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The Rio Tinto Alcan Planetarium boasts a highly creative architectural design that integrates the latest energy efficiency features. With irregular shapes, enormous conical structures that point skyward, and a mostly aluminum structure (chosen because the material is versatile, durable and recyclable), the Planetarium is one of the most awe-inspiring architectural achievements that Montreal has seen in decades!
Montreal, Quebec, Canada
Thanks a lot for your visits, comments, faves, invites, etc ...
Always very much appreciated !
Regards, Serge
Copyright © Serge Daigneault Photography, 2017
All rights reserved. Do not use without my written authorization.
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX ☆
All rights reserved!
Unauthorised use prohibited!
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX ☆
All rights reserved!
Unauthorised use prohibited!
Yashica FX- D Quartz camera
50 mm lens
f; 4, 1/125
Adox CHS 100 II, 35 mm
b/w negative film
Adox Atomal 49 developer (8 min.)
Home made stop bath (water+alcoholic vinegar)
Adox Adofix rapid fixer (4 min.)
Canoscan 4400F
Musée d’Art Moderne
Luxemburg
...
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX
All rights reserved!
Unauthorized use prohibited!
Yashica FX- D Quartz camera
50 mm lens
Adox CHS 100 II, 35 mm
b/w negative film
Adox Atomal 49 developer (8 min.)
Home made stop bath (water+alcoholic vinegar)
Adox Adofix rapid fixer (4 min.)
Canoscan 4400F
Even by Pilsen's liberal standards of creative architecture and land usage, this one is pushing the envelope. Part garden, art project, mural and back-alley converge to create...whatever you think it may be.
1500 block of West Cullerton, where the south alley is supposed to meet the west alley of Blue Island.
Photography by Christian Nass
Thank you for having the time to look threw my work.
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX ☆
All rights reserved!
Unauthorised use prohibited!
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX ☆
All rights reserved!
Unauthorised use prohibited!
Kathedra - Architectural Landscapes - Chondrös by Daniel Arrhakis (2025)
With the music : DEVIANT by INEKT
Kathedra - Architectural Landscapes
A New creative architectural landscapes abstract series with a futuristic design mood created by Daniel Arrhakis in 2024.
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© VanveenJF Photography
Your rainbow panorama
Besuchen Sie die Skulptur "Your rainbow panorama" auf dem Dach des Aarhuser Kunstmuseums ARoS. Sie können hier das riesige, farbenfrohe Kunstwerk des dänisch-isländischen Künstlers Olafur Eliasson betreten.
Panorama Aussicht
Über eine Treppe bzw. mit Hilfe eines Aufzugs wird der runde aus Glas gestaltete in allen Farben des Lichtspektrums erstrahlende Panoramaweg mit einem Durchmesser von 52 Metern zugänglich sein. Sie bekommen dann auf den 150 Metern eine Rundumsicht über die gesamte Stadt.
ARoS Aarhus Kunstmuseum
Das Konzept des ARoS-Gebäudes beruht auf Dantes "Göttlicher Komödie". Mit dem Dachprojekt wird die künstlerisch gestaltete Verbindung zwischen Himmel und Hölle vollendet. Die Hölle wird auf der ersten Museumsetage mit dem Ausstellungskonzept „De 9 rum“ (Die 9 Räume) dargestellt, wo u.a. Werke von Bill Viola, James Turrell, Tony Oursler und Pipilotti Rist gezeigt werden. Der Himmel wird durch Your rainbow panorama symbolisiert.
#yourrainbowpanorama #arosart #visitaarhus
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX ☆
All rights reserved!
Unauthorised use prohibited!
Quelle:
Took my camera and went exploring the new Western Metro that recently opened in Finland. The new stations look really nice, with some creative architectural decisions.
I'll post some more Metro-related stuff in the coming days.
Theme 'Sky' - My 21st week shot for this 52 week group.
A rare sunny spell between the clouds at the moment, I was pleased with this image as it turned out a bit more than expected - not till post did I realise there were no clouds in the sky just in the reflection. This is the new skyscraper in London 'The Walkie Talkie' not yet finished on the other side.
