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An artistic exploration of color and form, where Duncan Rawlinson's technique reveals a marbled universe at the intersection of AI and photography.
Questi giorni nel mio sketchbook...
cristinaswatercolors.blogspot.com/2011/04/these-days-in-m...
... I let me go, trying not to worry about the result, to see what can come out.
... mi lascio andare, cercando di non preoccuparmi del risultato, per vedere che cosa ne può venir fuori.
In the echoing chambers of memory, where shadows dance with the remnants of dreams, a woman's thoughts drift to a simpler time, a life painted with the warm hues of shared laughter and humble aspirations.
Beside her, a man's gaze pierces the veil of the present, his mind fixated on the ever-distant horizon of ambition, each achievement a stepping stone to a grander vision.
Yet, in the quiet depths of their hearts, the echoes of their initial dreams, once whispered in the warmth of a shared space, still resonate with the same intensity, a testament to the enduring power of their intertwined ambitions.
"Do you remember the cottage?" she said.
"I do," he said. "The dust in the air, the way the light made it glow like gold... It felt alive, didn’t it?"
"It was alive," she said. "Because we were. Everything we touched felt real. It wasn’t about what we had; it was about what we dreamed."
"And we dreamed of this," he said, gesturing vaguely around them. "A life so vast, so full, it would drown out any doubt."
"But it hasn’t, has it?" she said. "The doubt is louder now than it ever was. It’s deafening."
"I hear it too," he said. "Every time I look at what we’ve built, it whispers that we’ve lost something more precious than we could ever gain."
"We lost ourselves," she said. "Or maybe we just left ourselves behind, somewhere back there, in the cottage, on that rug."
"Do you think we can go back?" he said.
"To the cottage?" she said. "No. The cottage is gone. But we can go back to what it meant. To what we were."
"And what were we?" he said.
"Believers," she said. "Not in wealth, not in power, but in each other. In life, we can create together, not apart."
"It’s strange," he said. "We’ve climbed so high, yet it feels like the ground is further away than ever."
"Because we stopped touching it," she said. "Stopped feeling it beneath our feet. And now, here we are, suspended in a life that feels... weightless."
"Weightless and empty," he said.
"But it doesn’t have to stay that way," she said.
"Do you really believe that?" he said.
"I do," she said. "Because I still hear the song. Do you?"
"The one from the cottage?" he said. "I thought I’d forgotten it. But now... now I think it’s been playing all along."
"It has," she said. "We just stopped listening. But if we can hear it again, we can follow it. It’s never too late."
"And if we follow it?" he said.
"Maybe we’ll find what we lost," she said. "Not the past, but the part of ourselves we left there."
"Together?" he said.
"Always together," she said.
Hand in hand, they turned towards the veiled horizon, and their intertwined ambitions became more determined by the bittersweet wisdom of experience. The future, a vast and unwritten canvas, stretched before them, promising both the thrill of discovery and the ache of uncertainty. With each step, they embraced the unknown, their hearts echoing with the quiet understanding that the pursuit of meaning was a dance with destiny, a journey that would forever wind through the ever-shifting landscapes of their fortunate lives.
Blogger:
www.jjfbbennett.com/2024/12/our-fortunate-lives.html
Keywords:
Dystopia, Utopia, Existentialism, Decay, Resilience, Transformation, Hope, Desolation, Journey, Rebirth, Solitude, Redemption, Wellness, Love, Prosperity, Perfection, Virtual, Illusion
A Standard Digital Double Exposure Photo, using selective part of the double exposure.
For details and how to, please visit blog post "Paintings Of Another Kind" on:
Production Assistant, Mmakgosi Kgabi. Documentation of the creative development process of Inter.Fear, a physical theatre/dance collaboration between Athena Mazarakis (Johannesburg) and Hansel Nezza of Marabula (Barcelona-Berlin) with Interactive Media by Tegan Bristow (Wits Digital Arts, Johannesburg). Due to open at the National Arts Festival, Grahamstown: 6-8 July 2012
Friday 22 June 2012:
The dancer's first encounter with the table at the Brixton Recreation Centre, Johannesburg, South Africa.
We Are Digging For Fire is a blog featuring short written interviews and insight into the inspirations and creative processes of various artists, designers, photographers, and more.
There will be weekly updates.
It's up, check it out, and if you'd like to participate, please let me know and I'll forward the submission criteria.
Blythe is a marketing strategist and tactician. She is a recent convert from client side to agency side, offering a unique, insightful perspective that delivers well thought out, achievable marketing initiatives. Blythe has a passion for timelines, budgets and program analysis, and couples that with an appreciation and eye for solid design.
Blythe discussed tiv's discovery phase in depth which included an incredible feat of collaboration and politics of getting buy-in from about 43 different partners, and 25 different policy makers. She explained the value of investing time during the research phase on exploring who the audience is which is the reason why the design process went a lot faster than expected and, ultimately, why they were spot on and so successful with the deliverables.
Brad and Blythe discussed their naming process and how they came up with "The Partnership" name. They looked at the many sister organizations, discovered The Partnership lived in a world of acronyms and started the process of putting names together, "name storming". They came to realize that the important part is "The Partnership" because it is a statement of what they do. This partnership is really well connected and the name describes and reinforces what they are trying to do and they now refer to themselves as The Partnership formally and informally.
Brandt Hoekenga, Creative Guy, and Blythe Carrillo, Marketing Curator, at TIV walked through two rebrand projects from beginning to end with similar goals but very different approaches:
• The Santa Rosa Violence Prevention Partnership ‪#‎PARTERSHIPUPSR
• The Presidio Social Club
Website: www.thepartnershipsr.org
Facebook: www.facebook.com/PartnerUpSR
Website: www.presidiosocialclub.com
Facebook: www.facebook.com/pages/Presidio-Social-Club/31139309562?f...
tiv website: create-tiv.com
Like tiv on Facebook: www.facebook.com/create.tiv?fref=ts
NBD Meetup: www.meetup.com/North-Bay-Designers-Meetup/
NBD Facebook: www.facebook.com/groups/northbaydesign/
032415 Tale of Two Rebrands by tiv HERO 2756‬
Painting Created Using Digital Double Exposure Photo Compositing Technique.
For details and how to, please visit blog post "Paintings Of Another Kind" on:
You can find a large number of full-resolution photos under a Creative Commons license on my official website: nenadstojkovicart.com/albums