View allAll Photos Tagged davidhockney
A David Hockney styled waterfall picture, it's comprised of 42 pictures and was slightly fun to do, I wish i had my tripod as well so I could of done a long exposure! This was an assignment for school, it's not my favorite assignment, I think it just looks messy and sorta of lazy, but that's just me.
Other news! I finally passed my ACE, which is the Adobe Certification Exam, and I am now an Adobe Certified Associate (ACA) for Photoshop CS4!!!! Really happy :D
7/52
Prada
Wool
Miuccia Prada described this ensemble as being 'a parody of male power'. She uses the frock coat's rigid formality, recalling upright portraiture of 19th-century men, to comment on society's patriarchal structures. The subversion is subtle, as are the changes made to adapt the original shape of the frock to the contemporary performance of masculinity.
[V&A]
Taken in the Exhibition
Fashioning Masculinities: The Art of Menswear
(March 2022 to November 2022)
At a moment of unprecedented creativity in men's fashion and reflection on gender, this exhibition explored how designers, tailors and artists – and their clients and sitters – have constructed and performed masculinity, and unpicked it at the seams.
...The exhibition showcases the variety of possible masculinities across the centuries from the Renaissance to the global contemporary: from looks by Gucci, Harris Reed, Grace Wales Bonner and Raf Simons, to paintings by Sofonisba Anguissola and Joshua Reynolds, contemporary artworks by David Hockney and Omar Victor Diop, to an extract from an all-male dance performance by Matthew Bourne's New Adventures.
The exhibition presents around 100 looks alongside 100 artworks, displayed thematically across three galleries, Undressed, Overdressed, and Redressed.
The third gallery, Redressed, opens with a reflection on English country tailoring and the origins of the suit – with historic garments from the V&A collection shown alongside contemporary reimaginings, including a kilt by Nicholas Daley – before exploring how military attire influenced civilian dress.
Redressed will also include paintings as well as extensive photography showing changing styles and attitudes, from Oscar Wilde, Claude Cahun and Cecil Beaton to The Beatles and Sam Smith. Robert Longo's 1981 drawing from the series Men in the Cities will introduce the final part of the section about the dissolving of the suit, and how a new wave of fashion designers from Rick Owens to JW Anderson to Comme des Garçons to Lesiba Mabitsela are slashing away at conventions, both for menswear, and masculinity.
[V&A]
Some of the objects and art inside Walker Art Gallery, Liverpool.
Some areas you couldn't use your camera (e.g. the David Hockney exhibition).
The doors were clearly marked for those where you couldn't use your camera.
These from the areas that you could use for camera.
'Little Henry' chair. Polyurethane foam, designed by Ron Arad, 1991.
Taken inside Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
Joiner collage made from six photos taken with an Ilford Sportsman Auto RF camera in week 137 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
The first 2 years of the project are covered in this book:
www.blurb.co.uk/bookstore/detail/2869629
While the London 2012 Olympics were on, I chose sport related cameras for my 52 week shots. The Ilford Sportsman range came in various models, this on one of the more sophisticated ones, with a coupled rangefinder and built in exposure meter, though the latter no longer works.
The film is Agfa Vista ISO200 (from Poundland) developed in Tetenal C41 chemistry.
Charcoal “Self Portrait 26th Sept. 1983”
Installation view “David Hockney: Drawing from Life”
The Morgan Library & Museum
New York, New York
October 2, 2020 – May 30, 2021
Photos Taken in Salts Mill, Bradford. Pentax K5 ii & Pentax kit lens. The B&W photos were inspired by "Ian Beesley" a Bradford Social documentary photographer, and of course some inspired by my favourite Artist, "David Hockney".
35 tomas diferentes para una nueva compo al estilo Hockney que se incorpora al proyecto fotográfico Astillero:
35 different takes for a new Hockney´s style composition that is added to Astillero photographic project:
I took Kitty to PetSmart this morning to get her nails trimmed. Afterward I came home and Darek dropped me off at Bob & Max's on his way to work. Bob, Max & I had lunch at The Chicken Ranch before heading to the Palm Springs Art Museum to see the David Hockney exhibit. I was a fun day.
Suit, 1750-00
UK
Wool, linen, silk cotton, wood, silver-gilt
Handkerchief, 1763-70
Mary Ware
Land and Leisure
The fine woollen broadcloth of this formal day suit is punctuated by numerous gilt buttons. Spacious pockets could accommodate a snuff box and a large handkerchief for capturing ensuing sneezes. This handkerchief illustrates different breeds of dogs. It was an important part of a country gentleman's identity to have an impressive pack of hunting hounds.
