View allAll Photos Tagged cyberart
This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
The live installation Luminiferous Drift simulates the view from outer space of a hypothetical planet and ist weather phenomena. The experimental arrangement uses macroscopic protocells* to physically simulate the movements of phytoplankton in a biosphere.
credit: tom mesic
The "reactable" has an intuitive user interface sensitive for physical contact which makes music visible and almost graspable. It is based on a luminous round table and can be played simultaneously by several performers. A work by Sergi Jordŕ (ES), Günter Geiger (AT), Martin Kaltenbrunner (AT) and Marcos Alonso (ES) that was awarded with a Golden Nica in the Digital Musics category.
credit: rubra
Photo showing one of the visualizations of "Visualizing Palestine" (PS). "Visualizing Palestine" received an Award of Distinction at the Prix Ars Electronica 2013 in the category Digital Communities.
credit: Visualizing Palestine (PS).
Photo showing Das Vergerät by Boris Petrovsky (DE) during the Cyber Arts Press Tour.
A collection of household appliances—for example, a vacuum cleaner, hair dryer, electric toothbrush and
drill—are grouped together and connected to each other. These are machines that surround us and play
major roles in our everyday lives. The machines in this installation function, though in an unconventional
way. They register the messages and commands visitors speak into a microphone, translate them via speech
synthesis into their own idiom, and repeat them. In Das Vergerät (a German neologism meaning something
like “dis-appliance”) the machines articulate the visitors’ words in a vocabulary of electrical noises.
Credit: Florian Voggeneder
Letting those balloons with attached lights and patents float up to the ceiling was tremendously refreshing.
Photo showing a still from Inside & Between by Gabriel Radvan. Inside & Between won the Golden NIca in the categoriy u19 - CREATE YOUR WORLD in 2015.
credit: Gabriel Radvan
Protei is a fleet of pollution collecting sailing drones. Initiated by Cesar Harada it is a result of collaboration between artists, designers and scientists and as such it belongs to the intersection between fields.It is designed as a low-cost open-source oil collecting device that semi-autonomously sails upwind, intercepting oil sheens going downwind. It is meant to be hurricane-ready, self-righting, inflatable, unbreakable, cheap and easy to manufacture for immediate response. It appropriates existing technologies so that it is possible to apply them quickly to address the crisis. The machine in development now is Protei_Oil_Spill for collecting spilled oil at sea, but being an open source project, other versions may be designed in the future for other purposes : Protei for the North Pacific Plastic garbage patch, heavy metals in coastal areas, toxic substances in urbanized waterways...
credit: Protei
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: Florian Voggeneder
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In the dystopian or seemingly post-apocalyptic setting of Rekion Voice, we are surrounded by robots that are essentially slaves. They are completely under human control: an infrared camera allows them to react directly to their masters, the audience, and follow them with blind loyalty.
credit: Florian Voggeneder
Made with Paintshop for Contest # 14 "May Luck Be On Your Side" on Technicolour Abstract Art
based on this pic:http://www.flickr.com/photos/yunamika/2565037596/ by ***Yuna***
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FIVE VARIATIONS OF PHONIC CIRCUMSTANCES AND A PAUSE by Tania Candiani (MX) received an Award of Distinction in the Hybrid Art category at the Prix Ars Electronica 2013.
credit: Tania Candiani
This work by Tania Candiani (MX) tunes in to the culture of hearing and audio technologies. It’s based on speaking machines and hearing systems, which she implements for poetic actions with machines, language, codification and the audio texture of narration. Each of the machines in Five Variations … addresses and expands on a particular conception associated with devices, instruments or technologies, and subjects their sounds or tonal characteristics to a variation.
Credit: Florian Voggeneder
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Goteo is an open source network in Spain that facilitates crowdfunding for projects that benefit the community. It’s a platform for shared infrastructure with a focus on projects of a social, cultural, scientific, educational, technological or ecological nature that open up new possibilities for communal development and for enriching the facilities and resources available to all members of society.
For their project "Bi0film.net: Resist like bacteria", Jung Hsu (TW) and Natalia Rivera (CO) received a Golden Nica at the Prix Ars Electronica 2022 in the category Interactive Art +.
