View allAll Photos Tagged custombuilt
No need for a brake bridge..the bottleneck is recessed on the leading face to take an A/K fastening. Clearances back and front, and cable routing were for DiaCompe 400 Aero brakes.
Built by Otto himself from Columbus Zona and Reynolds 853. Stainless lazer cut decals and head badge brazed with silver.
Built by Otto himself from Columbus Zona and Reynolds 853. Stainless lazer cut decals and head badge brazed with silver.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
Built by Otto himself from Columbus Zona and Reynolds 853. Stainless lazer cut decals and head badge brazed with silver.
Another from the article about our affordable solid state Linux boxes. These systems are being used in business and industrial applications for all kinds of purposes ranging from security, to remote management, to silent media PCs.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
The finger hook is made of nickel-silver, which is harder than brass. Probably why this one isn't bent. The hooks on Buescher's Aristocrat and Custom Built horns looked like this from the '30s to the '50s.
Built by Otto himself from Columbus Zona and Reynolds 853. Stainless lazer cut decals and head badge brazed with silver.
Dixie Manor Bed and Breakfast—A Custom Built Pierce Dollhouse by Deb Roberts of Deb’s Minis. See more at www.debsminis.com
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
The station of Possenhofen, a village on the Lake Starnberg, 30kms southwest of Munich. The bavarian royality owned a chateau in Possenhofen and to have a conveniant access, bavarian King Maximilian II had this station built in 1865. Elisabeth of Bavaria (aka "Sisi") spouse of Francis Joseph I, Empress of Austria, Queen of Hungary, Croatia and Bohemia, spent her youth here. Later she often returned for holidays, using custombuilt "imperial waggons", that parked here. Now it is "only" a station of the S-Bahn, the Munich suburban railway, but inside is a little "Sisi-Museum", officially named "Kaiserin Elisabeth Museum".
This was a good looking horn with plenty of heavy nickel-silver trim, pipe and components. It is real nickel-silver, not nickel-plated brass. This horn was made before Buescher became a student and intermediate horn outfit.
Other than the nickel-silver components, the horn features unusual, heavy octagonal valve caps and buttons. I don't know anything about the horn's internal specs, but they usually differ from the base line Aristocrat. The differences aren't usually just cosmetic.
It is wrapped in what seems to have become the standard American cornet wrap sometime after World War II; I think it may be the first Buescher cornet to feature such a wrap, except possibly one of the Elkhart line horns.
This was not the original lacquer, but it was well applied and the horn didn't get buffed hard. There wasn't much special engraved on the bell, though; "The Buescher Custom Built" if I recall correctly, in a similar engraving style found on the T120 Aristocrat trumpet that's featured in its own set.
Built by Otto himself from Columbus Zona and Reynolds 853. Stainless lazer cut decals and head badge brazed with silver.
Built by Otto himself from Columbus Zona and Reynolds 853. Stainless lazer cut decals and head badge brazed with silver.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
For the sixth year in a row I created a Christmas Lego exhibition for the mall Moldetorget, in down town Molde. This is the third year that we placed it in the window of Norway's oldest photo store, Birkeland Foto AS.
This year I created a Christmas market. You can see a Xmas tree seller, a toy maker, a woman selling food and decorative items and a Pizzeria/Bakery. At the end of the street is a church.
90% of what you see is custom built by me, but there are some models from Lego as well.
Oh, and I also included a lot of film, comics, TV and nerdy references. Can you spot them?
Brass lens fitting off a Bausch & Lomb Optical Com. Rapid Rectilinear lens, used as a larger knob to set the shutter speed.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
Built by Otto himself from Columbus Zona and Reynolds 853. Stainless lazer cut decals and head badge brazed with silver.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.
Aluminium bodied, custom-built camera for 127 format relying to large extent on the mechanics of a Foth Derby.
Used were the Foth Anastigmat f2.5/50mm lens and focussing helical, the strut and bellows system and the cloth focal plane shutter unit with speed settings of B, 1/25, 1/50, 1/75, 1/100, 1/200, and 1/500. The camera also utilises the notched pressure plate with the two red windows from a Foth Derby 2A/2.5.
The unit is hard to date. It clearly utilises components drawn from a Foth Derby 2A which was introduced in 1932 and which was replaced in 1935 by the Forth Derby 3 (which had two green and two red oval windows on the back).
Note the absence of a viewfinder, the presence of an accessory shoe (presumably to fit a removable rangefinder?), and the addition of a larger shutter adjustment knob shaped from the brass fitting of a Bausch & Lomb Optical Com. Rapid Rectilinear lens. The camera has a has a snap-on back lid and the unit is overall is VERY WELL machined.
It is unclear whether this camera is a prototype of some sort, or whether this is a highly skilled personal modification. The fact that pencil-writing on the inside of the fully removable back lid states "winding end" is not necessarily indicative that it was a British-made unit (although it was acquired from the UK).
© Dirk HR Spennemann 2012, All Rights Reserved.