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Esta es (mas o menos) la idea que tenía en mente... el outfit de Daniel debería ser un poco mas lujoso y completo, pero estoy contenta con el primer intento ^^
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Abril 2016 - (Cantabria)
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West-German postcard by Ufa/Film-Foto, Berlin-Tempelhof, no. FK 1109. Photo: Serge Beauvarlet, Paris.
Handsome and sensitive French actor Daniel Gélin (1921-2002) did not have an easy life but he was warmly embraced as one of the great stars of the French post-war cinema. The talented lead and character actor appeared to fine advantage for such legendary directors as Max Ophüls, Louis Malle, Jean Cocteau, Alfred Hitchcock, and Claude Lelouch.
Daniel Yves Alfred Gélin was born in Angers, France, in 1921. When he was 10, his family moved to Saint-Malo where Daniel went to college until he was expelled for 'uncouthness'. His father then found him a job in a shop that sold cans of salted cod. It was seeing the shooting of Marc Allégret's film Entrée des artistes/The Curtain Rises (1936) with Louis Jouvet that triggered his desire to be an actor. He left home at age 16 to take dramatic training by René Simon at the Cours Simon in Paris before entering the Conservatoire national d'art dramatique. There he met Louis Jouvet again and embarked on a theatrical career. He made his first film appearance in Miquette (Jean Boyer, 1940) starring Lilian Harvey, and for several years he worked as an extra or bit player. He appeared in a bigger role with Jean Gabin and Marlene Dietrich in the romantic melodrama Martin Roumagnac/The Room Upstairs (Georges Lacombe, 1946), and gradually he developed from small parts and light youth roles. Finally, he won his first leading roles as a seductively moody heart-breaker in Rendez-vous de Juillet/Appointment with Life (Jacques Becker, 1949) and Edouard et Caroline/Edward and Caroline (Jacques Becker, 1950) with Anne Vernon. These romantic comedies made him a star of the French cinema.
Daniel Gélin went on to appear in more than 170 films, often in sensitive, literate, man-of-the-world roles. In the early 1950s, he formed with his wife Danièle Delorme a ‘dream couple’ of the French cinema and they starred together in light romances till their divorce in 1954. Gélin mesmerised audiences in Max Ophüls' frivolous soufflés La Ronde/The Round (1950) and Le Plaisir/Pleasure (1952) with Simone Simon. He also directed one film, Les Dents Longues/The Long Teeth (1953). Later he was memorable in Sacha Guitry's films Si Versailles m'était conté/Royal Affairs in Versailles (1954) and Napoléon (1955) as the young Bonaparte. He was especially good as the heavily disguised Arab spy in The Man Who Knew Too Much (Alfred Hitchcock, 1956) with James Stewart. Despite these successes, Wikipedia writes that he squandered his talent and could have accomplished much more. His personal life was a mess. Gélin lived a turbulent life full of parties and stormy relationships that lead to suicide attempts and a long battle with alcohol and drugs.