Photo: Jung Hsu
"SjQ++" generates its own groove with interactions between human players and visual. "SjQ++" received an Award of Distinction in the category " Digital Musics & Sound Art at the Prix Ars Electronica 2013.
credit: SjQ++
Mirage is a projection apparatus that makes uses of principles from optics and artificial neural network research. Mirage generates a synthesized landscape based on its perception through a fluxgate magnetometer (Förster Sonde).
credit: Ralf Becker
Ishin-Den-Shin turns the body into a transmission medium for intimate acoustic communication. The work consists of a microphone that can pick up sound and inaudibly, haptically project it onto the body of the person holding the microphone. The acoustic signal becomes audible only when touching that person’s ear—as if the finger whispered the recorded sounds into the ear that was touched.
Credit: Florian Voggeneder
Photo showing an impression from the CyberArts Exhibition during a tour in the course of the Music Monday.
credit: Florian Voggeneder
Conspiracy: Conjoining the Virtual builds on the artist’s research into how isolating qualities of VR in conjunction with social haptic feedback can expose viewer subjectivity and social influence through the expression of the body. It thus investigates how virtual reality can give us new perspectives on the role of the individual in a collective intention, seeking to expose the fallacy of the hive mind.
Credit: tom mesic
Das Vergerät (a German neologism) means something like “dis-appliance.” 100 used electric household appliances are interconnected and spatially configured as a meta-machine or meta-appliance or as a model of smart homes. 100 is the average number of appliances found in a middle-class household.
credit: Boris Petrovsky
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: tom mesic
Originally, this work is the fourth and final part of the blank project by the artist following the Great East Japan Earthquake in 2011. All four works focus on the void left by natural and artificial disasters - a blank space signifying the unknown future.
The use of this device is not just arbitrary it may be another subconscious giveaway that I grew up in Japan. At the entrance of a shrine there is a gate, or “torii”, which literally means “there is a bird” in Japanese. In Japan, birds symbolize the entrance to another world, just like an arch of branches traditionally forms the boundary between profane human space and the sacred world. So I decided to use the bird as a motif for communication toward non-human beings - not by using technology to imitate or reproduce a bird but by equally genuine imaginary singing. The word “rhetoric”, which forms part of the project title, sometimes implies ‘no meaning at all’. The program enbedded in the device can specify the speed and the angle of the motor control, but not the chirping.
With this imaginary rhetoric, human beings, birds, other living things, and the environment may share a similar misunderstanding. As a human being, I see imaginary rhetoric as something we all have in common. On the whole we neither know nor understand each other.
credit: Soichiro Mihara (JP)
El Campo de Cebada (the barley field) is both a physical and a virtual space, an open source domain in downtown Madrid. Originally a swimming pool complex, it became a 3,500-m2 vacant lot in the heart of town, since, due to the financial crisis, there were no funds to erect a new facility. Following negotiations with municipal officials, El Campo de Cebada was successfully self-administered by locals.
Credit: Florian Voggeneder
Digital interface meets purely analogue sound. Analog sound generators, based on magnetic tape and optical components controlled via graphic score composed with digital interface.
The APPARATUM was inspired by the heritage of the Polish Radio Experimental Studio—one of the first studios in the world producing electroacoustic music. The installation draws inspirations musically and graphically from the Symphony – Electronic Music composed by Bogusław Schaeffer. Bogusław Schaeffer conceived his own visual language of symbols that conveyed the cues for the sound engineer responsible for the production of the piece.
Credit: Pan Generator
The photo shows the jury of the Prix Ars Electronica 2021 in the u19 - create your world category. From left to right: Sirikit Amann, Josef Dorninger, Conny Lee, Mira Lu Kovacs, Tori Reichel; Team Ars Electronica: Marion Friedl, Hans Christian Merten
Credit: Ars Electronica / Martin Hieslmair
The way dogs are dealt with in Mexico is extremely contradictory: on the one hand there are official security regulations that consider the dog a dangerous animal and a health hazard; on the other hand the Federal Civil Code refers to the dog as a “good”, as an object or thing. Starting from this legal paradox, the artist began collecting canine corpses that had been run over and left behind, and then she started making various products from their remains. The dogs were skinned and their fur tanned to make textiles. Soap was made from the body fat extracted in a chemical lab.
credit: tom mesic
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“Not Your World Music: Noise in South East Asia” is a book about art, politics, identity, gender and global capitalism. And it is one of the very few works about noise & sound art and about electro-acoustic, experimental and industrial music of the past and present in Southeast Asia.