[V&A]
Taken in the Exhibition
Fashioning Masculinities: The Art of Menswear
(March 2022 to November 2022)
At a moment of unprecedented creativity in men's fashion and reflection on gender, this exhibition explored how designers, tailors and artists – and their clients and sitters – have constructed and performed masculinity, and unpicked it at the seams.
...The exhibition showcases the variety of possible masculinities across the centuries from the Renaissance to the global contemporary: from looks by Gucci, Harris Reed, Grace Wales Bonner and Raf Simons, to paintings by Sofonisba Anguissola and Joshua Reynolds, contemporary artworks by David Hockney and Omar Victor Diop, to an extract from an all-male dance performance by Matthew Bourne's New Adventures.
The exhibition presents around 100 looks alongside 100 artworks, displayed thematically across three galleries, Undressed, Overdressed, and Redressed.
The third gallery, Redressed, opens with a reflection on English country tailoring and the origins of the suit – with historic garments from the V&A collection shown alongside contemporary reimaginings, including a kilt by Nicholas Daley – before exploring how military attire influenced civilian dress.
Redressed will also include paintings as well as extensive photography showing changing styles and attitudes, from Oscar Wilde, Claude Cahun and Cecil Beaton to The Beatles and Sam Smith. Robert Longo's 1981 drawing from the series Men in the Cities will introduce the final part of the section about the dissolving of the suit, and how a new wave of fashion designers from Rick Owens to JW Anderson to Comme des Garçons to Lesiba Mabitsela are slashing away at conventions, both for menswear, and masculinity.
[V&A]
Some of the objects and art inside Walker Art Gallery, Liverpool.
Some areas you couldn't use your camera (e.g. the David Hockney exhibition).
The doors were clearly marked for those where you couldn't use your camera.
These from the areas that you could use for camera.
Roman marble busts. Didn't want to take them individually (too many of them).
Hockney wanted to turn the car panels inside out, showing you through the car into it's interior as he saw it and, like Andy Warhol, he chose to paint directly on to the car, using his "naive style". Unlike Warhols I came around to this one - it became fun to look at the inverted perverted image folding back on itself. I think Hockney was mindful of his canvas, he was quite clear he was painting a car which is why, for me, this one works better than Warhols.
Simon Langham, the only Abbot of Westminster to become a Cardinal.
The alabaster altar tomb shows his recumbent effigy with hands at prayer, dressed in mass vestments with crozier and pall. The dark blue glass jewels on his gloves and mitre have disappeared. At his head are two mutilated angel supporters and at his feet are two dogs wearing belled collars. The sides of the tomb chest are divided into panels each with a coat of arms. Wrought iron railings protect it on three sides. The monument formerly had a canopy over it but this was broken down at the coronation of George I in 1714. A statue of St Mary Magdalene once stood at his feet and his cardinal's hat formerly hung above. The tomb is by Henry Yevele and Stephen Lote and dates from 1389-1395.
The inscription is in raised letters on a metal strip around the tomb slab with an engraved flower or monster between each word. The remaining Latin inscription can be translated:
Here lies [Simon Langham] one time Abbot of this place, Treasurer of England, elected to the See of London, Bishop of Ely, Chancellor of England, Archbishop of Canterbury, Cardinal Priest, and afterwards Cardinal Bishop of Palestrina...
The shields (repainted in the 1960s) show the coats of arms of the monastery of Westminster, the sees of Ely and Canterbury, Edward the Confessor, France and England and its variants as borne by Richard II and Edward III.
He was the son of Thomas Langham, who was buried in the nave of the Abbey, and was probably a native of the village of Langham in the Abbey's Rutlandshire property. The earliest mention of Simon at Westminster is in the chamberlain's roll for 1339-1340, although the preceding rolls are missing. He was elected Prior and then served as Abbot from 1349-1362. In 1362 he became Bishop of Ely and his other posts followed, being elected Archbishop of Canterbury in 1366. On receiving a cardinal's hat from Pope Urban V he gave up the Canterbury post in 1368 to go abroad to the Papal Court. He is remembered at the Abbey for paying off the debts of his predecessor and giving many gifts of money, plate and vestments to the monastery here and also seven chests of books. He died and was buried in Avignon on 22nd July 1376 and his body was moved to the Abbey in 1379.
He bequeathed his vast fortune towards the rebuilding of the nave. John Flete, a monk from 1420 recalls in his history "Vivid memory still recalls with what great affection this venerable father managed the convent and how strenuously he toiled for the brethren".