During the 1960s, Daniel Gélin played in several films by Nouvelle Vague (New Wave) directors. For Costa-Gavras he appeared in Compartiment tueurs/The Sleeping Car Murders (1965), for Claude Chabrol in La Ligne de démarcation/Line of Demarcation (1966) with Jean Seberg, for Marguerite Duras in Détruire, dit-elle/Destroy, She Said (1969) and for Louis Malle in Le souffle au coeur/Murmur of the Heart (1971) with Lea Massari. He also appeared in Le Testament d'Orphée/The Testament of Orpheus (Jean Cocteau, 1960), the war film Paris brûle-t-il?/Is Paris Burning? (René Clément, 1965) starring Jean-Paul Belmondo, and the comedy hit Nous Irons Tous au Paradis/We Will All Meet in Paradise (Yves Robert, 1977). On television he played in popular series like Les Saintes chéries/The Holy Cherished (1965-1970). During the late 1970s, he disappeared from films until the early 1980s. Since then, Daniel Gélin only made sporadic appearances in films like La Nuit de Varennes/That Night in Varennes (Ettore Scola, 1982) with Jean-Louis Barrault, the comedy La Vie Est Une Longue Fleuve Tranquille/Life Is a Long Quiet River (Etienne Chatiliez, 1988) and Hommes, Femmes: Mode d'Emploi/Men, Women: A User's Manual (Claude Lelouch, 1996) starring Fabrice Luchini. Daniel Gélin also worked in the theatre both as an actor and as a director. He appeared in plays by Molière, Jean Cocteau, Alberto Moravia and Georges Siménon. He also wrote scenarios occasionally and published a few volumes of poetry. Daniel Gélin died of kidney failure in a Paris hospital, in 2002. He had been married three times: first to Danièle Delorme (1945-1954), then to Sylvie Hirsh (1955-1968) and finally to Lydie Zaks (1973 till his death in 2002). While married to Daniele Delorme, he had an affair with model Marie Christine Schneider that produced a daughter, film star Maria Schneider. However, Gélin never acknowledged his paternity of her. His children Manuel Gélin and Fiona Gélin became actors too. His son Pascal died at the age of 14 months when he accidentally swallowed pills in 1957. Another son, producer Xavier Gélin lost his battle with cancer in 1999.
Sources: Gary Brumburgh (IMDb), Sandra Brennan (AllMovie), Ephraim Katz (The Film Encylopedia), Hollywood.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Belgian postcard by Bromofoto, Bruxelles.
Handsome and sensitive French actor Daniel Gélin (1921-2002) did not have an easy life but he was warmly embraced as one of the great stars of the French post-war cinema. The talented lead and character actor appeared to fine advantage for such legendary directors as Max Ophüls, Louis Malle, Jean Cocteau, Alfred Hitchcock, and Claude Lelouch.
Daniel Yves Alfred Gélin was born in Angers, France, in 1921. When he was 10, his family moved to Saint-Malo where Daniel went to college until he was expelled for 'uncouthness'. His father then found him a job in a shop that sold cans of salted cod. It was seeing the shooting of Marc Allégret's film Entrée des artistes/The Curtain Rises (1936) with Louis Jouvet that triggered his desire to be an actor. He left home at age 16 to take dramatic training by René Simon at the Cours Simon in Paris before entering the Conservatoire national d'art dramatique. There he met Louis Jouvet again and embarked on a theatrical career. He made his first film appearance in Miquette (Jean Boyer, 1940) starring Lilian Harvey, and for several years he worked as an extra or bit player. He appeared in a bigger role with Jean Gabin and Marlene Dietrich in the romantic melodrama Martin Roumagnac/The Room Upstairs (Georges Lacombe, 1946), and gradually he developed from small parts and light youth roles. Finally, he won his first leading roles as a seductively moody heart-breaker in Rendez-vous de Juillet/Appointment with Life (Jacques Becker, 1949) and Edouard et Caroline/Edward and Caroline (Jacques Becker, 1950) with Anne Vernon. These romantic comedies made him a star of the French cinema.
Daniel Gélin went on to appear in more than 170 films, often in sensitive, literate, man-of-the-world roles. In the early 1950s, he formed with his wife Danièle Delorme a ‘dream couple’ of the French cinema and they starred together in light romances till their divorce in 1954. Gélin mesmerised audiences in Max Ophüls' frivolous soufflés La Ronde/The Round (1950) and Le Plaisir/Pleasure (1952) with Simone Simon. He also directed one film, Les Dents Longues/The Long Teeth (1953). Later he was memorable in Sacha Guitry's films Si Versailles m'était conté/Royal Affairs in Versailles (1954) and Napoléon (1955) as the young Bonaparte. He was especially good as the heavily disguised Arab spy in The Man Who Knew Too Much (Alfred Hitchcock, 1956) with James Stewart. Despite these successes, Wikipedia writes that he squandered his talent and could have accomplished much more. His personal life was a mess. Gélin lived a turbulent life full of parties and stormy relationships that lead to suicide attempts and a long battle with alcohol and drugs.