Not Your World Music: Noise in South East Asia was awarded the Golden Nica in the category "Digital Musics / Sound Art" at the Prix Ars Electronica in 2017.
credit: Dimitri della Faille
A work also featured in CyberArts 2013, Voices of Aliveness is a vocal sculpture, a so-called metamonument constructed from a collective memory. Participants ride a bike along a “shouting circuit,” a route along which they can feel free to scream their brains out.
Credit: Florian Voggeneder
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Project Fumbaro Eastern Japan was the Japan's largest voluntary initiative after the country was hit by hit by the most devastating earthquake ever recorded there.
credit: PFEJ
Made with Paintshop for Contest # 14 "May Luck Be On Your Side" on Technicolour Abstract Art
based on this pic: www.flickr.com/photos/yunamika/2565037596/ by ***Yuna***
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TORSO #1 is a sound sculpture that is visually reminiscent of a klopotec. This windmill-like wooden construction serves as a scarecrow in vineyards as it mechanically generates sounds and vibrations. Here, an electro-acoustic system of four 100 V loudspeakers rotates at different speeds, generating feedback patterns and modulating sound signals and the spatial sound itself. The targeted acceleration and deceleration of the rotating of the four-voice system serves as the central compositional means for the 35-minute piece – the sculpture becomes an abstract, audiovisual instrument.
Credit: vog.photo
Photo showing Kawarga Dmitry in front of "Down with Wrestlers with Systems and Mental Nonadapters!"
Via a treadmill, installation visitors set a “social mechanism” into motion and can feel a bit like God as they go about it, since the movement of the mechanism as well as of the figures inside depend on the visitor’s own pace. The upshot is experiencing a sort of split consciousness: Does society co-opt us all, or do we create this enslavement mechanism ourselves? Reciting the Dada Manifesto into a microphone causes the installation to vibrate and several of the figures begin to tumble out of it.
Credit: Florian Voggeneder
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See more photos and abstract drawings in my gallery on DeviantArt:
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The investigation of biocultural diversity and identity that Vanmechelen has been conducting since 1999 combines art, science and aesthetics. In his Cosmopolitan Chicken Project, the artist has crossed species of chickens from many different countries. The aim: breeding cosmopolitan poultry with genetic material from every one of the world’s chicken species.
Credit: Florian Voggeneder
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: Florian Voggeneder
In 1562, Flemish artist Pieter Bruegel the Elder completed a painting called The Triumph Of Death. In this panoramic landscape the sky is blotted out by black smoke; ships and dead fish litter the ocean shore; and an army of skeletons experiment with myriad death techniques. Over 200 years earlier, a nasty plague, commonly known as the Black Death, left a cruel and massive mark on european civilization, wiping out half of Europe’s total population. This plague triggered a series of social and economic upheavals with profound effects on the history of medieval Europe, guiding its survivors into the sort of self-inflicted darkness pictured by the Elder Bruegel.
Looking back at this historical trajectory, Peter Burr, Mark Fingerhut, and Forma have created a spiraling inter-dimensional narrative aptly titled DESCENT - a meditation on one of humanity’s blackest hours. Taking the form of a desktop application, descent.exe gives the user a brief glimpse of a world descending into darkness - an unrelenting plague indifferent to the struggles of the user. There is a silver lining, however, tucked into the software’s final sweep. An equanimous watcher, reduced to a single eye, looks on as the plague of rats that has infested your desktop destroys itself.
Credit: Peter Burr, Mark Fingerhut, Forma
Sadly, great mathematician Benoit Mandelbrot, who "discovered" fractals, died today at the age of 85.
R.I.P. and many thanks for his great work and studies.
www.bbc.co.uk/news/world-europe-11560101
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