[Westminster Abbey]
Taken inside Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
Taken inside Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
Utata ~ Weekend Project ~ "Pieces"
"Our newest weekend project is inspired by this 1975 image by Lew Thomas, entitled "The Vacuum", recently on view at the SF Museum of Modern Art (MOMA).
www.lewthomas.com/html/objc-vacuum.htm
"During the next two weeks, select a scene, subject(s) , or object(s), take multiple images, then piece them together to form a whole. Images may be printed, cut and placed together to form a new whole, and rephotographed, or may be combined in a photo manipulation program to achieve the same effect.
"You may be creative with your reconstruction by making it representative or as abstract as you desire.
"Like all our weekend projects we want to encourage you to create new works of photography. You are allowed to tag up to six images total that will be published on Utata.org. If you happen to have that one perfect image that fits this category in your photostream, you are allowed to tag one archival shot only (5 new and 1 archival)."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Andrew held up his peace signs patiently whilst I took six individual photographs.
View "Peaces" on black or on white.
This photographic montage should be viewed on white.
Copyright © 2010, Jeff Stewart.
All rights reserved.
Taken with a Cannon Rebel EOS XS. Used about 25 individual pictures. Put together manually using Photoshop. Inspired by David Hockney
The General James Wolfe monument
James Wolfe, son of Edward and Henrietta, was born in 1727 at Westerham in Kent. He was educated at a school in Greenwich and commissioned in his father's regiment in 1741. He had a brilliant career and was a Major-General at age 32. On his last expedition, with Admiral Sir Charles Saunders (who is buried not far from Wolfe's monument) and also the young James Cook, he made his way to Quebec, the capital of French Canada. The French thought the town was impregnable and a first assault by the English failed. But Wolfe's scouting party found a sheer narrow track up to the Heights (or Plains) of Abraham above the town and under cover of darkness on September 13th 1759 his troops moved noiselessly down the St Lawrence river by boat and climbed up the track to completely surprise the French, who then surrendered. Wolfe was hit by three bullets and fell at the head of his men but he knew victory was assured for the English in Canada and was said to have died with a smile on his face.
His body was brought back to England with military honours and at his mother's request James was buried with his father at St Alfege's church in Greenwich.
The Prime Minister, William Pitt, called for a national monument for Wolfe and a large memorial by the sculptor Joseph Wilton was erected to him in the north ambulatory of Westminster Abbey in 1772 at a cost of £3,000. The inscription reads:
...To the memory of James Wolfe Major-General and Commander in Chief
Of the British Land Forces
On the Expedition against Quebec
Who after surmounting by ability and valour
All obstacles of art and nature
Was slain
In the moment of victory
On the XIII of September MDCCLIX
The King
And the Parliament of Great Britain
Dedicate this monument
[Westminster Abbey]
Taken inside Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
Art Everywhere as seen on a bus stop on Jennens Road in Eastside, Birmingham outside the Birmingham Metropolitan College - Matthew Boulton Campus. Reflection of the Birmingham Ormiston Academy.
Art Everywhere - 15: David Hockney - My Parents, 1977
Tate
David Hockney's excellent work in Cartwright Hall, Lister Park, Bradford.
It looks like a painting, however, Hockney created the image from pulped paper. After using a thin layer of white paper as a base, Hockney made coloured paper pulp, poured this into a metal stencil and then later pressed the mixture. ‘Le Plongeur’ is particularly interesting because water has so much to do with the medium of the work as well as the subject. To make the paper pulp, lots of water is used and then squeezed out.
During the early ‘60s Hockney arrived in Los Angeles where swimming pools were everywhere. Hockney was fascinated by water and loved the challenge that it presented to him. During his time in LA, Hockney produced a number of pictures of swimming pools, each time experimenting with representing the surface of the water. ‘Le Plongeur’ is part of this experimentation process.
Spread from the first "trial issue" of FURORE magazine. Article by Laurie Langenbach about artist David Hockney. Design by Piet Schreuders.
Tomb to Sir Lewis (de) Robessart, Lord Bourgchier (or Bourchier), Knight of the Garter.
The stone monument consists of a tomb chest and canopy in the two eastern bays of the chapel screen. On each side, at the apex of the arch, is an achievement of arms with a crest of a Saracen's head surmounted by a Catherine wheel. At each end of the tomb chest is a lion, or a falcon, holding a standard sculptured with arms. On the frieze of the screen are shields and painted inscriptions alternating with falcons and water bougets [water carriers]. The inscriptions here are "non nobis D'ne, non nobis, sed N'ni tuo da gloriam" [Not unto us O Lord, not unto us but unto Thy name give glory]. On the fascia below the frieze are ten painted angels, each with two shields, and the repeated mottos "L'honneur a Dieu, a nous Merci" and "Learne to dye to live ever". Altogether there are 48 shields on the south side and 49 on the north side. All the inscriptions and heraldry were repainted in 1968 as most of the original decoration had been deliberately washed over with a dingy stone colour in the early 19th century. If paint did not remain the authority for re-painting the arms was taken from a manuscript in the British Museum. When the enormous statue to James Watt was put in this chapel [since removed] the Robessart tomb lid was damaged and was replaced with the present black marble slab in the mid 19th century.