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20 Fenchurch Street is a 37-storey skyscraper under construction on Fenchurch Street in London. It has been nicknamed the Walkie-Talkie because of its distinctive shape. Upon completion in 2014 the building will be 160 m (525 ft) tall.
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This image has been used on this website - www.wnyc.org/blogs/transportation-nation/2013/sep/03/tn-m...
Also this one - www.school-of-digital-photography.com/2014/05/creative-ar...
Also this one - www.vagabondish.com/shiny-london-building-melts-jag-sunbe...
Also this one - www.bestphotosworld.com/reflections-on-glass-buildings/
Also this one - www.themovechannel.com/news/stories/walkie-talkie-buildin...
Also this one - www.homo-architectus.com/2014/02/mejores-fotografias-arqu...
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Thanks for your Views & Fave & your comments are always welcome.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Images can be used with permission commercially or non but must have creditation and link back to flickr. Please contact me via email or flickrmail.
Photography by Christian Nass
Thank you for having the time to look threw my work.
I really love this one. Taken while leaning out of car. Dare to tell me it isn't gorgeous.........
The St Botolph Building......
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Image Used On This Website - www.school-of-digital-photography.com/2014/04/creative-ar...
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Thanks for your Views & Fave & your comments are always welcome.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Images can be used with permission commercially or non but must have creditation and link back to flickr. Please contact me via email or flickrmail.
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX ☆
All rights reserved!
Unauthorised use prohibited!
pulling upon the patterns in life, this Mandela glass ceiling, offers us repose to consider the intricate values in life
artist:DAX
PHOTOGRAPHOHOLIC
I born to capture |
(C) DAX ☆
All rights reserved!
Unauthorised use prohibited!
#rustlord_archdesign#1_unlimited#espacioenforma#architecture_greatshots#arkiminimal#architecture_view #jj_geometry #arcblu #skyscraping_minimal#tv_buildings #tv_pointofview#archi_unlimited #icu_architecture#excellent_structure #architecture_sweden#lookingup_architecture #arkiromantix#srs_buildings #creative_architecture#theimaged #igstockholm #igscstockholm #viewstockholm
#visitstockholm #ic_architecture#harmonyoflight#art_chitecture_ #pocket_architecture #tv_leadinglines#icu_arch_001
Shiva
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Shiva (pronounced /ˈʃiːvə/; Sanskrit: शिव Śiva, meaning "auspicious one";) is a major Hindu deity, and the Destroyer or transformer of the Trimurti, the Hindu Trinity of the primary aspects of the divine. In the Shaiva tradition of Hinduism, Shiva is seen as the Supreme God. In the Smarta tradition, he is regarded as one of the five primary forms of God.
Followers of Hinduism who focus their worship upon Shiva are called Shaivites or Shaivas (Sanskrit Śaiva). Shaivism, along with Vaiṣṇava traditions that focus on Vishnu and Śākta traditions that focus on the goddess Shakti are three of the most influential denominations in Hinduism.
Shiva is usually worshipped in the abstract form of Shiva linga. In images, he is generally represented as immersed in deep meditation or dancing the Tandava upon Apasmara Purusha, the demon of ignorance in his manifestation of Nataraja, the lord of the dance. He is also the father of Ganesha, Murugan, and Ayyappa.
The Sanskrit word Shiva (Devanagari: शिव, śiva) is an adjective meaning "auspicious, kind, gracious". As a proper name it means "The Auspicious One", used as a name for Rudra. In simple English transliteration it is written either as Shiva or Siva. The adjective śiva, meaning "auspicious", is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.
The Sanskrit word śaiva means "relating to the god Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It is used as an adjective to characterize certain beliefs and practices, such as Shaivism.
Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: "The Pure One", or "the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)" or "the One who purifies everyone by the very utterance of His name." Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means "the One who is eternally pure" or "the One who can never have any contamination of the imperfection of Rajas and Tamas".
