View allAll Photos Tagged darkmagic
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Washington, DC
This image used Amaranth Dreams' "Ghost Stories / Dark Magic" action as a base edit, followed by my own subsequent adjustments.
Decided to try to adapt the holga to accept plates coated with emulsion instead of film.
Aluminium sheet cut down to squares of 5cm.
Degreased using a paste of chalk powder, water and ammonia painted on with a paintbrush and rinsed off.
Plate coated with Darkmagic photo emulsion, most plates given two layers, left in drawer overnight to dry.
Plates taken into work in dark bags, placed in camera in darkroom, exposed, taken out in darkroom and returned to dark barg for the journey home.
I think one of the drawers I had the drying plates in must have been left slightly ajar as there has been about four plates so far that have bizarre streakmarks across them. this is meant to be a shot of the jumping pasteup at work and you can just kind of see it by the right edge. i think I actually prefer this abstract image to what the image was initially supposed to be....
Decided to try to adapt the holga to accept plates coated with emulsion instead of film.
Aluminium sheet cut down to squares of 5cm.
Degreased using a paste of chalk powder, water and ammonia painted on with a paintbrush and rinsed off.
Plate coated with Darkmagic photo emulsion, most plates given two layers, left in drawer overnight to dry.
Plates taken into work in dark bags, placed in camera in darkroom, exposed, taken out in darkroom and returned to dark barg for the journey home.
In a grim and dark woods, a detailed and morbid dragon emerges, engulfed in smoke. The forced perspectives and dense atmospheric setting enhance the epic and dramatic feel of this dark fantasy scene.
Hmm as self portraits go its a bit of a balls up - but hey at least you can make out my shoulders and an ear
Decided to try to adapt the holga to accept plates coated with emulsion instead of film.
Aluminium sheet cut down to squares of 5cm.
Degreased using a paste of chalk powder, water and ammonia painted on with a paintbrush and rinsed off.
Plate coated with Darkmagic photo emulsion, most plates given two layers, left in drawer overnight to dry.
Decided to try to adapt the holga to accept plates coated with emulsion instead of film.
Aluminium sheet cut down to squares of 5cm.
Degreased using a paste of chalk powder, water and ammonia painted on with a paintbrush and rinsed off.
Plate coated with Darkmagic photo emulsion, most plates given two layers, left in drawer overnight to dry.
Plates taken into work in dark bags, placed in camera in darkroom, exposed, taken out in darkroom and returned to dark barg for the journey home.
Decided to try to adapt the holga to accept plates coated with emulsion instead of film.
Aluminium sheet cut down to squares of 5cm.
Degreased using a paste of chalk powder, water and ammonia painted on with a paintbrush and rinsed off.
Plate coated with Darkmagic photo emulsion, most plates given two layers, left in drawer overnight to dry.
Decided to try to adapt the holga to accept plates coated with emulsion instead of film.
Aluminium sheet cut down to squares of 5cm.
Degreased using a paste of chalk powder, water and ammonia painted on with a paintbrush and rinsed off.
Plate coated with Darkmagic photo emulsion, most plates given two layers, left in drawer overnight to dry.
Plates taken into work in dark bags, placed in camera in darkroom, exposed, taken out in darkroom and returned to dark barg for the journey home.
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Decided to try to adapt the holga to accept plates coated with emulsion instead of film.
Aluminium sheet cut down to squares of 5cm.
Degreased using a paste of chalk powder, water and ammonia painted on with a paintbrush and rinsed off.
Plate coated with Darkmagic photo emulsion, most plates given two layers, left in drawer overnight to dry.
Plates taken into work in dark bags, placed in camera in darkroom, exposed, taken out in darkroom and returned to dark barg for the journey home.