View allAll Photos Tagged deconstruction
Pictured from left to right:
Untitled, 2008
Bast
70 x 45 inches
paint and collage on wood
collection of Michael Landrum and Philip Paratore, Houston
Pornloop, 2008
Katy Heinlein
cloth, foam and wood
58 x 43 x 5 inches
courtesy of CTRL Gallery, Houston
Above the Ceiling, Below the Floor, 2009/2010
Ian Pedigo
wood, felt carpet tiles and ceiling tile
72 x 96 x 48 inches
courtesy of the artist and Klaus von Nichtssagend Gallery, Brooklyn
Headland Fog on the South-Eastern Coast (1 of 3), 2010
Ian Pedigo
framed archival inkjet prints
12 x 9 inches each, 27.5 x 22.75 inches overall
courtesy of the artist and Klaus von Nichtssagend Gallery, Brooklyn
Photo by Robert Boland.
My piece is constructed by LEGO and I glued them together on a foil tray. The building is made up of different levels. It also resembles a cloud with the rainfall.
Acrylic on cartridge paper, December 2010, 100 x 150 cm.
Full size photo and close up of detail. This piece is one of three finals of the same size and style developed from earlier studies.
At the WTC site. Several of the surrounding buildings are in this state. They were so damaged they have to be torn down. The work goes slowly b/c of HAZMAT concerns.
Words come tumbling down.
Another trip to YSP, glorious sunshine.
We arrived between exhibitions so saw the Jaume Plensa sculptures being dismantled. Added a whole new dimension after having seen the exhibition last year.
(Here is last visi'ts shot of this piece www.flickr.com/photos/jake474/5700229337/in/set-721576257...)
Given their nature it was as thought provoking seeing them being disassembled as it was interacting with them when they were fully formed.
On my way to the N-Judah this morning I passed a small park on Scott street by the Harvey Milk Recreational Arts Center where men were working to cut down a children's play structure.
In Deconstruction Reconstruction Project I tackled the theme of memory as deconstruction and reconstruction of an object.
This work is an extension of my research on the dust: first, I consider the dust as a memory of the object, then I fragmente and reassemble the object trying to recreate the aesthetic and the behavior of the dust.