - while Ottawa is nowhere near the prairies, we'd likely be destroyed by the tsunami wave created by the smaller asteroid - and that actually hit Earth in the movie, while the bigger comet was destroyed before it could hit. I'd much prefer to be in places like Vancouver, Edmonton, Regina, Calgary, or Saskatoon. Nothing happened over there, they were saved, the wave didn't get that far inland.
More images & higher resolution images of the project and info regarding the photographer is located at www.michaelearley.info/deeptunnel Images at that location can be printed or downloaded.
This image was taken after the TBM was backed out. Notice no ventilation segments. Train tacks used in the construction of the "Deep tunnel Project" 400 feet (40 stories) underground. The 40 mile tunnel was built under the cal sag canal to relive flooding in the Chicago area. They had a really great system. There was a 40 foot cutting head that drilled the hole and as they moved forward, a track was built under the machine. Then the trailing floor rolled onto the new track. Trains would run from the main shaft carrying the rock out, there was a switching floor on the trailing floor that moved the box cars from one side to the other for the return joureny. when the train reached the main shaft, the entire car was spun round to dump the load. Really impressive system.
DEEP WEB
KINETIC AUDIOVISUAL INSTALLATION AND PERFORMANCE
BY CHRISTOPHER BAUDER AND ROBERT HENKE
COMMISSIONED BY THE FESTIVAL OF LIGHTS LYON
Deep Web is a monumental immersive audiovisual installation and live performance created by light artist Christopher Bauder and composer and musician Robert Henke. Presented in enormous pitch dark indoor spaces, Deep Web plunges the audience into a ballet of iridescent kinetic light and surround sound. The work was presented as a preview at CTM 2016 Festival Berlin and will be followed by its original presentation at the Festival of Lights Lyon in December 2016.
The generative, luminous architectural structure weaves 175 motorized spheres and 12 high power laser systems into a 25 meter wide and 10 meter high super-structure, bringing to life a luminous analogy to the nodes and connections of digital networks. Moving up and down, and choreographed and synchronized to an original multi-channel musical score by Robert Henke, the spheres are illuminated by blasts of colourful laser beams resulting in three-dimensional sculptural light drawings and arrangements in cavernous darkness.
The installation brings together decades of separate research and experimentation by two artists with unique visions and passions for sound and light, and by innovative companies working in these fields. High-end laser system manufacturer LaserAnimation Sollinger provided the technical expertise and development for this very specific spatial laser setup. The high precision motor winch systems with real time feedback and the main control software are provided by Design Studio WHITEvoid in collaboration with Kinetic Lights. This novel combination of computer controlled kinetic elements and laser systems allows for setting animated end points to normally infinite laser beams. DEEP WEB uses light as a tangible material to construct threedimensional vector drawings in thin air.
The work was originally commissioned by the Festival of Lights Lyon 2015, and developed in cooperation with local producer Tetro. Due to the festival’s cancellation after the tragic events in Paris, Berliners had the unique chance to attend an exclusive preview before the project will be presented in December 2016 in Lyon for the Festival of Lights 2016.
The Artists:
An artist and designer working in the fields of light and installation art, media design and scenography, Christopher Bauder focuses on the translation of bits and bytes into objects and environments, and vice versa. Space, object, sound, light and interaction are key elements of his work. In 2004 he founded the multidisciplinary art and design studio WHITEvoid, which specializes in interactivity, media, interior architecture, and electronic engineering.
Bauder has brought his installations and performances to art events and spaces around the world, including Centre Pompidou Paris, MUTEK Montreal, Festival of Lights Lyon, Luminale Frankfurt, The Jewish Museum Berlin and The National Museum of Fine Arts in Taiwan. He is best known for his city-wide light art installation “Lichtgrenze”, created in 2014 together with his brother Marc, for the 25th anniversary of the Fall of the Berlin Wall and his large scale kinetic live shows ATOM and GRID. Both in cooperation with Robert Henke.
Alongside his numerous releases as Monolake, Robert Henke is also well known for the music, audiovisual installations and performances he has been creating under his own name since the early 90s. Due to his background in engineering and fascination with the beauty of technical objects, the development of his own instruments and algorithms has always been an integral part of his creative process. Henke also co-developed the omnipresent Ableton Live music software, which since its invention in 1999 has become the standard tool for electronic music production and completely redefined live performance practice.
His installations and performances have been presented at Tate Modern London, the Centre Pompidou Paris, PS-1 New York, MUDAM Luxembourg, MAK Vienna, the Art Gallery of New South Wales in Australia, KW Institute for Contemporary Art, Berlin, and at countless festivals.
THE DEEP WEB TEAM
Artists:
Christopher Bauder
Robert Henke
A Production by:
WHITEvoid
TETRO+A
Originally Commissioned by:
Fête de Lumière Lyon
Berlin Production by:
CTM Festival
Kraftwerk Berlin
Motor Winch Systems and Control Software:
Kinetic Lights
Laser Systems and DSP Software:
LaserAnimation Sollinger
Software Built With:
TouchDesigner
Photos:
Ralph Larmann
Har - I just realized that the blush I am wearing today is named Deep Throat (follow the last link for a funny headline)...
Along the walk to Deep Creek (and Deep Creek Hot Springs) in California. Multi-exposure taken with a Holga 120N, B&W ISO400 film.
Here is another photo from Hong Kong Convention and Exibition Centre. I just waited for the opportunity to take this photo.
Taken using a Nikon Coolpix 4500 and sepia effect applied using iPhoto.
Deep-sea fishing is considered a sport where amateur and professional fishermen go to the deepest part of water to perform the fishing activity. These deep-sea fishes are found beneath the photic zone of the ocean. You can find many mysterious creatures in this deep sea. Some of the fishes found there are lantern fish, cookie-cutter shark, and the flashlight fish. For more details visit, stuartsportfishingcharters.com/