During the 1960s, Daniel Gélin played in several films by Nouvelle Vague (New Wave) directors. For Costa-Gavras he appeared in Compartiment tueurs/The Sleeping Car Murders (1965), for Claude Chabrol in La Ligne de démarcation/Line of Demarcation (1966) with Jean Seberg, for Marguerite Duras in Détruire, dit-elle/Destroy, She Said (1969) and for Louis Malle in Le souffle au coeur/Murmur of the Heart (1971) with Lea Massari. He also appeared in Le Testament d'Orphée/The Testament of Orpheus (Jean Cocteau, 1960), the war film Paris brûle-t-il?/Is Paris Burning? (René Clément, 1965) starring Jean-Paul Belmondo, and the comedy hit Nous Irons Tous au Paradis/We Will All Meet in Paradise (Yves Robert, 1977). On television he played in popular series like Les Saintes chéries/The Holy Cherished (1965-1970). During the late 1970s, he disappeared from films until the early 1980s. Since then, Daniel Gélin only made sporadic appearances in films like La Nuit de Varennes/That Night in Varennes (Ettore Scola, 1982) with Jean-Louis Barrault, the comedy La Vie Est Une Longue Fleuve Tranquille/Life Is a Long Quiet River (Etienne Chatiliez, 1988) and Hommes, Femmes: Mode d'Emploi/Men, Women: A User's Manual (Claude Lelouch, 1996) starring Fabrice Luchini. Daniel Gélin also worked in the theatre both as an actor and as a director. He appeared in plays by Molière, Jean Cocteau, Alberto Moravia and Georges Siménon. He also wrote scenarios occasionally and published a few volumes of poetry. Daniel Gélin died of kidney failure in a Paris hospital, in 2002. He had been married three times: first to Danièle Delorme (1945-1954), then to Sylvie Hirsh (1955-1968) and finally to Lydie Zaks (1973 till his death in 2002). While married to Daniele Delorme, he had an affair with model Marie Christine Schneider that produced a daughter, film star Maria Schneider. However, Gélin never acknowledged his paternity of her. His children Manuel Gélin and Fiona Gélin became actors too. His son Pascal died at the age of 14 months when he accidentally swallowed pills in 1957. Another son, producer Xavier Gélin lost his battle with cancer in 1999.
Sources: Gary Brumburgh (IMDb), Sandra Brennan (AllMovie), Ephraim Katz (The Film Encylopedia), Hollywood.com, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Daniel was my second shooter last night for a wedding at the New York Botanical Garden.. he's a talented photographer check out his work here: www.danielsilbert.com/
He had just been photographed when I noticed him on Hawthorne Blvd.
"Just my idea!", I said spontaneously as I approached.
He laughed: "Are you a photographer, too?", he asked and I immediately liked his friendly manners.
I waited aside while the other photographer was taking Daniel's information, but patience isn't really my virtue. After a couple of minutes, still waiting, I noticed a sweet couple, definitely in love, holding hands and walking towards me.
I approached them and walked away with them to the corner of the street where I knew there was that great turquoise wall.
When I was done with the couple, I went back to look for Daniel, but he wasn't there any longer. I guessed he would be in the vintage store and stepped inside. Bingo, there he was !
"You had disappeared," he said when he saw me.
I told him I was just around the corner making photos of a lovely couple and showed him the pictures on the camera display.
Daniel loved the wall and I suggested we stepped outside for a few photos.
That was the introduction to how I met Daniel.
He is a Vogue dancer and a very easy going, sweet guy !
I asked him to demonstrate a few dance movements as I made the photos. He was simple a natural born.
www.facebook.com/dnlgiron?fref=ts
www.pdxmonthly.com/articles/2016/6/9/portland-vogue-dance...
Daniel is originally from Veracruz, Mexico, but has been living in Portland for the past four years.
en.wikipedia.org/wiki/Veracruz_(city)
This is my 338th submission to The Human Family group.
Visit the group here to see more portraits and stories: www.flickr.com/groups/thehumanfamily.