Shiva's role as the primary deity of Shaivism is reflected in his epithets Mahādeva ("Great God"; mahā = Great + deva = God), Maheśhvara ("Great Lord"; mahā = Great + īśhvara = Lord), and Parameśhvara ("Supreme Lord").
There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva. The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata is considered the kernel of this tradition.[18] Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names.
Gupta Art
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The Gupta Empire was known for one of the largest political and military empires in the history of ancient India. It was ruled by the Gupta dynasty during the period of around 240 to 550 CE. The area covered by the rulers was comprised of most of the part of northern India, current Pakistan and Bangladesh. The period of the Gupta Empire is marked as Golden age to Indians specially in the field of art. Various subjects covering science, astronomy, religion, and philosophy had reached to the level of excellence during this period. The peace and prosperity were existing in the empire under leadership of Guptas enabled artist to deliver their best. The decimal numeral system, showing the presence of zero was invented in India during the reign of the Guptas. Certainly, to a large extent the Gupta Empire was considered a great power.
This Gupta period is truly marked as the Golden age of Indian culture and art. The examples showing the excellence of their cultural creativity are magnificent through the creative architecture, sculpture, and painting.
The Gupta era was also a golden age for Buddhist art. Uniform artistic standards were set in this period resulted in creation of sculptures at Mathura and Sarnath. Mathura and Sarnath have produced some of the finest specimen of Buddhist art during the Gupta period. Gupta style of art featuring a finished mastery in execution and a majestic serenity in expression was spread to other countries and mainly responsible for influencing Buddhist art in all over Asia.
The period of Gupta dynasty seems to have been a time of relative religious tolerance. This can be pointed out as though the main religion of the Guptas was Hinduism, Buddhism received royal patronage and Jainism appears to have prospered as well.
The sculptures & wall paintings at the Ajanta cave are marvelous example of the greatest and most powerful works of Guptas. The themes of sculptures and paintings from the Ajanta dominate the influence of Buddha. Various art pieces of this place depict about various lives of the Buddha, but apart from it, these are the best source of studying the daily life of in India at the time. Sculptors from Guptas period had carved out of the rock to create these sculptures between 460 and 480 CE. And most of the part is filled with Buddhist sculptures.
The colorful and vibrant art pieces at Ajanta are famous not only for observing details of nature and the urban landscape, but the architecture and furnishing, elegant attire and alluring ornaments on the images are marked with importance. These sculptures carry importance for showing perceptive delineations of a variety of human characters, expressions and moods through its appearance. The most well known work from the Ajanta caves is the "Bodhisattva Padmapani." The colorful image portrays the Buddha in Bodhisattva holding a lotus flower.
The creation of monumental temples during the Gupta period remains as architectural wonders. The cave temples of Elephanta and structural temples of Kanchipuram in Tamil Nadu are enduring legacy Gupta rulers.
An another masterpiece of Guptas art is the rock temple at Elephanta near Bombay. The temple structure contains a powerful, eighteen-foot statue of the three-headed Shiva, known as Trimurthi. Each head of statue represents one of the roles of Shiva: that of creating, that of preserving, and that of destroying. The Gupta period also saw dynamic building of Hindu temples too. All of these temples followed the tradition of having architecture that comprising of a hall and a tower.
All the sculptures produced throughout the Gupta Empire can be marked for having the appearance of relatively uniform "classic" style. The style was spread in other parts of India and in the countries of South and Southeast Asia. The Gupta style in sculpturing has greatly influenced the art of north Indian kingdoms in later period after the end of the Gupta dynasty. There were two main artistic centers for sculpture production: At Sarnath, the images of Buddha with clinging drapery are produced while at Mathura the image following the pattern of string folds in the drapery are created.
Unfortunately, very few monuments built during Gupta reign are able to survive today. Some more examples of presentation of Gupta architecture are found in the Vaishnavite Tigawa temple at Jabalpur in Madhya Pradesh, which is built in 415 CE and another temple at Deogarhnear Jhansi, which is built in 510 CE. Similarly, at Bhita in Uttar Pradesh has a number of ancient Gupta temples, most of them are in ruins.