View allAll Photos Tagged darkedit
Saturation has been pulled aggressively everywhere except the warm tones — sky pushed toward cool monochrome, distant canyon rendered in graphite, foreground stripped of native red. The result is closer to selective color than to a natural rendering. It's a graphic, almost cinematic interpretation. Whether that lands depends on the viewer. Traditionalists will argue the desert at dawn is warm everywhere and that this edit fights the scene's actual color logic. Others will read it as a confident stylistic choice that isolates the arch as the singular subject and refuses the postcard treatment. Both readings are defensible.
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Here is a shot from the botanical garden of my university. You might not see the summer in this shot, but it was definitely there. I think in this darker edit, the lily has more of a mystic atmosphere and the yellow centre shines even brighter. What do you think about it?
- Shot with Nikon D5100 -
f/3.5
105.0 mm
1/800 sec
ISO 320
Edited in PS Lightroom 5, PS Elements 12 and Color Efex Pro 4.
Feel free to also visit me on Instagram, where I upload a photo mostly every day and give you more insights into my life (www.instagram.com/meepeachii).
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Light through old glass
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