Daniel Hemric, driving the No. 18 Toyota Supra for Joe Gibbs Racing, exits turn 3 during Friday afternoon practice. NASCAR Xfinity Series, Road America, July 2021.
Oa!!! pff hoy comentare pff algo mal emocionalmente
Hablando pff y sin internet pff
Ahora subo a RHIANNA que amo esta cancion x eso el titulo hehe
y Q es para un xamaqu re wena onda
Super cool y asi mejor conocido como DANI SUAREZ
i hope u like it!!!
hehe amm me voe amm
ya vienen cosas padres (creo) hahaha
ya viene LADY GAGA
me voe los kiero muxhohohohohohohoho
adiuu!!!
amm my facebook
Pd. Proximamente dare a conocer 1 o 2 asesinas!!!!!!!!!!
solo falta ultimar algunos detalles haha
See ya My little Bitches!!!!!!!!!!
Saludos a
Honey R
Honey K
Honey B.E.
Honey O
Honey D
Honey A
Honey M
Honey S
Honey JH
hahahaha loego les digu kenes son haha
New Form totally free customized by Tharcio22 in the SL world made for you
For more information, look for the Chronos store in MP, or the brand logo here on Flickr, link or QR Code
PImage LONDON: Actor Daniel Radcliffe poses for a portrait shoot in London, UK. (Photo by Michael Birt/Exclusive by Getty Images) *** Local Caption *** Daniel Radcliffe
BELO HORIZONTE/ MINAS GERAIS / BRASIL (15.02.2016) Lançamento da nova coleção Atlético Dry World no Ilustríssimo em Belo Horizonte - Foto: Bruno Cantini/Atlético
We were due to test an aircraft location for angles, lighting etc but Daniel loves airplanes so much at the moment we decided to take him along as well.
Having been confined of late I gave in to the urge to spread my wings a bit and took the streetcar downtown to enjoy a coffee at my favorite on-campus coffee shop and indulge in some people-watching. I enjoyed being out so much that I decided to extend my outing by taking a slow walk down to the St. Lawrence Market which turned out to be unwise and too much. Light-headed and dizzy, and feeling the pain of my recent collarbone surgery, I decided to retreat and head for the nearest streetcar to return home.
That was when I saw him crossing the intersection on a bicycle, towing a trailer loaded with four Bike Share Toronto bicycles. You can read about this popular service which makes bicycles available throughout the city for (mainly) short trips here: www.bikesharetoronto.com/how-it-works/faq#2321. I asked him to stop to meet and asked if I could take a quick photo with my cell phone for my photography and he obliged. Meet Daniel.
It was a brief but friendly encounter and Daniel explained he was redistributing bicycles between the 200 city-wide stations to allow an even supply. I explained my sling, splint, and awkward method of one-handed picture-taking as the result of broken bones and surgery from a recent bicycling accident. Daniel wished me well and explained that he has experienced a broken collarbone from cycling himself but his managed to heal well without surgery. I felt that Daniel and I were brothers in arms. We parted with a left-handed handshake and wished each other a nice day. I caught the nearest streetcar home.
Although I didn’t realize it at the time, my day was going to get more interesting. Within two hours I was in a hospital emergency department being admitted for five days of inpatient care. It has not been a boring summer so far.
Thank you Daniel for stopping to chat. You are now my 285th submission to The Human Family Group on Flickr. Ride safely. It’s a dangerous world out there on the streets of Toronto.
You can view more street portraits and stories by visiting The Human Family.
© All rights are reserved, please do not use my photos without my permission
Name: Daniel Adamson
Year built: 1903
Builder: Tranmere Bay Development Company.
Previous Name: 1903 – 1936 Ralph Brocklebank.
Length: Overall 109.93 feet (33.53 metres)
Breadth: Beam 24.49 feet (7.47 metres)
Depth 6.00 feet (1.83 metres)
Tonnage: Gross 173.00
Engine:Steam compound.
Boiler: Scotch Return Tube.