Lewis was the second son of Sir Thierry de Robessart, who is mentioned in Froissart's Chronicles and derived his name from a small village in Hainault. John was his brother, Lewis was an esquire to Henry V, when he was Prince of Wales and later as king, and was a favourite and trusted knight. In 1421 he was nominated Knight of the Garter and was made the King's standard bearer. Later he was an executor of the king's will and under Henry VI was a Privy Councillor and Chamberlain.
[Westminster Abbey]
In the chapel of St Paul, Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
David Hockney (1937-....)
Peintre anglais portraitiste mais aussi paysagiste, dessinateur, graveur, décorateur, photographe.
Vit et travaille depuis 2019 en Normandie.Pâte à papier colorée et pressée.
Exposition ayant eu lieu de juin à octobre 2017.
Taken inside the Lady Chapel, Westminster Abbey
Henry VII lavished huge sums on his new Lady Chapel, which was begun in 1503 but not completed until 1516, nearly six years after his death. Henry’s imposing tomb at the east end of the chapel has magnificent gilt bronze effigies of the king and his wife, Elizabeth of York, made by the brilliant Florentine Renaissance sculptor, Pietro Torrigiano.
Since 1725, it has been used for installations of Knights of the Order of the Bath, and their colourful heraldic banners hang here. The Sovereign and the Great Master of the Order continue to install new knights in the chapel, usually every four years.
A Lady Chapel is a chapel dedicated to the Blessed Virgin Mary and is common to most cathedrals and large churches.
[Westminster Abbey]
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
I took Kitty to PetSmart this morning to get her nails trimmed. Afterward I came home and Darek dropped me off at Bob & Max's on his way to work. Bob, Max & I had lunch at The Chicken Ranch before heading to the Palm Springs Art Museum to see the David Hockney exhibit. I was a fun day.
Stone and black marble memorial to members of the Indian Civil Service from 1858 to 1947. This was designed by Stephen Dykes Bower, the Abbey's Surveyor of the Fabric, and Lord Halifax gave the address at the service. He praised the "unequalled tradition of personal integrity and of devotion to duty.." of its members and said that "many who were trained in the services...are now serving the independent States of India, Pakistan and Burma". The inscription reads:
1858 1947 Here are commemorated the Civil Services of the Crown in India. Let them not be forgotten for they served India well. "What doth the Lord require of thee but to do justly and to love mercy"
Below on a small tablet:
This memorial tablet was unveiled by Her Majesty The Queen 6 March 1958.
At the top centre is a sculpted and coloured Royal achievement of arms and at either side is a Star of the British Indian Order of Chivalry.
[Westminster Abbey]
In the West Cloister of Westminster Abbey
Westminster Abbey (The Collegiate Church of St Peter)
In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.
The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.
Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.
Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.
It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.
There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.
A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.
Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.
Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.
History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.
But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.
[Westminster Abbey]
Nottingham Contemporary on the corner of High Pavement and Middle Hill in the Lace Market a historic quarter-mile square area in Nottingham, Nottinghamshire.
Nottingham Contemporary opened as the Centre for Contemporary Art Nottingham on 14 November 2009 with an exhibition of early works by David Hockney and recent works by Los Angeles based artist Frances Stark, including some from the Tate collection. Nottingham Contemporary is one of the largest contemporary art spaces in the UK, with four galleries, an auditorium, an education space, a study centre, a café-bar and a shop.
It organizes four to five major exhibitions a year, bringing the work of the world’s contemporary artists to Nottingham. The ideas raised by the exhibitions are explored in educational programmes for all ages.
Nottingham Contemporary is on the oldest site in Nottingham, Garners Hill, it once housed cave dwellings, a Saxon fort and a medieval town hall – before the Victorians swept all aside for a railway line. It is in the historic Lace Market, a showcase for a world famous fabric when technical innovation gave lace a mass market. A revolutionary concrete casting technique, carried out in Nottingham, has embossed a lace design into the building’s panels, some up to 11 metres high.
Some of the objects and art inside Walker Art Gallery, Liverpool.
Some areas you couldn't use your camera (e.g. the David Hockney exhibition).
The doors were clearly marked for those where you couldn't use your camera.
These from the areas that you could use for camera.
Roman marble busts. Didn't want to take them individually (too many of them).